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Amsterdam Standard Series Acrylic Paints - Pewter, 120mlSave Up to35%Off list
Starting At: 5.98
Grey An excellent choice for the beginning or intermediate artist! An excellent medium body acrylic paint for the artist who seeks high quality and high value. Made in Holland from carefully selected pigments. Features include a very high level of lightfastness, short drying time, and an acrylic resin paint that is virtually odorless when wet. The Standard Series Amsterdam Acrylic colors can be mixed with water or acrylic mediums, and clean up requires only water and soap. Their thick creamy consistency is perfect for Oil like effects. Amsterdam Acrylics are quick drying and non-toxic, so they are perfect for the student or studio! Please click on the yellow circle technote icon to view pigment information for each individual color. Key Features:* Thick medium body acrylic paint* 100% acrylic resin* High level of lightfastness* Short drying time* Virtually odorless* Quick drying and non-toxic Perfect For:* Oil type effects* Impasto* Heavy application* Clean up with soap and water* Classroom or studio* Beginner and intermediate artists See More -
GOLDEN Open Acrylic Paints Neutral Grey 5 8 ozSave Up to30%Off list
Starting At: 8.74
Grey Slow-drying acrylic paint that enables painters to explore techniques GOLDEN OPEN paint is a slow-drying acrylic paint that enables painters to explore techniques traditionally reserved for oil paints. The slow-drying quality gives artists longer working time for easier blending and even subtractive techniques. There is a unique thinner and mediums for use with OPEN, but the paints are compatible with regular fast-drying acrylics and clean up with soap and water like regular acrylics. OPEN Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion to produce a paint with a uniquely relaxed set of working characteristics and a versatility that allows artists to explore a wider range of techniques such as portraiture and landscape painting that rely on softening, shading, glazing, and creating fine detail. Increased working time of these colors expands their range to include more traditional techniques once only possible with oils Key Features:* Resists skinning, remain wet on the palette for extended periods* Feels like no other paint* Stays wet longer* Expands the boundaries of acrylics* Formulated with an optimum balance* Tubes: 2oz. & 5oz. / Jars: 4oz. & 8oz.* Titanium White: 32oz. Jar* 100% acrylic polymer dispersion* Perfect For:* A uniquely relaxed set of working characteristics and versatility* Allowing artists to explore a wider range of techniques* Portraiture and landscape painting* Softening, shading, glazing, and creating fine detail* Plein air painting, mono-printing, and screenprinting* Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors* Reducing the amount of paint wasted and preserving color mixtures for future use How long does it take for Golden Open acrylics to dry? GOLDEN OPEN typically dries in 3-5 hrs. To control viscosity while maintaining the maximum working time Use OPEN Mediums and Thinner. To accelerate drying time, OPEN Acrylics may be blended with faster-drying GOLDEN Acrylics, Gels, and Mediums. OPEN Acrylics resist skinning, remain wet on the palette for extended periods, and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, mono-printing, and screenprinting. OPEN Acrylics may be blended with other GOLDEN Acrylic Colors, Mediums, and Gels, with the open time of the resulting mixtures being proportionately reduced. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. See More -
GOLDEN Fluid Acrylics Payne's Gray 8 ozSave Up to30%Off list
Starting At: 13.50
Grey GOLDEN Fluid Acrylics provide a highly intense, permanent acrylic with a consistency similar to india ink. Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. Fluids allow for smooth flowing applications while retaining color intensity, tinting strength, film integrity, and adhesion. Fluids blend easily with all acrylic colors, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles. Key Features: * Smooth flowing applications * Permanent and lightfast colors * Extremely versatile * High tinting strength * Low-viscosity, pigment-saturated paint * Retain excellent flexibility when dry * High pigment levels suspended in an acrylic polymer vehicle * Perfect For: * Fine brushwork * Glazing and staining * Water media techniques * Dry brush application * Spraying, brushing, and staining * Allowing for longer, more uniform brush strokes * Absorbing the constant stress and strain placed on canvas Golden Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility, and good adhesion. * Golden Fluid Acrylics Interference Colors which reflect their own colors in intense direct light and transmit a complement in indirect light. This "flip" varies according to the surface and the surface color. Adding a small amount of black will produce brighter colors. * Golden Fluid Acrylics Iridescent Colors reflect their own light. They appear differently dependent on the light source being either direct or indirect. Mix these colors into other GOLDEN colors to produce the greatest array of pearlescent colors imaginable. Experiment for unique and fascinating effects. See More -
GOLDEN MSA Varnish w/ UVLS, Matte 8ozSave Up to30%Off list
Starting At: 10.49
…used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein* As a topcoat for acrylics For restoration purposes, the varnish may be removed with MSA Solvent, full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or… Varnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides increased resistance to the harmful effects of ultraviolet radiation, making the product suitable for exterior as well as interior application. MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein. As a topcoat for acrylics, it provides a harder, lower tack surface that is much less susceptible to dirt and is more mar resistant. GOLDEN MSA - available in Matte, Satin, and Gloss finishes. A mineral spirit based acrylic resin system that forms a tougher, less permeable film than waterborne acrylic varnishes. Can be applied to acrylic, oil, and alkyd painted surfaces. Reduces dirt penetration and surface marring, offering an extremely level film with less foam and fewer pinholes. Removable with mineral spirits after drying; recommended for interior or exterior use. Not for use by children. Thins with MSA Varnish Solvent. MSA Varnish Solvent - the ideal solvent for thinning GOLDEN MSA Varnishes, which must be thinned before use. MSA Solvent assures clear, clean, even application. Can be used to remove MSA Varnish at a later time for restoration purposes. * Protects against dirt and dust* Provides moisture resistance* MSA UVLS: Ultraviolet Light Stabilizers (UVLS)* MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein* As a topcoat for acrylics For restoration purposes, the varnish may be removed with MSA Solvent, full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or distilled or rectified turpentine. MSA Varnish (Gloss) dries to a highly reflective finish. MSA Varnish (Satin) offers moderate reflection, similar to most matte varnishes. MSA Varnish (Matte) finish is exceptionally flat. The different finishes can be intermixed to achieve the desired sheen. Note that the matte and satin MSA varnishes will lighten dark value colors, which is typical of reduced sheen varnishes. Please note: Upon arrival, labeling may be different than pictured due to a packaging change by the manufacturer. See More -
GOLDEN Heavy Body Acrylics - Neutral Grey No. 5, 8oz JarSave Up to30%Off list
Starting At: 8.74
Grey Golden Heavy Body Acrylic Paints- Professionally Loved Acrylics! The original line of paints! GOLDEN Heavy Body acrylic paints are known to be exceptionally smooth with a thick, buttery consistency and contain the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body acrylic color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. Colors that are more reactive and do not accept high pigment loading, dry to a glossy finish and tend to be more transparent. Heavy Body colors contain no additives, such as matting agents, therefore the gloss of each color will be different. Key Features:* Exceptionally smooth, rich, buttery consistency* Dries quickly, permanent and archival in quality* Ability to "stand up" and retain brush strokes* All HB colors are thixotropic in nature* Retain excellent flexibility when dry, diminishing the possibility of cracking* Heavy Body viscosity can also be reduced successfully with water* No flattening agents* No opacifiers added to colors* Clearest and cleanest quality* 101 different colors, shades and tints* 30 colors are mixture colors, the rest of produced from single, unique pigments* Concentrated/Chemically Pure Cadmiums Perfect For:* Approved for professional artist* 100% acrylic binder* Freeze-thaw stability* "stand up" and retain brush strokes or palette knife marks on the canvas* Largest assortment of unique pure pigments* There are no fillers, extenders, opacifiers, toners, or dyes added* Can be mixed with all of our GOLDEN Mediums, Gels and other paint lines C.P. Cadmiums = A grade that has a high concentration of cadmium and is considered the highest quality. The C.P. designation has been associated with both “Chemically Pure” and "Concentrated Pigment". Which translation you come across will often depend on the source and context. In terms of “(CC)”, it refers to “Concentrated Cadmium” and was adopted by the ASTM (American Society for Testing and Materials) as a way to differentiate higher quality cadmiums from lesser quality cadmium-barium pigments. All Heavy Body colors are thixotropic in nature This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of our pigments Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More -
Fabriano 1264 Mixed Media Spiral Pad - 11"x14", 120lb Black (20-Sheet)Save Up to33%Off list
Starting At: 12.23
Black Various wet and dry media applications! Fabriano 1264 Mixed Media Pads feature 120 lb. (200gsm) acid-free paper sheets. The soft mixed media paper has a medium-textured surface finish with a unique sizing perfect for withstanding the demands of wet and dry techniques. Fabriano 1264 Mixed Media paper is excellent for those mixed media applications that blend dry and wet media with collage elements. Each paper sheet is made using Hydro-Power and is FSC certified. Pads are spiral-bound and contain micro-perforated sheets. Ideal for works in graphite, colored pencil, watercolor, marker, pen and ink, gouache, collage, and almost any art media combination! Key Features:* 120lb (200gsm) weight* AvaIlable in Soft White and Black* Acid-free medium textured paper* Spiral-bound pad* 25 or 40 micro-perforated sheets* FSC certified paper* Made in Italy Perfect For:* Colored pencil and graphite* Various wet and dry media applications* Finished artwork* Graphite, colored pencils, markers, watercolor, gouache, pen & ink, gel pens, and more!* Intricate drawings* Illustration* Students and professionals alike* Spontaneous sketching and Plein air work See More -
SoHo Watercolor Spiral Pad 11"x14", 140 lb. Cold Press (12 Sheets)Save Up to54%Off list
Starting At: 4.99
White 25% Cotton Paper For Watercolorists And Illustrators SoHo Watercolor Paper is a reliable choice whether you're a student or a seasoned artist. The 140 lb. cold press paper is a 25% cotton and 75% lignin-free cellulose blend, both internally and externally sized for optimal absorbency. The longer cotton fibers add strength and absorbency to the shorter cellulose fibers, ultimately creating a paper that ranks above other student-grade watercolor papers. Each sheet is machine-made and has a balanced grain that softens evenly when wet, making it an ideal surface for watercolor and gouache. SoHo Blocks and Pads are available in various sizes, with 20 sheets per block and 12 sheets per pad. Responsibly Made With Sustainable Resources! The cellulose used to create SoHo Watercolor Paper is responsibly sourced from FSC-certified forests, and the pulp is bleached with chlorine dioxide instead of elemental chlorine gas. Thus, making SoHo Watercolor Paper a sustainable choice for the planet and your artwork. Key Features: * 140 lb. cold press texture * 25% cotton, 75% cellulose * Machine-made for consistency * Acid-free and lignin-free * Sized internally and externally * Elemental chlorine-free (ECF) * Sourced from FSC-certified forests Perfect For: * Watercolor and gouache * Acrylic and ink * Charcoal and graphite * Plein air painting and travel * Fine students and artists See More -
New York Central Watercolor Paper 140 lb Cold Press - 11" x 14" (10 Pack)Save Up to75%Off list
Starting At: 3.81
White Premium 140lb & 300lb watercolor paper at an affordable price New York Central’s Watercolor Paper is made on a slowly rotating cylinder mould. The machine evenly distributes long cotton fibers to make each durable sheet. Internal gelatin sizing prevents paint bleed-through and preserves color vibrancy. Each sheet is 100% Cotton and has a balanced grain that softens as a unit when wet. The paper can withstand a multitude of techniques, including wet color blending, paper scratching, and scrubbing. The 5x7", 9x12", 11x14", 16x20", and 22x30" watercolor sheets come in reusable zip-top packaging designed to keep your paper clean. New York Central® Watercolor Paper is ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Key Features: * Available in rough, cold, and hot press * Bright white 140lb & 300lb paper made with 100% cotton * Acid-free and archival * Internally sized with gelatin sizing * Sizing preserves the luster and transparency of watercolors * Superior surface stability * Made on cylinder mould * Holds up to scrubbing and erasing * Sold in sheet packs of 10 * Convenient zippable packaging keeps your paper clean Perfect For: * Wet and dry media* Watercolor, gouache, ink, and fluid acrylic* Scrubbing and color lifting techniques* Professional watercolorists* All water media! See More -
SoHo Select Stretched Watercolor Paper 5/8" Deep 140lb Hot Press 11"x14"Save Up to55%Off list
Starting At: 3.59
White It's Not Canvas, It's Stretched Cotton Watercolor Paper! SoHo Select Stretched 100% Cotton Watercolor Paper offers an exciting new way to display artwork on paper. The strong, durable paper is stapled to a wooden stretcher frame, just like a traditional canvas. Internal and external sizing prevents over-absorption and helps vibrant colors stand out on the surface. The grain of the paper softens when wet and tightens as it dries on the frame. Mixed media effects can be achieved by allowing wet media to dry before adding each layer. Best of all, the stretcher frame makes it easy to showcase your art without worrying about matting and framing. However, any ready-made frame (with or without glass) can also be used to enhance your artwork even more. You could even use a floater frame with your watercolor art! Key Features: * 140 lb. (300 gsm) Hot Press * Acid-free, 100% cotton watercolor paper * 5/8" stretcher frame depth * Back stapled construction * Internally and externally sized * Tightens on the frame as it dries * Versatile paper for a variety of media Perfect For: * Watercolor, acrylic, colored pencil, and charcoal * Dry media, pen & ink, and more * Mixed media collage * Artists of all skill levels * Saving money on framing * Painting parties and workshops Artist Tip: Use watercolor fixative on top of dried layers to keep them from re-wetting. If no glass is used for framing, you may want to protect your watercolor artwork with a varnish. See More
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