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Artfinity Sketch Marker - Avocado YG1-5Save Up to82%Off list
Starting At: 3.99
Green Vibrant, Professional, Dye-Based Alcohol Markers! Artfinity® Alcohol Ink Markers are versatile, professional-quality artist’s markers perfect for design and illustration. One side of the marker has a flexible nylon brush tip perfect for sweeping gestural strokes, and the other end has a chisel nib for controlled lines. Depending on how you hold the marker, you can create a thin, medium, or bold line. Each marker cap is color-coded and labeled on both ends for easy identification. The brush side of the marker has a solid grey line, so you always know which side of the marker to uncap first. The fast-drying ink is also transparent, so you can overlay and build up layers of highly saturated color. Artfinity® Markers work well on SoHo Marker Paper and non-porous surfaces like metal, glass, and plastic. Because of their outstanding performance, Artfinity® Markers are ideal for lettering, illustration, fashion design, and more. Key Features: * Double-ended permanent markers * Range of 300 vibrant colors * Refillable up to 3x with Artfinity® Alcohol Inks * Sets of 24, 48, 72, 150, and 300 * Flexible brush tip and chisel tip in one * 1-6mm line width range * Reversible brush tip * Non-toxic, alcohol dye-based ink * Long-lasting durability * Anti-roll, easy to hold design * Color-coded, snap-on caps Perfect For: * Fine art and illustration * Comic book and manga art * Drawing on SoHo Marker Paper * Gestural, sweeping brush strokes * Detailed line work, lettering, and calligraphy * Architects, students, and fashion designers * Everyday studio use Refill with Artfinity® Alcohol Inks! Refill Guide One Artfinity® Alcohol Ink Bottle has enough ink to refill your marker approximately 3 times. Create your own marker set with one of our Empty Storage Boxes! The empty marker boxes are designed to hold, store and display your Artfinity® sketch markers or other markers and pens. The lid has a strong magnetic closure to keep your markers secure during travel. A removable rigid grid helps to keep your markers organized within the box. When you’re ready to draw, you can prop up the pens by folding the lid into a triangle kickstand for easy access. The boxes can hold up to 24 or 48 Artfinity® markers. Swatch All of the Colors! The charts print out perfectly on marker paper: Blank Printable Color Charts See More -
Grafix Mixed Media .010 Opaque Black Dura-Bright 6x9 Disc-Bound JournalSave Up to12%Off list
Starting At: 14.09
Black Unique Surfaces to create versatile journals The NEW Grafix Mixed Media journals allow you to create a mixed media book with almost any media. You can use stamps, inks, stencils, markers, die-cuts, acrylics, and more on the unique Grafix sheets! The journals are available with an assortment of 6 films or 12 sheets of a single material. Each journal is disc-bound by 6 discs. The unique disc-binding system allows you to remove, insert, and rearrange pages. You can even insert decorated pages into your current disc planner for daily inspiration. Our assorted Grafix Mixed Media packs have 12 pages in total with 2 sheets of .010 Clear Dura-lar, .004 Wet Media Dura-lar, .005 Matte Dura-lar, .010 Opaque White Craft Plastic, .010 Opaque Black Craft Plastic, and .057 Natural Chipboard. Key Features: * Journal and art sketchbook * Available in 2 sizes, 6x6” and 6x9” * 12 Sheets and 6 discs a package * The disc-binding allows you to add or remove pages * Journal pages can be inserted into a separate disc-bound planner * You can add pages from other disc-bound planners to your journal * Made in the USA Perfect For: * Mixed Media artwork * Stamps, inks, stencils, markers, and die-cuts * Painting and drawing * Combining a variety of mediums or styles in one journal * Use with plotter with blade or laser cutter (Craft Plastic) * Alcohol ink, watercolor, acrylics (Craft Plastic and Wet Media Dura-La) * Adding inspiration to your disc-bound planner Journal surface options include: .010” Clear Dura-Lar: Ultra-clear, glossy film perfect for permanent inks and markers. .005” Matte Dura-Lar: a matte translucent film with a drawing surface on both sides. This film will accept lead, ink, charcoal, paint, and colored pencil erases cleanly. .004” Wet Media Dura-Lar: specially coated on both sides to accept water-based mediums, markers, and inks without beading, chipping, or running. Great for planning painting compositions, as a painting surface or printmaking. Wipe with a damp cloth for repeated use. .010” Opaque White or Black Craft Plastic: film a is a strong, smooth, waterproof surface that is wipeable, heat resistant, and fun to use. Available in White and Black. These films can be used with a wide range of mediums and techniques. White works best with watercolor and alcohol inks. Our Black film works best with metallics and iridescent colors. .057” Natural Chipboard: is sturdy enough to be painted, stamped, and sanded, yet thin enough to be cut by many die-cut machines. Each sheet is acid-free and safe to use with all your photos and precious keepsakes. Decorate Grafix Chipboard with eyelets, stickers, brads, and glitter. Chipboard is perfect for creating memory albums. See More -
Awagami Factory Paper 36gsm Kitakata Green 17" x 20.5" (Set of 5)Save Up to24%Off list
Starting At: 15.19
Green Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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