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Stonehenge Fine Drawing & Printmaking Paper Pads By Legion 90 lb Vellum Finish 18" x 24" (15 Sheets)Save Up to43%Off list
Starting At: 1.99
…drawing and printmaking paper: now available in convenient pads! Available in: White & Warm White & Colors Drawing & Printmaking Pad! For over 30 years, Stonehenge paper has been beloved by artists of all techniques. The 100% cotton, acid free, calcium carbonate-buffered paper is strong and durable,… Stonehenge fine drawing and printmaking paper: now available in convenient pads! Available in: White & Warm White & Colors Drawing & Printmaking Pad! For over 30 years, Stonehenge paper has been beloved by artists of all techniques. The 100% cotton, acid free, calcium carbonate-buffered paper is strong and durable, and the flawless vellum finish is the perfect surface for any variety of media. Now this popular art paper is available in pads convenient for traveling or for small works! Perfect for all your graphite, charcoal, colored pencil, silverpoint, pastel, printmaking, pen and ink, and even watercolor works: take Stonehenge drawing paper pads with you into the field and experience the lush surface and incredible responsiveness of some of America's finest art paper! Key Features: * Available in: White & Warm, White & Colors Drawing & Printmaking Pad!* 15 sheet pad* 100% Cotton* Vellum finish* Acid Free * Neutral PH * Made in USA Specs: * 250 gsm* 90 lb* Pencil* Charcoal* Watercolor* Pen and Ink Perfect For: * Colored Pencil* Graphite Pencil* Pencil* Charcoal* Watercolor* Pen and Ink Stonehenge paper is ideal for etching, screen printing, embossing, drawing, and painting with a variety of media, including colored pencils, pastels, pen-and-ink, pencils, charcoal, acrylics, and watercolors. * Stonehenge White Paper Pads – Containing 15 sheets of White Stonehenge paper ideal for artwork in a wide variety of media! Tape-bound pads feature a strong chipboard backing for support while working, and are available in 5 sizes. * Stonehenge Colors - Multi Color Pads – The Stonehenge Multi Pads contain three sheets each of five Stonehenge colors, including Warm White, Natural, Cream, Fawn, and Pearl Gray, so artists can flip to the desired color as needed. Tape-bound pads feature a strong chipboard backing for support while working, and are available in 3 sizes.  See More -
Speedball Printmaking Paper Pad 18" x 24" (15 Sheets)Save Up to33%Off list
Starting At: 9.43
White An artist favorite, this premium printmaking paper is now available in a convenient pad! Speedball Printmaking Paper Pads were developed through a collaboration between Speedball and Schut Papier of Holland. This fine art paper is made with strong, absorbent fibers, which accept multiple layers of ink beautifully. Suitable for all printmaking media, from water-based inks to traditional oil-based inks, this high-quality printmaking paper works very well damp or dry for a variety of techniques, including relief printing and intaglio. Each pad of printmaking paper contains 20 sheets of white, 90 lb/245 gsm, acid-free paper. These premium printmaking paper pads are an extremely versatile addition to your printmaking arsenal! Speedball Mulberry Paper is an artist-quality printmaking paper made with a mix of Kozo (mulberry) and bamboo fiber. The thin paper is very strong, which makes it ideal for lino block, wood block, and screen printing. Key Features: * White, 90 lb/245 gsm, acid-free paper * Mulberry paper unbleached, neutral pH. 45gsm. * Extremely versatile, suitable for all printmaking media * Made with strong, absorbent fibers Perfect For: * Water-based or oil-based inks * Student printmaking projects * Relief printing and intaglio * Printmaking artists See More -
Awagami Japanese Handmade PapersSave Up to24%Off list
Starting At: 15.19
…of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and… Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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