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RAS Non-Toxic Tempera Paint MediumsSave Up to61%Off list…varnish * Sealant for tempera paintings * Cleans up easily with soap and water * Available in Gloss, Satin, and Matte finishes * Sold in 16 oz. and 64 oz. bottles and Gallon jugs * Pump dispenser sold separately Perfect For: * Protecting your child's paintings from environmental damage! * Varnishing… Enhance & Protect Your Child's Artwork With These Non-Toxic Varnishes Tempera paint is the perfect medium for young artists, but it can be easily damaged once dry. Now you can protect precious tempera paintings with new Tempera Varnish from RAS! These non-toxic, water-soluble varnishes are easy to apply and easy to clean up with just soap and water and will prevent dirt, dust, moisture, or environmental pollutants from damaging the surface of your child's art. Display your children's paintings proudly with protective RAS Tempera Varnish! Attach the paint pump (sold separately) to the varnish bottle to easily dispense varnish to students. Key Features: * Non-toxic water-based varnish * Sealant for tempera paintings * Cleans up easily with soap and water * Available in Gloss, Satin, and Matte finishes * Sold in 16 oz. and 64 oz. bottles and Gallon jugs * Pump dispenser sold separately Perfect For: * Protecting your child's paintings from environmental damage! * Varnishing tempera paintings * Dispensing varnish with less mess * Students, teachers, and parents * Use in the classroom See More
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Bob Ross Oil Painting MediumsSave Up to25%Off list…they create an ideal base for wildlife painting. Glazing Medium- This medium produces the details characteristic of animal fur. Dries quickly, resists yellowing and provides a long lasting quality paint film. Liquid Mediums- Available in white, black or clear. Bob's unique secret formula… Wet-on-wet oil painting mediums & basecoats The goal of Bob Ross, one of America's most beloved artists, was to open the world of art to people who otherwise would never be able to enjoy the excitement of painting. His products have been developed to successfully achieve results with his wet-on-wet technique, which is a basic process of painting over layers of wet paint to achieve relatively fast and effective results. Bob Ross Oil Painting Mediums are designed especially for use in the wet-on-wet techniques demonstrated in Bob Ross's books and video programs. Key Features: * Non-toxic acrylic base coats * Liquid oil mediums for Bob's wet-on-wet technique * Unlimited creative possibilities Perfect For: * The Bob Ross Wet-on-Wet Technique * Excellent dry base coat * Oil painting Acrylic Base Coat- Smooth brushing and even-leveling, they create an ideal base for wildlife painting. Glazing Medium- This medium produces the details characteristic of animal fur. Dries quickly, resists yellowing and provides a long lasting quality paint film. Liquid Mediums- Available in white, black or clear. Bob's unique secret formula of base coats aid in the painting's foundation and keep the canvas wet, the most fundamental step in Bob's wet-on-wet technique. Smooth and slow drying, they allow blending and mixing right on the canvas! Non-Toxic. Liquid Opal Medium - For soft oil colors. This pearlescent medium adds a deep richness to floral paintings and yields an affect that is reminiscent of opal gems. See More
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M. Graham Walnut/Alkyd Oil Medium 4oz. BottleSave Up to40%Off list…colors.Walnut/Alkyd Medium - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Can thin the color, enhance adhesion between layers, increase surface sheen and speed up drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally… Augment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Perfect for removing color from brushes after use and since it is a natural vegetable oil, it will not evaporate or remove essential oils from the artists' paint brushes. Walnut oil can also slow drying, increase sheen and enhance the flow of oil colors.Walnut/Alkyd Medium - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Can thin the color, enhance adhesion between layers, increase surface sheen and speed up drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally suited for all-prima and glaze applications and is certified non-toxic. Key Features:* Available in 4 different sizes* Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans* Non-toxic* Safe to use on brushes Perfect For:* Working with oil colors* Speeding up drying time* Increasing adhesion and flow of oil paint See More
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Jacquard Pearl Ex Pigment Mediums - Gum Arabic, 4ozSave Up to29%Off list…Arabic, you can create custom watercolor paints. Gum Arabic is a binder medium that produces a glossy, easy-to-brush color when mixed with dry pigments and water. You can use the water-based Pearl Ex PX Varnish as a medium, or use is as a protective topcoat over your painting. This varnish enables… Create custom watercolor paints with Gum Arabic! Pearl Ex Powdered Pigments can be mixed into any media and applied to any surface! The variety of finishes Pearl Ex Powdered Pigments can produce is nearly endless—from metallic sheens to pearlescent shimmers to all manner of faux finishes. If you mix Pearl Ex pigments with Jacquard's Pearl Ex Gum Arabic, you can create custom watercolor paints. Gum Arabic is a binder medium that produces a glossy, easy-to-brush color when mixed with dry pigments and water. You can use the water-based Pearl Ex PX Varnish as a medium, or use is as a protective topcoat over your painting. This varnish enables Pearl Ex users to show off the lustrous metallic finish of mixed Pearl Ex paints. The durable varnish also protects artwork on a variety of surfaces. Works great on paper, clay, metal, wood, or plastic and cleans up easily with water. Key Features: * Gum arabic binder * Binder produces a glossy easy-to-brush color * Water-based varnish * Use varnish as a medium or topcoat * Cleans up easily with water Perfect For: * Washes, glazes, and stamping * Metallic watercolor * Pearl Ex Powdered Pigments * Wider variety of watercolor effects * Protective topcoat over your painting See More
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New York Central Acrylic Gloss Medium, 4oz BottleSave Up to59%Off listProfessional grade mediums for archival results by New York Central® New York Central® Professional Acrylic Mediums are perfect for thinning and extending acrylic paint. Many misinformed artists use water to thin their acrylic paint, but using too much water can weaken the paint bond… Professional grade mediums for archival results by New York Central® New York Central® Professional Acrylic Mediums are perfect for thinning and extending acrylic paint. Many misinformed artists use water to thin their acrylic paint, but using too much water can weaken the paint bond and cause long-term issues. New York Central® mediums support and maintain the structure of your paint while adding a gloss or matte effect. You can thin and extend your heavy body paints with acrylic medium. The more you add, the thinner and more transparent the paint will become. You can also use New York Central® Acrylic Medium as a collage adhesive or as a fixative for dry media. Key Features: * Professional grade acrylic medium * Matte or gloss finish * Mediums are semi-opaque when wet, transparent when dry * Extends colors without damaging paint structure * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Perfect For: * Increasing color depth and transparency * Thinning heavy body paints * Collage, mixed media, and photo transfers * Use as a collage adhesive or as a fixative for dry media * Professional artists and students * Everyday studio use Acrylic Medium Instructions: * Always stir gently. If bubbles appear, let the mixture sit for about ten minutes or until the bubbles dissipate, then resume use. * For use as an extender, mix the medium with acrylic paint. The more you add, the thinner and more transparent the paint will become. * To fix chalk pastels or graphite, mix 1 part medium to 1 part distilled water and apply with an airbrush or atomizer. * To use as a collage adhesive, apply at full strength with a brush or sponge. See More
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Black Mountain Acrylic Gloss MediumSave Up to46%Off list…Gloss Medium is formulated to extend acrylic colors while maintaining the integrity of your paint. Unlike water which can weaken and destabilize acrylics, gloss medium maintains paint bonds at a chemical level while adding a gloss finish. Mix it with heavy body paints to create thin transparent… Extends Paint, Provides A Uniform Gloss Finish, and Increases Transparency Black Mountain Clear Gloss Medium is formulated to extend acrylic colors while maintaining the integrity of your paint. Unlike water which can weaken and destabilize acrylics, gloss medium maintains paint bonds at a chemical level while adding a gloss finish. Mix it with heavy body paints to create thin transparent glazes. Experiment with different ratios to find the color and consistency you prefer. Clear gloss medium can also be used to minimize brush strokes, transfer laser-printed images, or glue down a mixed-media collage. Once your painting is dry, apply a top coat of Black Mountain Clear Gloss Medium for an even finish. Key Features: * Professional grade acrylic gloss medium * Extends colors while maintaining paint structure * Non-yellowing, acid-free, and archival * Semi-opaque liquid medium dries clear * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint Perfect For: * Thinning heavy body acrylics * Increasing color depth and transparency * Creating blended gradations of color * Collage, mixed media, and photo transfers * Use as a collage adhesive * Professional artists and students * Everyday studio use See More
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LUKAS Painting Butter Impasto MediumSave Up to60%Off list…cracking or wrinkling! LUKAS Painting Butter Impasto Medium is a transparent, slightly amber-tinted mixture of alkyds, thickeners, and driers and is the same consistency as straight oil paint: * Mixing it with your paint will thin the color somewhat, but allows you to paint in heavy impasto… Paint in heavy impasto techniques without wasting valuable pigment! Layers will dry without shrinking, cracking, or wrinkling! Paint in heavy impasto techniques without wasting valuable pigment with this quick drying, elastic, alkyd resin-based Painting Butter medium from LUKAS! Formulated with special drying agents and thickeners, this impasto medium helps keep the thick constitution of heavy paint application with no leveling, ensuring that your paint structure remains. Layers will dry without shrinking, cracking or wrinkling! LUKAS Painting Butter Impasto Medium is a transparent, slightly amber-tinted mixture of alkyds, thickeners, and driers and is the same consistency as straight oil paint: * Mixing it with your paint will thin the color somewhat, but allows you to paint in heavy impasto layers while not wasting pigment.* Ensures the layer dries completely and evenly.* An indispensable medium for the oil artist fond of impasto and palette knife painting techniques! Helps maintain brushstrokes and speeds the drying rate of oil colors Key Features: * Alkyd base speeds up drying time of oil paint * Dries at the same rate! * Dries evenly without wrinkling or cracking * Special drying agents and thickeners * Paint in impasto layers up to an inch thick! * No need to add a lot of paint to it to get the color you want * Not only dries faster but can double your colored pigment! * Mixes easily with the oils and dries very quickly, allowing additional coats of paint to be applied without smearing * If you like texture in your oil painting, you'll love this product * Available in 37ml and 200ml tubes Perfect For: * Oil Painting Medium used to mix with oil paints for impasto techniques * Will thin the color somewhat but allows you to paint in heavy impasto layers * Ensures the layer dries completely and evenly * Impasto and palette knife painting techniques * Quick drying - special drying agents and thickeners * Ability to put paint over paint with ease * Thickens the paint and makes it so much easier to use a palette knife. * Colors stay vibrant, Extend oil paints without making them weak or runny * Excellent consistency of the butter, ability to spread smoothly* "I LOVE This Stuff! I love Lukas Painting Butter, both for my own work and in my workshops. Its heavy texture and FAST drying time are "just the ticket" for my "knife paintings." I have turned many of my students onto it, too! It's now a staple of my "must-have" supplies." Paint in heavy impasto techniques – LUKAS Painting Butter Impasto Medium Read Blog Article -> Thicken Your Oil Paints with Impasto Medium for Oil Paints – LUKAS Painting Butter See More
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Tom Norton Walnut Ink MediumSave Up to3%Off list…drawings! Tom Norton's Walnut Darkening Medium is great for adding an extra punch of drama to your ink drawings. The medium has a water-soluble base so you can use it without changing the working characteristics of your Walnut Ink. You can even use the medium straight from the bottle as an intense… Add an extra "punch" to your Walnut Ink drawings! Tom Norton's Walnut Darkening Medium is great for adding an extra punch of drama to your ink drawings. The medium has a water-soluble base so you can use it without changing the working characteristics of your Walnut Ink. You can even use the medium straight from the bottle as an intense dark brown Sumi ink. Tom Norton's Walnut Darkening Medium has extra staining power and does not lift as well as Walnut Ink, but it is fadeproof, acid free, and archival! Key Features: * Artist grade pigment-based ink * Darkening medium for walnut ink * Lightfast and acid free! * Remains water-soluble * Great staining power Perfect For: * Creating dark shadows * Adding depth to drawings and sketches * Tonal paintings * Watercolor painting See More
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Liquitex Acrylic Gesso Surface Prep MediumsSave Up to39%Off list…just one coat and are the perfect surface preparation for oil or acrylic paint. You can thin the gesso with up to 25% water depending on your thickness preferences. Compatible with Liquitex High Viscosity and Medium Viscosity Acrylics, you can create a custom-colored ground. With Liquitex Gesso, you… Create the perfect absorbency, texture and archival ground Liquitex Gesso is an acrylic-based gesso that provides excellent "tooth" and adhesion to a wide variety of supports and surfaces such as canvas, wood, paper, and metal. Liquitex professional gessoes usually take just one coat and are the perfect surface preparation for oil or acrylic paint. You can thin the gesso with up to 25% water depending on your thickness preferences. Compatible with Liquitex High Viscosity and Medium Viscosity Acrylics, you can create a custom-colored ground. With Liquitex Gesso, you can prime your substrates with an archival ground and create the perfect level of absorbency and texture at the same time. Key Features: * Primes surfaces and adds a high level of tooth * Stiffens canvases * Optimum absorbency for paint application * Professional archival base * Will last generations * Fully mixable with all Liquitex products * Use undiluted or thin with up to 25% water * If using as a base for oils, apply 2-4 coats and sand between applications Perfect For: * Acrylic and oil painters * Creating a surface for preliminary charcoal or pencil drawings * Dry ground for oils * Custom colored grounds * A uniform painting surface * Artwork in acrylics, oils & alkyds * Professional artists Clear Gesso - Use for masking under-paintings and unique grounds in presentation for over-paintings. Ideal high tooth surface for pastel, oil pastel, graphite, and charcoal. Flexible and non-yellowing when dry Super Heavy Gesso - An innovative Titanium White gesso that holds structural shape until dry. It has all the attributes of traditional acrylic gesso and is ideal for thick and sculptural applications. AP non-toxic. White Gesso - A white priming ground to be used on a variety of absorbent surfaces where acrylic colors, polymers, oil colors, tempera or casein will be applied. Dries within minutes to a brilliant white. Tint with acrylic colors before application for toned grounds. Black Gesso - This Colored Gesso usually covers in one coat and is flexible, non-cracking, and non-yellowing. It provides the right amount of tooth and adhesion to a variety of surfaces. Use it alone or dilute with up to 25% water. Neutral Gray Gesso - This colored gesso contains a blend of pigments that produce a matte grey opaque finish, which allows you to build depth from a neutral grey base. Usually covers in one coat and is flexible, non-yellowing, and non-cracking. Use it alone or dilute with up to 25% water. Liquitex Colored Gesso is hue balanced and can be tinted with Soft or Heavy Body Acrylics. See More
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Matisse Medium 18 Pre-Antiquing Medium 4 Litre PailSave Up to50%Off list…and patina mediums is sure to inspire you with their exciting decorative effects! Faux Finish & Marbling Gel - Also known as 'scumble glaze,' this medium is ideal for creating painted finish techniques using sponges, squeegees, rollers, plastic wrap, stencils, stiff brushes and more! Thins acrylic… Achieve brilliant decorative effects with these versatile mediums from Matisse! Part of the beauty of acrylic paint is its adaptability to any myriad of artistic and decorative effects. Now you can use your Matisse acrylic paints for folk art, crafts, and interior decorating as well as fine art painting! This collection of antiquing and patina mediums is sure to inspire you with their exciting decorative effects! Faux Finish & Marbling Gel - Also known as 'scumble glaze,' this medium is ideal for creating painted finish techniques using sponges, squeegees, rollers, plastic wrap, stencils, stiff brushes and more! Thins acrylic paints and improves flow for glazing, and is also excellent at creating faux marble finishes as it can prevent colors from mixing. Patina (Oil Antiquing Medium) - Designed to be used with artists' oil paint over acrylics to give an aged, weathered appearance. Apply Patina Medium over the piece to be antiqued, using a lint free cotton cloth, then rub a small amount of dark oil paint over the surface, on a cloth also soaked in medium. Then just wipe back oil color with a clean cloth to reveal your newly-antiqued piece! Pre-Antiquing Medium - Creates a special barrier layer between your base painting and any antiquing or patina final finishes, preventing abrasion or shifting of the underpainting. Secures base paint layer while still providing a low-tooth finish excellent for continued artwork or final antique finishing. Water-Based Patina - An ideal glazing medium for mixtures of as little as 5% paint, this Water-Based Patina contains extra binder so that even the lightest of glazes still remain permanent and water-fast. An excellent way to achieve antique patina effects without using solvents. Simply coat your piece in Water-Based Patina, then rub a small amount of dark Matisse acrylic paint over the piece and wipe back with a clean cloth! "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I highly encourage every artist, professional or pleasure painter, to experience these paints for themselves." - Andy Russell, Professional Artist Read More See More
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Wilson Bickford Artist Oil Painting MediumsSave Up to51%Off list…to start a painting. Available in 4 oz. and 8 oz. bottles.* Clear Glazing Medium – Mix with oil or alkyd colors to speed the drying time, to add translucency and to extend color. Ideal for creating glazes as well as detailed effects. Can be thinned and cleaned up with turpentine or… Expand your painting experience with Wilson Bickford grounds and mediums! Now you can paint along with master artist Wilson Bickford from the ground up! This specially-selected line of grounds and mediums were developed by Wilson to enhance his signature wet-in-wet oil painting style — and now you can benefit from his years of experience! From creating a solid ground or tonal grisaille, to blending colors into a base coat and crafting delicate, luminous oil color glazes, these gessoes and mediums are your surefire ticket for "fun and fast" painting with professional artist and instructor Wilson Bickford!* Gesso – Made from pure Titanium White or black pigment blended with an acrylic copolymer emulsion. It yields an excellent flexible film with a fine tooth surface, ideal as a base for paintings in acrylics, oils, alkyds, tempera, inks and more. Available in White or Black; 16 oz. bottles.* New! Background Color -- Gesso formulated to provide artists with fast drying, beautiful, toned backgrounds. Achieve dramatic effects in your underpainting by creating a flexible film base which can be painted over with oils, acrylics, alkyds and even tempera.* FastFlo Base Coat Medium – This alkyd-based medium is the perfect base coat for wet-in-wet oil painting techniques, and provides a smooth, white, quick-drying ground on which to start a painting. Available in 4 oz. and 8 oz. bottles.* Clear Glazing Medium – Mix with oil or alkyd colors to speed the drying time, to add translucency and to extend color. Ideal for creating glazes as well as detailed effects. Can be thinned and cleaned up with turpentine or odorless mineral spirits. Available in 8 oz. or 16 oz. bottles. * See More Wilson Bickford Signature Series Art Supplies See More
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LUKAS Oil Painting Mediums and AdditivesSave Up to61%Off list… Fast Dry Glazing Medium #3 - Clear, quick-dry medium accelerates the drying time of oils. Increases gloss & translucency of colors; dried layers remain soluble in turpentine. Alkyd Oil Medium #4 - Alkyd resin-based medium for shortening drying time of oil paints.… The Perfect Oil Mediums To LUKAS Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. LUKAS is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. The Shellac Solution, Glazing, and Alkyd Mediums are all available in a one-liter cans. Key Features:* Accelerates the drying time* Increases gloss & translucency of colors* Alkyd resin-based medium shortens drying time* Size: one liter or 125 ml* For information click on yellow technote icon Perfect For:* Making custom painting mediums* Accelerating the drying of oil colors* Professional Oil Painters* Maintaining consistency* Preserving gloss* Discerning students & amateurs Fast Dry Glazing Medium #3 - Clear, quick-dry medium accelerates the drying time of oils. Increases gloss & translucency of colors; dried layers remain soluble in turpentine. Alkyd Oil Medium #4 - Alkyd resin-based medium for shortening drying time of oil paints. Elastic and adhesive, increases gloss and translucency and dries permanent. Shellac Solution - is a Gold Yellow classical natural resin primer. It decreases the absorbency of painting surfaces. See More
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Williamsburg Linseed Oil, 4oz BottleSave Up to30%Off list…mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss. Useful as an ingredient in painting mediums.… The Perfect Accompaniment to Williamsburg Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film strength and durability. Williamsburg is proud to offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss. Useful as an ingredient in painting mediums. Cold Pressed Linseed Oil - Genuine, cold-pressed linseed oil. Extracted through pressure alone. Less processed than alkali-refined oil. Closer to what was traditionally used in the past. Stand Oil - a thick, honey-like linseed oil with excellent leveling properties. Increases flow, transparency, and gloss. Useful as an ingredient in painting mediums. Slower drying and less yellowing than other linseed oils, it creates a smooth, durable, flexible film. Wax Medium - Pure beeswax, damar resin, and refined linseed oil. No paraffins or microcrystalline. Use in moderation to thicken paint; imparts a short, buttery texture. Increases transparency, dries to a satin sheen. Alkyd Resin - Made from a slow-drying pure alkyd resin with the consistency of a thick stand oil. Dries to a glossy, flexible, and enamel-like film. Useful in making other mediums or added directly into oil paints to modify transparency and flow. WARNING: Combustible. Vapor harmful. Key Features:* Professional, Handmade Oil Mediums* Quality cold-pressed drying oils* Oils to make custom mediums* Wax Medium to thicken paint* Perfect For:* Making custom painting mediums* Professional Oil Painters* Discerning students & amateurs* Using with professional quality oils See More
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Schmincke Norma Blue Water-Mixable Oils & MediumsSave Up to36%Off list…Painting Medium Blue: 1:1 Lean painting medium, watery, oil-free, and low odor. This medium supports the traditional oil paint consistency and makes the oil paint smoother. Please note you should not use this medium with traditional oil paints. Medium 2 Blue: Fat painting medium for water-mixable… Water-Mixable, Environmentally Conscious, Vegan Oil Paint NORMA Blue Water-Mixable Oils by Schmincke are ideal for painting without solvents in the studio or classroom. The high-quality line comprises 48 brilliant colors guaranteed to ignite your passion for oil painting. The oils can be used pure, diluted with water, or combined with the NORMA Blue mediums. You can easily clean any used brushes or tools with soap and water. Enhance your artwork further with Schmincke's collection of five NORMA Blue mediums, designed to simplify your painting experience. Some of the mediums have an accelerating or retarding effect on the drying time, while others can be used to increase gloss. A special linseed oil completes the range of the NORMA Blue mediums. Key Features: * Low-odor water-mixable oils * Buttery consistency * Highly pigmented and lightfast * Low yellowing * Vegan and eco-friendly * Formulated from high-quality vegetable oils * No cobalt, cadmium, or zinc oxide pigments used * Allergy-friendly: no preservatives * Cleans up with water Perfect For: * Alla prima and traditional oil techniques * Environmentally conscious artists * Painting without any harsh chemicals * Sampling brilliant color ranges * Indoor painting and classroom use * Plein air painters Painting Medium Blue: 1:1 Lean painting medium, watery, oil-free, and low odor. This medium supports the traditional oil paint consistency and makes the oil paint smoother. Please note you should not use this medium with traditional oil paints. Medium 2 Blue: Fat painting medium for water-mixable oil colors. Water thinnable, retards drying, and allows for longer wet-on-wet painting time. The high oil content increases gloss and forms a soft elastic film. Medium 2 can also be used with traditional oil paints. Dosage: Do not exceed a mixture of 1:1 if possible. Contains: modified safflower oil, poppy oil, and siccative. Medium 3 Blue: Is a painting medium with oil content for water-mixable oil colors. You can dilute it with water. The medium accelerates drying, increases gloss, and makes paint layers more resistant. Medium 3 can also be used with traditional oil paints. Contains: modified linseed oil and siccative. Linseed Oil Blue: Modified linseed oil, water-dilutable, and used as an additional binder for water-mixable oil colors. It can also be used for traditional oil paints. Contains: modified linseed oil. Transparent/Gloss Medium Blue: Is a very fat painting medium for water-mixable oil colors. You can dilute it with water. The medium increases transparency enhances gloss, and softens brush marks. Use it only on the upper layers of paint. Transparent/Gloss Medium can also be used with traditional oil paints. Shake before use. Contains: modified linseed oil, safflower oil, and siccative. See More
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Schmaltz Artist Oil Impasto Gel MediumSave Up to56%Off listThis Quick Drying Impasto Gel Increases Shine & Volume While Improving Transparency & Gloss! Indulge your palette with an extra dollop of Schmaltz™, the best ingredient for shiny, glossy artwork! Schmaltz™ is a full-fat, solvent-free synthetic resin gel made of high… This Quick Drying Impasto Gel Increases Shine & Volume While Improving Transparency & Gloss! Indulge your palette with an extra dollop of Schmaltz™, the best ingredient for shiny, glossy artwork! Schmaltz™ is a full-fat, solvent-free synthetic resin gel made of high quality alkyds and oils. Add it to your paint to create luminous, transparent full-bodied colors. The buttery gloss gel retains brush strokes and dries quickly, which makes it perfect for impasto effects and glazes. Pair with StudioSolv™ to reduce viscosity if a more leveled look is desired. Key Features: * Quick drying impasto gel * Increases shine and volume * Speeds up drying time * Improves transparency and gloss * Retains brush strokes and peaks * Contains linseed oil, safflower oil, and clear alkyd Perfect For: * Oil painters * Mixing luminous, transparent colors * Impasto effects and glazes * Speeding up drying time * Making your artwork Schmaltzy! Why the name Schmaltz? We were inspired by the Yiddish word for rendered chicken fat when developing this particular resin gel. Not only does it look a lot like its culinary cousin it also adds a luminous impact when mixed with oils. Please don't get confused! We know it looks delicious, but you should never eat your art supplies or use them in the kitchen! See More
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Old Holland Gumwater Gum Arabic Watercolor MediumSave Up to25%Off list…Medium for watercolors, binds to paper, board, canvas and wood giving the paint greater transparency and brilliance! Made of pure gum dissolved in lukewarm water with glycerine. Old Holland Gum Arabic Gumwater is of the finest quality and available in professional sizes. Key Features:* Medium for… gives the paint greater transparency and brilliance Old Holland Arabic Gumwater Medium for watercolors, binds to paper, board, canvas and wood giving the paint greater transparency and brilliance! Made of pure gum dissolved in lukewarm water with glycerine. Old Holland Gum Arabic Gumwater is of the finest quality and available in professional sizes. Key Features:* Medium for watercolors* Binds to paper, board, canvas and woods* Greater transparency and brilliance* Made of pure gum* Dissolved in lukewarm water with glycerine See More
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Claessens Oil Primed Medium Texture Linen RollsSave Up to66%Off list…due to its even medium texture, a tight weave and strength. The world’s most popular linen for landscape painting. It has a 43.2 TPI warp and 36.8 TPI weft. Single primed weighs 13.48 oz. per square yard. 2 coat sizing. Key Features: * Professional Quality Linen * Popular Medium (all purpose) weave… Claessens Oil Primed Medium Textured Linen Rolls Feature Meticulous Craftsmanship - Their Most Popular All-Purpose Surfaces! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in the premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #15 - Single OP #15 - Claessens Linen features a pronounced medium weave and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 13.12oz. Double Oil Primed Linen Roll #15 - Double OP #15 - Claessens Linen features a pronounced medium weave and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 14.75oz. Single Oil Primed Linen Roll #66 - Single OP #66 - A favorite of many famous artists world wide due to its even medium texture, a tight weave and strength. The world’s most popular linen for landscape painting. It has a 43.2 TPI warp and 36.8 TPI weft. Single primed weighs 13.48 oz. per square yard. 2 coat sizing. Key Features: * Professional Quality Linen * Popular Medium (all purpose) weave * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, still life, general purpose * General painting techniques * Aspiring students & amateurs See More
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Gallery Pro Medium Duty Stretcher BarsSave Up to51%Off list…The profile measures 1-1/2" wide by 1-1/2" deep. Unlike other stretcher bar systems, these create an ideal flush frame that is sturdy. Gallery Pro Medium Duty Stretcher Bars are the perfect solution for custom sized canvases! Key Features: * 1½" × 1½" profile * Tongue and groove design * Kiln-dried… Flush frame and rigid support that is sturdy! 1-1/2" Deep by 1-1/2" Wide These all wood, kiln-dried solid pine stretcher bars combine rigid support at an economical price! The stretcher bars feature the traditional tongue and groove corner ends that you can quickly assemble by interlocking two strips to form a canvas corner. They also feature a uniform beaded edge, so the canvas is slightly offset, to ensure that there will be no "ghost" impressions on the canvas. The profile measures 1-1/2" wide by 1-1/2" deep. Unlike other stretcher bar systems, these create an ideal flush frame that is sturdy. Gallery Pro Medium Duty Stretcher Bars are the perfect solution for custom sized canvases! Key Features: * 1½" × 1½" profile * Tongue and groove design * Kiln-dried solid pine * Quickly assemble by interlocking two strips * All wood solid pine stretcher Perfect For: * Stretching canvas at home * Easy to use * Professional Artists * Artists of all skill levels * Custom Canvas up to 72 × 72" See More
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PanPastel™ MediumsSave Up to25%Off list…pastel mediums! PanPastel Mediums are additives that can extend the techniques and finished effects and alter how your colors work. These mediums have all of the great characteristics of PanPastel colors including being incredibly mixable, erasable, low dust, and lightfast. Pearl Mediums can give… The world's first true pastel mediums! PanPastel Mediums are additives that can extend the techniques and finished effects and alter how your colors work. These mediums have all of the great characteristics of PanPastel colors including being incredibly mixable, erasable, low dust, and lightfast. Pearl Mediums can give paints a jewel-like quality and can create specialized tints. The colorless blender increase transparency in any PanPastel colors. The Mediums Set of 5 includes all 5 mediums, one large sponge, two small applicators, and a small handled applicator. Key Features: * Fine Pearl Mediums create subtle, soft pearl sheen * Coarse Pearl Mediums contain larger particles for shimmering sparkle * Colorless blender increases transparency and enhances color “flow" * Low Dust, lightfast, professional quality Perfect For: * Enhancing Pastel and Mixed Media Artworks * Pastel Artists of all Levels * Creating unusual effects * Use with PanPastels and Traditional Pastels See More
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Turner Acryl Gouache & GOLDEN Medium Pouring SetsSave Up to65%Off list…pouring medium, and surfaces, as well as mixing cups, sticks, and droppers. Best of all, you can do your pours in the box it comes in for easy clean-up! Since quality art materials are essential in creating a successful painting, Turner Acryl Gouache and GOLDEN Gloss Pouring Medium are the perfect… A Party in a Box! Absolutely everything you need to create a brilliant pour! Acrylic pouring is a quick and fun painting technique for artists of all skill levels. These Complete Acrylic Pouring Box Sets include everything you need to create a beautiful, vibrant, fun painting you will be proud to show off. If you don't like to paint alone, you can invite your friends over and have a pouring party! Each kit features the highest quality materials at an unbeatable price so that you can try pouring for yourself without the pricey investment. Each set has a different theme and includes your paints, pouring medium, and surfaces, as well as mixing cups, sticks, and droppers. Best of all, you can do your pours in the box it comes in for easy clean-up! Since quality art materials are essential in creating a successful painting, Turner Acryl Gouache and GOLDEN Gloss Pouring Medium are the perfect duo. Turner Acryl Gouache is a super-concentrated, vibrant acrylic, so a little paint goes a long way. You'll mix that into the GOLDEN Gloss Pouring Medium that dries to a beautiful gloss sheen with almost no noticeable cavities and absolutely no cracking. It is a quick, simple, and fun way to create! Key Features:* Turner Acryl Gouache 20ml tubes* GOLDEN gloss pouring medium* Da Vinci Pro Panels or Acrylic Tile Supports* 30 graduated 10oz plastic cups* 30 Jumbo wooden craft sticks* Twelve 3ml pipettes* 30ml bottle of Silicone oil* Pour in the shipping box for easy clean up* Perfect For:* New artists wanting to try pouring without a big investment* Artists who want to try a new technique* At home painting parties* DIYers * Artists of all skill levels* Beautifully clean color mixing* Opaque coverage* Dirty cup pours Turner Acryl Gouache w/ Golden Medium Fluorescent Pouring Set: The set includes six 20ml tubes of Turner Acryl Gouache in the colors Jet Black, Luminescent Lemon, Luminescent Orange, Luminescent Red, Luminescent Rose, and Luminescent Green. Two 3/4" Da Vinci Pro Ultra Smooth Gesso Panels size 10x10", One GOLDEN 32oz bottle of Pouring Medium Gloss, 30 jumbo wooden craft sticks, 30 graduated 10oz plastic cups, Twelve 3ml pipettes, and a 30ml pump spray bottle of silicone oil. Turner Acryl Gouache with Golden Medium Acrylic Tile Pouring Set: The set includes six 20ml tubes of Turner Acryl Gouache in the colors White, Permanent Yellow, Mixing Magenta, Turquoise Blue, Lame Blue Diamond, and Prussian Blue Hue. Creative Mark 5 pack of Acrylic Painting Tiles 3x6", Creative Mark five pack of Acrylic Painting Tiles 5X5", One GOLDEN 16oz bottle of Gloss Pouring Medium, 30 jumbo wooden craft sticks, 30 graduated 10oz plastic cups, Twelve 3ml pipettes, and a 30ml pump spray bottle of silicone oil. Turner Acryl Gouache with Golden Medium, Metallic Pouring Set: The set includes five 20ml tubes of Turner Acryl Gouache in the colors Lame Gold, Jet Black, Bronze, Gold Deep, and Silver. Two 3/4" Da Vinci Pro Ultra Smooth Gesso Panels 6x6", One GOLDEN 16oz bottle of Gloss Pouring Medium, 30 jumbo wooden craft sticks, 30 graduated 10oz plastic cups, Twelve 3ml pipettes, and a 30ml pump spray bottle of silicone oil. Creative Inspirations Silicone Oil Spray Creative Inspirations Silicone Oil Spray is the perfect tool for creating beautiful cell structures with acrylic paint. A small spritz of the silicone oil to the paint and pouring medium mixture encapsulates pockets of color, significantly increasing and enhancing cell formation that makes each pour even more individual and exciting! Unlike most silicone oils, the Creative Inspiration Silicone Oil comes in a generous 30ml pump spray bottle, providing multitudes of eye-popping pours. Directions: Spray a single, light, quick burst into each color cup before combining colors in a single cup to create a dirty pour. Or, give a light spritz to a single color or mixed color cup and cut the contents once or twice with a craft stick to blend into the paint before dumping, flipping, or pouring to create cells. See More
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GOLDEN Pouring Gloss & Matte Medium Sets With Fluid AcrylicsSave Up to30%Off list…Pouring Medium (Matte) dries to a very flat, thin, and smooth layer. GOLDEN Gloss Pouring Medium Set* Create beautiful glossy pours with GOLDEN Color Pouring Medium Gloss, a leveling, low crazing extender for pouring acrylic colors. The set includes an 8 oz. bottle of Colour Pouring Medium Gloss… GOLDEN Gloss & Matte Color Pouring Sets With Fluid Acrylics With a choice of either Gloss or Matte Color Pouring Medium and five Fluid Acrylic colors, these sets are a great starting point for artists. Each set also includes a guide with tips for creating successful pours. Color Pouring Mediums are based on 100% acrylic polymers and used to extend acrylic paints for various pouring techniques. They may be blended with most acrylic paints, although GOLDEN Fluid and High Flow Acrylic paints are most suitable for pouring applications. CPM (Gloss) and (Matte) can be combined to create a range of sheens. Color Pouring Medium (Gloss) dries to a uniform smooth, glossy paint layer; Color Pouring Medium (Matte) dries to a very flat, thin, and smooth layer. GOLDEN Gloss Pouring Medium Set* Create beautiful glossy pours with GOLDEN Color Pouring Medium Gloss, a leveling, low crazing extender for pouring acrylic colors. The set includes an 8 oz. bottle of Colour Pouring Medium Gloss along with 1 oz. Fluid Acrylic Titanium White, Naphthol Red Light, Primary Yellow, Teal and Primary Cyan. GOLDEN Matte Pouring Medium Set* GOLDEN Colour Pouring Medium Matte is a leveling, low crazing extender for pouring acrylic colors, allowing artists to create pours with a velvety matte surface. The set includes an 8 oz. bottle of Color Pouring Medium Matte along with 1 oz. Fluid Acrylic Titanium White, Benzimidazolone Yellow Medium, Alizarin Crimson Hue, Prussian Blue Hue and Green Gold. GOLDEN Color Pouring Medium (Gloss) Features:* Resists “Crazing” (formation of crevices or valleys on an acrylic pour surface from uneven drying) better than other acrylic mediums* Dries to a glossy, flexible, and level finish with moderate clarity. Note: not intended to be used alone as a clear layer, topcoat or varnish* Use as a paint extender for pours or puddles * As little as 20:1 medium to paint can be used for color glazes, or increase the paint amount to 3:1 (medium to paint) for more opaque color layers* May be applied in wet film thickness up to 1/8” (3 mm)* Mixtures should be premixed and allowed to sit overnight before use, and may be stored for future use (in properly labeled, tightly sealed HDPE plastic containers)* Color Pouring Medium (Gloss) dries thicker than Color Pouring Medium (Matte)* May be used on a variety of painting surfaces that accept acrylic products. Most substrates commonly used by artists are acceptable. Each substrate has unique properties that impact the pour GOLDEN Color Pouring Medium (Matte) Features:* Mixtures can be used immediately. Air bubbles should dissipate during drying* Resists crazing* Improves leveling of paint mixtures* Dries to a thin, smooth, matte finish* Uniquely suited for large color fields* As little as 20:1 medium to paint can be used for color glazes, or increase the paint amount to 3:1 (medium to paint) for more opaque color layers* Mixable with Iridescent and Interference Colors for satin metallic effects* Mixtures may be stored for future use (in properly labeled, sealed HDPE plastic containers)* Color Pouring Medium (Matte) dries thinner than Color Pouring Medium (Gloss)* May be used on a variety of painting surfaces that accept acrylic products. Most substrates commonly used by artists are acceptable. Each substrate has unique properties that impact the pour,/lI> See More
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Sennelier Egg Tempera Mediums
Starting At: 12.39
…mixed. Sennelier’s transparent medium will extend the color further without thinning the paint film. An excellent choice to take full advantage of this medium’s most famous attribute. Sennelier Egg Tempera Medium 60 ml Egg Tempera Medium is used to extend the color and increase… Classical and authentic formulas used by artists during the Renaissance The Sennelier Egg Tempera Medium’s formula was developed in 1892 by the company’s founder and chemist, Gustave Sennelier. From his extensive research, the medium he created is a formulation from the classical and authentic formulas used by artists during the Renaissance. The egg emulsion recipe binder in the medium is the same as Sennelier’s Egg Tempera paints, and imparts the luminosity that egg tempera is known for. Medium also keeps the integrity and permanency of the paint film when thinning the color, instead of thinning solely with water. Sennelier Egg Tempera colors can be extended in any proportion with the medium, increasing the color’s transparency while preserving the satin finish of the paints. Key Features: * Use with Egg Tempera paints * Classical formulation from the Renaissance * Medium maintains paint film integrity of egg tempera * Keeps luminous, satin finish of paint when thinning Perfect For: * Egg Tempera Painters * Icon Painters * Increasing transparency of Egg Tempera Paint * Panel Painting Sennelier Egg Tempera 21 ml Tube - Mixing Medium Egg tempera is an age-old medium famous for its ability to glaze one color over the other to allow the artist a multitude of colors that cannot be easily mixed. Sennelier’s transparent medium will extend the color further without thinning the paint film. An excellent choice to take full advantage of this medium’s most famous attribute. Sennelier Egg Tempera Medium 60 ml Egg Tempera Medium is used to extend the color and increase the moisture of the paint film which will improve the flow of the paint. See More -
Amsterdam Acrylic Pouring MediumsSave Up to30%Off list…to run out of distinct pour variations. Amsterdam Acrylic Pouring Medium can help you create the most beautiful and exciting pours. Key Features: * A high degree of gloss * Dries to a hard, water-resistant surface * Can be thinned with water * For a thicker consistency acrylic binder can be added… No limitations and endless possibilities! When added to acrylic paint, pouring mediums generate random cells of color and create interesting organic shapes. Amsterdam Acrylic Pouring Mediums enable you to create dramatic effects and spectacular cell formations. The pouring medium can be used pure or colored with acrylic paint. You can use virtually any acrylic based color alongside this pouring medium, but we suggest richly pigmented colors! It dries to create a transparent, colorless, waterproof surface with a high glossy sheen. Since it is a flexible acrylic, you can pour it over almost any hard flat surface such as a wooden panel. By changing mix ratios, variety of colors, and viscosity, it is virtually impossible to run out of distinct pour variations. Amsterdam Acrylic Pouring Medium can help you create the most beautiful and exciting pours. Key Features: * A high degree of gloss * Dries to a hard, water-resistant surface * Can be thinned with water * For a thicker consistency acrylic binder can be added * Careful stirring prevents air bubbles * Spectacular cell formations * Use at temperatures above 10° C Perfect For: * Dirty pours and cup pouring * Superb control and excellent definition * Mixed media work * Hardwood or aluminum panels * Creating interesting pours without silicone * Acrylic resin dispersion * Everyday studio use See More
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Schmincke Oil Painting MediumsSave Up to10%Off list…part of Medium W on your palette, then add water to thin. Add more Medium W to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W may appear lighter or "milky" when wet, but the color will return as the paint dries. Medium W Gel:… Magnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing drying time. Key Features: * Accelerate or slow drying * Improve transparency and gloss * Outstanding working properties * Extend oil paints and use less paint * Perfect For: * Traditional oil paints * Blending and glazing * Changing the paint texture * Adding to oils undiluted Schmincke Mussini Drying Accelerator: is an especially fast-drying, Jelly-like painting medium for oil colors. The paste preserves the consistency and degree of gloss of oil colors. To avoid weakening of binding properties, use dosage of 10 to max of 30%. The product is ready to use and should be added to oil colours undiluted. After use clean tools as soon as possible with turpentine or brush cleaner. The Schmincke Mussini drying accelerator contains: siccative, stand oil, resin solution, mineral spirit. Impasto Medium (Megilp): Schmincke Meglip Impasto Medium is an oil painting medium designed for painting thickly. The medium preserves the buttery character of oil paint while accelerating the drying process. When you are applying paint in a thick style with a palette knife you should include some Impasto Medium to support the drying process between layers of paint. Contains: alkyd resin, stand oil, and fillers. Medium L: The Jelly-like medium improves oil paint flow while reducing brush strokes, accelerating drying time, and increasing gloss and transparency. Shake well and stir before use. Close immediately after use. The recommended dosage for medium L is 10 - 20 %. The product is ready to use out of the bottle, but you can dilute it with turpentine substitute 50019. Medium W: Schmincke Medium W is a low-odor oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. You should shake the bottle before use. Mix 2 parts of oil color and 1 part of Medium W on your palette, then add water to thin. Add more Medium W to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W may appear lighter or "milky" when wet, but the color will return as the paint dries. Medium W Gel: Schmincke Medium W Gel is a jelly-like oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. Mix 2 parts of oil color and 1 part of Medium W Gel on your palette, then add water to thin. Add more Medium W Gel to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W Gel may appear lighter or "milky" when wet, but the color will return as the paint dries. Refined Linseed Oil: Refined Linseed Oil is winterized and bleached. Many artists use it as a medium when painting. It slows down the drying time of your paint, which can be very useful when painting in layers. Please note: The natural yellowing tendency of linseed oil cannot be stopped by bleaching! Schmincke Primer 1: Schmincke Primer 1 is a pure white, semi-opaque, light-resistant, and nonaging primer for oil and acrylic colors. The primer has a strong absorbent character and forms an elastic, matt film once dry. Schmincke Primer 1 is ready to use straight out of the bottle, or for a thinner consistency, you can thin it with water. For max dilution, mix with 30% water See More
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LUKAS Acrylic MediumsSave Up to60%Off list…mediums to dilute or extend paint, create different film sheens, and even retard drying time for wet-on-wet techniques. LUKAS also offers acrylic-based mediums for use in pouring paintings, airbrushing, and pastel grounds within an extensive collection of pastes, gels, and mediums. All mediums can… Improve your Acrylics - LUKAS Professional Acrylic Mediums LUKAS has a rich tradition of top quality art supplies, supplying professional quality colors and mediums to artists since 1862. Their high-quality acrylic mediums, pastes, gels, primers, retarders, and varnishes have been carefully created to fulfill any acrylic painter’s needs. Any imagined texture, technique, or even faux finish is capable with one or more of the mediums below. Build up a massive volume of color with structure pastes in a variety of finishes from fine to extra coarse. Obtain specific looks with metallic modeling pastes, pumice pastes, glass beads, or pouring medium. Achieve granular looks with their structure pastes containing quartz sands. LUKAS manufactures a wide variety of acrylic painting mediums to dilute or extend paint, create different film sheens, and even retard drying time for wet-on-wet techniques. LUKAS also offers acrylic-based mediums for use in pouring paintings, airbrushing, and pastel grounds within an extensive collection of pastes, gels, and mediums. All mediums can be mixed with traditional acrylics for custom effects! Key Features: * Uses highest quality acrylic resins and materials * Create complex ground structures with Pastes and Gels * Retarders for longer work time and wet-on-wet painting * Mediums and metallic pastes to create different sheens and looks Perfect For: * Acrylic Painters * Pouring painting techniques * Faux Finishers * Artists of all Skill Levels * Experimenting with different textures and techniques Studio Universal Modeling Paste: V15963, V15964 Modeling paste created under the LUKAS Studio line, this modeling paste creates nice thicknesses of structure on the artwork. Dries an opaque greyish color. Contains aqueous acrylic resin dispersion (copolymer), fillers, and additives Retarding Medium: V15978 Retarding medium slows the initial drying of the paint film, and the acrylic colors it is mixed with. Depending on the amount added, the drying can be delayed longer, allowing for wet-in-wet techniques. The medium contains an aqueous solution of various humectants and additives. Pearl Structure Gel, Extra Fine: V15990 A milky white acrylic gel with pearlescent pigments dries a silvery-white, slightly transparent with intense pearly reflections. The color spectrum ranges from silver-white to light green to purples. The medium contains acrylic resin dispersion (pure acrylates) and pearlescent additives. Model Paste Set of 5: V16004 Set of five 125ml tubes includes the following mediums: Studio Universal Modeling Paste, Studio Light Structure Paste, Studio Extra Coarse Sand Modeling Paste, Crystal Gel, and Golden Modeling Paste. Color Cleaner: V15991 A cleaner formulated explicitly for Airbrushes and spray guns. Run Color Cleaner through the airbrush or gun after each color change, to reduce clogging of the nozzle. The medium contains surfactants, water, silicate, cleaning agents, and additives. See More
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MaimeriBlu Watercolor MediumsSave Up to22%Off list…the paper once completely dry. Honey-Based Watercolour Medium: This natural flower honey medium is made from a traditional recipe. You can add a small amount of medium to enhance the shine of specific colors on your palette. Honey Based Medium also improves the elasticity of the paint layer and does… Explore different creative effects with Watercolor Mediums Adding Watercolor Medium to your paint is an easy way to explore different effects. With Natural and Synthetic Ox Gall, you can increase paint flow, enhance colour brightness, or prepare your paper for wet-on-wet techniques. Natural gum arabic solution increases paint strength while enhancing shine. MaimeriBlu's Honey Based Medium improves paint elasticity and does not affect colour tone. The MaimeriBlu range also includes a latex-based masking fluid that allows you to keep covered areas white. Key Features: * Limitless opportunities * Increase paint flow * Enhance colour brightness and shine * Increase paint strength or flexibility * Mask areas with latex-based masking fluid Perfect For: * Professional watercolourists * Keeping areas of the paper white * Wider variety of watercolour effects * Wet-on-wet watercolour techniques Natural Ox Gall: You can use Natural Ox Gall to prepare your paper for wet-on-wet techniques. Adding a small amount improves paint flow while also adding shine and brightness. The medium does not affect the colour tone. Synthetic Ox Gall: You can add a small amount to improve paint flow. The medium also adds shine and brightness to paint. You can also use Synthetic Ox Gall to prepare paper for wet-on-wet techniques. The medium does not affect colour tone. Colourless Masking Latex: Mostly used for masking techniques. You can use Masking Latex to protect covered areas of paper from paint. Apply with a paintbrush or pen nib. Wash brushes immediately in water. Peel off the latex from the paper once completely dry. Honey-Based Watercolour Medium: This natural flower honey medium is made from a traditional recipe. You can add a small amount of medium to enhance the shine of specific colors on your palette. Honey Based Medium also improves the elasticity of the paint layer and does not affect tone colour. Kordofan Arabic Gum: Is a Natural gum arabic solution. A small amount added to watercolour paint increases strength and enhances shine. The medium does not affect tone colour. See More
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LUKAS Drying Oils MediumsSave Up to60%Off list…and bleached oil for use as a painting medium and binder for pigments. Perfect for glazing techniques and mixing with resins for traditional mediums; though slight yellow tint may affect white pigments. Linseed Oil Varnish - This painting medium and pigment binder is made by adding siccatives… Bleached Linseed Oil - High quality, cleaned and bleached oil for use as a painting medium and binder for pigments. Perfect for glazing techniques and mixing with resins for traditional mediums; though slight yellow tint may affect white pigments. Linseed Oil Varnish - This painting medium and pigment binder is made by adding siccatives to linseed oil to speed the drying time. Has an obvious reddish-yellow tint. Mix with medium to dark colors to increase flow and speed drying. Stand Linseed Oil - Viscous, yellowish medium made thicker than standard linseed oil through application of heat. Increases gloss and translucence of oil colors, can be used as a binder or for making resin-based mediums. Slow-drying. Poppyseed Oil - Colorless, slow-drying oil carefully extracted from poppy seeds and bleached. Serves as a binder for creating oil colors, and a medium to add transparency. Its non-yellowing properties make it especially well suited for mixing with white or bright colors. See More
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GOLDEN Pouring MediumsSave Up to30%Off list…medium! Artistic experimentation has driven the popularity of pouring acrylic colors. Golden Color Pouring Medium Matte opens the door to new creative possibilities, allowing artists to create pours with a velvety matte surface. Color Pouring Medium Gloss also known as GAC 800 is an excellent medium… Matte or gloss acrylic polymer pouring medium! Artistic experimentation has driven the popularity of pouring acrylic colors. Golden Color Pouring Medium Matte opens the door to new creative possibilities, allowing artists to create pours with a velvety matte surface. Color Pouring Medium Gloss also known as GAC 800 is an excellent medium for creating glossy pours of acrylic colors. In addition to extending colors for pouring, this versatile medium is useful for improving adhesion to chalky surfaces like plaster or weathered paint. Tips for use: * Gently mix 10 parts Golden Color Pouring Medium Gloss or Matte with 1 part acrylic color, allow mixture to sit covered (ideally overnight) to eliminate air bubbles. * Pour close to the surface to reduce air bubbles. * Paintings may need to dry for a few days before moving. Do not pour thicker than 1/8” (3mm) or attempt to accelerate drying. Key Features: * Does not craze or crack * Designed to be poured in layers or puddles * 100% acrylic medium * High acrylic solids and reduced water content * Matte or glossy uniform surface * Use to adjust transparency or opacity Perfect For: * Acrylic paint * Dirty pour * Flip cup pour * Multiple color pour * Adhesion to chalky surfaces Color Pouring Medium may craze, but this is usually the result of too much paint being added and in turn, countering the acrylic solids level or the pour has been applied in too thick of a layer. This medium retains a slight cloudy quality making it a poor choice as a clear top coat or even transparent color layer. See More
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Holbein Acrylic Gel MediumsSave Up to35%Off list…paint. Gel Medium Hard: Using this medium results in a hard gel surface that is durable and flexible. You can draw on the hard, dry gel surface once it's dry. Gel Medium Matte: You can add a matte finish to your acrylic paint colors by mixing them with Gel Medium Matte. Gel Medium High Solid:… Supercharge your ART with some texture! With Holbein Acrylic Gel Medium, you can add depth and texture to your artwork. The Gel Medium comes in seven different levels of sheen and texture. You can apply the heavy body and high solid gel with a brush or palette knife to build layers of texture. If you prefer a more even application, you can use a trowel to create a smooth ground to paint on. The gel is also an excellent painting medium and can be used to extend the volume of acrylic paints. Holbein's space-saving poly bags are better for the environment because they use less plastic than standard rigid bottles and result in less waste. The freestanding poly-bags are tough and durable. It is easy to squeeze the right amount of gel medium out of the spout. As you squeeze the gel out, the air is also removed from the pouch, which prevents the product from drying out. Key Features: * Artist quality acrylic gel medium * Soft, heavy, and high solid texture * Standard, matte, and crystal gel * Adds texture and structure to your painting * Painting medium for acrylic paint * Extend paint and save money Perfect For: * Acrylic Painters * Creating a ground to paint on * Painting in an impasto style * Faux Finishers * Artists of all skill levels * Experimenting with different textures and techniques * Adding texture and structure to your painting Gel Medium: A transparent gel that offers a durable, flexible, and waterproof surface once dry. You can use it to increase the volume and transparency of acrylic paint. Gel Medium Hard: Using this medium results in a hard gel surface that is durable and flexible. You can draw on the hard, dry gel surface once it's dry. Gel Medium Matte: You can add a matte finish to your acrylic paint colors by mixing them with Gel Medium Matte. Gel Medium High Solid: You can create high peaks and valleys of texture with the High Solid Gel Medium. Gel Medium Soft Body: When mixed with acrylic color, it increases softness and improves the flow of the paint. Gel Medium Heavy Body: It is used to increase the viscosity, sheen, and transparency of acrylic paint. Excellent at holding peaks. Gel Medium Crystal: Crystal Gel Medium is a self-leveling glazing gel with a high gloss finish. You can use it to increase the volume, sheen, and transparency of acrylic paint. See More
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Maimeri Oil Painting MediumsSave Up to22%Off list…Good drying power! Maimeri Walnut Oil Painting Medium uses only the purest ingredients for the best guarantee of brilliance and vibrancy Maimeri uses only the purest ingredients for the best guarantee of brilliance and vibrancy. Most Maimeri oil mediums are housed in a glass bottle with a twist-off… Increases the brightness of colors. Good drying power! Maimeri Walnut Oil Painting Medium uses only the purest ingredients for the best guarantee of brilliance and vibrancy Maimeri uses only the purest ingredients for the best guarantee of brilliance and vibrancy. Most Maimeri oil mediums are housed in a glass bottle with a twist-off cap. Increases the brightness of colors. It has similar properties to linseed oil, but it won't yellow as much. Good drying power. Walnut Oil Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colors. Walnut Oil:* Similar properties to linseed oil* but it does not yellow* Good drying power* Increases the brightness of colors* Available in: 75ML, 250ML, 500ML glass bottles See More
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LUKAS Acrylic Pouring MediumsSave Up to80%Off list…Beautiful satin sheen * Everyday studio use * Pouring Medium Brochure Pouring Medium: V30392 or V30393 LUKAS pouring medium improves the flow characteristics of acrylic paints and is perfect for pouring techniques. Once dry, the medium creates a transparent, waterproof, polished surface. Formulated… The Unique, next level of pouring medium! More of what you love and less of what you don't like about pouring! When added to acrylic paint, traditional pouring mediums generate random cells of color; as a result, most pourers add silicone to the mix to create more interesting shapes. LUKAS Pouring Medium is unique because you can create more dramatic effects without adding silicone and still produce spectacular cell formations. Other pouring mediums on the market such as Liquitex are very tacky until thoroughly dry causing dust particles to interfere with results. Surface defects from craters to cracks are a pitfall of traditional and household pouring mediums. LUKAS Pouring Medium is a real breakthrough because it dries to a beautiful satin sheen with almost no noticeable cavities and absolutely no cracking. The rule of thumb is the lower viscosity of the paint, such as ink, the smaller the ratio of the pouring medium, while thicker heavy body paint would receive a more significant portion of the medium. You can use virtually any acrylic based color, but we suggest richly pigmented colors! You can pour this flexible acrylic medium over almost any substrate, but it is better to pour on a hard flat surface such as a wooden panel. By changing mix ratios, variety of colors, viscosity, and types of substrates, it is almost impossible to run out of distinct variations. If you did five pours every day for the rest of your life, you’d only scratch the surface on the final creations you could create! LUKAS Pouring Medium is the next level of pouring medium designed to create the most beautiful and interesting pours. If for any reason you don’t feel that LUKAS Pouring Medium yields the best results in pouring, you can return it for a full refund. Key Features: * No need to add silicone for more cell formation* Pour over any hard flat surface* Dries to a permanent hard, water-resistant surface* Even sheen, non-tacky, satin sheen* Higher definition, greater cell formation* Smooth level surfaces, less defects* No cracks and no craters* Will not yellow or discolor over time* Less tacky* Dries to a permanent water resistant, crack free surface* Formulated with self leveling and anti crater additives* Impossible to run out of inspiration* Available In: 250ml, 500ml & 5 Liter(169oz / 1.32 gallons) Perfect For: * Dirty pours and cup pouring * Liquid pouring * Superb control and excellent definition * Creating interesting pours * Organic shape creation * Beautiful satin sheen * Everyday studio use * Pouring Medium Brochure Pouring Medium: V30392 or V30393 LUKAS pouring medium improves the flow characteristics of acrylic paints and is perfect for pouring techniques. Once dry, the medium creates a transparent, waterproof, polished surface. Formulated with self levelling and anti crater additives that also enable cell formation without the use of silicones. LUKAS pouring medium contains synthetic resin dispersion additives to improve flow but will not yellow or discolor over time. See More
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Richeson Shiva Casein MediumsSave Up to30%Off listCasein Emulsion - is the pure binder that is used to make casein paints. As such, it can be mixed with Casein paints to improve the flow or brushability without altering any other characteristics. All products in this category are Hazardous Materials: Cannot ship by Air/Next Day Services. Ground… Casein Emulsion - is the pure binder that is used to make casein paints. As such, it can be mixed with Casein paints to improve the flow or brushability without altering any other characteristics. All products in this category are Hazardous Materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Schmincke Watercolor MediumsSave Up to32%Off listHoradam Watercolors Outperform All The Rest! Liquid Oxgall and Onetz are natural thickened wetting agents for watercolors and gouache. You can use oxgall to decreases the surface tension of the colors diluted with water. You should use oxgall sparingly. Dissolved oxgall tends to flocculate during a… Horadam Watercolors Outperform All The Rest! Liquid Oxgall and Onetz are natural thickened wetting agents for watercolors and gouache. You can use oxgall to decreases the surface tension of the colors diluted with water. You should use oxgall sparingly. Dissolved oxgall tends to flocculate during a long period of storage, but this has no influence on the product's handling. Key Features: * Oxgall is water-mixable * Dilute the product with a little water and mix it into the paint separately on a palette * Use sparingly! * Clean working tools as soon as possible with water or water and soap * Dissolved oxgall tends to flocculate during a long period of storage; this has no influence on the product`s handling * Close immediately after use * Store in a cool and dry place Perfect For: * Watercolor and gouache * Decreasing surface tension in colors diluted with water * Levelling agent for watercolors * Professional artists with high standards * Color mixing * Degreasing paint undercoats * Students, teachers, professionals * Soft sized papers See More
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GOLDEN Matte MediumsSave Up to30%Off list…surface sheen GOLDEN Matte Mediums are pourable, 100% pure acrylic polymer mediums that have matting solids added to lower sheen. GOLDEN Matte Mediums can be used to extend paints, increase translucency, and decrease gloss. GOLDEN Fluid Matte Medium and regular Matte Medium can be used to lower the… Control transparency, viscosity and surface sheen GOLDEN Matte Mediums are pourable, 100% pure acrylic polymer mediums that have matting solids added to lower sheen. GOLDEN Matte Mediums can be used to extend paints, increase translucency, and decrease gloss. GOLDEN Fluid Matte Medium and regular Matte Medium can be used to lower the sheen of a high gloss product, but the blend will not result in a completely matte finish. Fluid Matte Medium and regular Matte Medium can also be used as translucent gessoes.* Fluid Matte Medium - Decrease gloss without altering viscosity.* Matte Medium - Increases translucency and decreases gloss* Use as a Translucent Ground - For extremely smooth surfaces.* Lowering Sheen - The bridge between the surface and the paint. Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
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Amsterdam All Acrylic MediumsSave Up to30%Off list…can be mixed with other gel or acrylic mediums or thinned with water. For very dramatic thicknesses in structure, mix the paste with 1/3 of Amsterdam Extra Heavy Gel Medium to avoid cracking due to shrinking during drying. Heavy Gel Medium (Gloss) - Increases the viscosity and transparency… Your Creativity Run Wild With These Premium Mediums! Talens Amsterdam All Acrylics offers a wide range of auxiliary acrylic mediums to achieve virtually any special effect you can dream up. With mediums from Gel to Modeling Paste, you can influence the properties of your acrylic colors to suit your whim and your painting style- make paint thicker, thinner; glossier, more matte; or model to high textural peaks. Available in convenient 250ml and 1 liter sizes. Gel Medium (Gloss) - Increases the gloss and transparency of acrylic colors while retaining the viscosity. Milky white, dries to a colorless and transparent glossy finish. Use as an adhesive on all sorts of materials. Gel Medium (Matte) - Reduces the gloss and increases transparency of acrylic colors, while maintaining the viscosity. Milky white, dries to a colorless and transparent matte finish. Use as an adhesive on all sorts of materials. Modeling Paste - Creates strong relief grounds. Paste can be used on its own or in combination with acrylics in any ratio, but as the paste has a white pigment, the color of the paint will be lighter. Can be painted over with acrylics or oil paint. Waterproof and non-yellowing, can be mixed with other gel or acrylic mediums or thinned with water. For very dramatic thicknesses in structure, mix the paste with 1/3 of Amsterdam Extra Heavy Gel Medium to avoid cracking due to shrinking during drying. Heavy Gel Medium (Gloss) - Increases the viscosity and transparency of acrylic colors, with a shiny gloss. Gives acrylic colors a thicker consistency when added. Increases brush stroke visibility. Enables the artist to apply color in an extremely thick layer in one stroke. Milky white, dries to a colorless and transparent glossy finish. Use as an adhesive on all sorts of materials. Heavy Gel Medium (Matte) - Increases the viscosity and transparency of acrylic colors, with a matted finish. Gives acrylic colors a pasty consistency when added. Increases brush stroke visibility. Enables the artist to apply color in an extremely thick layer in one stroke. Milky white, dries to a colorless and transparent glossy finish. Use as an adhesive on all sorts of materials. Extra Heavy Gel Medium (Gloss) - Increases the viscosity and transparency of acrylic colors quickly, with a shiny gloss. Gives acrylic colors an extremely thick consistency when added. Increases brush stroke considerably. Enables the artist to apply very thick layers of color. Milky white, dries to a colorless and transparent glossy finish. Use as an adhesive on all sorts of materials. Extra Heavy Gel Medium (Matte) - Increases the viscosity and transparency of acrylic colors quickly, with a matted finish. Gives acrylic colors an extremely thick consistency when added. Increases brush stroke considerably. Enables the artist to apply very thick layers of color. Milky white, dries to a colorless and transparent matted finish. Use as an adhesive on all sorts of materials. Key Features: * Additives for acrylic paints * Thin acrylic paints for glazing * Add body or texture to acrylics * Mediums dry clear Perfect For: * Acrylic Artists * Acrylics and mixed media * Students and professionals alike * Achieving multiple effects See More
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Sennelier Oil Color MediumsSave Up to37%Off list…drying characteristics. The medium may need to be thinned with petroleum spirits or turpentine. Gel 'N Dry Medium: Gel form of Flow 'N Dry. Speeds drying, improves fluidity and gloss. Suitable for impasto techniques. Universal Medium: is a liquid, colorless gloss medium that shortens drying time,… Alter the working characteristics of oil paint to suit your artistic need Sennelier Oil Mediums are composed of natural resins, beeswax, dammar gum, and other solvents. The different oil mediums in the Sennelier line allow professionals to change the texture of their oil paints while also uniting their composition with uniform effects. Sennelier Oil Mediums are ideal for alla prima painting techniques and painting en Plein air. Sennelier additives allow painters to follow their creative impulses by empowering them to alter the working characteristics of oil paint to suit their artistic needs. Key Features:* Composed of natural resins* Increase gloss and transparency* Modify drying time* Reinforces cohesion of the brushstroke* Accentuates gloss* Made in France Perfect For:* Maximum degree of transparency* Oil painting* Artists seeking a quality oil medium* Alla prima paintings or studies* Painting en Plein air* Improves transparency, fluidity Turner Transparent Glazing Medium: is perfect for glazing and finishing paintings. The transparent medium conserves the natural silky finish of oil paint. Add 10% maximum to the total paint mixture. You can dilute the medium with turpentine. Safflower Oil: Clarified vegetable oil, a good drier with low acidity. Characterized by resistance to yellowing and excellent compatibility with pigments. Mix with oil colors to accentuate their fluidity, transparency and gloss without altering the hue's brilliance during drying. Veronese Paste Medium: is a medium that provides a uniform matte finish and rapid drying time. Covers quickly as it melds adjacent brush strokes. Veronese is ideal for large “alla prima” paintings or studies due to its plasticity and rapid drying characteristics. The medium may need to be thinned with petroleum spirits or turpentine. Gel 'N Dry Medium: Gel form of Flow 'N Dry. Speeds drying, improves fluidity and gloss. Suitable for impasto techniques. Universal Medium: is a liquid, colorless gloss medium that shortens drying time, improves fluidity, and increases gloss and transparency while leaving a uniform surface. Non-yellowing. Turner Painting Medium: Based on dammar gum. Reinforces cohesion of the brushstroke and accentuates gloss. You can thin this medium with mineral spirits or turpentine. See More
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