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Amsterdam Standard Series Acrylic Paint - Primary Cyan, 1 Liter JarSave Up to35%Off listBlue An excellent choice for the beginning or intermediate artist! An excellent medium body acrylic paint for the artist who seeks high quality and high value. Made in Holland from carefully selected pigments. Features include a very high level of lightfastness, short drying time, and an acrylic resin paint that is virtually odorless when wet. The Standard Series Amsterdam Acrylic colors can be mixed with water or acrylic mediums, and clean up requires only water and soap. Their thick creamy consistency is perfect for Oil like effects. Amsterdam Acrylics are quick drying and non-toxic, so they are perfect for the student or studio! Please click on the yellow circle technote icon to view pigment information for each individual color. Key Features:* Thick medium body acrylic paint* 100% acrylic resin* High level of lightfastness* Short drying time* Virtually odorless* Quick drying and non-toxic Perfect For:* Oil type effects* Impasto* Heavy application* Clean up with soap and water* Classroom or studio* Beginner and intermediate artists See More
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Matisse Structure Acrylic Colors Titanium White 1 literSave Up to50%Off listWhite A Heavy Body Acrylic Suited to Impasto Techniques Matisse Structure Acrylics come in 98 highly pigmented lightfast colors! Because of their heavy body and high viscosity, Matisse Structure Acrylic Colors are ideally suited to impasto techniques and thick textured applications. You can easily apply the paint with a brush or palette knife straight from the tube. Matisse Mediums can be mixed in to alter the body and texture, gloss and sheen, or working time of the paint. Key Features: * Heavy body, high viscosity acrylic * Excellent lightfastness * No masking agents! * Brilliant and highly pigmented * 98 Brilliant professional colors Perfect For: * Impasto painting techniques * Painting colorful backgrounds * Mixing with acrylic mediums * Large-scale acrylic paintings * Intermediate to professional artists Artist Review & Testimonial Professional Artist Andy Russell - "Matisse Acrylic Paints have proven to be a pleasure to work with in so many ways. They are of the highest quality, richly pigmented and creamy smooth and perfect for the professional artist." “I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas." “I love colors and they come in a full range, which makes me feel like a kid in a candy store. I almost think of them as flavors. I really like their unique colors such a Cadmium Orange Deep, Australian Red Violet and Australian Blue Gum, Australian Salmon Gum and Australian Sienna. After years of painting in acrylics, it is exciting and refreshing to use these new colors. Discovering them was like getting a ‘booster shot’ of creativity for my work." See Full Review and Videos In Our Blog - Click here > See More
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LUKAS Oil Painting Medium - Fast Dry Glazing Medium #3, 1 Liter CanSave Up to61%Off listThe Perfect Oil Mediums To LUKAS Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. LUKAS is proud to offer a… The Perfect Oil Mediums To LUKAS Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. LUKAS is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. The Shellac Solution, Glazing, and Alkyd Mediums are all available in a one-liter cans. Key Features:* Accelerates the drying time* Increases gloss & translucency of colors* Alkyd resin-based medium shortens drying time* Size: one liter or 125 ml* For information click on yellow technote icon Perfect For:* Making custom painting mediums* Accelerating the drying of oil colors* Professional Oil Painters* Maintaining consistency* Preserving gloss* Discerning students & amateurs Fast Dry Glazing Medium #3 - Clear, quick-dry medium accelerates the drying time of oils. Increases gloss & translucency of colors; dried layers remain soluble in turpentine. Alkyd Oil Medium #4 - Alkyd resin-based medium for shortening drying time of oil paints. Elastic and adhesive, increases gloss and translucency and dries permanent. Shellac Solution - is a Gold Yellow classical natural resin primer. It decreases the absorbency of painting surfaces. See More
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Winsor & Newton Oil Painting Primer, 1 Liter CanSave Up to43%Off listWhite Ready-to-use primer in a non-yellowing oil-modified alkyd resin medium Winsor & Newton Oil Painting Primer is a ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper) with virtually no sinking in. A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colours easily and without chalkiness or absorbency.Key Features:* Size: 500ml & 1000ml cans* Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium* Can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper)* Used to prepare a surface before painting* A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming Oil painting primer imparts a traditional oil base. Some artists prefer this and may find a slight increase in gloss and smoothness. Oil primed canvases may slacken off less than acrylic primed canvases. A coat of warm glue size is required first. As a result of their formulation, Winsor & Newton acrylic primers are also suitable for oil painting. They are popular because they dry quickly and do not require any sizing underneath. See More
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Winsor & Newton Liquin Original Medium 1 Liter (33.8oz) BottleSave Up to43%Off list…drying time of oil. Creates a viscous paint that holds many marks from brushes or palette knives. Keeps the oily texture of pure oil paint. Allows the paint to dry faster and makes working with multiple layers easier. (touch dry in 1-6 days, depending on colour paint thickness). Suitable for impasto… Accelerate Drying Time With Liquin Winsor and Newton Liquin™ Mediums are ready-made mixtures of solvent and linseed oil. There are five types of Liquin, and each will help you accelerate the drying times of your oil paint. Each variety has a slightly different formula, but they are all related to the original Liquin recipe. Key Features: * Speeds up the drying process * Adds transparency and gloss * Non-yellowing Perfect For: * Oils and alkyds * Reducing brush strokes * Glazing and blending techniques Liquin™ Original - halves the drying time of oil colour and reduces brush stroke retention. Creates a smooth, gel-like paint film that is easier to work with. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Light Gel - halves the drying time of oil colour and produces a smooth gel. Creates low-viscosity, gel-like paint film that is easier to work with and reduces brush stroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Fine Detail - The most fluid medium within the Liquin™ family. Add to colour to produce a low-viscosity mixture. Increases fluidity and reduces brushstroke retention. Liquin™ allows the paint to dry faster and makes working with multiple layers easier. Liquin™ Impasto - A paste-like, semi-gloss version of Liquin™ that halves the drying time of oil and produces a crisp texture. Adds viscosity to your paint that retains marks from brushes or palette knives. It allows the paint to dry faster and makes working with multiple layers easier. Speeds drying (touch dry in 1-6 days, depending on paint thickness). Resists yellowing. Not suitable as a varnish or final coat. Liquin™ Oleopasto - A paste-like, semi-matte version of Liquin™ that halves the drying time of oil. Creates a viscous paint that holds many marks from brushes or palette knives. Keeps the oily texture of pure oil paint. Allows the paint to dry faster and makes working with multiple layers easier. (touch dry in 1-6 days, depending on colour paint thickness). Suitable for impasto & texture work. Resists yellowing. Not suitable as a varnish or final coat. Blending & Glazing Medium - Adjusts oil paint's viscosity and drying behavior for seamless colour blends and even glazes. Improves transparency. PLEASE NOTE: All products in this category are hazardous materials: They cannot ship by Air/Next Day Services. Ground Only. See More
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R&F Blending Medium with Drier, 8ozSave Up to20%Off list…body * Available with or without drier * Sticks or jars * Cobalt Drier speeds up drying time * Best to work colors on top of medium Perfect For: * Extending oil paint * R&F Pigment Sticks * Creating glazes * Blending colors and lines * Heightening transparency * Adding body and extending oil colors Designed for blending edges, heightening transparency, and glazing colors! R&F Blending Sticks & Mediums are the same as R&F Pigment Sticks without the pigment. Excellent for glazing, blending edges, and heightening transparency, the medium can be worked directly into color, or you can use it to blend colors on a surface. R&F uses only natural beeswax, plant wax, and linseed oil in its mediums. The medium is available in a jar or stick format with or without Cobalt Drier. The blending medium with drier contains Cobalt Drier, which helps speed up pigment drying time. Cobalt Drier can affect color, so the best method is to work colors on top of the medium after some of it is spread on canvas. Key Features: * Blending medium adds body * Available with or without drier * Sticks or jars * Cobalt Drier speeds up drying time * Best to work colors on top of medium Perfect For: * Extending oil paint * R&F Pigment Sticks * Creating glazes * Blending colors and lines * Heightening transparency * Adding body and extending oil colors See More
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GOLDEN Fluid Acrylics Iridescent Gold Deep (Fine) 8 ozSave Up to30%Off listIridescent GOLDEN Fluid Acrylics provide a highly intense, permanent acrylic with a consistency similar to india ink. Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. Fluids allow for smooth flowing applications while retaining color intensity, tinting strength, film integrity, and adhesion. Fluids blend easily with all acrylic colors, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles. Key Features: * Smooth flowing applications * Permanent and lightfast colors * Extremely versatile * High tinting strength * Low-viscosity, pigment-saturated paint * Retain excellent flexibility when dry * High pigment levels suspended in an acrylic polymer vehicle * Perfect For: * Fine brushwork * Glazing and staining * Water media techniques * Dry brush application * Spraying, brushing, and staining * Allowing for longer, more uniform brush strokes * Absorbing the constant stress and strain placed on canvas Golden Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility, and good adhesion. * Golden Fluid Acrylics Interference Colors which reflect their own colors in intense direct light and transmit a complement in indirect light. This "flip" varies according to the surface and the surface color. Adding a small amount of black will produce brighter colors. * Golden Fluid Acrylics Iridescent Colors reflect their own light. They appear differently dependent on the light source being either direct or indirect. Mix these colors into other GOLDEN colors to produce the greatest array of pearlescent colors imaginable. Experiment for unique and fascinating effects. See More
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GOLDEN Open Acrylic Paints Pyrrole Red 8 ozSave Up to30%Off listRed Slow-drying acrylic paint that enables painters to explore techniques GOLDEN OPEN paint is a slow-drying acrylic paint that enables painters to explore techniques traditionally reserved for oil paints. The slow-drying quality gives artists longer working time for easier blending and even subtractive techniques. There is a unique thinner and mediums for use with OPEN, but the paints are compatible with regular fast-drying acrylics and clean up with soap and water like regular acrylics. OPEN Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion to produce a paint with a uniquely relaxed set of working characteristics and a versatility that allows artists to explore a wider range of techniques such as portraiture and landscape painting that rely on softening, shading, glazing, and creating fine detail. Increased working time of these colors expands their range to include more traditional techniques once only possible with oils Key Features:* Resists skinning, remain wet on the palette for extended periods* Feels like no other paint* Stays wet longer* Expands the boundaries of acrylics* Formulated with an optimum balance* Tubes: 2oz. & 5oz. / Jars: 4oz. & 8oz.* Titanium White: 32oz. Jar* 100% acrylic polymer dispersion* Perfect For:* A uniquely relaxed set of working characteristics and versatility* Allowing artists to explore a wider range of techniques* Portraiture and landscape painting* Softening, shading, glazing, and creating fine detail* Plein air painting, mono-printing, and screenprinting* Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors* Reducing the amount of paint wasted and preserving color mixtures for future use How long does it take for Golden Open acrylics to dry? GOLDEN OPEN typically dries in 3-5 hrs. To control viscosity while maintaining the maximum working time Use OPEN Mediums and Thinner. To accelerate drying time, OPEN Acrylics may be blended with faster-drying GOLDEN Acrylics, Gels, and Mediums. OPEN Acrylics resist skinning, remain wet on the palette for extended periods, and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, mono-printing, and screenprinting. OPEN Acrylics may be blended with other GOLDEN Acrylic Colors, Mediums, and Gels, with the open time of the resulting mixtures being proportionately reduced. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. See More
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Jacquard Lumiere Fabric Color - Old Brass, 8oz JarSave Up to37%Off listMetallic Dazzling metallic colors for fabric, paper, leather, wood, and more! These gorgeous metallic paints spread smoothly and stay flexible on fabric and leather! The line contains traditional metallic colors as well as pearlescent and hi-lite colors. The hi-lite colors are practically transparent on light colors and show up beautifully on darker tones and these stunning light-bodied paints brush on smoothly and are formulated to last. The newest addition to the Lumiere line is our Wine Country Palette. It consists of seven autumn colors in rich, sophisticated tones. Whether you want a little sparkle or a lot of dazzle, there is a Lumiere color for you! They won’t crack, peel or chip, even on flexible surfaces like fabric, leather, vinyl or rubber. Soft to the touch and washfast on fabric, Lumiere paints also exhibit unparalleled adhesive properties, even on non-porous surfaces like ceramic and metal. Lumiere colors are lightfast and weather-resistant, and their high pigmentation provides excellent coverage, even on dark grounds. Key Features: * Stunning light-bodied paints * Metallic and pearlescent acrylic * Soft to the touch and washfast * Lightfast and weather-resistant * Brushes on smoothly * High pigmentation provides excellent coverage * Won’t crack, peel, or chip on flexible surfaces Perfect For: * Fabric, leather, vinyl, and rubber * Ceramic and metal * Fine arts, crafts, or textile applications * Paper, photos, wood, plastic, and styrofoam See More
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Gamblin Artists Oil - Cadmium Red Light, 8oz CanSave Up to40%Off listRed Gamblin Artist's Oils, The only choice for professionals! Since 1980, Gamblin has transformed oils and pigments into luscious, rich oil paints. Gamblin Artist's Oil Paints are made with refined linseed oil, so the paint film is more flexible and yellows significantly less than traditional linseed oil. No adulterants are used, so each color retains its unique tinting strength, undertone, and texture. Gamblin Artist's Colors have luscious working properties, and the colors are radiant. We're sure you'll agree that the quality of these oil colors is exquisite. For everything from realism to contemporary abstraction, you'll find the colors you need in the Gamblin line. Key Features: * Oil Paints: Available in 37ml and 150ml tubes, plus 8 oz. and 16 oz. cans * Sets w/ painting panels: Set of 9, Set of 3 * Professional quality * Inorganic colors made from metals (Cadmium, Cobalt, Iron, etc.) * 19th-century colors of the Impressionists * Classical and Renaissance era colors * High pigment load, low oil absorption * Colors easily grey-down in mixtures * Mostly opaque with a few semi-transparent and transparent colors * Made in Portland OR, USA * Perfect For: * Professional oil painters * Plein air artists * Alla prima painting * Vibrant portraits * Painting natural colors and light * Accurately reflecting the hues of nature * Smooth consistency and buttery feel * Outstanding lightfastness * Everyday studio use! Gamblin Metals- Gamblin Copper, Rich Gold, Pale Gold, and Silver are made by suspending bronze and aluminum powders in an alkyd binder. It's the light reflecting from all those bits of metal that create the "metal finish." The real metal flakes scatter light in many different directions giving surfaces painted with Metals a soft, lustrous appearance. Gamblin Metals have distinctive mixing characteristics. When mixed with transparent colors, they maintain their metallic luster and give glaze layers a unique sparkling quality. Gamblin Artists' Colors Introductory Set of 9 Colors Includes nine 37ml. tubes and a ready-to-use, This set contains one 6.5" x 12" pre-primed painting panel with 1.5in cradle depth.pre-primed birch painting panel handcrafted in North America from sustainable forests. Made in the USA. 37ml Colors include: Cadmium Yellow Light, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Viridian, Yellow Ochre, Burnt Umber, Ivory Black & Titanium White Reclaimed Earth Set of 3 Tubes: Colors in the set include Rust Red, Iron Violet, and Brown Ochre. The tubes are nestled in a 6"x6" primed panel made in Oregon by American Easel. The masterfully constructed panel has poplar cradled sides and a Baltic birch face. Every speck of pigment in these tubes has been painstakingly reclaimed from waters tainted by iron released from mines. Iron oxides make lightfast, natural, and safe oil paints. John Sabraw and engineer Guy Riefler figured out how to extract iron from the polluted rivers, restore ecosystems, and create economic opportunities in communities struggling with environmental damage left behind by the coal mining industry. By purchasing this limited edition set you are supporting hard-working communities and helping make the Ohio and Mississippi Rivers healthier ecosystems. Is Gamblin Oil Paint Professional Grade? Gamblin Artist's Oil Paints are Professional Grade made with refined linseed oil! Gamblin always wanted to give artists color at its maximum with a luscious texture. There is so much more to our work than fine raw materials and high pigment loads. Gamblin is dedicated to getting that balance right. Every color. Every batch. Every time. See More
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Old Holland New Masters Acrylic Titanium White 1liter JarSave Up to25%Off listWhite Highest pigment load acrylics with a 100% pure acrylic medium Designed to have little color shift from wet to dry, Old Holland New Masters Acrylics hold the maximum possible pigment content as well as look and feel of classic oils straight from the tube. In 1998, Old Holland’s chemists began research in the area of acrylic paint colors, with the goal to create an exceptional professional acrylic paint line that was worthy of carrying the Old Holland name. The project was dubbed "New Masters" as a long-held dream of the late owner Professor Theo de Beer, since Old Holland Oils were used by the old Dutch masters. He foresaw that the modern medium of acrylics would be used by the new masters of art. Key Features:* Full range of 168 colors* Highest pigment load* High impasto capabilities* Dries to a satin gloss* Oldest paint maker in the world!* Professional Acrylic Sets* All-Inclusive Deluxe Wood Box Set Perfect For:* Professional Acrylic Painters* Transitioning to acrylics from oils* Impasto painting to glazing* Feel of oil paints in an acrylic After testing more than 250 pigments and different mediums for the paints, they were incorporated into a series, irrespective of cost. Instead of the resins most of the major acrylics manufacturers incorporated into their products, Old Holland chose a 100% pure acrylic medium from a European manufacturer as the paint vehicle. More expensive than traditional popular resins, it gives New Masters Acrylics the same characteristics and texture of Old Holland’s Classic Oils. Utilizing traditional pigments like Genuine Manganese Blue, etc. to more modern lightfast anthraquinonoids and more, Old Holland produced acrylics that they tested with professional artists in various countries. By the end of 2005, the range of 168 colors was introduced, and consisted of opaque and transparent lightfast colors that were free of additives and fillers. Drying to a satin gloss, they can be used for a wide range of techniques from thick impasto to ultra-thin glazing. With an extensive selection of metallics, pearlescent, iridescent, and interference colors that are extremely lightfast, the high doses of pigment in the patented binding system ensure each color displays the unique characteristics of the individual pigment. Try the simple starter New Masters Set of 6, or spring for the Deluxe Wood Box Set — the perfect transition for the professional oil painter to the medium of acrylic painting — and fall in love! New Masters Acrylic Set of 6 - Includes six 60ml tubes of Titanium White, Azo Yellow Light, Naphthol Vermillion, Quinacridone Fuschia, Ultramarine Blue, and Phthalo Blue. New Masters Acrylic Deluxe Wood Box Set - Deluxe Italian Mabef Wood Sketch Box contains thirty 60ml tubes of Old Holland New Masters Acrylic Colors, three brushes, and a wood palette. See tech notes for complete set contents. See More
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Gamblin Oil Painting Ground 8oz CanSave Up to40%Off listWhite Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More
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M. Graham Walnut/Alkyd Oil Medium 8oz. BottleSave Up to40%Off listAugment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans -… Augment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Perfect for removing color from brushes after use and since it is a natural vegetable oil, it will not evaporate or remove essential oils from the artists' paint brushes. Walnut oil can also slow drying, increase sheen and enhance the flow of oil colors.Walnut/Alkyd Medium - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Can thin the color, enhance adhesion between layers, increase surface sheen and speed up drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally suited for all-prima and glaze applications and is certified non-toxic. Key Features:* Available in 4 different sizes* Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans* Non-toxic* Safe to use on brushes Perfect For:* Working with oil colors* Speeding up drying time* Increasing adhesion and flow of oil paint See More
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Gamblin Burnt Plate Oil #000 8oz BottleSave Up to40%Off listBrown True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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LUKAS Oil Painting Medium - Retouching Varnish, 1 Liter CanSave Up to61%Off list…Perfect Accompaniment To LUKAS Oil Paints Professional oil paints require professional-quality mediums and varnish. Any additive used to alter the final sheen of the painting needs to be of equal quality of the paint used, for the maximum benefit of continuity of paint film strength and durability.… The Perfect Accompaniment To LUKAS Oil Paints Professional oil paints require professional-quality mediums and varnish. Any additive used to alter the final sheen of the painting needs to be of equal quality of the paint used, for the maximum benefit of continuity of paint film strength and durability. LUKAS is proud to offer a unique selection of varnishes to enhance your oil painting experience. Picture Varnish Gloss, Retouch Varnish, and Dammar Varnish are available in one-liter cans. Key Features: * Protects your painting * Unifies surface quality * Size: one liter can * Professional Quality Perfect For: * Temporary protection * Final, permanent protection * Oils, alkyd, and egg tempera * Altering paint sheen Retouching Varnish- This solvent-based acrylic varnish is water-clear and suitable for intermediate, temporary protection of oil and alkyd paintings and for retouching work. Dammar Varnish, Classical - This traditional, natural resin-based varnish is slightly amber in color, but dries to a durable, glossy film perfect for protecting finished art in oils, alkyd and egg tempera. Remains soluble in turpentine; will lose elasticity over time Picture Varnish Modern - Water-clear synthetic resin varnish for oil, acrylic, alkyd and tempera paintings. Protects artwork from environmental damage. Non-yellowing and removable with turpentine or mineral spirits. See More
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Williamsburg Wax Medium, 8oz CanSave Up to30%Off list…Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film… The Perfect Accompaniment to Williamsburg Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film strength and durability. Williamsburg is proud to offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss. Useful as an ingredient in painting mediums. Cold Pressed Linseed Oil - Genuine, cold-pressed linseed oil. Extracted through pressure alone. Less processed than alkali-refined oil. Closer to what was traditionally used in the past. Stand Oil - a thick, honey-like linseed oil with excellent leveling properties. Increases flow, transparency, and gloss. Useful as an ingredient in painting mediums. Slower drying and less yellowing than other linseed oils, it creates a smooth, durable, flexible film. Wax Medium - Pure beeswax, damar resin, and refined linseed oil. No paraffins or microcrystalline. Use in moderation to thicken paint; imparts a short, buttery texture. Increases transparency, dries to a satin sheen. Alkyd Resin - Made from a slow-drying pure alkyd resin with the consistency of a thick stand oil. Dries to a glossy, flexible, and enamel-like film. Useful in making other mediums or added directly into oil paints to modify transparency and flow. WARNING: Combustible. Vapor harmful. Key Features:* Professional, Handmade Oil Mediums* Quality cold-pressed drying oils* Oils to make custom mediums* Wax Medium to thicken paint* Perfect For:* Making custom painting mediums* Professional Oil Painters* Discerning students & amateurs* Using with professional quality oils See More
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Spectrafix Finalfix Advanced Fixative 8 oz Pump SpraySave Up to15%Off list…completely workable. Spray a layer of FinalFix after SpectraFix Degas fixative or throughout your painting process. The spray is scuff-resistant. You can even clean the surface with a damp cloth once dry. FinalFix should not be used as a final layer on top of acrylics or oil paint. You can use… No more framing under glass! FinalFix adds a lovely matte finish to your pastel and charcoal drawings. The non-yellowing archival formula is all-natural with no fumes and is completely workable. Spray a layer of FinalFix after SpectraFix Degas fixative or throughout your painting process. The spray is scuff-resistant. You can even clean the surface with a damp cloth once dry. FinalFix should not be used as a final layer on top of acrylics or oil paint. You can use FianalFix on acrylics and oil paint as long as you apply a final layer of acrylic or oil varnish. FinalFix absorbs moisture in the air, unlike acrylics and oils; as a result, it may separate from the paint if a final layer of varnish is not applied. Key Features: * Provides a lovely matte finish * All natural with no fumes * Workable and archival * Non-yellowing formula * Can combine with all media Perfect For: * Pastel and charcoal * A variety of media * Use throughout the painting process See More
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LUKAS Oil Painting Medium - Pure Balsam Distilled Turpentine, 1 Liter CanSave Up to60%Off list…thinning and cleaning oils and dissolving resins like dammar or mastic to produce mediums. Odorless Thinner - Near-odorless paint thinner for oil colors. Ideal for cleaning painting tools; should not be used for dissolving natural resins (as in the creation of traditional mediums and carnishes) or… Balsam Turpentine - Pure, water-clear thinner for oils made from cleaned balsam resin. Excellent for thinning oil paints as well as dissolving resins like dammar or mastic to produce mediums. Rectified Balsam Turpentine - Similar to Pure Balsam Turpentine, but distilled multiple times. Ideal for thinning oil colors and dissolving resins to create mediums and varnishes. Citrus Turpentine - Pleasant smelling solvent for oil colors containing lemon peel oil. Clear turpentine substitute good for thinning and cleaning oils and dissolving resins like dammar or mastic to produce mediums. Odorless Thinner - Near-odorless paint thinner for oil colors. Ideal for cleaning painting tools; should not be used for dissolving natural resins (as in the creation of traditional mediums and carnishes) or for thinning resin-based solutions. See More
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Iwata Medea Airbrush Cleaner 8 oz BottleSave Up to14%Off list…roll off a workbench or table. Universal Spray-Out Pot Replacement Filter Replacement filter for the CL 300 Universal Spray Out Pot. Not compatible with the older NAC 201 spray out pot. Airbrush Cleaner with Invertible 360 Degree Nozzle 16 oz: Medea Airbrush Cleaner With Invertable 360 Degree Nozzle… You Imagine. IWATA Performs. You Create. Iwata Airbrush Cleaning Kits include the same great tools Iwata Technicians use to clean and restore airbrushes to perfect working conditioning. Iwata's Airbrush Cleaner is a mild, general-purpose cleaner that is great for cleaning any airbrush or artist tool. The Raised Ridge Airbrush Cleaning Mat is the perfect spot to disassemble and clean your airbrush. When you reassemble your airbrush, you can follow the cutaway diagram on the mat to ensure everything goes back in the right place. With these Iwata cleaning supplies, you will be well on your way to perfect airbrush maintenance. Key Features: * Cleaning kits include all of the cleaning supplies you need * Environmentally safe general-purpose cleaner * The raised edge on the mat prevents parts from rolling away Perfect For: * Cleaning any airbrush or artist tool * Performing routine maintenance on your airbrush * Cleaning up fluid acrylics, watercolors, gouache, inks, or dyes Airbrush Cleaner, 16oz: Medea Airbrush Cleaner is a mild, general-purpose cleaner that is great for cleaning any airbrush or artist tool. Medea Airbrush Cleaner is the ideal cleaning fluid for acrylics, watercolors, gouache, inks, or dyes. Environmentally safe and ready to use Airbrush Cleaning Kit: Iwata Airbrush Cleaning Kit includes the same great tools Iwata Technicians use to clean and restore airbrushes to perfect working conditioning. Contains all the essential cleaning items including; Medea Airbrush Cleaner, Medea Thread Sealer, Extra Small Cleaning Brushes, Non-Shedding Pipe Cleaners, Iwata Nozzle Wrench, Iwata LED Magnifier, Iwata Premium Airbrush Lubricant, and Illustrated Step-by-step cleaning instructions you will be well on your way to perfect airbrush maintenance any time. Airbrush Cleaning Kit Refill: Iwata Airbrush Cleaning Kit Refill Pack includes the same great tools Iwata Technical Services use to clean and restore airbrushes to perfect working conditioning. Containing all the essential cleaning items including; Medea Airbrush Cleaner, Extra Small Cleaning Brushes, Non-Shedding Pipe Cleaners, Iwata Polishing Cloth, and Illustrated Step-by-step cleaning instructions you will be well on your way to perfect airbrush maintenance any time. Raised Ridge Airbrush Cleaning Mat: The Iwata Raised Ridge Airbrush Cleaning Mat is the perfect spot to disassemble and reassemble your airbrush. The raised ridge prevents your parts from rolling away. The soft fabric surface can handle most solvent-based cleaners, and the non-skid backing keeps your mat in place. Use the airbrush cutaway diagram on the mat to see all the main parts of an Iwata airbrush. The Iwata Cleaning Mat is a must-have in any artist's studio and works just as well for cleaning other small parts that might roll off a workbench or table. Universal Spray-Out Pot Replacement Filter Replacement filter for the CL 300 Universal Spray Out Pot. Not compatible with the older NAC 201 spray out pot. Airbrush Cleaner with Invertible 360 Degree Nozzle 16 oz: Medea Airbrush Cleaner With Invertable 360 Degree Nozzle contains 16 ounces of the Medea Airbrush Cleaner you know and love. The nozzle releases in a solid stream or a fine spray right-side-up or upside down to clean all your airbrushes, work surfaces, and studio tools. Use the powerful stream setting to quickly flush and rinse the airbrush cup of your airbrush. See More
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Spectrafix Natural Glass 8 oz VarnishSave Up to21%Off list…spray it indoors * Non-toxic with no irritating fumes * The semi-gloss finish adds depth to your work * It does not dull colors * Easy to clean varnished surface * You can paint over it Perfect For: * Pastel and watercolor varnish * Protecting work from damage * Varnish or medium for all painting… Natural Glass makes shipping and hanging an art show easy! Natural Glass is a revolutionary water-based BioPolymer varnish and painting medium. It dries fast to a water-resistant, semi-gloss film. You can use Natural Glass on canvas, paper, Yupo, ceramic, stone, glass, leather, fabric (not washable), and more. It can be re-worked, painted over, layered, or used as a pouring medium. Natural Glass works well as a glass substitute for pastel and watercolor works. No more annoying reflections and glare or worrying about breakage. Natural Glass makes shipping and hanging a show easy because it can't break. The semi-gloss finish adds depth to your work while protecting it from the elements. You won't lose your highlights or dull your colors. Varnished colors become more luminous under Natural Glass. Like all SpectraFix products, Natural Glass washes up with water, is completely non-toxic, and has no irritating fumes. Key Features: * Water-based BioPolymer varnish and medium * Made from natural ingredients * You can spray it indoors * Non-toxic with no irritating fumes * The semi-gloss finish adds depth to your work * It does not dull colors * Easy to clean varnished surface * You can paint over it Perfect For: * Pastel and watercolor varnish * Protecting work from damage * Varnish or medium for all painting and drawing media * Traditional glass alternative * Pouring paintings * Canvas, paper, Yupo, and ceramic * Stone, glass, leather, and fabric (not washable) See More
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GOLDEN MSA Varnish w/ UVLS, Matte 8ozSave Up to30%Off list…used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein* As a topcoat for acrylics For restoration purposes, the varnish may be removed with MSA Solvent, full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or… Varnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides increased resistance to the harmful effects of ultraviolet radiation, making the product suitable for exterior as well as interior application. MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein. As a topcoat for acrylics, it provides a harder, lower tack surface that is much less susceptible to dirt and is more mar resistant. GOLDEN MSA - available in Matte, Satin, and Gloss finishes. A mineral spirit based acrylic resin system that forms a tougher, less permeable film than waterborne acrylic varnishes. Can be applied to acrylic, oil, and alkyd painted surfaces. Reduces dirt penetration and surface marring, offering an extremely level film with less foam and fewer pinholes. Removable with mineral spirits after drying; recommended for interior or exterior use. Not for use by children. Thins with MSA Varnish Solvent. MSA Varnish Solvent - the ideal solvent for thinning GOLDEN MSA Varnishes, which must be thinned before use. MSA Solvent assures clear, clean, even application. Can be used to remove MSA Varnish at a later time for restoration purposes. * Protects against dirt and dust* Provides moisture resistance* MSA UVLS: Ultraviolet Light Stabilizers (UVLS)* MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein* As a topcoat for acrylics For restoration purposes, the varnish may be removed with MSA Solvent, full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or distilled or rectified turpentine. MSA Varnish (Gloss) dries to a highly reflective finish. MSA Varnish (Satin) offers moderate reflection, similar to most matte varnishes. MSA Varnish (Matte) finish is exceptionally flat. The different finishes can be intermixed to achieve the desired sheen. Note that the matte and satin MSA varnishes will lighten dark value colors, which is typical of reduced sheen varnishes. Please note: Upon arrival, labeling may be different than pictured due to a packaging change by the manufacturer. See More
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Jacquard Permanent Dyeset Concentrate, 1 LiterSave Up to30%Off list…Based Permanent Metallic Resists - Use in the same way as Clear Resist but the color is permanent when washed or dry cleaned. Available in black, copper, gold and silver, these resists hold fine, crisp lines that do not spread. The consistency is perfect for production silkscreening or squeeze… Water Based Clear Resist - Jacquard has developed a superior water based resist, is used like a frisket to impede the flow of dye. It will completely wash out of fabric with warm water, even after steaming. It holds a crisp line without spreading and does not shrink or pucker when dry. It can be colored with any water based dye and is screenable, odorless, alcohol free and non-toxic. Water Based Permanent Metallic Resists - Use in the same way as Clear Resist but the color is permanent when washed or dry cleaned. Available in black, copper, gold and silver, these resists hold fine, crisp lines that do not spread. The consistency is perfect for production silkscreening or squeeze bottle application. Permanent Dyeset Concentrate - This concentrate is used to set Jacquard Silk Colors (Green Label) Dye. It also can be an alternative to steam setting. See More
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Modern Options Metallic Surfacers & Patina Solutions Gilded Gold 8 ozSave Up to2%Off listMetallic Over thirty years of experience serving the needs of Artists! The Metallic Surfaces, Antiquing, and Tinting Solutions are designed to create durable metallic finishes and authentic antique patinas quickly and easily on any paintable surface. No special skills or tools required, they're suitable for both indoor and outdoor applications and easily clean up with water. These various mediums contain pure ground metals suspended in a water-based acrylic solution. Use on textiles, canvas, Claybord, metal or wood for a myriad of painting effects and faux finishes. They provide opaque coverage with lightfast results. Maybe brushed or spayed on. The Patina Solutions can be applied over Metallic Surfacers, these colored solutions actually oxidize to an aged verdigris or textural rust. Metallic Surfacers - These various mediums contain pure ground metals suspended in a water-based acrylic solution. Use on textiles, canvas, Claybord, metal or wood for a myriad of painting effects and faux finishes. They provide opaque coverage with lightfast results. Maybe brushed or spayed on.* Use on wood, plaster, ceramic, metal, plastic and cloth* Easy to apply—requires no special skills* Use indoors or outdoors* Water-based for easy cleanup Patina Solutions - Applied over Metallic Surfacers, these colored solutions actually oxidize to an aged verdigris or textural rust. Tinting Solutions - These are not oxidation agents, but lightly pigmented solutions that add contrast, depth, and color to Modern Option's finishes.* Antiquing Solutions create a true patina or rust finish* Tinting Solutions provide contrast and texture* No special tools required* Use indoors or outdoors* Water-based for easy cleanup Key Features:* Permanent and fade resistant* Water-based for easy cleanup* Easy to apply—requires no special skills* No special tools required Perfect For:* Exterior and interior applications* Creating a true patina or rust finish* Wood, plaster, ceramic, metal, plastic and cloth* Contrast and texture Sophisticated Finishes was formerly known as Modern Options. See More
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Permaset Aqua Supercover Fabric Printing Ink 1 Liter - Mid RedSave Up to48%Off listRed Environmentally friendly, opaque and durable fabric paints! Permaset Aqua is a revolution in fabric and screen printing inks. By using advanced polymer technology combined with the purest pigments, Permaset Aqua results in an environmentally friendly, easy to use ink that provides long-term durability without compromising its superior soft handle. Permaset Aqua Supercover colours are specifically designed to provide excellent coverage, opacity and definition over dark fabrics whilst retaining maximum stretchability. Permaset Aqua can be achieved with great results on cotton, polyester, silk and most synthetics, without the need for additives. Garments containing Permaset are highly durable to wash, rub and dry-clean, together with intense pigment colour for excellent coverage, opacity and colour brightness. Permaset Aqua is safe to use on babywear, underwear and swimwear. All colours are water based so equipment can be easily cleaned up with water. Key Features: * Water-based fabric paints * Non-Toxic, 100% Environmentally friendly * Lightfastness ratings of 6/8 on the Blue Wool Scale * Highly durable to wash, rub and dry clean * Provides excellent coverage, opacity and definition * Cleans up with just water Perfect For: * Use with cotton, polyester, silk and most synthetic fabrics * Artists of any age! * Dark colored garments * Use on delicate clothing, such as babywear, underwear and swimwear * Quick and easy clean up See More
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Liquitex Professional Soft Body Acrylic 8oz Burnt UmberSave Up to32%Off listBrown Fluid and Creamy Acrylic Colors in Convenient Squeeze Bottles & Sets! Soft Body Artist Color by Liquitex, previously known as Medium Viscosity, was the original Liquitex acrylic formulation made in 1955. An extremely versatile artist paint, creamy and smooth with a concentrated pigment load producing intense, pure color. This pre-filtered consistency ensures good coverage, even-leveling and superb results in a variety of applications and techniques. The new squeeze bottle design lets you get to every last drop of paint. The tapered nozzle has a choice of cut marks allowing you to control how you dispense your paint. Liquitex Professional Soft Body Acrylics are naturally creamy and fluid. That makes them just right for professional and decorative arts, stenciling, murals, silk-screening, calligraphy, printmaking, graphic design, sculpture, photo retouching, hard edged painting, watercolor techniques and much more Key Features: * Professional colors & sets * Soft Body Acrylics 2oz / 8oz / 32oz convenient squeeze bottles * 7 NEW Cadmium-Free Colors * Remarkably low shrinkage * Consistency ensures excellent coverage * Retains little or no brush strokes and knife marks * High pigment concentration yields intense colors * Intense color without opacifiers or fillers * Contain rich, pure pigments Perfect For: * Professional and decorative arts * Small and large works of art * Artwork requiring a wide range of colors * Mixed media applications * Stenciling, murals, silk-screening, calligraphy * Printmaking, graphic design, sculpture, photo retouching* Hard edged painting, watercolor techniques and much more * See More
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Tight'n'Up Canvas Re-tensioner Pump Spray, 8ozSave Up to15%Off list…technology that tightens-up loose canvases* May be applied to the affected areas of the canvas, or the whole canvas* Apply before or after painting* Spray the back of the canvas* Will not harm the canvas, oil or gesso priming* Dries clear so it will not affect the look of the piece Perfect For:*… Patented technology that tightens-up loose canvases Masterpiece Tight'n'Up™ Liquid Canvas Retensioner solves most of the problems associated with loose canvas, ripples, wrinkles, bubbles, sags, etc. It will not harm the canvas, priming, or the picture. The secret acrylic polymer formula is acid-free and archival. The water in Tight'n'Up™ makes the canvas threads to expand, shrinking their length, naturally tightening the canvas. Acrylic binders in the spray trickle between the canvas fibers, and give extra support to the canvas. When the water evaporates, the acrylic remains in the fabric and prevents the material from relaxing to its loosened state, thereby maintaining the increased tension. Tight'n'Up™ may be applied to the entire back surface of the canvas, but it is best for problem areas. Key Features:* Removes wrinkles, sags, and ripples* Patented technology that tightens-up loose canvases* May be applied to the affected areas of the canvas, or the whole canvas* Apply before or after painting* Spray the back of the canvas* Will not harm the canvas, oil or gesso priming* Dries clear so it will not affect the look of the piece Perfect For:* Any canvas tension problems* Cotton, linen, and other natural fiber canvases* Removing wrinkles, sags, and ripples* Leaving the canvas flat and tight* Quick and easy clean up* Everyday studio use See More
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Liquitex Acrylic Soluvar Matte Varnish, 8oz BottleSave Up to40%Off list…The mineral spirit-based varnish allows you to easily clean and remove dust from the surface of the painting without damaging the paint under the protective layer. Best of all, it protects dried paints from UV light damage and resists the discoloration, yellowing, and fogging caused by humidity. Key… Protect Your Acrylic and Oil Pieces with Soluvar Liquitex Professional Soluvar Varnish provides transparent protection for acrylic and oil artworks. Soluvar dries clear to a flexible, non-tacky, hard surface and instantly increases the brightness and saturation of colors. The mineral spirit-based varnish allows you to easily clean and remove dust from the surface of the painting without damaging the paint under the protective layer. Best of all, it protects dried paints from UV light damage and resists the discoloration, yellowing, and fogging caused by humidity. Key Features: * Mineral spirit-based varnish * Increases brightness and color saturation * Improves surface durability * Protects colors from UV light damage * Resists discoloration - yellowing and fogging - caused by humidity, heat, and UV * Allows surface moisture to pass through and breathe Perfect For: * Protecting art * Oil and acrylic paintings * Use on flexible or rigid supports * Unifying the surface sheen * Guarding against dirt retention * Interior and exterior use * Protects against dirt How to use it - Application * Before varnishing, ensure the paint surface is fully dry - 72 hours-two weeks for acrylics, depending on thickness, and 6-12 months for oils. * Ensure your space is well-ventilated and dirt and dust-free. * Place the artwork flat on a surface - always varnish horizontally. * Apply 1-2 coats of Gloss Medium as a permanent isolating barrier first and leave to dry for three days. * Once completely dry, clean the surface with a lint-free rag dampened with mineral spirits. * Apply 1-2 layers of Soluvar, leaving 24 hours between coats. * Use long, even mists, covering the surface from top to bottom while moving from one side to the other. See More
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Jo Sonja Matte Acrylic - Burnished Copper, 8oz BottleSave Up to38%Off listRed Flow formula acrylics offering the opacity of color and the beautiful, velvet matte finish Chroma's Jo Sonja's highly pigmented matte acrylics dry to a beautiful velvet matte finish and provide superb brush handling characteristics. Unlike gouache, the acrylic color is water-resistant and will not chip or crack when cured. Jo Sonja Matte Acrylic colors will remain vibrant for generations because they contain ASTM lightfast pigments. Formulated for application on any surface or use in combination with Jo Sonja's Mediums and Background Colours. The exciting range of Jo Sonja mediums allows the paints to be used on virtually any surface from paper and cards to canvas, wood, glass, ceramics, fabrics, and more! All products in the range are compatible and cleans up with mild soap and cold water. Jo Sonja Artists’ Acrylic Colors are flow formula acrylics offering the opacity of color and the beautiful, velvet matte finish associated with traditional gouache plus superb handling and brushing characteristics. Unlike gouache, they are water-resistant and will not chip or crack when cured. Suitable for most surfaces, including paper, paper-mache, cards, canvas, wood, fabric, tin, terracotta, glass, and tile. Key Features: * Vibrant lightfast colors * Dries velvety matte * Water-resistant once dry * Will not chip or crack once cured * ASTM lightfast pigments * Superb brush handling characteristics * Clean up with mild soap and cold water * Metallic, pearlescent, and iridescent colors Perfect For: * Use on paper, cards, canvas, wood, glass * Paper mache, fabric, tin, terracotta, and tile * Mixed media applications * Artists of any skill level * Good matte finish * Good adhesion * Great for creating precise detail * Use with Jo Sonja mediums * Limitless techniques See More
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Liquitex Acrylic Fluid Mediums - Glazing, 8ozSave Up to40%Off list…water-resistant film. Palette Wetting Spray: Slows drying time of acrylic color on palette or canvas and improves color blending. Spray and re-spray as needed to prevent acrylic paint from skinning over. Key Features: * Thin viscosity of heavier body paints, giving increased flow * Increases the… Lower the viscosity of heavier body paints >Liquitex Fluid Mediums are fluid and reduce the viscosity of heavier paints and gels, tend to self-level and do not retain brushstrokes. Rather than using water, Liquitex Fluid Mediums modify acrylic paints in a variety of ways and contain acrylic resins to maintain or enhance adhesion and durability. With Liquitex Acrylic Fluid Mediums, you can give your paint a gloss or matte finish, while thinning and extending its volume. Glazing Medium: Increases transparency, lowers viscosity, and enhances gloss. Perfect for creating brilliant, jewel-like glazes. The medium dries to a water-resistant, non-yellowing film. Gloss Medium: All-purpose medium for imparting gloss. Matte Medium: Mix into colors, so that they dry uniformly matte. Satin Medium: Mix into colors, so that they dry uniformly satin. You can thin and extend acrylic paint with Satin Medium or use the medium as a collaging adhesive. Slow-Dri Blending Medium: This fluid medium will increase the open working time of your acrylics by up to 40%. Increases transparency when shading, blending and mixing colors. Blending medium dries to a clear, flexible, non-yellowing, water-resistant film. Palette Wetting Spray: Slows drying time of acrylic color on palette or canvas and improves color blending. Spray and re-spray as needed to prevent acrylic paint from skinning over. Key Features: * Thin viscosity of heavier body paints, giving increased flow * Increases the color depth and transparency * Extends your color further without affecting acrylic stability * Maintain paint adhesion, durability, and archival quality * Archival and permanent * Intermixable with all Liquitex materials * Perfect For: * Acrylic painting * Minimizing paint waste * Collaging & mixed media * Photo transfers * Classroom, home, and studio * Teachers and students * All acrylic-friendly surfaces See More
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Interactive Professional Acrylic 1 Litre Jar - CrimsonSave Up to40%Off listRed Professional artist acrylics with a longer open time! Unlike traditional acrylic paints, Chroma Atelier Interactive Artists Acrylics do not suddenly form a skin; the unique paint gives you plenty of time to blend and rework your colors. The Unlocking Formula Medium gives you more artistic freedom, allowing even touch-dry paint to be reworked, blended, or ragged off to reveal layers below! Archival quality and lightfast, the intense color dries to a satin-like finish without a plastic look or feel and with minimal color shift. By withholding the use of Unlocking Formula or water when painting, Atelier Interactive will perform like a traditional fast-drying professional acrylic paint. Note: in dry climates, you will need to replace the water being lost through evaporation by spraying/spritzing with water from time to time. Key Features: * Range of brilliant colors * Smooth buttery consistency * Dries to a satin finish * Minimal color shift when dry * Available in 80ml, 237ml, and 1 liter and sets * Interactive Unlocking Formula sold separately Perfect For: * Re-blending and reworking all day! * Wet-In-Wet techniques * Silkscreening, Lino Block & Monotype Printing * Acrylics without a plastic look or feel Interactive Professional Artists Acrylic Set of 12, 20ml Tubes - The colors included in the set are Series 1: Titanium White, Pthalo Green, Yellow Ochre, Burnt Sienna, Crimson and Carbon Black, Series 2: Transparent Perinone Orange, Permanent Green Light, and French Ultramarine Blue, Series 3: Dioxazine Purple, Arylamide Yellow Light, and Arylamide Yellow Deep. Interactive Professional Artists Acrylic Set of 7, 80ml Tubes - The colors included in the set are: Arylamide yellow light, burnt umber, cobalt blue hue, crimson, napthol red light, pthalo green and titanium white See More
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Enkaustikos Hot Cakes Empty Tin with Custom Label 8ozSave Up to20%Off list…professional-grade encaustic paints in convenient, re-fillable tins! Hot Cakes from Enkaustikos are professional quality, ready-to-use encaustic paints packaged in a re-fillable metal tin. This package design makes Hot Cakes extremely easy to use—melt these paints simply by placing the… Ready to use professional-grade encaustic paints in convenient, re-fillable tins! Hot Cakes from Enkaustikos are professional quality, ready-to-use encaustic paints packaged in a re-fillable metal tin. This package design makes Hot Cakes extremely easy to use—melt these paints simply by placing the uncovered tin on your hot palette. The tin’s flat bottom will ensure that your paints melt evenly. These pigments can be re-melted over and over with no difficult clean up or hassle. Empty tins can be purchased to create new colors with! Crafted from high-quality pigments, damar resin and USP grade beeswax, these encaustic paints contain no synthetic adulterants and are among the finest artist-standard encaustic paints available! Key Features: * Re-fillable tin allows you to use the same pigments over and over * Paints melt evenly, contained in the tins * Ready to use and easy clean up! Perfect For: * Professional artists * Encaustic artists looking for a no-hassle paint * Beginner to advanced encaustic painters * Printmaking applications See More
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R&F Blending Medium with Drier, 8ozSave Up to20%Off listHandmade oil paints in a convenient drawing stick form! R&F Pigment Sticks are oil paints manufactured with enough wax for the paint to be molded into stick form. Pigment Sticks allow the artist to draw or paint directly onto a surface without brushes, palettes, paint tubes or solvents. Blending… Handmade oil paints in a convenient drawing stick form! R&F Pigment Sticks are oil paints manufactured with enough wax for the paint to be molded into stick form. Pigment Sticks allow the artist to draw or paint directly onto a surface without brushes, palettes, paint tubes or solvents. Blending only traditional materials: finely milled pigments, natural wax (beeswax & plant wax), and alkali refine linseed oil, R&F Pigment Sticks have none of the additives, extenders, and substitutes that traditional tube oils contain. While the use of these adulterations can save a lot of work and reduce the cost of materials, they lower the quality of the paint. Consequently the formulas are complex and manufacturing is labor intensive, and thus handmade in small batches where they are carefully milled and molded. The result is a professional quality oil Pigment Stick with a buttery, lipstick-like soft consistency that glides onto the painting surface. Paint Sticks can be thinned with traditional solvents, mixed with or used under or over traditional oils, or worked with a palette knife to a softer consistency to allow brushing or knifing onto a surface. Curing to a durable film like standard oils, Pigment Sticks can also be used with Encaustic paints for a variety of effects. Blending sticks are offered in two types, and are colorless sticks that can be worked into a Pigment Stick color to increase transparency, or blend colors together on the painting. Like with traditional oils, R&F Pigment Sticks should be used on primed surfaces that are oil or acrylic gesso primed, to protect the surface from the natural acid in linseed oil. What is the difference between R&F Pigment Sticks and Oil Pastels? Although both are made with pigments, waxes, and oils, they are completely different! Oil pastels typically contain a much higher wax content than an oil stick or bar, and are manufactured with a non-drying oil such as mineral oil or castor oil. Works done in Pigment Stick will oxidize (dry) over time like traditional oil paints, whereas oil pastels will always remain tacky and never dry, thus needing the protection of glass to protect the finished work. Explore the versatility and loosely gestural qualities this medium has to offer, with professional quality Pigment Sticks from R&F! Key Features: * Made solely of pigment, pure alkali refined linseed oil, and purified plant and bees waxes * Lipstick-like, soft creamy consistency * Contains no additives, extenders, or substitutes like tube oils * 2 types of Blending sticks for colorless blending * Perfect For: * Use with Traditional Oils and Encaustic Paints * Gestural drawing with oils in stick form * Immediacy of paint without the need for brushes or tools * Works on any surface primed for traditional oils * Thinning with solvents and oil mediums See More
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Golden Heavy Body Acrylic - Benzimidazolone Burnt Orange, 8 oz TubeSave Up to30%Off listOrange Golden Heavy Body Acrylic Paints- Professionally Loved Acrylics! The original line of paints! GOLDEN Heavy Body acrylic paints are known to be exceptionally smooth with a thick, buttery consistency and contain the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body acrylic color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. Colors that are more reactive and do not accept high pigment loading, dry to a glossy finish and tend to be more transparent. Heavy Body colors contain no additives, such as matting agents, therefore the gloss of each color will be different. Key Features:* Exceptionally smooth, rich, buttery consistency* Dries quickly, permanent and archival in quality* Ability to "stand up" and retain brush strokes* All HB colors are thixotropic in nature* Retain excellent flexibility when dry, diminishing the possibility of cracking* Heavy Body viscosity can also be reduced successfully with water* No flattening agents* No opacifiers added to colors* Clearest and cleanest quality* 101 different colors, shades and tints* 30 colors are mixture colors, the rest of produced from single, unique pigments* Concentrated/Chemically Pure Cadmiums Perfect For:* Approved for professional artist* 100% acrylic binder* Freeze-thaw stability* "stand up" and retain brush strokes or palette knife marks on the canvas* Largest assortment of unique pure pigments* There are no fillers, extenders, opacifiers, toners, or dyes added* Can be mixed with all of our GOLDEN Mediums, Gels and other paint lines C.P. Cadmiums = A grade that has a high concentration of cadmium and is considered the highest quality. The C.P. designation has been associated with both “Chemically Pure” and "Concentrated Pigment". Which translation you come across will often depend on the source and context. In terms of “(CC)”, it refers to “Concentrated Cadmium” and was adopted by the ASTM (American Society for Testing and Materials) as a way to differentiate higher quality cadmiums from lesser quality cadmium-barium pigments. All Heavy Body colors are thixotropic in nature This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of our pigments Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
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Da Vinci Gum Arabic 8 oz BottleSave Up to50%Off listPaint Fit for Masters™ These mediums are produced with the same high-quality standards found in Da Vinci Watercolors. They are ideal for artists seeking to control the dispersion of watercolors or to add an iridescent effect. Gum Arabic - Mix into watercolor to reduce spread while increasing… Paint Fit for Masters™ These mediums are produced with the same high-quality standards found in Da Vinci Watercolors. They are ideal for artists seeking to control the dispersion of watercolors or to add an iridescent effect. Gum Arabic - Mix into watercolor to reduce spread while increasing flow, gloss, and transparency. Iridescent Medium - Inspired by the shimmering Pacific Ocean, Da Vinci’s Iridescent Medium will help your watercolor glisten when mixed into a wet on wet technique or applied over dry paint film. Masking Fluid - Da Vinci’s Masking Fluid will protect selected areas of your work from washes of water based color. Quick drying, non-staining, easily removable and smooth flowing, this product can be used on many surfaces including paper and board. Watercolor Medium - Mix into watercolor to increase flow, gloss, and transparency. See More
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DecoArt Acrylic Paint Pouring Medium, 8ozSave Up to20%Off list…improve paint flow, without decreasing adhesive properties, altering color, or slowing drying time. The waterbased flexible skin won't crack or yellow over time. Mix DecoArt Pouring Medium with acrylic paints to create stunning effects on wood or canvas panels. Ratios of medium to paint can be… Waterbased Pouring Medium and Top Coat! DecoArt Pouring Medium is a fluid additive uniquely formulated to improve paint flow, without decreasing adhesive properties, altering color, or slowing drying time. The waterbased flexible skin won't crack or yellow over time. Mix DecoArt Pouring Medium with acrylic paints to create stunning effects on wood or canvas panels. Ratios of medium to paint can be adjusted for a variety of effects. Use DecoArt Clear Pouring Topcoat to create a smooth, glossy finish for your poured acrylic paintings. DecoArt topcoat is a lacquer-like, crystal clear, high-gloss finish. This one-step formula eliminates the need to mix harsh chemicals and flows into a self-leveling, crystal clear coat that will not yellow, leaving your artwork with its original vibrancy! Key Features: * Waterbased, no unpleasant fumes * Non-yellowing * Will not alter color or slow drying time * Lacquer-like, crystal clear, high-gloss finish. * Create stunning effects. * One-step formula Perfect For: * Dirty Pour paintings * High flow acrylic paint * Canvas and wood panels * Preserving artworks original vibrancy * Professionals and students * Teachers See More
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Golden 8oz Gloss Color Pouring Mediums Set 5 Fluid Acrylic 1oz ColorsSave Up to30%Off list…intended to be used alone as a clear layer, topcoat or varnish* Use as a paint extender for pours or puddles * As little as 20:1 medium to paint can be used for color glazes, or increase the paint amount to 3:1 (medium to paint) for more opaque color layers* May be applied in wet film thickness up… GOLDEN Gloss & Matte Color Pouring Sets With Fluid Acrylics With a choice of either Gloss or Matte Color Pouring Medium and five Fluid Acrylic colors, these sets are a great starting point for artists. Each set also includes a guide with tips for creating successful pours. Color Pouring Mediums are based on 100% acrylic polymers and used to extend acrylic paints for various pouring techniques. They may be blended with most acrylic paints, although GOLDEN Fluid and High Flow Acrylic paints are most suitable for pouring applications. CPM (Gloss) and (Matte) can be combined to create a range of sheens. Color Pouring Medium (Gloss) dries to a uniform smooth, glossy paint layer; Color Pouring Medium (Matte) dries to a very flat, thin, and smooth layer. GOLDEN Gloss Pouring Medium Set* Create beautiful glossy pours with GOLDEN Color Pouring Medium Gloss, a leveling, low crazing extender for pouring acrylic colors. The set includes an 8 oz. bottle of Colour Pouring Medium Gloss along with 1 oz. Fluid Acrylic Titanium White, Naphthol Red Light, Primary Yellow, Teal and Primary Cyan. GOLDEN Matte Pouring Medium Set* GOLDEN Colour Pouring Medium Matte is a leveling, low crazing extender for pouring acrylic colors, allowing artists to create pours with a velvety matte surface. The set includes an 8 oz. bottle of Color Pouring Medium Matte along with 1 oz. Fluid Acrylic Titanium White, Benzimidazolone Yellow Medium, Alizarin Crimson Hue, Prussian Blue Hue and Green Gold. GOLDEN Color Pouring Medium (Gloss) Features:* Resists “Crazing” (formation of crevices or valleys on an acrylic pour surface from uneven drying) better than other acrylic mediums* Dries to a glossy, flexible, and level finish with moderate clarity. Note: not intended to be used alone as a clear layer, topcoat or varnish* Use as a paint extender for pours or puddles * As little as 20:1 medium to paint can be used for color glazes, or increase the paint amount to 3:1 (medium to paint) for more opaque color layers* May be applied in wet film thickness up to 1/8” (3 mm)* Mixtures should be premixed and allowed to sit overnight before use, and may be stored for future use (in properly labeled, tightly sealed HDPE plastic containers)* Color Pouring Medium (Gloss) dries thicker than Color Pouring Medium (Matte)* May be used on a variety of painting surfaces that accept acrylic products. Most substrates commonly used by artists are acceptable. Each substrate has unique properties that impact the pour GOLDEN Color Pouring Medium (Matte) Features:* Mixtures can be used immediately. Air bubbles should dissipate during drying* Resists crazing* Improves leveling of paint mixtures* Dries to a thin, smooth, matte finish* Uniquely suited for large color fields* As little as 20:1 medium to paint can be used for color glazes, or increase the paint amount to 3:1 (medium to paint) for more opaque color layers* Mixable with Iridescent and Interference Colors for satin metallic effects* Mixtures may be stored for future use (in properly labeled, sealed HDPE plastic containers)* Color Pouring Medium (Matte) dries thinner than Color Pouring Medium (Gloss)* May be used on a variety of painting surfaces that accept acrylic products. Most substrates commonly used by artists are acceptable. Each substrate has unique properties that impact the pour,/lI> See More
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