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Ampersand Scratchbord Claybord InksSave Up to36%Off list…and the project booklets! in Carmine Red, Yellow, Light Green, Ultramarine Blue, Sepia and Black Repair. Not sold individually. Key Features: * Ink set includes 6 -.5 oz bottles* Carmine Red * Yellow* Light Green* Ultramarine Blue* Sepia* Black Repair* Perfect For: * Painting* Drawing* Adding color… Ampersand Scratchbord Claybordâ„¢ Inks Add vibrant color to your scratchboard art with the inks specifically designed for Scratchbord™ and Claybord™. These pigmented inks are permanent, transparent and waterproof. Formulated for adding color to scratchboard, these terrific inks create vibrant colors without leaving an inky residue on black areas. On Claybord & other fine surfaces, these inks can also be used for painting and drawing. What a perfect accessory to the Ampersand line and the project booklets! in Carmine Red, Yellow, Light Green, Ultramarine Blue, Sepia and Black Repair. Not sold individually. Key Features: * Ink set includes 6 -.5 oz bottles* Carmine Red * Yellow* Light Green* Ultramarine Blue* Sepia* Black Repair* Perfect For: * Painting* Drawing* Adding color to scratchboard* Creating vibrant colors * Claybord & other fine surface See More
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Awagami Creative Washi Paper Pack, 1lbSave Up to29%Off listAssorted Colors Feed your paper addiction with this giant set! At Awagami, creativity starts with paper; that's why the Creative Washi Packs include a diverse range of colorful papers. The decorative washi papers are perfect for Origami, scrapbooking, or book art projects. Feed your paper addiction with this giant package of paper. Contents vary a bit from pack to pack, but each assorted paper pack weighs about 1 pound, and each mixed naturals paper pack contains 50 sheets. Key Features: * Decorative washi paper * About 1 pound of paper in each assorted pack * 50 sheets in each mixed naturals pack * Random paper sizes and designs * Made by skilled artisans in Japan Perfect For: * Origami * Scrapbooking * Fine book art projects * Collage designs See More
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Ampersand Museum Series ScratchbordsSave Up to40%Off list…scratchbord with a spray fixative to dissolve fingerprints or smudges. Then, frame your art without glass. Scratchbord Essentials Etching Set - This perfect gift package comes with everything needed for etching including three sizes of Scratchbord, a Scratchbord tool kit and Scratchbord ink set. Claybord Black™ Surface! Ampersand Scratchbords have all the features and benefits of Claybord, including its archival properties. Under its India ink layer, Scratchbord has a smooth, absorbent kaolin clay ground applied to a sealed, 1/8" True Artist Hardbordâ„¢. Simply put, Scratchbord is Ampersand’s Claybord panel, sprayed with an even coat of high-quality, deep black India Ink. Originally developed as an alternative to scratchboard paper, it is the surface of choice for most professional scratchboard artists today. Not only can you create exquisite white-on-black art, you can add color to create amazing colorful scratchboard works. Colored inks can be applied to the white areas and then scratched again for to create additional highlights and volume. Ampersand offers a collection of Scratchbord/Claybord Inks The Professional's Choice for Scratchboard Products! Perfectly Inked Clay Surface -Scratchbord™ has a smooth, absorbent kaolin clay ground evenly coated with India Ink. Acid-free and absolutely archival. Create the Finest Detail -Scratch easily with controlled, clean, crisp white lines to create exquisite white on black art. Will not tear, crack or bend. For best results, try the Claybord™ tools & accessories. Frame without Glass -Seal finished scratchbord with a spray fixative to dissolve fingerprints or smudges. Then, frame your art without glass. Scratchbord Essentials Etching Set - This perfect gift package comes with everything needed for etching including three sizes of Scratchbord, a Scratchbord tool kit and Scratchbord ink set. See More
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Nitram Charcoals & AccessoriesSave Up to30%Off listRich, Black Charcoal For Drawing! Nitram has long been the expert in making rich black charcoal for discerning artists. The charcoal comes in sticks, batons, powders, liquids, and watercolor pans. These different types of charcoal allow you to create expressive drawings and paintings. Nitram… Rich, Black Charcoal For Drawing! Nitram has long been the expert in making rich black charcoal for discerning artists. The charcoal comes in sticks, batons, powders, liquids, and watercolor pans. These different types of charcoal allow you to create expressive drawings and paintings. Nitram charcoal is less likely to break. The wood used to make it is carefully processed to preserve the cell structure. This unique production method keeps the charcoal strong and resistant to breakage. It doesn't crumble or skip when used expressively or under pressure. The baton mignoettes holder is a great way to hold and use Nitram charcoal. Nitram's Sharpening Bloc is for artists that like their drawing tools sharpened. Use it to give your charcoal sticks a fine point! Key Features: * Several sizes and formats are available * Available in different hardnesses * Charcoal is resistant to breaking * Draw with or without a charcoal holder * Sharpener available with refill pads Perfect For: * Drawing and sketching * Painting with charcoal * Creating brilliantly dark lines * Shading and drawing shadows See More
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Ampersand Claybord 1/8" Flat Panel (Box of 2) + 2 Micron Pens BundleSave Up to43%Off listWhite Claybord™ The Ultimate Multi-Media Panel Museum Series Claybord™ is made using 1/8” Hardbord panels, featuring Ampersand’s simply amazing kaolin clay ground formula. This ultra-smooth sanded, highly absorbent clay ground is similar in paintability to the clay gesso grounds used during the Renaissance and allows paint colors to remain true and brilliant! While Claybord allows the use of traditional materials, tools, and techniques, it is also an ideal surface for mixed media and experimentation. Details can be added, highlights created, and mistakes corrected. Apply paint and ink using brushes, sponges, palette knives, paper towels, airbrush, technical pens, and painting tools. Claybord is also an excellent printing surface, and can also be used for image transfers. Key Features:* Acid-free, ultra-smooth, highly absorbent kaolin clay ground * Amazing with alcohol inks * Protected by Ampersand’s proprietary Archiva-Seal barrier technology, the most advanced formula for sealing wood * Cradles constructed using premium grade 13-ply birch plywood* Archival, eco-friendly and fully made in the USA* Perfect For:* Ink, graphite, acrylic, gouache, collage, egg tempera, airbrush, scratchboard, and more.* Ideal for image transfers and as a printing surface* Additive and subtractive processes with any artists tools* Surface ideal for brittle media like egg tempera and caseins * 1/8" Flat Panels - ideal for plein air and studio painting— slips easily into pochade boxes. Flat panels allow for standard framing. * 3/4" Cradled Panels - offer more support for using heavier mediums and built-up textures. The depth allows for traditional canvas-style framing or floater frames. * 1-1/2" Cradled Panels - offer more support for using heavier mediums and built-up textures. The depth allows for traditional canvas-style framing or floater frames. * 2" Deep Cradle Panels - for maximum support and frameless presentation, all in one. With Claybord, paints, and inks can be manipulated to vary tonal values, develop highlights, and correct mistakes. Various artist tools, such as Ampersand scratchboard tools, hobby knives, razor blades, etching tools, sand paper, oil-free steel wool, and electric erasers, can be used. Claybord's clay coating allows for the use of sgraffito techniques to cut into the surface and re-expose the white clay ground. The coating is 7 to 10 dry-mils thick, allowing for multiple cut-ins or erasers. The smooth finish and the absorbency of the clay ground allow the use of abrasives like oil-free steel wool or sand paper to remove pigment without damaging the finish. Ampersand & Golden High Flow Acrylics Smooth Sampler Value Pack - Ampersand and Golden Artist Colors have teamed up to introduce artists to the amazing synergistic possibilities that exist with our smooth panels and Golden's High Flow acrylics. Includes: * 9x12" 3/4" Ampersand Claybord * 9x12" 7/8" Artist Panel Primed Smooth * 1 oz Golden High Flow Acrylic Color - Green Gold * 1 oz Golden High Flow Acrylic Color - Indigo Only Ampersand builds their cradles by hand with premium grade 13-ply birch plywood for maximum stability and a clean, finished look from edge to edge. Claybord is archival, eco-friendly, formaldehyde-free, and made by hand in the USA. See More
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Awagami Japanese Handmade PapersSave Up to24%Off list…30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage,… Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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