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Brush and Pencil Colored Pencil AdditivesSave Up to10%Off list
Starting At: 10.80
…with powders * Glass bottle comes with a brush applicator Perfect For: * Oil-based colored pencils * Blending color * Adding back tooth * Whitening areas and highlights * Works best on rigid toothy surfaces * Apply with sponges or short bristle brushes Powder Blender Jar + Sifter: Powder Blender… Blend color, add back tooth, or whiten areas of your drawing! You can blend color, add back tooth, or whiten areas with Brush and Pencil Colored Pencil additives. Powder Blender is a non-toxic archival blending lubricant for colored pencils. The blending powder unlocks oil-based colored pencils so that you can make corrections and even erase areas. With Touch-Up Texture, you can recover lost surface tooth in your drawing. All you need to do is apply a small amount of Touch-Up Texture, allow it to dry, and add new layers of colored pencil. Or use it to create bright white highlights by mixing it with their Titanium White Powder. You can also apply Titanium White Powder with an applicator sponge in areas where you need to add white. No matter what you need to fix in your drawing, Brush and Pencil have the additive for the job. Key Features: * Colored pencil additives * Each additive has its own characteristics * Archival colored pencil tools * Sifter's included with powders * Glass bottle comes with a brush applicator Perfect For: * Oil-based colored pencils * Blending color * Adding back tooth * Whitening areas and highlights * Works best on rigid toothy surfaces * Apply with sponges or short bristle brushes Powder Blender Jar + Sifter: Powder Blender is a non-toxic and archival dry blending lubricant for colored pencils. The non-toxic powder works best on rigid, toothy surfaces like gessoed panels and sanded paper. You can dispense the powder with the included sifter and blend it with a sponge or short bristle brush. Powder Blender unlocks oil-based colored pencils and makes everything adjustable, correctable, and erasable. The powder performs best with oil-based pencils, but you can use it to pretreat a wax-based drawing before adding more layers. Once everything is blended, you can secure the layer with Fixative. Titanium White Jar + Sifter: Brush and Pencil took the Titanium White found in colored pencils and created a ground-breaking powder with it. The white powder is completely opaque and has excellent covering power. In areas where you need white, you can apply Titanium White powder with an applicator sponge. If you use too much, you can lift it back with mounting putty. Mix a pinch of Titanium White with a few drops of Brush and Pencil's Touch-Up Texture to add highlights. You can apply the creamy mixture with a detail brush. Once dry, you can draw over the highlights. Touch-Up Texture Bottle: Recover lost tooth in your drawings with a bottle of Touch-Up Texture. All you need to do is apply a small amount of Touch-Up Texture, let it dry, and add new layers of colored pencil. Or mix it with Colored Pencil Titanium White to create bright white highlights. Colored Pencil Touch-Up Texture is non-toxic, archival, and pH-neutral. The glass bottle comes with a brush applicator. See More -
Brush & Pencil Advanced Colored Pencil Spray FixativesSave Up to16%Off list
Starting At: 18.33
Specially formulated for colored pencil artwork Brush and Pencil developed the Advanced Colored Pencil Fixatives for colored pencil artists. Both of the fixative sprays are non-yellowing and non-darkening. Texture Fixative is essential if you burnish a lot or sometimes forget to draw details. It's a… Specially formulated for colored pencil artwork Brush and Pencil developed the Advanced Colored Pencil Fixatives for colored pencil artists. Both of the fixative sprays are non-yellowing and non-darkening. Texture Fixative is essential if you burnish a lot or sometimes forget to draw details. It's a lifesaver when it comes to adding color to areas that are slick with too many layers. You can also use Texture Fixative when adding color to dark backgrounds for ''dark to light'' and ''light to dark" work. The spray dries fast and protects covered layers from water, alcohol, and odorless mineral spirits. Once you have finished your drawing, you should protect it with a coat of Advanced Colored Pencil Final Fixative. The Final Fixative spray adds an extra layer of UV protection. Both Textured Fixative and Final Fixative are archival, UV-resistant, and fast-drying. Please note: You should only use these fixatives on rigid (non-flexible) surfaces. Both of the sprays harden once dry. Key Features: * Acid-free and archival * Protects work from UV Rays * Minimal color shift * Non-toxic and low odor * Non-yellowing and non-darkening * It dries and hardens in minutes * Permanently bonds to wax medium * Texture Fixative layers are resistant to OMS Perfect For: * Protecting colored pencil artwork * Preventing smudging * Adding additional colored pencil layers * Restoring the surface tooth * Isolating colored pencil layers * Working with colors on black or dark surfaces See More -
LuxArchival Professional Sanded Art PapersSave Up to12%Off list
Starting At: 33.96
Perfect for building up 30+ layers of color Brush and Pencil's LuxArchival® sanded papers are made for colored pencil artists. Ordinary papers can only hold a few layers of media before running out of tooth, but LuxArchival® Sanded Paper can hold 30+ layers of dry media. The 400 grit surface… Perfect for building up 30+ layers of color Brush and Pencil's LuxArchival® sanded papers are made for colored pencil artists. Ordinary papers can only hold a few layers of media before running out of tooth, but LuxArchival® Sanded Paper can hold 30+ layers of dry media. The 400 grit surface is perfect for layering colored pencil, pastel, charcoal, and graphite. Best of all you can blend colors with odorless mineral spirits (OMS) without your paper buckling. The sanded paper is made of strong 100% cotton. All of the LuxArchival® Professional Sanded Art Papers are acid-free, lignin-free, and ISO 11108 compliant. You can rest assured that your LuxArchival® drawings will not yellow, darken, or deteriorate for 100+ years. Key Features: * White 400 grit paper * 100% Cotton backing * Acid-free and lignin-free * Archival and compliant with ISO 11108 * Will not yellow, darken or deteriorate for 100+ years * Even surface is consistent without any visible patterns * Durable grit withstands multiple erasures, corrections, and reworkings * Resistant to water, alcohol, and odorless mineral spirits (OMS) * Made in France * Perfect For: * Dry and liquid art mediums * Holding 30+ layers of dry media * Colored pencil, pastel, charcoal, and graphite * Color blending with OMS * Scrubbing and reworking * Making corrections and erasing * Ensuring that your art lasts and does not deteriorate See More -
Eric Armusik Signature LUKAS 1862 Artist Oil Paint SetsSave Up to62%Off list
Starting At: 63.11
…Yellow Ochre* Four Hamburg Premier Filbert Brushes - 1 each in sizes 4, 6, 8 and 10* One Hamburg Premier Flat Brush - in size 18* Five Creative Mark Fine Tip Liner Brushes - 1 each in sizes 20x0, 15x0, 10x0, 1 and 2* One Black Swan Long Handle Flat Brush - in size 20* One AlumaComp Archival Aluminum… Specially Curated LUKAS 1862 Oil Painting Sets by Artist Eric Armusik Just for You! "What I look for in oil paint is a smooth, buttery consistency with full pigment strength and a quick drying time. LUKAS 1862 Profesional Artist Oils are the perfect solution! The shorter drying time of LUKAS Oils works fantastic with my busy fast-paced schedule and the finished product is archival quality. The colors in my kits are well-suited to the Old Masters palette. LUKAS 1862 Oils produce the kind of quality a professional artist needs at an affordable price." These specially curated sets are hand-picked by Eric Armusik for your painting pleasure to help you get the colors and supplies you need that go along with the photos and paintings seen on this page.Why LUKAS 1862 Oils by Artist Eric Armusik "The smooth, buttery consistency and full pigment strength make LUKAS 1862 Oils the perfect archival high-quality oil paint I need for my studio."About Artist Eric Armusik In 1991, Eric attended Pennsylvania State University, where he earned a B. F. A. in painting, with a minor in an art history focusing on Baroque art. He is recognized by the Art Renewal Center as an Associate Living Master. He is a BoldBrush Signature Artist and is a regular contributor to FineArtNews. Currently, he's an Artist Ambassador for Jerry's Artarama and regularly demos and reviews their art materials. Eric's work has been exhibited in the Salmagundi Art Club and the National Arts Club in New York and his artwork has been featured in such publications as The New York Times, the Wall Street Journal, American Artist, American Art Collector, Fine Art Connoisseur and the Chicago Tribune. Eric is married to novelist, Rebekah Armusik, and they have three beautiful children. Key Features:* Eric Armusik LUKAS 1862 Oils Trinity Palette Essentials Set* Eric Armusik LUKAS 1862 Oils Trinity Palette and Brush Set* Eric Armusik LUKAS 1862 Oils Trinity Palette Deluxe Set* Outstanding lightfastness* Shorter drying time* Triple-mill process* Non-yellowing sunflower oil* Enhanced with beeswax* Highly pigmented* Learn More: Website & Gallery Eric Armusik Signature LUKAS 1862 Oil Sets (click on yellow icons next to products for full details) Eric Armusik LUKAS 1862 Oils Trinity Palette Essentials Set:* One 200ml Tube of LUKAS 1862 Oil in Titanium White* Six 37ml Tubes of LUKAS 1862 Oil - 1 each in Cadmium Red Deep, Ivory Black, Raw Umber, Ultra Blue, Van Dyck Brown and Yellow Ochre Eric Armusik LUKAS 1862 Oils Trinity Palette and Brush Set:* Six 37ml Tubes of LUKAS 1862 Oil - 1 each in Cadmium Red Deep, Ivory Black, Raw Umber, Ultra Blue, Van Dyck Brown and Yellow Ochre* Four Hamburg Premier Filbert Brushes - 1 each in sizes 4, 6, 8 and 10* Five Creative Mark Fine Tip Liner Brushes - 1 each in sizes 20x0, 15x0, 10x0, 1 and 2 Eric Armusik LUKAS 1862 Oils Trinity Palette Deluxe Set:* Six 37ml Tubes of LUKAS 1862 Oil - 1 each in Cadmium Red Deep, Ivory Black, Raw Umber, Ultra Blue, Van Dyck Brown and Yellow Ochre* Four Hamburg Premier Filbert Brushes - 1 each in sizes 4, 6, 8 and 10* One Hamburg Premier Flat Brush - in size 18* Five Creative Mark Fine Tip Liner Brushes - 1 each in sizes 20x0, 15x0, 10x0, 1 and 2* One Black Swan Long Handle Flat Brush - in size 20* One AlumaComp Archival Aluminum Panel - in size 11x14* One Winsor & Newton Linquin Fine Detail Medium - 75ml bottle See More
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