Your Cart
SLI Search Template
Related Categories: 18x18 | Tackle Box | Acrylic Primed | 20x20 Canvas | 48x48 Stretched Canvas | 18x24 Canvas | 48x48 Panel | Extra Large Stretched Canvas
There were no results that contained all of the words in your query. These results contain some of the words.
-
Art Alternatives Studio Classic Cotton Stretched CanvasSave Up to66%Off list…the canvas to 10 ounces. The all-media primed surface is suitable for acrylics, oil paints, and other wet or dry media. Each canvas is stretched around kiln-dried solid pine stretcher bars. Sizes twenty-four inches or longer have cross braces for additional support. Art Alternatives Studio canvases… 3/4" Deep - An All-Purpose Canvas Perfect For Wet Or Dry Media! Art Alternatives Classic Cotton Stretched Canvas is terrific for traditional painting and mixed media techniques. The unbleached 5oz. cotton duck is primed with acid-free acrylic titanium gesso, which brings the finished weight of the canvas to 10 ounces. The all-media primed surface is suitable for acrylics, oil paints, and other wet or dry media. Each canvas is stretched around kiln-dried solid pine stretcher bars. Sizes twenty-four inches or longer have cross braces for additional support. Art Alternatives Studio canvases have a 3/4" depth profile with paintable edges. Key Features: * 3/4" depth profile * Primed with acid-free acrylic titanium gesso * Unbleached cotton duck * 100% natural cotton * Stretched around kiln-dried solid pine stretcher bars * 10oz. primed weight * 5oz. raw weight before priming * Back stapled Perfect For: * Traditional painting and mixed media techniques * Oils, acrylics, and dry media * Spray painting, mixed media and craft projects * Painted edge presentation * Mixed media works * Painters of all levels * Frameless artwork presentation See More
-
Pastelmat Pastel Sheets and BoardsSave Up to20%Off listA Pastel Surface Artists Can Trust There's no need to spray layers of fixative when working on Pastelmat papers and boards. Pastels adhere so well to the surface that you can apply several layers without the colors becoming too saturated or muddy. Velvety cellulose fibers grab broken pastel pigments… A Pastel Surface Artists Can Trust There's no need to spray layers of fixative when working on Pastelmat papers and boards. Pastels adhere so well to the surface that you can apply several layers without the colors becoming too saturated or muddy. Velvety cellulose fibers grab broken pastel pigments and pull them deep into the surface for an almost dust-free experience. It's so versatile that, in addition to pastel and pastel pencils, Pastelmat will support most dry and wet media, including watercolor and gouache. The sturdy Pastelmat boards are made by mounting 360 gsm Pastelmat papers to 1.8 mm (2-ply) thick foam boards. Key Features: * Available in paper sheets and 1.8mm thick boards * Acid-free and pH-neutral * Cellulose surface holds pigment deeply * No need for fixative spray * Softer hand than gritty course sanded papers * No fingertip scraping * Holds up to water and solvent-based washes Perfect For: * Soft pastel, oil pastel, pastel pencil, charcoal, colored pencils, acrylics, watercolors, and gouache * Blending techniques * Building multiple layers of color without fixative * Creating painterly effects with soft buttery marks See More
-
Bob Ross Oil Painting Master Paint SetsSave Up to55%Off listLearn the Wet-On-Wet Oil Painting Technique with Bob Ross Bob Ross used the wet-on-wet oil painting technique, in which the painter continues adding paint on top of still-wet paint rather than waiting a lengthy amount of time to allow each layer of paint to dry. The Bob Ross Master Oil Paint Set has… Learn the Wet-On-Wet Oil Painting Technique with Bob Ross Bob Ross used the wet-on-wet oil painting technique, in which the painter continues adding paint on top of still-wet paint rather than waiting a lengthy amount of time to allow each layer of paint to dry. The Bob Ross Master Oil Paint Set has everything you need to start painting like Bob! With complete, clearly written instructions, full-color photos of each finished painting, and all of the painting supplies necessary, you will have all of the tools required for early success. The Bob Ross Master Paint Set with Extras! Key Features: * 16 Piece Master Oil Paint Set * 16 Piece Master Oil Paint Set * One Instructional Leaflet * 8 x 37 ml (1.25 oz) Colors: Cadmium Yellow, Phthalo Blue, Titanium White, Sap Green, Van Dyke Brown, Alizarin Crimson, Midnight Black, and Bright Red * One 4 oz (18 ml) Liquid White * One #10 Landscape Painting Knife * One 1" Landscape Brush * One 2" Background Brush * One #2 Script Liner Brush * One #6 Large Fan Brush Perfect For: * The Bob Ross Wet-on-Wet Technique® * Learning to paint like Bob! * Painting stunning outdoor landscapes * Giving as a gift * Artists and teachers Click on the item number to view a description of the product. strong>Bob Ross Master Paint Set 8 x 37ml Colors: Cadmium Yellow, Phthalo Blue, Titanium White, Sap Green, Van Dyke Brown, Alizarin Crimson, Midnight Black, and Bright Red See More
-
Bob Ross GessosSave Up to29%Off list…* Conforms to ASTM D4236 Perfect For: * Mastering the Bob Ross Wet-on-Wet Technique * Oil, acrylic, tempera, watercolors, ink, or pencil * Classrooms, Universities, Art Leagues * Artists priming large canvases * Painting Party venues * Art Journaling * Better bonding surface for acrylic or oils Non-toxic smooth, flexible, flat finish on artwork surfaces These top quality Bob Ross Gessos are non-toxic acrylic primers produce an excellent dry base coat with perfect tooth for the Bob Ross method of painting. White and Black gessos are packaged in convenient 16.9oz squeeze bottles with non clog tops. Once dry, this flat, acrylic liquid gesso gives you the perfect base for mastering the Bob Ross Wet-on-Wet Technique® Bob Ross Gesso contains pure pigments formulated in a 100% acrylic polymer emulsion which when dry produces a smooth, flexible, flat finish on artwork surfaces. It is ideal for the Bob Ross painting techniques with oil colors as well as other art media including acrylics, tempera, watercolors, ink, pencil, and more! Conforms to ASTM D4236. Key Features: * White, black or grey gesso * 16.9oz / 500ml squeeze bottles with non clog tops * Top quality non-toxic acrylic primers * Produces an excellent dry base coat * Perfect tooth for the Bob Ross method of painting * Pure pigments * Formulated in a 100% acrylic polymer emulsion * When dry produces a smooth, flexible, flat finish on artwork surfaces * Conforms to ASTM D4236 Perfect For: * Mastering the Bob Ross Wet-on-Wet Technique * Oil, acrylic, tempera, watercolors, ink, or pencil * Classrooms, Universities, Art Leagues * Artists priming large canvases * Painting Party venues * Art Journaling * Better bonding surface for acrylic or oils See More
-
Bob Ross Oil Painting MediumsSave Up to25%Off list…secret formula of base coats aid in the painting's foundation and keep the canvas wet, the most fundamental step in Bob's wet-on-wet technique. Smooth and slow drying, they allow blending and mixing right on the canvas! Non-Toxic. Liquid Opal Medium - For soft oil colors. This pearlescent medium… Wet-on-wet oil painting mediums & basecoats The goal of Bob Ross, one of America's most beloved artists, was to open the world of art to people who otherwise would never be able to enjoy the excitement of painting. His products have been developed to successfully achieve results with his wet-on-wet technique, which is a basic process of painting over layers of wet paint to achieve relatively fast and effective results. Bob Ross Oil Painting Mediums are designed especially for use in the wet-on-wet techniques demonstrated in Bob Ross's books and video programs. Key Features: * Non-toxic acrylic base coats * Liquid oil mediums for Bob's wet-on-wet technique * Unlimited creative possibilities Perfect For: * The Bob Ross Wet-on-Wet Technique * Excellent dry base coat * Oil painting Acrylic Base Coat- Smooth brushing and even-leveling, they create an ideal base for wildlife painting. Glazing Medium- This medium produces the details characteristic of animal fur. Dries quickly, resists yellowing and provides a long lasting quality paint film. Liquid Mediums- Available in white, black or clear. Bob's unique secret formula of base coats aid in the painting's foundation and keep the canvas wet, the most fundamental step in Bob's wet-on-wet technique. Smooth and slow drying, they allow blending and mixing right on the canvas! Non-Toxic. Liquid Opal Medium - For soft oil colors. This pearlescent medium adds a deep richness to floral paintings and yields an affect that is reminiscent of opal gems. See More
-
Magnani 1404 Acquerello Watercolor PapersSave Up to40%Off listTop-quality 100% Cotton Watercolor Paper. Love Your Papers! Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De… Top-quality 100% Cotton Watercolor Paper. Love Your Papers! Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 watercolor paper is perfect for anyone who desires the highest quality paper available. Magnani 1404 Acquerello Watercolor Papers are made entirely from 100% cotton. Long cotton fibers are evenly distributed onto a slowly rotating wire cylinder before being pressed onto special Magnani marking felts and dried. The paper has superior absorbency and can withstand multiple layers and washes thanks to its internal and external vegan sizing. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Choose from 3 different surface textures made in Italy: Italia (cold press), Portofino (hot press), and Toscana (rough). Key Features: * 100% cotton, acid-free archival watercolor paper * Italia (cold press), Portofino (hot press), or Toscana (rough) * Mould made on a cylinder machine * 140lb and 300lb weight * Internal and external vegan sizing * Acid-free, pH-neutral, and chlorine-free * Alkaline (calcium carbonate) buffer * Traditional natural white color * No optical brighter agents used * Sheets have 4 deckled edges and a watermark * Round blocks come with a cotton bag * Made in Italy Perfect For: * Professional watercolorists * Wet and dry media * Watercolor, gouache, ink, and fluid acrylic * Working with graphite, colored pencils, pastels, and charcoal * Scrubbing and lifting techniques * Repeated erasing and painting * Keeping paper perfectly flat * Painting on the go * Traveling Magnani 1404 Acquerello Watercolor Paper is ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Prime with a clear acrylic gesso to use with oil paint. Every round watercolor block comes with a cotton drawstring bag to keep your watercolor paper clean and protected. See More
Powered by
Login and Registration Form
Customer Login
Already a customer ? Sign in now for the best experience!
* indicates a required field