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Stonehenge Oil Aluminum Artist Panel 320gsm - 9" x 12" WhiteSave Up to20%Off listWhite Support Will Not Bend or Buckle, No Matter What! Jump straight into your next painting with Stonehenge's ready-to-paint sturdy aluminum oil panels. The lightweight yet rigid 1/8" thick panels are pre-mounted with an archival sheet of oil paper, perfect for creating rich layers of texture. The durable 100% cotton paper welcomes layers and layers of brushwork and retains every detail without the threat of ghosting or bleed-through. These ready-to-frame art panels are virtually unbreakable and provide an unyielding foundation for working with oils, acrylics, and oil pastels. Key Features: * 100% cotton oil paper * 140lb (320gsm) weight * Mounted on 1/8" thick aluminum panel * Acid-free and pH-neutral * Rounded corners * Rigid, will not bend or bow * Brushed aluminum on the reverse side * Additional painting surface on the back * Made in the USA Perfect For: * Oil paint, oil pastel, and acrylic * Gouache and oil paint sticks * Plein Air and travel * Layers and layers of brushwork * Smooth color gradations and transitions * Building layers of texture See More
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GOLDEN Fluid Acrylics Dioxazine Purple 16 ozSave Up to30%Off listViolet GOLDEN Fluid Acrylics provide a highly intense, permanent acrylic with a consistency similar to india ink. Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. Fluids allow for smooth flowing applications while retaining color intensity, tinting strength, film integrity, and adhesion. Fluids blend easily with all acrylic colors, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles. Key Features: * Smooth flowing applications * Permanent and lightfast colors * Extremely versatile * High tinting strength * Low-viscosity, pigment-saturated paint * Retain excellent flexibility when dry * High pigment levels suspended in an acrylic polymer vehicle * Perfect For: * Fine brushwork * Glazing and staining * Water media techniques * Dry brush application * Spraying, brushing, and staining * Allowing for longer, more uniform brush strokes * Absorbing the constant stress and strain placed on canvas Golden Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility, and good adhesion. * Golden Fluid Acrylics Interference Colors which reflect their own colors in intense direct light and transmit a complement in indirect light. This "flip" varies according to the surface and the surface color. Adding a small amount of black will produce brighter colors. * Golden Fluid Acrylics Iridescent Colors reflect their own light. They appear differently dependent on the light source being either direct or indirect. Mix these colors into other GOLDEN colors to produce the greatest array of pearlescent colors imaginable. Experiment for unique and fascinating effects. See More
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GOLDEN MSA Varnish w/ UVLS, Matte 16ozSave Up to30%Off list…used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein* As a topcoat for acrylics For restoration purposes, the varnish may be removed with MSA Solvent, full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or… Varnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides increased resistance to the harmful effects of ultraviolet radiation, making the product suitable for exterior as well as interior application. MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein. As a topcoat for acrylics, it provides a harder, lower tack surface that is much less susceptible to dirt and is more mar resistant. GOLDEN MSA - available in Matte, Satin, and Gloss finishes. A mineral spirit based acrylic resin system that forms a tougher, less permeable film than waterborne acrylic varnishes. Can be applied to acrylic, oil, and alkyd painted surfaces. Reduces dirt penetration and surface marring, offering an extremely level film with less foam and fewer pinholes. Removable with mineral spirits after drying; recommended for interior or exterior use. Not for use by children. Thins with MSA Varnish Solvent. MSA Varnish Solvent - the ideal solvent for thinning GOLDEN MSA Varnishes, which must be thinned before use. MSA Solvent assures clear, clean, even application. Can be used to remove MSA Varnish at a later time for restoration purposes. * Protects against dirt and dust* Provides moisture resistance* MSA UVLS: Ultraviolet Light Stabilizers (UVLS)* MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein* As a topcoat for acrylics For restoration purposes, the varnish may be removed with MSA Solvent, full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or distilled or rectified turpentine. MSA Varnish (Gloss) dries to a highly reflective finish. MSA Varnish (Satin) offers moderate reflection, similar to most matte varnishes. MSA Varnish (Matte) finish is exceptionally flat. The different finishes can be intermixed to achieve the desired sheen. Note that the matte and satin MSA varnishes will lighten dark value colors, which is typical of reduced sheen varnishes. Please note: Upon arrival, labeling may be different than pictured due to a packaging change by the manufacturer. See More
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Magnani 1404 Firenze Acrylic Pad 188lb - 9" x 12" (15 Sheets)Save Up to40%Off listWhite 100% Cotton Paper Made with 600 Years of Knowledge Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 Firenze Acrylic Paper is perfect for anyone who desires the highest quality paper available. Magnani 1404 Firenze Acrylic Paper is made entirely from 100% cotton. Long cotton fibers are evenly distributed onto a slowly rotating wire cylinder before being pressed onto special Magnani marking felts and dried. Thanks to its internal and external vegan sizing, the 188lb paper has superior absorbency and can withstand multiple layers of acrylic paint. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Key Features: * 100% cotton, acid-free archival acrylic paper * Mould made on a cylinder machine * Heavy 188lb weight * Rough surface texture * Internal and external vegan sizing * Acid-free, pH-neutral, and chlorine-free * Traditional natural white color * No optical brighter agents used * Sheets have 4 deckled edges and a watermark * Made in Italy Perfect For: * Acrylic painters * Wet and dry media * Acrylic, gouache, ink, and watercolor * Working with graphite, colored pencils, pastels, and charcoal * Palette knife or brush application * Working with multiple layers * Painting on the go * Traveling See More
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Schmincke Horadam Watercolor Color Card, 140 Color ChartSave Up to40%Off listAssorted Colors Horadam Watercolors Outperform All The Rest! Schmincke has been producing its Horadam line of watercolors since 1881. Today the Horadam line includes 189 glorious colors, 152 of those colors have the highest lightfastness ratings of 4 or 5 stars. 95 of the colors are formed with a single pigment for perfect mixing effects. Each color has its own independently optimized recipe made of the finest pigments, Ox gall, and traditional binders. Schmincke uses only Kordofan Gum Arabic from the southern Sahara a natural resin binder. Horadam colors can be raised from a dried palette without developing globules. Colors that have dried on the palette can be awakened with a wet brush and reused an infinite number of times. Schmincke limits use of ONETZ (ox gall) as a dispersant. This helps the artist maintain full control of color, even on softer papers. Key Features: * Made in Germany * Highest possible lightfastness: 152 tones * 50 Granulating colors * Paint is reusable once dried on palette * Gum Arabic binding medium * Limited use of ox gall as a dispersant * High control of paint flow Perfect For: * Watercolorists * Professional artists with high standards * Illustrators * Color mixing * Plein Air painting * Soft sized papers Most of the Horadam watercolors are non-granulating and have an even paint flow, but 22 colors are granulating. You can spot granulating colors by the G stamped on the tube. Granulation is caused by: * Heavy pigment particles, like cobalt, settling in paper indentations. * Light pigment particles clustering together due to attraction. You can mix super granulating colors to create unusual color shifts. The granulating color shift will vary with the mixing ratio used. What is the right paper for granulation? The rule is: The rougher the paper, the greater the granulating effect. More absorbent papers need a little more water. Hot-pressed paper is unsuitable for granulating effects. Schmincke Horadam Watercolor Limited Edition Curated Wood Box Set, While Supplies Last! - A Jerry's Exclusive Set: 12 half pans, 5ml tube of titanium white, and 3 large empty pans, Wooden box palette and a Create your own color chart See More
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Winsor & Newton Professional Watercolor 109 Color Dot CardSave Up to45%Off listAssorted Colors Only the purest pigments to ensure quality and permanence Artist Henry Newton and chemist William Winsor introduced moist watercolors to the world in 1835. Professional Watercolor Paints are still made by offering artists the most comprehensive balanced choice of pigments with the greatest possible lightfastness. Advances in pigment technology and production have improved the watercolor range. Each color within this wide range has been formulated so that artists can use the color palette that best suits their work. Besides, many of the watercolor recipes have not changed in over 180 years, proving they cannot be improved! Key Features: * Range of 108 colors * 79 Single pigment colors * 5ml, 14ml, and 37ml tubes * Carefully formulated and milled colors * Colors have a unique brilliance and clarity * The greatest possible permanence * Lightfast and permanent * Unrivaled transparency * Best pigment dispersion * Perfect For: * Professional Watercolorists * Painting breathtaking washes with ease * Beautifully clean color mixing * Permanent, professional works of art * Stands nicely on watercolor paper * Free flowing, vivid watercolor painting See More
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GOLDEN Heavy Body Acrylics - Light Magenta, 16oz JarSave Up to30%Off listRed Golden Heavy Body Acrylic Paints- Professionally Loved Acrylics! The original line of paints! GOLDEN Heavy Body acrylic paints are known to be exceptionally smooth with a thick, buttery consistency and contain the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body acrylic color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. Colors that are more reactive and do not accept high pigment loading, dry to a glossy finish and tend to be more transparent. Heavy Body colors contain no additives, such as matting agents, therefore the gloss of each color will be different. Key Features:* Exceptionally smooth, rich, buttery consistency* Dries quickly, permanent and archival in quality* Ability to "stand up" and retain brush strokes* All HB colors are thixotropic in nature* Retain excellent flexibility when dry, diminishing the possibility of cracking* Heavy Body viscosity can also be reduced successfully with water* No flattening agents* No opacifiers added to colors* Clearest and cleanest quality* 101 different colors, shades and tints* 30 colors are mixture colors, the rest of produced from single, unique pigments* Concentrated/Chemically Pure Cadmiums Perfect For:* Approved for professional artist* 100% acrylic binder* Freeze-thaw stability* "stand up" and retain brush strokes or palette knife marks on the canvas* Largest assortment of unique pure pigments* There are no fillers, extenders, opacifiers, toners, or dyes added* Can be mixed with all of our GOLDEN Mediums, Gels and other paint lines C.P. Cadmiums = A grade that has a high concentration of cadmium and is considered the highest quality. The C.P. designation has been associated with both “Chemically Pure” and "Concentrated Pigment". Which translation you come across will often depend on the source and context. In terms of “(CC)”, it refers to “Concentrated Cadmium” and was adopted by the ASTM (American Society for Testing and Materials) as a way to differentiate higher quality cadmiums from lesser quality cadmium-barium pigments. All Heavy Body colors are thixotropic in nature This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of our pigments Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
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Winsor & Newton Professional Watercolor 109 Color Dot CardSave Up to45%Off listAssorted Colors Winsor & Newton Professional Watercolor-The finest watercolor offering the widest choice of pigments & the highest possible permanence Since 1832, when chemist William Winsor and artist Henry Newton introduced the first moist watercolors, the love affair with Winsor & Newton and the brand's reputation for supreme quality rose from the flagship Professional Watercolor range. The range of 108 colors is truly unique, with each color carefully formulated and milled according to Winsor & Newton's time-tested founding principles: to artfully and scientifically create colors that are the standard-bearers of clarity and brilliance and to achieve the greatest possible permanence. Key Features: * 108 Color Range - Half Pans* Unique brilliance and clarity* More permanence than ever before* Produces breathtaking washes with ease* Each color carefully formulated and milled* Clarity and brilliance and to achieve the greatest possible permanence* 5 NEW Jewel-like colours* 7 NEW cadmium-free colours * See More
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Fabriano 1264 Mixed Media Spiral Pad - 9"x12", 120lb Black (20-Sheet)Save Up to33%Off listBlack Various wet and dry media applications! Fabriano 1264 Mixed Media Pads feature 120 lb. (200gsm) acid-free paper sheets. The soft mixed media paper has a medium-textured surface finish with a unique sizing perfect for withstanding the demands of wet and dry techniques. Fabriano 1264 Mixed Media paper is excellent for those mixed media applications that blend dry and wet media with collage elements. Each paper sheet is made using Hydro-Power and is FSC certified. Pads are spiral-bound and contain micro-perforated sheets. Ideal for works in graphite, colored pencil, watercolor, marker, pen and ink, gouache, collage, and almost any art media combination! Key Features:* 120lb (200gsm) weight* AvaIlable in Soft White and Black* Acid-free medium textured paper* Spiral-bound pad* 25 or 40 micro-perforated sheets* FSC certified paper* Made in Italy Perfect For:* Colored pencil and graphite* Various wet and dry media applications* Finished artwork* Graphite, colored pencils, markers, watercolor, gouache, pen & ink, gel pens, and more!* Intricate drawings* Illustration* Students and professionals alike* Spontaneous sketching and Plein air work See More
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Yasutomo Mineral Paper Pad 9x12" 20-SheetsSave Up to20%Off listWhite Paper made from rocks, not trees!! Made from 80% calcium carbonate, Mineral Paper provides a unique surface for dry and wet media. Because the paper is bonded with a small amount of HDPE (plastic), it can handle more abuse. Yasutomo Mineral Paper is tear-resistant, foldable, non-wrinkling, and will not allow color-bleed through even when soaked. Mineral Paper has a smooth, vellum-like velvety feel and a nice amount of tooth for wet media. You can draw crisp lines with graphite or puddle alcohol inks on the surface. Perfect for multi-media projects, you can emboss, deboss, varnish, glue, and even laminate Mineral Paper. Key Features: * Acid-free bright white paper * 80% calcium carbonate bonded with HDPE (plastic) * Can handle more abuse than traditional paper * Available in 100 lb /150 gsm or 160 lb/240 gsm weight * Green alternative to wood pulp * Smooth, vellum-like velvety feel * Nice amount of tooth for wet media * Tear-resistant, foldable, and non-wrinkling * Will not allow color-bleed through even when soaked * Not recommended for oil-based paints or oil pastels Perfect For: * Dry and water-based media * Alcohol inks, watercolors, and colored pencils * Graphite, acrylic, and pan pastel * Crisp lines and saturated colors * Emboss and deboss * Accepts varnish and glue * Inkjet printing (results will vary depending on the printer) Mineral Paper now comes in a heavier weight! 240 gsm Mineral Paper is more durable than previous versions and holds up better to various art techniques, including alcohol ink painting, silverpoint drawing, mixed media, and more. See More
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SoHo Watercolor Block 9"x12", 140 lb. (20 Sheets)Save Up to54%Off listWhite 25% Cotton Paper For Watercolorists And Illustrators SoHo Watercolor Paper is a reliable choice whether you're a student or a seasoned artist. The 140 lb. cold press paper is a 25% cotton and 75% lignin-free cellulose blend, both internally and externally sized for optimal absorbency. The longer cotton fibers add strength and absorbency to the shorter cellulose fibers, ultimately creating a paper that ranks above other student-grade watercolor papers. Each sheet is machine-made and has a balanced grain that softens evenly when wet, making it an ideal surface for watercolor and gouache. SoHo Blocks and Pads are available in various sizes, with 20 sheets per block and 12 sheets per pad. Responsibly Made With Sustainable Resources! The cellulose used to create SoHo Watercolor Paper is responsibly sourced from FSC-certified forests, and the pulp is bleached with chlorine dioxide instead of elemental chlorine gas. Thus, making SoHo Watercolor Paper a sustainable choice for the planet and your artwork. Key Features: * 140 lb. cold press texture * 25% cotton, 75% cellulose * Machine-made for consistency * Acid-free and lignin-free * Sized internally and externally * Elemental chlorine-free (ECF) * Sourced from FSC-certified forests Perfect For: * Watercolor and gouache * Acrylic and ink * Charcoal and graphite * Plein air painting and travel * Fine students and artists See More
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Stonehenge Aluminum Artist Panel 250gsm - 9" x 12" WhiteSave Up to20%Off listWhite Support Will Not Bend or Buckle, No Matter What! Stonehenge White Aluminum Artist Drawing Panels are perfect for drawing on location without a drawing board or sketchbook. The lightweight yet rigid 1/8" thick panels are pre-mounted with an archival sheet of white drawing paper. Each 100% cotton sheet is acid-free and has a flawless vellum finish perfect for working with a variety of media. These ready-to-frame art panels are virtually unbreakable and provide an unyielding foundation for printmaking, screen printing, embossing, and drawing with a variety of media. Key Features: * White 100% cotton drawing paper * 92 lb (250 gsm) * Mounted on 1/8" thick aluminum panel * Lush, receptive vellum finish * Acid-free and buffered with calcium carbonate * Rounded corners * Rigid, will not bend or bow * Brushed aluminum on the reverse side * Painting surface on the back * Made in the USA Perfect For: * Graphite, charcoal, and colored pencil * Pen and ink, pastel, and silverpoint * Printmaking, etching, screen printing, and embossing * Plein Air and travel * Working without a drawing board See More
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Magnani 1404 Italia Watercolor Block 140lb Cold Press - 9" x 12" (20 Sheets)Save Up to40%Off listWhite Top-quality 100% Cotton Watercolor Paper. Love Your Papers! Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 watercolor paper is perfect for anyone who desires the highest quality paper available. Magnani 1404 Acquerello Watercolor Papers are made entirely from 100% cotton. Long cotton fibers are evenly distributed onto a slowly rotating wire cylinder before being pressed onto special Magnani marking felts and dried. The paper has superior absorbency and can withstand multiple layers and washes thanks to its internal and external vegan sizing. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Choose from 3 different surface textures made in Italy: Italia (cold press), Portofino (hot press), and Toscana (rough). Key Features: * 100% cotton, acid-free archival watercolor paper * Italia (cold press), Portofino (hot press), or Toscana (rough) * Mould made on a cylinder machine * 140lb and 300lb weight * Internal and external vegan sizing * Acid-free, pH-neutral, and chlorine-free * Alkaline (calcium carbonate) buffer * Traditional natural white color * No optical brighter agents used * Sheets have 4 deckled edges and a watermark * Round blocks come with a cotton bag * Made in Italy Perfect For: * Professional watercolorists * Wet and dry media * Watercolor, gouache, ink, and fluid acrylic * Working with graphite, colored pencils, pastels, and charcoal * Scrubbing and lifting techniques * Repeated erasing and painting * Keeping paper perfectly flat * Painting on the go * Traveling Magnani 1404 Acquerello Watercolor Paper is ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Prime with a clear acrylic gesso to use with oil paint. Every round watercolor block comes with a cotton drawstring bag to keep your watercolor paper clean and protected. See More
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New York Central Watercolor Paper 140 lb Cold Press - 9" x 12" (10 Pack)Save Up to75%Off listWhite Premium 140lb & 300lb watercolor paper at an affordable price New York Central’s Watercolor Paper is made on a slowly rotating cylinder mould. The machine evenly distributes long cotton fibers to make each durable sheet. Internal gelatin sizing prevents paint bleed-through and preserves color vibrancy. Each sheet is 100% Cotton and has a balanced grain that softens as a unit when wet. The paper can withstand a multitude of techniques, including wet color blending, paper scratching, and scrubbing. The 5x7", 9x12", 11x14", 16x20", and 22x30" watercolor sheets come in reusable zip-top packaging designed to keep your paper clean. New York Central® Watercolor Paper is ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Key Features: * Available in rough, cold, and hot press * Bright white 140lb & 300lb paper made with 100% cotton * Acid-free and archival * Internally sized with gelatin sizing * Sizing preserves the luster and transparency of watercolors * Superior surface stability * Made on cylinder mould * Holds up to scrubbing and erasing * Sold in sheet packs of 10 * Convenient zippable packaging keeps your paper clean Perfect For: * Wet and dry media* Watercolor, gouache, ink, and fluid acrylic* Scrubbing and color lifting techniques* Professional watercolorists* All water media! See More
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NY Central Watercolor Block 140lb Hot Press - 9" x 12" (20 Sheets)Save Up to75%Off listWhite Premium 140lb & 300lb watercolor paper at an affordable price New York Central’s 100% Cotton Watercolor Paper is made on a slowly rotating cylinder mould. The machine evenly distributes long cotton fibers to make each durable sheet. Internal gelatin sizing prevents paint bleed-through and preserves color vibrancy. Each sheet has a balanced grain that softens as a unit when wet. The paper can withstand a multitude of techniques, including wet color blending, paper scratching, and scrubbing. New York Central Watercolor Blocks are available in a range of unique sizes, and come in 140lb and 300lb weights. The rigid backing board supports the paper and makes plein air painting simple. All four sides of the block are glued to prevent the top sheet from curling and buckling as you paint. There is no need to stretch the paper before using it! New York Central Watercolor Blocks are ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Key Features: * Bright white 140lb and 300lb paper made with 100% cotton * Acid-free and archival * Internally sized with gelatin sizing * Seven block sizes * Available in cold and hot press * Sizing preserves the luster and transparency of watercolors * Blocks eliminate the need to stretch paper * Superior surface stability * Made on a cylinder mould * Holds up to scrubbing and erasing Perfect For: * Wet and dry media * Watercolor, gouache, ink, and fluid acrylic * Scrubbing and color lift techniques * Professional watercolorists * Simplifying the painting process * Keeping paper perfectly flat * For traveling or painting on the go Please note: The bottom edge of each block has a one-inch section that is not glued. Insert a clean palette knife between the sheets in this section to separate the top sheet from the rest of the block. Gently slide the knife around all four edges until the top sheet is separated. See More
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Crescent #113 Canvas Board Single Thick 9"x12" (Pack of 3)Save Up to30%Off listWhite Canvas-textured boards ideal for painting! Canvas-textured boards from Crescent feature all the durable, archival qualities that artists love in other Crescent boards, combined with a unique, canvas-textured paper surface that mimics the look of real fabric! Sturdy and durable, Crescent Canvas Art Boards are ideal for works in any paint medium, from watercolors and acrylics to tempera, and even oils, if primed first. These painting boards are strong enough to stand on an easel without requiring a backing board — they are great for fast set-up of painting sessions. Use for quick gestural paintings, classroom studies, compositional planning, and finished pieces. The toothy, canvas-like surface grips paint well, and the solid cream core provides a consistent surface. Paint quickly and confidently on Crescent Canvas Art Boards! Key Features: * Sturdy paper boards with a canvas-like textured surface * Durable and long-lasting * Medium weight: Single-thick * Heavy weight: Triple-thick * Solid cream core for a consistent substrate * Sold in packs of 15 and 3 Perfect For: * Practice pieces and finished works in virtually any medium! * Watercolors and acrylics to tempera * Gouache, casein, and even oils if primed first * Working at an easel without a backing board * Fast set-up of painting sessions * Quick gestural paintings and classroom studies * Compositional planning and finished pieces Medium weight, Single-thick - The medium weight boards provide a sturdy, durable substrate Heavy weight, Triple-thick - The heavyweight boards are triple-thick to provide extra strength for rigorous painting techniques. See More
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Crescent #300 Illustration Board Cold Press 9"x12" (3-Pack)Save Up to33%Off listWhite High-quality acid-free paper mounted to a rigid core Crescent Illustration Boards are made by mounting quality paper to a rigid board. The cold press boards are perfectly textured to hold art media without pigments flaking off. The surface is acid-free, helping you to preserve your best work for a lifetime. You can use Crescent Illustration Boards with all kinds of media, but the surface works best with graphite pencils, colored pencils, and ink. Key Features:* Frame-ready sizes* Cold press illustration paper mounted to rigid board* pH neutral acid-free surface* Holds paint media well * Warp resistant* No.99 Board 14-Ply, White, University Grade, Cold Press (1.4 mm) thick* No.300 Board 16-Ply, White, Professional Grade, Cold Press (1.4 mm) thick* No.310 Board 14-Ply, White, Professional Grade, Cold Press (1.3 mm) thick Perfect For:* Graphite pencils, colored pencils, and pastels* Alcohol and water-based markers* Acrylic and gouache paint* Pen and ink* Light collage 99 Illustration Board, Warm White: Crescent's most popular illustration board. The warm white drawing surface is student grade, best for pencils, colored pencils, pastels, ink, and light collage. Warp resistant, acid-free, white. 14-Ply and 0.055" (1.4 mm) thick 300 Professional All-Purpose Grade Illustration Board: This all-purpose professional-grade illustration board features a warm white premium surface and medium-weight construction. Best for pencils, colored pencils, pastels, pen and ink, airbrush, washes, and wet media. Also good for light collage. Warp resistant. Each board is 16-ply and 0.055" (1.4 mm) thick 310 Professional Grade Illustration Board with 100% Rag Surface: Featuring a 100% rag surface and medium weight construction, this professional grade illustration board is best for airbrush, acrylic washes, pastels, and mixed media. Crescent No. 310 Illustration Board is a medium-weight, professional grade board with a medium textured, 100% rag, acid-free surface. Each board is 14-ply and 0.050" (1.3 mm) thick. Also good for colored pencils, graphite, and watercolor. Warp resistant. Thickness Medium (0.05-0.06) See More
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