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Schmincke Horadam Watercolor 24 Light Colors Dot CardSave Up to40%Off listAssorted Colors Horadam Watercolors Outperform All The Rest! Schmincke has been producing its Horadam line of watercolors since 1881. Today the Horadam line includes 189 glorious colors, 152 of those colors have the highest lightfastness ratings of 4 or 5 stars. 95 of the colors are formed with a single pigment for perfect mixing effects. Each color has its own independently optimized recipe made of the finest pigments, Ox gall, and traditional binders. Schmincke uses only Kordofan Gum Arabic from the southern Sahara a natural resin binder. Horadam colors can be raised from a dried palette without developing globules. Colors that have dried on the palette can be awakened with a wet brush and reused an infinite number of times. Schmincke limits use of ONETZ (ox gall) as a dispersant. This helps the artist maintain full control of color, even on softer papers. Key Features: * Made in Germany * Highest possible lightfastness: 152 tones * 50 Granulating colors * Paint is reusable once dried on palette * Gum Arabic binding medium * Limited use of ox gall as a dispersant * High control of paint flow Perfect For: * Watercolorists * Professional artists with high standards * Illustrators * Color mixing * Plein Air painting * Soft sized papers Most of the Horadam watercolors are non-granulating and have an even paint flow, but 22 colors are granulating. You can spot granulating colors by the G stamped on the tube. Granulation is caused by: * Heavy pigment particles, like cobalt, settling in paper indentations. * Light pigment particles clustering together due to attraction. You can mix super granulating colors to create unusual color shifts. The granulating color shift will vary with the mixing ratio used. What is the right paper for granulation? The rule is: The rougher the paper, the greater the granulating effect. More absorbent papers need a little more water. Hot-pressed paper is unsuitable for granulating effects. Schmincke Horadam Watercolor Limited Edition Curated Wood Box Set, While Supplies Last! - A Jerry's Exclusive Set: 12 half pans, 5ml tube of titanium white, and 3 large empty pans, Wooden box palette and a Create your own color chart See More
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Faber-Castell Polychromos Pencil, No. 225 - Dark RedSave Up to41%Off listRed Faber-Castell Polychromos Colored Pencils The most lightfast brand of colored pencils, that will resist fading for over 100 years! Faber-Castell Polychromos Colored Pencils are widely considered to be the finest professional colored pencils on the market. The vegetable oil-based pencils exhibit a richness of color and smoothness that is unparalleled by any other brand, without the ugly wax bloom that develops with layering, like other popular brands on the market. The barrel houses a 3.8mm diameter, SV bonded lead that is both water-resistant and smudge proof, with the bonding providing breakage-resistance with accidental dropping or rough sharpening. Key Features:* Thick 3.8 mm lead diameter* Oil-based lead* Soft, vibrant color laydown* High-quality acid-free pigments with unsurpassed lightfastness * Water-resistant and smudge-proof* High break resistance due to Secural bonding process (SV)* 120 color range Perfect For:* Illustrators, Designers, Fine Artists* Archival and lightfast artworks* Easy blending and layering* Use on multiple surfaces* Replacing brands that break easily* Professionals, art students With a color range of 120 open stock colors, 100 of those have a 3 star lightfastness rating (7-8 on the Blue Wool Scale). Why is this important? Until the Colored Pencil Society of America approached the ASTM (American Society for Testing Materials) about developing lightfastness testing for colored pencils, there was not a set lightfastness rating in place for the product. A standard was passed in 2003 and testing began (D6901), and found most brands terribly lacking— most of which did not produce lightfastness beyond 25 years. With 100 colors at the top of the lightfastness ratings, Faber Castell has been dedicated from the start to provide a truly fine art, professional quality colored pencil! The expanded color range matches both Albrecht Dürer watercolor pencils and Polychromos pastels for multi-media techniques. Pencils work beautifully on textured and smooth papers, sanded pastel papers and boards, wood, and even fabric. Please note: The pencil barrel’s labeling may vary in appearance within sets and individual stock due to a rolling manufacturer design change. The quality and formula of the Polychromos pencils remain unchanged. See More
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Old Holland Classic Pigment Caput Mort Violet 160gSave Up to25%Off listViolet Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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