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Related Categories: 18x18 | Tackle Box | Extra Large Stretched Canvas | Acrylic Primed | 20x20 Canvas | Stretched Canvas 40x60" | 10x20 | 48x48 Stretched Canvas
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Art Alternatives Studio Classic Cotton Stretched CanvasSave Up to66%Off list…the canvas to 10 ounces. The all-media primed surface is suitable for acrylics, oil paints, and other wet or dry media. Each canvas is stretched around kiln-dried solid pine stretcher bars. Sizes twenty-four inches or longer have cross braces for additional support. Art Alternatives Studio canvases… 3/4" Deep - An All-Purpose Canvas Perfect For Wet Or Dry Media! Art Alternatives Classic Cotton Stretched Canvas is terrific for traditional painting and mixed media techniques. The unbleached 5oz. cotton duck is primed with acid-free acrylic titanium gesso, which brings the finished weight of the canvas to 10 ounces. The all-media primed surface is suitable for acrylics, oil paints, and other wet or dry media. Each canvas is stretched around kiln-dried solid pine stretcher bars. Sizes twenty-four inches or longer have cross braces for additional support. Art Alternatives Studio canvases have a 3/4" depth profile with paintable edges. Key Features: * 3/4" depth profile * Primed with acid-free acrylic titanium gesso * Unbleached cotton duck * 100% natural cotton * Stretched around kiln-dried solid pine stretcher bars * 10oz. primed weight * 5oz. raw weight before priming * Back stapled Perfect For: * Traditional painting and mixed media techniques * Oils, acrylics, and dry media * Spray painting, mixed media and craft projects * Painted edge presentation * Mixed media works * Painters of all levels * Frameless artwork presentation See More
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Ez Canvas Hang UpsSave Up to19%Off list…Ups are supported by the canvas stretcher frame taking full advantage of the canvases integrity. The zigzag top edge will support the entire weight of the canvas and avoids slips due to its toothy grip of virtually any common nail head. When you are transporting canvases you can easily remove the… Hang Up Your Art in Just Seconds With No Tools! No matter if you are hanging canvases framed or unframed you can simply slip the EZ Hang Up under the stretcher bar of your canvas. In seconds your pictures are ready to hang. Plus there is no chance that your pictures will ever fall off the wall. Unlike screw eyes, EZ Hang Ups are supported by the canvas stretcher frame taking full advantage of the canvases integrity. The zigzag top edge will support the entire weight of the canvas and avoids slips due to its toothy grip of virtually any common nail head. When you are transporting canvases you can easily remove the EZ Hang Up so pictures lie flat. This is particularly useful when butting two pictures back to back. Made of non-rusting metal. Key Features:* 2 Depths: 13/16" Deep & 1.5" Deep* In seconds your pictures are ready to hang* Slips under and on canvas in seconds* Hang on your wall* Sits flush against wall* Supported by the canvas stretcher frame* Zigzag top edge will support the entire weight of the canvas* Made of non-rusting metal* Comes with 2 in a pack Perfect For:* Hanging canvases framed or unframed* Eliminates need to use wire* Hanging from any hanger* Artwork sitting flush to the wall* Avoids slips due to its toothy grip of virtually any common nail head* Easy removal for transporting canvas EZ Hang Ups 13/16" Deep: 2 pack for standard canvas 13/16" deep EZ Hang Ups 1.5" Deep: 2 pack for standard canvas 1.5" deep See More
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Awagami Japanese Handmade PapersSave Up to24%Off listOver 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an… Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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