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Raphael Premium Archival Oil Primed Linen PanelsSave Up to80%Off list…smooth and incredibly uniform hence providing the underlying cause for such an excellent master-quality product. Handmade in Italy, Raphael Premium Archival Oil Primed Linen Panel surface is non-absorbent, allowing the color to sit up on the surface. The depth is created by the refractive qualities… A Surface The Paint Can Caress - Modern, master quality oil-primed linen created in Italy Holding the finished canvas in your hand, the primed surface feels almost buttery, and the linen underneath is smooth and incredibly uniform hence providing the underlying cause for such an excellent master-quality product. Handmade in Italy, Raphael Premium Archival Oil Primed Linen Panel surface is non-absorbent, allowing the color to sit up on the surface. The depth is created by the refractive qualities of the oil, which enhance the natural tendencies of the pigment. Raphael has just enough tooth to keep the surface receptive to hold initial layers of paint while they dry and bond with the oil surface. Raphael Premium Archival Oil Primed Linen is expertly mounted on multi-ply board made with poplar wood. The slight tooth and incredible priming make each stroke velvety smooth and luxurious. Key Features: * 3/8" Thickness * Fine weave, 100% linen canvas * Oil-primed linen canvas, mounted to panel * Hand primed, four coats of priming * Natural glue sealer * Expertly mounted onto warp-resistant plywood * Primed with a luxurious, acid-free, non-absorbent ground * Handmade in Italy * Reliability of the material and consistency of the finished product Perfect For: * The perfect archival surface for any painting in oils * Make oil painting a real pleasure * Fine weave and texture * Lasts hundreds of years * Create depth and beauty that only oil colors can achieve * Foundation allows for virtually any technique from abstract to the most intricate portrait and super realistic technique Raphael Premium Archival Oil Primed Linen Panels are expertly mounted on warp-resistant Poplar plywood. The slight tooth and incredible priming make each stroke velvety smooth and luxurious. Years ago, we worked with an excellent Italian company in creating a linen canvas that would make oil painting a real pleasure and produce results that were more brilliant than before possible with commercial products. This linen canvas has a fine weave and texture and is created with one coat of natural glue sealer and four coats of oil priming. The Italian priming method was developed over five centuries. The difference is the reliability of the material and the consistency of the finished product. Although processed entirely by hand, the modern assembly line and super clean workplace allow the finished product to be amazingly consistent and beautiful. See More
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Pannelli Telati Canvas Mounted Panel BoardsSave Up to42%Off list…Telati Boards from are crafted for all media types and feature a uniform texture and pleasing tooth. Each 100% cotton acid-free canvas is mounted on a non-directional 3.2mm thick composite board that allows you to build up layers of paint. Much loved for their lightness and versatility, Pannellli… 100% Cotton, Acid-Free! Crafted For All Types Of Media! The durable Pannellli Telati Boards from are crafted for all media types and feature a uniform texture and pleasing tooth. Each 100% cotton acid-free canvas is mounted on a non-directional 3.2mm thick composite board that allows you to build up layers of paint. Much loved for their lightness and versatility, Pannellli Telati Boards are one of the preferred supports for painting by oil and acrylic artists. Key Features: * 3.2mm thick board * Acrylic primed gesso * 100% cotton, acid-free canvas * Low cost, high quality stretched cotton canvas * Non-directional hardboard core * Pleasing tooth and uniform texture * Archivally stabile * Sold in 4 Packs Perfect For: * Acrylics, oils, alkyds, and all types of media * Collage and mixed media * Impasto painting * Building up heavy compositions * Traveling, on the go * Plein air painters "The finish is fine enough and the cotton has a fine weave so it doesn't catch my knife, but still has just enough eggshell surface and is not slick. I am totally satisfied and that is really saying something. Please don't ever stop carrying this product." See More
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Awagami Creative Washi PaperSave Up to29%Off list…creativity starts with paper; that's why the Creative Washi Packs include a diverse range of colorful papers. The decorative washi papers are perfect for Origami, scrapbooking, or book art projects. Feed your paper addiction with this giant package of paper. Contents vary a bit from pack to pack,… Feed your paper addiction with this giant set! At Awagami, creativity starts with paper; that's why the Creative Washi Packs include a diverse range of colorful papers. The decorative washi papers are perfect for Origami, scrapbooking, or book art projects. Feed your paper addiction with this giant package of paper. Contents vary a bit from pack to pack, but each assorted paper pack weighs about 1 pound, and each mixed naturals paper pack contains 50 sheets. Key Features: * Decorative washi paper * About 1 pound of paper in each assorted pack * 50 sheets in each mixed naturals pack * Random paper sizes and designs * Made by skilled artisans in Japan Perfect For: * Origami * Scrapbooking * Fine book art projects * Collage designs See More
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Artport Art Supply Storage BoxesSave Up to45%Off list…box since it provides a lot of options for the artist. The inside tray has a handle and can be placed on any table to hold your most important tools. The large storage compartment below the tray provides 17" x 10" x 6" of useable space. Enough room for sets, paints, spray bottles, rags...just… Rugged Art Supply Storage Boxes Specially designed for you, the artist These rugged art boxes are splendid for storing and transporting your supplies. There is an ArtPort art box for any artist and any purpose. Comes in many different sizes and style that have many features for storing, organizing, and transporting supplies. So many art supplies can be stored in the bins perfect for traveling, art class, studio, or other needs for safe storage. Great for storing paints, brushes, papers, pastels, drawing pads, sets and so much more. Keep organized and transport all of your art supplies. Many choices and storage boxes to choose from. Specially designed for you, the artist! ArtPort 101 - Class Act Box This is our number one selling box for some very good reasons. It can hold all the basics for most class lists and fits in virtually any backpack or a large tote bag. Black with grey accent exterior with clear inner drawers makes this box good-looking and practical too. This box measures 13" long x 7.87" wide x 5.9" deep with an integrated handle and strong latch closure. ArtPort 105 - Do-Ops Large Box A very popular box since it provides a lot of options for the artist. The inside tray has a handle and can be placed on any table to hold your most important tools. The large storage compartment below the tray provides 17" x 10" x 6" of useable space. Enough room for sets, paints, spray bottles, rags...just about any reasonable assortment. The top of the box has small-item storage so they don't get lost in the other storage areas. Attractive in Black and Grey this box measures 17.7" long x 10.23" wide x 8.67" deep in size and features two latches and a handle. ArtPort 110 - Do-Ops Medium Box This Do-Ops box is smaller and more compact than the larger No.105 box to fit into large backpacks and other travel cases. This box measures 15.55" long x 9.25" wide x 6.9" deep.M ArtPort 120 - Small Tools Box - Made of translucent plastic it includes 4 compartments and a top small items tray. Overall size 9.25" long x 6.5" wide x 2.55" deep. ArtPort 125 - Never Lost Box - Those small little paint tubes, your favorite pastel now worked to the bone, erasers and other remnants from past artistic campaigns can now be saved and retrieved easily. This box has 10 compartments and measures 11.8" long x 7.87" wide x 2.5" deep. * See More
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Awagami Japanese Handmade PapersSave Up to24%Off list…West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this… Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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