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Related Categories: Spiral Watercolor Paper | Stillman | Gray Tone Paper | Printmaking Paper | Drawing Pads | Marker Paper | Mulberry Paper | 5x7 Paper
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SoHo Open Bound Sketchbook 8.5 x 11 in (120 sheets) WhiteSave Up to59%Off listWhite Open Coptic binding allows the book to lay flat! Each SoHo Open Bound Sketch Book features 65 lb. (100gsm) paper stock and an open binding with visible stitching. Sometimes referred to as Coptic binding, the signatures are stitched in a way that allows the book to open completely. Sketchbooks using heavier weight paper usually don't lay flat, so this type of binding is perfect for a sketch book. The durable cover adds strength and protects the artwork within. Each book contains 120 sheets or 240 pages. When open the pages lay flat for satisfying panoramic drawings. Available in white, kraft, or grey paper, SoHo Open Bound Sketch Books are great for virtually all dry media and most writing instruments. Use the book as a journal for your thoughts and ideas or remove sheets using a precision craft knife for framing. Key Features: * Open Coptic binding with visible stitching * Acid Free 120 sheets (240 pages) * 65 lb. (100gsm) paper stock with slight texture * A durable cover protects the sketch paper * Available in white, kraft tan, or grey paper * Sketchbook will lay flat * Perfect For: * Virtually all dry media * Most writing instruments * Colored pencil and graphite * Travel or Plein air work * Journaling your thoughts and ideas * Drawings of panoramic landscape See More
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Arhnem 1618 Printmaking Paper 245 Gsm - White, 8.5" x 11" Sheet (100 Sheets)Save Up to49%Off listWhite A Premium 100% Rag Printmaking Paper! Speedball's Arnhem Printmaking Papers are made near the city of Arnhem in Holland by Schut Papier, a paper mill that has been creating fine paper since 1618. Offering a semi-smooth surface with a smooth appearance that accepts a variety of printmaking techniques and media. Every sheet of Arnhem Printmaking Papers accepts multiple layers of ink brilliantly and can handle dry and damp printing. Key Features:* Available in: White & Warm White & 245gsm or 320gsm* Premium 100% rag printmaking paper* Vellum finish * Two deckled edges* Made from strong fibers* Excellent wet strength and absorbency* Subtle grain and smooth appearance* Accepts multiple layers of ink brilliantly* Available in: White & Warm White Perfect For:* All printmaking media* Excellent results in a variety of media* Intricate details* Dry or damp printing* Multiple layers of ink* Extremely versatile* Graphic relief and silkscreen images* Delicate and rich intaglio prints Arnhem 1618 paper offers a semi-smooth surface with a substantial feel to the touch. The subtle grain combined with a smooth appearance allows a variety of media to take to the paper, while remaining a reliable surface for intricate detail. Arnhem’s strong and highly absorbent fibers make it ideal for dry or damp printing, allowing it to accept multiple layers of ink brilliantly. Arnhem Printmaking Paper Review "The way it absorbs ink was really important to me. Akua inks dried faster on this paper than others I've used. Also, the substantial weight of the paper-that made it seem like a higher quality paper. It has a "presence" to it that other papers don't." - PRINTMAKING PROFESSOR See More
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Speedball Printmaking Paper Pad 20 Sheets 5X7 InSave Up to33%Off listWhite An artist favorite, this premium printmaking paper is now available in a convenient pad! Speedball Printmaking Paper Pads were developed through a collaboration between Speedball and Schut Papier of Holland. This fine art paper is made with strong, absorbent fibers, which accept multiple layers of ink beautifully. Suitable for all printmaking media, from water-based inks to traditional oil-based inks, this high-quality printmaking paper works very well damp or dry for a variety of techniques, including relief printing and intaglio. Each pad of printmaking paper contains 20 sheets of white, 90 lb/245 gsm, acid-free paper. These premium printmaking paper pads are an extremely versatile addition to your printmaking arsenal! Speedball Mulberry Paper is an artist-quality printmaking paper made with a mix of Kozo (mulberry) and bamboo fiber. The thin paper is very strong, which makes it ideal for lino block, wood block, and screen printing. Key Features: * White, 90 lb/245 gsm, acid-free paper * Mulberry paper unbleached, neutral pH. 45gsm. * Extremely versatile, suitable for all printmaking media * Made with strong, absorbent fibers Perfect For: * Water-based or oil-based inks * Student printmaking projects * Relief printing and intaglio * Printmaking artists See More
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Winsor & Newton Sketchbook 50 lb Hardbound 8.5x11 Pad 80-SheetsSave Up to41%Off listWhite Ideal For drawing in-studio or on-the-go Winsor & Newton Sketchbooks are great for keeping a sketch diary and are portable enough for drawing on the go. These high-quality sketchbooks come in hardbound and spiral-bound styles with classic leather-like covers. Each sketchbook contains eighty sheets of 50lb medium grain extra white paper. The slightly grained cartridge paper is ideal for pencil, ink, and light watercolor washes. Winsor & Newton spiral-bound sketchbooks lay open flat and include easy-to-remove micro-perforated sheets. Key Features: * 50lb, 110gsm Cartridge paper * Extra white color * Slightly grained texture * Acid-free quality paper * Easy-to-remove micro-perforated sheets * Black hard "leather-like" cover * Hardbound or spiral-bound * Spiral-bound lays open flat Perfect For: * Graphite, colored pencil, and charcoal * Ink and light watercolor washes * All dry techniques * Keeping a sketch diary * Quick studies on-the-go * Colored pencil techniques * Line and value graduation See More
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Bee Paper Pen Sketcher 70lb Paper Pad 8.5X11Save Up to39%Off listWhite The Perfect Paper for Detail Work Created especially for those who sketch with a pen, the Bee Paper Pen Sketcher Pad is well suited for detail work. The smooth textured heavyweight sketch paper takes pencil, ballpoint, ink, and illustration markers very well. The natural white paper is acid-free and is available in four different spiral-bound pad sizes. The 5½" × 8½" size is bound on the short side in a landscape orientation. The 8½" × 11" and the 3½" × 5½" sizes are bound in a portrait orientation. Each Bee Paper Sketcher Pad contains 50 sheets of 70 lb (114 gsm) paper. Key Features:* 70lb (114 gms)* Each book contains 50 sheets* Acid-Free* Smooth textured heavyweight paper Perfect For:* Pen and ink* Detail work * Pencil, ballpoint ink, Micron pens* Illustration Markers See More
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Yes! All Media Cotton Canvas Pad 9"x12", 10 SheetsSave Up to54%Off listWhite If It's Wet It Goes On Yes! A Canvas That Accepts Every Wet Media Lightweight and versatile for travel and outdoor painting in gouache, acrylic or watermixable oils. Taped to a board, the smooth, thin canvas has just enough texture to absorb paint and can be mounted later. Yes, is plate smooth using only the finest close weaved cotton and primed three times to a super smooth surface. The priming is the key. Imagine a canvas so versatile that it will accept any paint, ink or marker you have in your studio. Imagine the possibilities. You'll find this surface to be fantastic with virtually any acrylic based paint from heavy body to acrylic based inks to airbrush colors. A Canvas That Accepts Every Wet Media - Patented priming accepts all media Key Features:* Wet Media Canvas Pad (10 Sheets)* 11oz weight 100% unbleached cotton canvas* Patented priming accepts all media* Triple-primed with acid free special wet media primer* Portrait smooth fine weave surface* 10 sheet canvas pads can be used for inkjet printing* Perfect For:* watercolors, oils, acrylics, markers, shellac and acrylic-based inks, airbrush colors & alkyds* Heavy body to acrylic based inks to airbrush colors* You can easily draw on it* Paint on it with any media* Great for making color charts* Class projects and studies for large scale works The Portrait Cotton - Portrait artists and super realistic technique artists craved for a surface that was plate smooth but also affordable. Yes, is plate smooth using only the finest close weaved cotton and primed three times to a super smooth surface. So smooth you can easily draw on it. But here's the twist you can also paint on it with any media! The priming is the key. Imagine a canvas so versatile that it will accept any paint, ink or marker you have in your studio. Imagine the possibilities. The Watercolor Surface - Many watercolorists draw with permanent marker as they create their watercolors. With this surface you can draw right into your watercolor without feathering or smudging or you can paint on top of the drawing. A unique twist to this canvas is that you can draw with permanent marker and use the lines to form a resist for your watercolors. This is very similar to resists used for silk painting. It is quite amazing and interesting. For traditional watercolor painting the color sits right up on the surface and allows for easy lifting, scratching into the paint film, reworking the painted surface and even layering for unique effects. Use with opaque or transparent colors. This canvas works best with tube watercolor and provides rich, vibrant expressions. Acrylics and Watercolors - We don't know where art will lead you but you may want to start off playing with watercolors and gouache reworking or even removing areas then fine tuning and finally finishing off the top layers with permanent acrylics. Of course you don't need to use watercolors with your acrylics but you can if you want. You'll find this surface to be fantastic with virtually any acrylic based paint from heavy body to acrylic based inks to airbrush colors.Before applying watercolor, we suggest that you clean the canvas thoroughly with high-strength Isopropyl alcohol to remove any hand-oils from the canvas. Surface oils may have accumulated from manufacturing, packaging, or unwrapping the canvas. Cleaning the canvas should prevent the paint from beading up on the surface. See More
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Bee Creative Art Journal 110lb Marker Paper 8.5X11Save Up to23%Off listWhite Express your creativity your way. Designed for artists specializing in watercolor, colored pencils, mixed media, marker art, and drawing. Each journal has the highest quality paper for your media of choice, making them the perfect choice not only for your practice work but your finished pieces as well. These journals feature a wire-bound, true-sized micro-perforated sheets with a sturdy black chipboard cover. The double wire binding creates a flat surface, allowing the artist to work across the page. The sturdy black cover is made of 100% recycled chipboard and can be customized with your media of choice: stickers, gel pens, and even paint. Key Features: * Acid-free paper * Double wire binding * Sturdy 100% recycled chipboard cover * Micro-perforated sheets Perfect For: * Your media of choice: Marker, Watercolor, Colored Pencil, Mixed Media * Practice work * Finished pieces Marker Art Journal Weight: 110lb. (180 g/m2) Surface: Ultra smooth Color: Bright white Media: Pen & ink, crowquill pens, technical pens, water-based, & permanent markers Designed specifically for detail work, this smooth paper allows the artist to maintain sharp edge with even the thickest of markers. Approved for use with both Copic & Touch Markers, this marker art journal can withstand heavy use with no bleed! Mixed Media Art Journal Weight: 93lb. (150 g/m2) Surface: Dual surface, textured & smooth Color: Natural white Media: Pencil, pen & ink, crayon, chalk, charcoal, pastel, & light washes Distinctly two side with a cold-pressed pronounced texture for dry media on top and a smoother hot-pressed surface for en & ink, & light washes on the flipside, allowing artists to create in the media of their choosing. Colored Pencil Art Journal Weight: 90lb. (147 g/m2) Surface: Hard textured Color: Natural white Media: Pens, pastels, charcoal, & drawing pencils Hard, textured surface and 30% post-consumer waste recycled paper is perfect for colored pencil shading and highlighting. Other dry media perform exceptionally on the paper and allow for great detail. Watercolor Art Journal Weight: 140lb. (300 g/m2) Surface: Cold pressed and toothy Color: Natural white Media: Pencil, pen, charcoal, pastels, watercolor, and acrylic Cold pressed sheet composed of 100% cotton. The European milled paper is of immense quality and can handle even some of the heaviest washes. Heavyweight Draw Art Journal Weight: 160lb. (260 g/m2) Surface: Toothy, rough vellum surface on one side and a smooth surface on the other Media: Pencil, pen & ink, crayon, chalk, charcoal, pastel, and light washes Acid free, superior archival quality, heavyweight sheet is composed of 25% cotton. Pronounced surface lends itself to drawings and preliminary artwork designs. Contains 35 heavy duty sheets in each spiral bound book. See More
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Yasutomo Usugami Paper - 8.5"x11", 14gsm (30 Sheets)Save Up to20%Off listWhite Authentic, high-quality art papers and boards From Japan Yasutomo Premium Art Papers are made in the traditional paper districts of Japan. Artisans make the pulp-based Gasen and Torinko papers to be sturdy and resilient. Each sheet is lightly sized to capture the fine details in your artwork. Gasen and Torinoko sheets are perfect for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. The surface of Torinoko holds up to watercolor washes with minimal wrinkling. Kozo art paper is made with 100% (unsized) Kozo fiber from the mulberry plant. Because of the long fibers, Kozo paper is solid and durable. You can use Kozo for Sumi-e, watercolor painting, conservation and repair, woodblock printing, and other printmaking techniques. Asagami is a bleached acid-free, neutral sized art paper used for legal documents, watercolor, and gansai paintings. While Mashi is an unbleached, unsized paper used for calligraphy, ink painting, and watercolors. Key Features: * Gasen 20 sheets, 82 GSM * Torinoko 20 sheets, 80 GSM * Kozo 10 sheets, 58 GSM * Asagami 20 sheets, 43 GSM * Mashi 20 sheets, 40 GSM * Lightly sized to capture the fine details * Made in Koshu and Echizen districts of Japan Perfect For: * Sumi-e and watercolor painting * Calligraphy and ink painting * Suminagashi (Japanese marbling) * Chigiri-e (Japanese collage) * Woodblock printing and printmaking techniques * Conservation and repair Kozo is used for Sumi-e, watercolor painting, conservation and repair, woodblock, and other printmaking techniques. Gasen is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), calligraphy, and block printing. Torinoko is suitable for ink painting, watercolor, Suminagashi (Japanese marbling), Chigiri-e (Japanese collage), and printmaking. Asagami is suitable for woodblock printing, monoprinting, inkjet & laser printing, stamping, mixed media, legal documents, copy paper, watercolor, and gansai paintings. Mashi is suitable for Calligraphy, ink painting, gansai watercolor painting. Shikishi Boards Shikishi boards are made from washi papers mounted to a hardboard backing edged with gold foil. Traditionally used for sumi-e, watercolor, and haiku painting. They can also be used as a substrate for multimedia projects. The 3x3 pack includes five Gasen mounted boards. While the 5x7" 3-pack includes a Hosho, Gasen, and Torinoko mounted board. See More
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