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Michael Harding Non-Absorbent Acrylic Primer Pozzuoli Red Earth 1LSave Up to25%Off list
Starting At: 21.84
Red Tired of dull flat oil paints? You need a non-absorbent ground! Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Key Features: * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish Perfect For: * Oil and acrylic painters * A uniform painting surface * Beginner and professional artists * Preparing canvas, wood, or MDF for paint * Everyday studio use Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. See More -
Liquitex Acrylic Gesso Surface Prep Neutral Grey 5 Gesso 8 ozSave Up to39%Off list
Starting At: 12.25
Grey Create the perfect absorbency, texture and archival ground Liquitex Gesso is an acrylic-based gesso that provides excellent "tooth" and adhesion to a wide variety of supports and surfaces such as canvas, wood, paper, and metal. Liquitex professional gessoes usually take just one coat and are the perfect surface preparation for oil or acrylic paint. You can thin the gesso with up to 25% water depending on your thickness preferences. Compatible with Liquitex High Viscosity and Medium Viscosity Acrylics, you can create a custom-colored ground. With Liquitex Gesso, you can prime your substrates with an archival ground and create the perfect level of absorbency and texture at the same time. Key Features: * Primes surfaces and adds a high level of tooth * Stiffens canvases * Optimum absorbency for paint application * Professional archival base * Will last generations * Fully mixable with all Liquitex products * Use undiluted or thin with up to 25% water * If using as a base for oils, apply 2-4 coats and sand between applications Perfect For: * Acrylic and oil painters * Creating a surface for preliminary charcoal or pencil drawings * Dry ground for oils * Custom colored grounds * A uniform painting surface * Artwork in acrylics, oils & alkyds * Professional artists Clear Gesso - Use for masking under-paintings and unique grounds in presentation for over-paintings. Ideal high tooth surface for pastel, oil pastel, graphite, and charcoal. Flexible and non-yellowing when dry Super Heavy Gesso - An innovative Titanium White gesso that holds structural shape until dry.  It has all the attributes of traditional acrylic gesso and is ideal for thick and sculptural applications. AP non-toxic. White Gesso - A white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Tint with acrylic colors before application for toned grounds. Black Gesso - This Colored Gesso usually covers in one coat and is flexible, non-cracking, and non-yellowing. It provides the right amount of tooth and adhesion to a variety of surfaces. Use it alone or dilute with up to 25% water. Neutral Gray Gesso - This colored gesso contains a blend of pigments that produce a matte grey opaque finish, which allows you to build depth from a neutral grey base. Usually covers in one coat and is flexible, non-yellowing, and non-cracking. Use it alone or dilute with up to 25% water. Liquitex Colored Gesso is hue balanced and can be tinted with Soft or Heavy Body Acrylics. See More -
Bob Ross Liquid Opal Oil Paint Medium 8oz (237ml) JarSave Up to25%Off list
Starting At: 5.99
Red Wet-on-wet oil painting mediums & basecoats The goal of Bob Ross, one of America's most beloved artists, was to open the world of art to people who otherwise would never be able to enjoy the excitement of painting. His products have been developed to successfully achieve results with his wet-on-wet technique, which is a basic process of painting over layers of wet paint to achieve relatively fast and effective results. Bob Ross Oil Painting Mediums are designed especially for use in the wet-on-wet techniques demonstrated in Bob Ross's books and video programs. Key Features: * Non-toxic acrylic base coats * Liquid oil mediums for Bob's wet-on-wet technique * Unlimited creative possibilities Perfect For: * The Bob Ross Wet-on-Wet Technique * Excellent dry base coat * Oil painting Acrylic Base Coat- Smooth brushing and even-leveling, they create an ideal base for wildlife painting. Glazing Medium- This medium produces the details characteristic of animal fur. Dries quickly, resists yellowing and provides a long lasting quality paint film. Liquid Mediums- Available in white, black or clear. Bob's unique secret formula of base coats aid in the painting's foundation and keep the canvas wet, the most fundamental step in Bob's wet-on-wet technique. Smooth and slow drying, they allow blending and mixing right on the canvas! Non-Toxic. Liquid Opal Medium - For soft oil colors. This pearlescent medium adds a deep richness to floral paintings and yields an affect that is reminiscent of opal gems. See More -
Clairefontaine Paint'ON Mixed Media Pad 7x10" GreySave Up to20%Off list
Starting At: 7.20
Grey Made right to inspire. Made tough to perform. PaintON® is an extra heavyweight art paper designed to support almost any medium. The sturdy 115 lb (250 gsm) paper is perfect for playing with pen & ink, gouache, pastels, acrylics, collage, and more! PaintON® sheets are double-sized to resist buckling, so you don't have to hold back. You can paint as many layers as you want because the paper has exceptional wet strength. A very light grain surface makes the paper ideal for precise drawing. The surface can even withstand repeated erasing without pilling. PaintON® pads are available in 4 neutral background tones: White, Natural, Grey, and Black. Colored paper pads are deep-dyed, so there are no annoying white cores to uncover. Key Features: * 100% cellulose paper with a very light grain * 20 Sheets per pad * Heavyweight 250 gsm paper – accepts layers of wet media without warping or buckling * Double-sized for exceptional wet strength * Pigments remain high on the surface for color vibrancy * "Drawing-friendly" surface withstands repeated erasing without pilling * Supports blending, layering, and lifting of color * Paper shades are deep-dyed – no white core * Acid-free, pH Neutral, archival quality * PEFC forest certified Perfect For: * Wet and dry mixed media * Pen & ink, gouache, and pastels * Light watercolor washes * Acrylics, collage, and more! * Oil pastels and pencil * Smooth applications of paint * Painting immediately, no extra priming necessary * Inking techniques without feathering or bleeding * Perfect for use en Plein air or indoors * Works in both dark and light media * Dimensional dramatic art See More -
Painter's Color Diary Empty Binder Box 9" x 12"Save Up to54%Off list
Starting At: 8.47
Blue Build Your Color Library! Patent Pending Exclusive to Jerry’s, The Painter’s Color Diary® has a fail-proof layout that allows you to record swatch information for future reference. There are countless ways to use the Painter's Color Diary®. Some examples are: * Swatching new color purchases * Testing color transparency and opacity * Creating color mixing formulas * Testing color palettes for an upcoming painting The color diary is spiral-bound with removable pages so that you can work on multiple sheets simultaneously. Once dry, you can reinsert the pages between layers of the included glassine, so they don’t stick together. The top of each color chart has a space for writing the paint brand, the date, or an assignment title if it’s for class. Each swatch box contains a bold black line to show transparency or separate half-tones. The color diary is truly a game changer when it comes to planning the mood of a painting. It’s a remarkable resource to have. Oil & Acrylic Color Diary: * Perfect for oil and acrylic paint * 40 outlined swatch boxes on each page * 136 lb. (290gsm) sized canvas textured paper * 10 removable pages with glassine interleaving * Each swatch outline measures 1" x 1-1/2" * Pages measure 9" x 12" from the spiral binding Watercolor & Multimedia Color Diary: * Perfect for watercolor, colored pencils, pastels, and more! * 35 outlined swatch boxes on each page * 140 lb. (300gsm) 100% cotton cold press paper * Landscape page layout for watercolor gradations * 10 removable pages with glassine interleaving * Each swatch outline measures 1" x 1-1/2" * Pages measure 9" x 12" from the spiral binding Travel Painter’s Color Diary®: * Perfect for watercolor, colored pencils, pastels, and more! * 140 lb. (300gsm) 100% cotton cold press paper * Landscape page layout for watercolor gradations * 36 swatch boxes per page * 10 removable pages with glassine interleaving * Each swatch outline measures 1-3/16" x 1/2" * Pages measure 6" x 8" from the spiral binding Painter’s Color Diary® Binder Box: * Designed to hold Painter’s Color Diary® pages * 1-½" diameter binder ring * Holds up to 40 diary pages * Overall size 9-3/4" x 14-7/8" x 2-7/16" * Holds up to 40 pages (sold separately) * Compatible with 9" x 12" and 6" x 8" sizes * Durable soft-touch cover and sides * Strong magnetic closure keeps the binder secured * Metal label plate for easy identification * Added protection from light and dust * Perfect for cataloging all of your swatches archivally Build your color library with the new Painter's Color Diary® Binder Box – the perfect place to store and protect all your swatched pages. Painter's Color Diary® Review "Over the decades, I have continued to make tests of a diverse and ever-growing collection of oil paints, taking note of how they respond to the addition of white paint to analyze tinting strength or adding a glaze medium to note how the pigments react transparently. Sometimes I will test one color, such as Raw Sienna, from different paint manufacturers to determine which version will be best for my needs. Before using The Painter's Color Diary®, I did these tests on my painting or palette and wiped them away. With this wonderful tool, I now keep a record and note each color and company. For me, The Painter's Color Diary® is the perfect color tool for artists working in oils. Printed on high-quality canvas paper and protected by vellum sleeves, this pad allows for the testing and recording of colors with no bleed-through. I highly recommend the Painter's Color Diary®, not only for students but for professional artists. My color struggle now will be to decide whether to keep the pages in the book or post them on the studio wall!" John Wellington - Painter and teacher See More -
Bob Ross Gray Gesso 16oz (473ml) BottleSave Up to29%Off list
Starting At: 11.65
Grey Non-toxic smooth, flexible, flat finish on artwork surfaces These top quality Bob Ross Gessos are non-toxic acrylic primers produce an excellent dry base coat with perfect tooth for the Bob Ross method of painting. White and Black gessos are packaged in convenient 16.9oz squeeze bottles with non clog tops. Once dry, this flat, acrylic liquid gesso gives you the perfect base for mastering the Bob Ross Wet-on-Wet Technique® Bob Ross Gesso contains pure pigments formulated in a 100% acrylic polymer emulsion which when dry produces a smooth, flexible, flat finish on artwork surfaces. It is ideal for the Bob Ross painting techniques with oil colors as well as other art media including acrylics, tempera, watercolors, ink, pencil, and more! Conforms to ASTM D4236. Key Features: * White, black or grey gesso * 16.9oz / 500ml squeeze bottles with non clog tops * Top quality non-toxic acrylic primers * Produces an excellent dry base coat * Perfect tooth for the Bob Ross method of painting * Pure pigments * Formulated in a 100% acrylic polymer emulsion * When dry produces a smooth, flexible, flat finish on artwork surfaces * Conforms to ASTM D4236 Perfect For: * Mastering the Bob Ross Wet-on-Wet Technique * Oil, acrylic, tempera, watercolors, ink, or pencil * Classrooms, Universities, Art Leagues * Artists priming large canvases * Painting Party venues * Art Journaling * Better bonding surface for acrylic or oils See More
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