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Gamblin Artists Oil - Flake White Replacement, 32oz CanSave Up to40%Off listWhite Gamblin Artist's Oils, The only choice for professionals! Since 1980, Gamblin has transformed oils and pigments into luscious, rich oil paints. Gamblin Artist's Oil Paints are made with refined linseed oil, so the paint film is more flexible and yellows significantly less than traditional linseed oil. No adulterants are used, so each color retains its unique tinting strength, undertone, and texture. Gamblin Artist's Colors have luscious working properties, and the colors are radiant. We're sure you'll agree that the quality of these oil colors is exquisite. For everything from realism to contemporary abstraction, you'll find the colors you need in the Gamblin line. Key Features: * Oil Paints: Available in 37ml and 150ml tubes, plus 8 oz. and 16 oz. cans * Sets w/ painting panels: Set of 9, Set of 3 * Professional quality * Inorganic colors made from metals (Cadmium, Cobalt, Iron, etc.) * 19th-century colors of the Impressionists * Classical and Renaissance era colors * High pigment load, low oil absorption * Colors easily grey-down in mixtures * Mostly opaque with a few semi-transparent and transparent colors * Made in Portland OR, USA * Perfect For: * Professional oil painters * Plein air artists * Alla prima painting * Vibrant portraits * Painting natural colors and light * Accurately reflecting the hues of nature * Smooth consistency and buttery feel * Outstanding lightfastness * Everyday studio use! Gamblin Metals- Gamblin Copper, Rich Gold, Pale Gold, and Silver are made by suspending bronze and aluminum powders in an alkyd binder. It's the light reflecting from all those bits of metal that create the "metal finish." The real metal flakes scatter light in many different directions giving surfaces painted with Metals a soft, lustrous appearance. Gamblin Metals have distinctive mixing characteristics. When mixed with transparent colors, they maintain their metallic luster and give glaze layers a unique sparkling quality. Gamblin Artists' Colors Introductory Set of 9 Colors Includes nine 37ml. tubes and a ready-to-use, This set contains one 6.5" x 12" pre-primed painting panel with 1.5in cradle depth.pre-primed birch painting panel handcrafted in North America from sustainable forests. Made in the USA. 37ml Colors include: Cadmium Yellow Light, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Viridian, Yellow Ochre, Burnt Umber, Ivory Black & Titanium White Reclaimed Earth Set of 3 Tubes: Colors in the set include Rust Red, Iron Violet, and Brown Ochre. The tubes are nestled in a 6"x6" primed panel made in Oregon by American Easel. The masterfully constructed panel has poplar cradled sides and a Baltic birch face. Every speck of pigment in these tubes has been painstakingly reclaimed from waters tainted by iron released from mines. Iron oxides make lightfast, natural, and safe oil paints. John Sabraw and engineer Guy Riefler figured out how to extract iron from the polluted rivers, restore ecosystems, and create economic opportunities in communities struggling with environmental damage left behind by the coal mining industry. By purchasing this limited edition set you are supporting hard-working communities and helping make the Ohio and Mississippi Rivers healthier ecosystems. Is Gamblin Oil Paint Professional Grade? Gamblin Artist's Oil Paints are Professional Grade made with refined linseed oil! Gamblin always wanted to give artists color at its maximum with a luscious texture. There is so much more to our work than fine raw materials and high pigment loads. Gamblin is dedicated to getting that balance right. Every color. Every batch. Every time. See More
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Awagami Ginwashi 39gsm Cream 25" x 38" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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New York Central Waterproof India Ink, Black (32oz)Save Up to46%Off listBlack Make an Impact with Matte Black India Ink Create bold designs that stand out with New York Central® India Ink. Intense and highly opaque, this permanent water-based ink is ideal for calligraphy and illustration. It flows smoothly onto paper and works well with technical pens, dip pens, paint brushes, and airbrushes. You can dilute the ink with water to create various shades of grey. Once dry, the waterproof ink will not run or smudge even if it gets wet, so it’s perfect for drawing the outlines for layered paintings and illustrations. New York Central’s India ink is so intense that it makes other well-known brands look dull in comparison. Whether you’re an experienced artist or just starting out, you are guaranteed to make an impact with this velvet black Ink. Key Features: * Permanent waterproof ink with a velvet matte finish * Available in 1 oz., 16 oz., and 32 oz. sizes * The blackest India ink you can buy * Lightfast and archival carbon black * Water-based formula * AP Certified non-toxic * Made in the USA Perfect For: * Creating bold works of art that stand out * Illustrators and calligraphers * Technical pens, dip pens, paint brushes, and airbrushes * Fine lines or big strokes * Multimedia techniques * Paper and board Please note: Clean pens with warm water or pen cleaner. Do not pour used ink back into the container. See More
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Chroma Atelier Interactive Ground Preparations - Binder Medium, 32ozSave Up to40%Off listTake your painting grounds to the next level! With Chroma Atelier Interactive Grounds, you can prepare your own custom substrate for painting! Chroma Atelier Interactive Grounds have good adhesion and provide a flexible sealed barrier between the substrate and subsequent paint layers. You can use… Take your painting grounds to the next level! With Chroma Atelier Interactive Grounds, you can prepare your own custom substrate for painting! Chroma Atelier Interactive Grounds have good adhesion and provide a flexible sealed barrier between the substrate and subsequent paint layers. You can use Binder Medium to seal and prepare porous surfaces before using gesso. Create thick textural effects with Gesso Primer, or if you prefer a smoother painting surface, Liquid Gesso Primer has a thinner consistency that is easy to spread. All of the Chroma Atelier Interactive Grounds offer limitless creative possibilities. Key Features: * Good adhesion * Suitable tooth for overpainting * Improves adhesion & durability of canvas * Easy to spread * Ground preparation Perfect For: * Acrylic painting * Collaging & mixed media * Artists of all skill levels * All acrylic-friendly surfaces * Experimenting with different textures and techniques Binder Medium: is an acrylic emulsion and acts as a sealer to prepare porous surfaces before using gesso. It also provides a somewhat "slippery" ground preparation in its own right. It can be used as a medium when needed to toughen paint for conventional acrylic techniques like scratching back, or you can use it as glue for collage. Liquid Gesso Primer: has a thinner consistency that is easy to spread. Liquid Gesso Primer is perfect for preparing a smoother painting surface. See More
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Gamblin Oil Painting Ground 32oz CanSave Up to40%Off listWhite Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More
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Acurit Scholar Triangle Set of 2, 10" (45/90 Degrees) and 12" (30/60/90 Degrees)Save Up to52%Off list…compass. If you don't want to use the universal adaptor, you can use one of the extra compass leads included with the set. All of the compass supplies fit neatly inside the sturdy plastic carrying case, perfect for travel. The Acurit Tech Bow Compass set is excellent for sketching, drafting, design,… Practical tools for drafting and design Acurit Drafting Tools are essential for any architect or architectural student. Drafting precisely measured designs is easy with the Triangular Scale, Erasing Shield, and Bow Compass. Acurit's convenient drafting sets contain all the tools for everyday drafting. Key Features: * Erasing Shield for exact and controlled erasing * Triple-sided ruler with 10 different scales * 6.5" Bow compass * Drafting sets with various tools * Perfect For: * Precise and controlled erasing * Drawing straight and curved shapes * Architectural sketching and planning * Students, teachers, and artists Scholar Triangle Sets: Each triangle is made of clear, high-quality acrylic with inch and centimeter gradations etched along the sides. Smooth inking edges prevent smears. A center cutout in the middle makes picking up the triangle easy. Available in sets of (6", 45°/90° and 8", 30°/60°/90°), (8", 45°/90° and 10", 30°/60°/90°), and (10", 45°/90° and 12", 30°/60°/90°) Adjustable Triangle: Provides the features of a 45°/90° adjustable set square plus those of a protractor. Angles from 0° to 90° can be drawn from the baseline with 1/2° accuracy. The aluminum thumbscrew securely holds the chosen angle and doubles as a lifting handle. Each triangle is made of clear, high-quality acrylic with smooth, inking edges to prevent smearing. Available in a 10" or 12" size. Protractor: The clear acrylic protractor features graduations in 1/2° increments that can be read from left to right as well as right to left. It's easy to pick up the protractor with the beveled center cutout. Available as 360° Protractor 6" or 180° Protractor 6" Lettering Guide: The Acurit Lettering Guide is perfect for drawing guidelines for calligraphy and font design. Lettering guides help ensure consistency in the size and placement of your letters. The guide is made of durable acrylic and has imperial and metric line spacing. Erasing Shield: The Acurit Erasing Shield is made of high-quality .005'' flexible stainless steel. The 3.6"x2.25" shield is easy to hold, and the 23 common aperture shapes make precise erasing simpler while also keeping your artwork clean. Stainless steel Acurit Erasing Shields have rounded corners to protect your fingers and a polished finish that resists tarnishing. An excellent tool for exact and controlled erasing, the ultra-thin shield allows you to contain erasing to select areas of your drawing while also helping you draw straight and curved shapes. Triangular Scale: The 12" Architect’s Triangular Scale from Acurit is a necessary tool for any architect or architectural student. Made from high-impact plastic with tapered edges, you can feel confident that you measured with precision when you use the Architect’s Triangular Scale. The easy-to-read markings resist wear, and each scale is individually packed in a protective plastic cover. This scale is perfect for students, architects, and drafters. It comes in a white satin finish with clear and precise gradations. Includes 10 scales to the foot in 3/32", 3/16", 1/8", ¼", 3/8", ½", ¾", 1", 1 ½", & 3" and one edge is a 12-inch ruler marked in 1/16ths increments. Acurit Gridding Ruler 18": The Acurit 18" Gridding Ruler is superior to other clear rulers on the market. The 2" wide ruler is made of 3mm thick rigid clear plastic and features 8x8 grids per square inch. There are clear markings down to the 1/16", a centering ruler in the middle, and metric markings at the bottom edge. The ruler’s transparent shatter-resistant acrylic design enables you to see through it while measuring. With distinct markings down to the 1/16", a centering ruler in the middle, and metric markings at the bottom edge, you can measure anything and mark out precise drawing guidelines. Two beveled edges allow you to draw straight lines on paper or mark fabric for cutting. Bow Compass 4 Piece Set: Create a perfect circle every time with the Acurit Tech Bow Compass Set! You can draw circles up to 14 inches in diameter with the Acurit Tech Bow Compass or attach the included extension bar to create larger circles up to 22 inches in diameter. The 6.5" Bow Compass has a quick-release button to quickly and easily change the circle diameter on the fly. You can even use the included universal adaptor to fasten your favorite pen or pencil to the compass. If you don't want to use the universal adaptor, you can use one of the extra compass leads included with the set. All of the compass supplies fit neatly inside the sturdy plastic carrying case, perfect for travel. The Acurit Tech Bow Compass set is excellent for sketching, drafting, design, and more! Drafting Beginner Set: Acurit’s 7 piece drafting set is an excellent starter set for beginners in drafting and design. The set contains a 12" acrylic ruler, 0.5mm drafting pencil + Ten 2B graphite refill leads, a 2mm drafting pencil + eight leads, 1 lead pointer for 2mm lead, 1 drafting brush, 1 Scholar Set Square Triangle 45°/90°, and 1 Scholar Set Square Triangle 30°/60°/90°. Drafting Architect Set: Acurit’s ten-piece drafting set is an excellent starter set for beginners in drafting and design. The comprehensive set contains a 180 degree protractor, eraser shield, tech compass set of 2, a 12" triangular architect's scale, one 2mm drafting pencil, eight 2B graphite refill leads, one lead sharpener, a scholar triangle 45°/90°, scholar triangle 30°/60°/90°, a french curve and a drafting brush. Drafting Introduction Set: Acurit’s drafting intro set is an excellent starter set for beginners in drafting and design. The intro set contains a scholar triangle 45°/90°, scholar triangle 30°/60°/90°, 18" clear grid-scale ruler, lettering guide, 6" protractor, 8" 180 degree protractor, and two french curves. See More
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Gamblin Oil Painting Ground 32oz CanSave Up to40%Off listWhite True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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