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Escoda Bravo Light Ox Ear Hair Lettering BrushesSave Up to34%Off list…slightly squared end on the brush tip, and very short, shiny, varnished handles for ultimate control. Traditionally a fillet painting brush. Bravo 6218 Series: Long Filbert Brushes with a long tip pointed tip for tight detail spots, but with the ability to give a larger, wider pull for greater area… Finely crafted from Light Ox Ear Hair These Short Handled Brushes make painting frame fillets, hand lettering, or tight detail painting a breeze! Escoda's Bravo Light Ear Ox Hair Brushes are crafted using the hair from inside of the ox's ear. One of the earliest hairs used for brush making, Ox Hair Brushes historically can be traced back beyond ancient Egyptian artisans, decorating the inside of pyramids and temples using Ox Hair brushes. Ox Hair has been used through the ages for brush making due to the capacity of the hair to hold a large amount of pigment, especially with oil and watercolor. The Bravo Brush line was created with short, well-lacquered handles, designed to excel at tight detail painting. Bravo 6115 Series: Extra Long Round Brushes feature a slightly squared end on the brush tip, and very short, shiny, varnished handles for ultimate control. Traditionally a fillet painting brush. Bravo 6218 Series: Long Filbert Brushes with a long tip pointed tip for tight detail spots, but with the ability to give a larger, wider pull for greater area coverage when painting a full stroke. Bravo 6318 Series: A Long Flat Brush, this brush series features the ability to create nice controlled strokes that cover more area with paint while maintaining a clean square edge for lettering or detail. Bravo 6421 Series: A Pointed, Long Length Round Brush, this brush series offers tight detail control in a sharp point. Bravo 6521 Series: This Long Length Round Brush features a square tip for exceptionally sharp lettering or long, transitioning strokes. Key Features: * Short handled brushes designed for tight detail and lettering control * Lightly squared lettering tips for easy hand lettering work * Triple-crimped, nickel-plated brass ferrules * Manufactured in Spain by skilled artisans Perfect For: * Painting frame fillets * Hand lettering, very tight detail work * Woodworkers, Model Painters, Sign Makers * Marine Artists, Wildlife Artists * Watercolors, Oils, Acrylics See More
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Awagami Creative Washi PaperSave Up to29%Off list…creativity starts with paper; that's why the Creative Washi Packs include a diverse range of colorful papers. The decorative washi papers are perfect for Origami, scrapbooking, or book art projects. Feed your paper addiction with this giant package of paper. Contents vary a bit from pack to pack,… Feed your paper addiction with this giant set! At Awagami, creativity starts with paper; that's why the Creative Washi Packs include a diverse range of colorful papers. The decorative washi papers are perfect for Origami, scrapbooking, or book art projects. Feed your paper addiction with this giant package of paper. Contents vary a bit from pack to pack, but each assorted paper pack weighs about 1 pound, and each mixed naturals paper pack contains 50 sheets. Key Features: * Decorative washi paper * About 1 pound of paper in each assorted pack * 50 sheets in each mixed naturals pack * Random paper sizes and designs * Made by skilled artisans in Japan Perfect For: * Origami * Scrapbooking * Fine book art projects * Collage designs See More
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Awagami Japanese Handmade PapersSave Up to24%Off list…West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this… Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Marabu Mixed Media Art Crayons Open Stock and SetsSave Up to30%Off list…crayons developed for real mixed media artists Key Features:* Wax crayons developed for real mixed media artists* Rich, lightfast pigments* Water-soluble and re-workable up to 3-6 hours* Butter smooth and blendable* Convenient, portable retractable holder* Perfect For:* Use on gesso, canvas, wood,… Lightfast, water-soluble art crayons! Wax crayons developed for real mixed media artists! Marabu Mixed Media Art Crayons are a light-fast buttery smooth, richly pigmented wax based pastel. The color is delivered in a lipstick style retractable holder. It will blend similarly to a high quality oil pastel and is water soluble. Marabu Mixed Media Art Crayons work well on gesso, canvas, wood, plaster, bisque fired clay most absorbent or semi absorbent surfaces including paper and does not leave an oily residue or require glassine to protect the image once cured. Marabu Mixed Media Art Crayons are water-soluble and re-workable up to 3- 6 hours after application and will be fully cured within 24hrs. Marabu Mixed Media Art Crayons can be brushed for a watercolor effect if desired (Synthetic or Synthetic natural fiber blend brushes are recommended) and colors blend easily. Marabu Mixed Media Art Crayons clean up with soap and water. Wax crayons developed for real mixed media artists Key Features:* Wax crayons developed for real mixed media artists* Rich, lightfast pigments* Water-soluble and re-workable up to 3-6 hours* Butter smooth and blendable* Convenient, portable retractable holder* Perfect For:* Use on gesso, canvas, wood, plaster, bisque fired clay most absorbent or semi absorbent surfaces including paper* Water-soluble alternative to high quality oil pastels* Easy cleanup* Can be brushed for a watercolor effect Each highly pigmented color is vivid yet transparent. They blend easily. Use wet or dry on canvas, paper, wood, and moreAvailable In Sets of 4 (see tech notes below - click on yellow "T" icon)* Blue Ocean Set of 4: Contains four crayons, one each of Sky Blue, Gentian, Lavender, and Plum.* Essential Set of 4: Contains four crayons, one each of Black, White, Flesh Colour, and Cocoa.* Green Jungle Set of 4: Contains four crayons, one each of Sunshine Yellow, Aqua Green, Kiwi, and Apple.* Lovely Red Set of 4: Contains four crayons, one each of Pomegranate, Orange, Chili, and Rose Pink. See Reviews and Videos on Marabu Mixed Media Art Crayons See More
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Marabu Easy Marble Solvent-Based Marbling ColorsSave Up to30%Off list…Marabu Easy Marble paint works particularly well on three dimensional objects. It adheres to Styrofoam, glass, plastic, wood, papier-mâché, polyester, polypropylene, paper and many other surfaces. Easy marble can be used on fabric for decorative purposes only. Clean Easy marble up with… Marabu Easy Marble - Solvent-based marbling color! Marabu Easy marble is a solvent-based marbling color paint that can be used on water and doesn’t require the use of any other chemicals. Marabu Easy Marble paint works particularly well on three dimensional objects. It adheres to Styrofoam, glass, plastic, wood, papier-mâché, polyester, polypropylene, paper and many other surfaces. Easy marble can be used on fabric for decorative purposes only. Clean Easy marble up with isopropyl alcohol when wet and xylene or similar solvents when dry. Easy Marble paints are lightfast and quick-drying Key Features: * Marabu Easy Marble - Solvent-based * Doesn’t require the use of other chemicals * Cleans up with isopropyl alcohol or solvents, depending on dryness * Easy Marble paints are lightfast and quick-drying * Perfect For: * Decorating three dimensional objects * Also use on Styrofoam, glass, plastic, wood, papier-mâché, polyester, polypropylene, paper and many other surfaces See More
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