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Gamblin Oil Painting Must Have Mediums Set of 6Save Up to40%Off listTrue to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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Casey Baugh Brush Set of 16 w/ FREE Black Bamboo Brush Mat
Starting At: 275.69
Black Quality Brushes Hand-picked by artist Casey Baugh This convenient brush set includes 16 high-quality oil brushes hand-selected by artist Casey Baugh. Each brush in the collection is different and has a unique hair composition. Rhapsody's 100% pure Kolinsky Sable rounds have responsive split-proof points capable of capturing the tiniest details. Best of all, the short handle length allows you to get up close and personal with your artwork. Hamburg brushes are made with a blend of natural and synthetic multi-filament hair. The balanced combination of hair is strong and absorbent and allows you to paint with thick oils or thin glazes. The long hardwood Birch handles are sourced from sustainable FSC certified forests and have a balanced feel. New York Centrals Munich Premier modern hog brushes are made with natural and synthetic hair. Their excellent spring allows for quick and spontaneous strokes. At the same time, the natural flagged ends are great for precise color application. Each brush is hand-cupped and fitted within a rust-resistant nickel-plated steel ferrule. The long wood handles have a balanced feel for easel painting. The set includes five Rhapsody rounds, six Hamburg Premier flats, five New York Central Munich Premier filberts, and one free Black Bamboo Brush Mat. The Studio Line Bamboo Brush Mat features soft fabric pockets and tie strings. Just roll up and store brushes safely anywhere. Key Features: * Short and long handle oil brushes * Rhapsody Rounds #0, #1, #3, #5, and #7 * Hamburg Premier Flats #2, #4, #6, #8, #10, #12 * New York Central Munich Premier Filberts #4, #6, #8, #10, #12 * Free bamboo brush roll-up Perfect For: * Oil painters * Painting realistic details * Thick oils or thin glazes * Quick and spontaneous strokes * Precise color application "A great painting requires great tools, and each of these brushes has been hand picked because of their quality, longevity, and ability to handle oil paint with buttery ease. With this set I am able to get the sharpest detail as well as those juicy thick strokes of color, and everything in between. I'm excited that these brushes are available in one package for other artists to use, and I think the only thing better than owning this set of brushes is owning two sets. " - Casey Baugh Baugh's work can be described as narrative impressionistic realism. Specializing in oil paint and charcoal, he began painting at the age of 13 and began selling professionally at age 17. Baugh's art has evolved over time to become more narrative. Though still maintaining figures as his prime subject matter, he is telling more stories, and his series and exhibits are becoming more thematic. On a constant quest to push new boundaries, he is persistent in experimenting with his inspirations and artistic translations, pursuing more complicated compositions, and achieving grander shows. Baugh has made several television appearances and has been featured on the covers of many publications, including The Artist's Magazine, American Artist's Magazine, and American Art Collector. See More
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