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Related Categories: Stretched Canvas 40x60" | 20x20 Canvas | Tackle Box | 48x48 Stretched Canvas | Extra Large Stretched Canvas | 18x24 Canvas | 24x36 Canvases | 18x18 Canvas
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Art Alternatives Studio Classic Cotton Stretched CanvasSave Up to66%Off list
Starting At: 51.44
…the canvas to 10 ounces. The all-media primed surface is suitable for acrylics, oil paints, and other wet or dry media. Each canvas is stretched around kiln-dried solid pine stretcher bars. Sizes twenty-four inches or longer have cross braces for additional support. Art Alternatives Studio canvases… 3/4" Deep - An All-Purpose Canvas Perfect For Wet Or Dry Media! Art Alternatives Classic Cotton Stretched Canvas is terrific for traditional painting and mixed media techniques. The unbleached 5oz. cotton duck is primed with acid-free acrylic titanium gesso, which brings the finished weight of the canvas to 10 ounces. The all-media primed surface is suitable for acrylics, oil paints, and other wet or dry media. Each canvas is stretched around kiln-dried solid pine stretcher bars. Sizes twenty-four inches or longer have cross braces for additional support. Art Alternatives Studio canvases have a 3/4" depth profile with paintable edges. Key Features: * 3/4" depth profile * Primed with acid-free acrylic titanium gesso * Unbleached cotton duck * 100% natural cotton * Stretched around kiln-dried solid pine stretcher bars * 10oz. primed weight * 5oz. raw weight before priming * Back stapled Perfect For: * Traditional painting and mixed media techniques * Oils, acrylics, and dry media * Spray painting, mixed media and craft projects * Painted edge presentation * Mixed media works * Painters of all levels * Frameless artwork presentation See More -
Canson XL Fluid Mixed Media PadsSave Up to32%Off list
Starting At: 8.68
Finally, a paper that does not warp under fluid acrylic pours! Canson XL Fluid Mixed Media Pads feature a 90lb. (250 gsm) heavyweight paper perfect for acrylic pouring techniques. Fluid acrylics flow evenly across the smooth, clean surface of the paper. You don't have to worry about the paper… Finally, a paper that does not warp under fluid acrylic pours! Canson XL Fluid Mixed Media Pads feature a 90lb. (250 gsm) heavyweight paper perfect for acrylic pouring techniques. Fluid acrylics flow evenly across the smooth, clean surface of the paper. You don't have to worry about the paper curling because the paper is durable and can withstand wet acrylic paint without warping. Bold, bright colors stand out against the super white background. The super-smooth surface is also perfect for precision drawing with technical pens, ink, and markers. Each pad contains 30 sheets. Key Features: * 90lb. (250 gsm) heavyweight paper * Each pad contains 30 sheets * Smooth white surface * Super white paper for color contrast * Acid-free and will not yellow * Sturdy cardboard backing provides stability for use on the go * Complies with the ISO longevity standard 9706 * Paper made from FSC® certified wood Perfect For: * Acrylic pouring techniques * India ink and acrylic ink * Liquid watercolor and markers * Fluid acrylic paintings * Illustrators and fluid acrylic artists * New artists wanting to try pouring without a big investment * At home painting parties * Artists of all skill levels See More -
Canson XL Mixed Media PadsSave Up to33%Off list
Starting At: 11.62
High-Quality Papers At Low Prices! Canson believes that even students and beginner artists deserve to practice and work on a high quality surface without having to spend a fortune to buy it. Working together with art teachers and professors, they developed their Canson XL Mixed Media Pad line to… High-Quality Papers At Low Prices! Canson believes that even students and beginner artists deserve to practice and work on a high quality surface without having to spend a fortune to buy it. Working together with art teachers and professors, they developed their Canson XL Mixed Media Pad line to serve just that purpose! An abundance of excellent quality paper at an exceptional value, XL pads are designed to provide artists of every level with a variety of surfaces for all their artistic experiments! XL Mix Media Pads - The heavy sizing on this fine-textured paper makes it perfect for both wet and dry media, and the 98lb (160gsm) weight makes for a sturdy surface that can even take light collage. Use it for anything from drawings and designs to washes and even paintings in watercolor or acrylic. With micro-perforated true size sheets in each wire-bound pad, you can create an entire body of work in just about any media you like! Key Features:* 98lb (160gsm) Weight* 60-30 Sheets* Acid-Free* Spiral Bound* Fine-Textured Perfect For:* Wet and Dry Media* Heavy Markers* Light Collage Please note: Due to a recent packaging change, items received may appear different than those pictured, but will be of the same quality. See More -
Canson Infinity Paper Sheets and RollsSave Up to25%Off list
Starting At: 14.34
…superior gloss, and extremely vivid color. Artist Canvas Water Resistant Matte (390gsm Artist Grade) is a premium, water-resistant, acid-free canvas with a pure white tone that stretches and mounts with ease. This OBA-free archival canvas can produce extremely precise, high-resolution images.… Museum Quality Ink Jet Photo Papers These premium artist photo papers offer exceptional beauty and character to create black & white and color photographs and fine art reproductions. Using the purest natural materials without chemical substances that contribute to premature deterioration, Canson Infinity photo papers bring the beauty of fine art and traditional photography to the world of digital printing. Key Features: * Premium artist photo papers * Available in sheets and rolls Perfect For: * Digital printing * Fine art reproductions Arches Aquarelle Rag (310gsm) - 100% rag watercolor paper possesses the unique structure, surface texture, and warm white tone demanding artists expect from a traditional Fine Art digital photo art paper. This paper complies with the highest archival standards and is age-resistant. It gives a unique and unrivaled character to the Fine Art reproduction of traditional artwork and photographs. PhotoGloss Premium RC (270gsm) - An alpha cellulose acid-free digital art photo paper coated with polyethylene and a microporous color receiver layer. Gloss finish. PhotoSatin Premium RC (270gsm) is an alpha-cellulose, acid-free, digital art photo paper coated with a structured polyethylene and a microporous receiver layer. Satin finish. Platine Fibre Rag (310gsm) is a 100% cotton rag art paper with a pure white tone and no OBAs. Superior microporous coating brings this traditional darkroom paper to the digital era. Ideal for both color and black & white prints. Arches Velin Museum Rag (315gsm) - This 100% cotton, mould-made fine art paper is naturally age-resistant, has a smooth, fine-grain surface, and offers a pure white tone without OBAs. Rag Photographique (310gsm & 210gsm) - 100% cotton, museum grade Fine Art, and photo paper with a smooth white tone that offers a unique extra smooth surface and exceptionally high Dmax. Artist Canvas Professional Gloss (390gsm) is a premium glossy, polyblend canvas coated with a specially formulated inkjet receptive emulsion designed to accept the latest high technology pigmented inks. It is OBA-free and will not yellow, crack, or curl. It has an exceptional resolution, superior gloss, and extremely vivid color. Artist Canvas Water Resistant Matte (390gsm Artist Grade) is a premium, water-resistant, acid-free canvas with a pure white tone that stretches and mounts with ease. This OBA-free archival canvas can produce extremely precise, high-resolution images. BFK Rives (310gsm) - 100% Cotton, Mould made Fine Art paper. BFK Rives® has a unique pure white tone obtained without using OBAs and a very smooth and velvety texture. See More -
Awagami Japanese Handmade PapersSave Up to24%Off list
Starting At: 15.19
Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an… Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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