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Strathmore 300 Series Newsprint Pad Rough 18" x 24" (50 Sheets)Save Up to33%Off list
Starting At: 3.31
…Charcoal* Sketching stick* Practicing sketching and drawing Weight: Rough - 32 lb. (24" x 36" x 500 sheets) 52 g/m2 Surface: Smooth / Rough Rough: graphite pencil, colored pencil, charcoal, sketching stick Paper Type: A heavier weight natural-toned newsprint for practicing sketching and drawing Heavier weight natural-toned newsprint paper Strathmore 300 Series Newsprint pads are filled with an economical, neutral colored, 32 lb. rough newsprint paper that is perfect for practicing sketching or for preliminary drawings. These 50 or 100 sheet pads are great for classrooms and large scale drawings! Key Features:* Rough Surface* 32lb.* Heavier weight* Natural-toned newsprint* Tape Bound Perfect For:* Graphite pencil* Colored pencil* Charcoal* Sketching stick* Practicing sketching and drawing Weight: Rough - 32 lb. (24" x 36" x 500 sheets) 52 g/m2 Surface: Smooth / Rough Rough: graphite pencil, colored pencil, charcoal, sketching stick Paper Type: A heavier weight natural-toned newsprint for practicing sketching and drawing See More -
Strathmore 400 Series Recycled Sketch Pad, 30 Sheets 18x24"Save Up to56%Off list
Starting At: 4.19
…colored drawing paper is ideal for sketching and most finished work. 400 Series Drawing Pads - Now acid-free and perforated for easy removal! On this non-rag paper, you can use crayon, pencil, pen and ink, charcoal, washes, paints, markers and more! 80 lb., spiral bound paper has 24 sheets per pad.… Strathmore 400 Series Drawing & Sketch Pads One of the most versatile sheets Strathmore offers, this cream colored drawing paper is ideal for sketching and most finished work. 400 Series Drawing Pads - Now acid-free and perforated for easy removal! On this non-rag paper, you can use crayon, pencil, pen and ink, charcoal, washes, paints, markers and more! 80 lb., spiral bound paper has 24 sheets per pad. 400 Series Sketch Pads - A general purpose sketch paper for classroom, experimentation, or perfecting technique with pen, pencil and a variety of other media. Rugged spiral wire binding makes it ideal for field use, and pages are perforated for easy removal. 60 lb paper. Media Applications: Smooth 80 lb - graphite pencil, colored pencil, pen & ink, marker Medium 80 lb - graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel Weight: Smooth: 80 lb. 130 g/m2 Medium: 80 lb. 130 g/m2 Pad Features: Wire Bound sheets are micro-perfortated and are Actual Size when removed at the micro-perforation. 400 Series Heavyweight Drawing Pads - 100 lb., cream-colored paper is ideal for finished artworks and heavier sketch media, allowing for repeated erasing and reworking. Use with charcoal, pencil, colored pencil, sketch sticks, and more! Heavyweight Drawing Pads feature slightly more texture than the regular 400 Drawing Pads. Acid-free perforated sheets are actual size when removed. 24 sheets per pad. Weight: 100 lb. (24” x 36” x 500 sheets) 163 g/m2 Surface: Medium. All of our Heavyweight Drawing products feature a medium surface with slightly more texture than our 80 lb. 400 Series Drawing pads. Surface is durable enough to stand up to repeated erasing and reworking. 400 Series Recycled Drawing Paper - This 80 lb., bright white paper is suitable for all dry media, pen and ink, and light washes. Contains over 50% recycled materials, and perforated for easy removal. Acid-free, heavy weight, durable, medium surface. Weight: 80 lb. 130 g/m2 Surface: Medium Media Applications: Graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, and oil pastel. Pad Features: Wire Bound sheets are micro-perforated and are Actual Size when removed at the micro-perforation. 400 Series Recycled Sketch Paper - Our most popular sketch pad! This 60 lb., general purpose sketch paper is great for experimentation and perfecting techniques. Contains 30% Post-Consumer Waste Fiber. Acid-free, medium weight, lightly textured. Weight: 60 lb. (25" x 38" x 500 sheets) 89 g/m2 Surface: Fine Tooth Media Applications: Graphite pencil, colored pencil, charcoal, sketching stick, soft pastel, oil pastel See More -
Strathmore 400 Series Marker PadsSave Up to33%Off list
Starting At: 5.52
…Strathmore 400 Series Marker Paper offers a quality surface for artists to create finished works of art with markers. This 50.5 lb / 190 g/m2 paper accepts alcohol-based, water-based and solvent-based markers, as well as pen and ink and mechanical pencil. The paper’s smooth surface allows markers… Create vibrant finished works with marker! Bleed Resistant! Proudly made in the USA, Strathmore 400 Series Marker Paper offers a quality surface for artists to create finished works of art with markers. This 50.5 lb / 190 g/m2 paper accepts alcohol-based, water-based and solvent-based markers, as well as pen and ink and mechanical pencil. The paper’s smooth surface allows markers to glide easily for even, consistent layering of color and blending. No drag to insure even strokes as well as not chewing up the nibs on your markers. These heavyweight sheets are bleed and tear resistant and acid-free—for vibrant, lasting works of art. 400 Series Marker Papers are extremely smooth. Slightly smoother than the Bristol paper. No drag when laying down, ensures even strokes, nice clean lines, a nice even marker wash without showing individual marker strokes. Key Features: * 50.5 lb. 190 g/m2 * Surface: Smooth / Heavyweight * Acid free, heavyweight papers * No optical brighteners, No Chemicals * Bleed and tear resistant * Accepts multiple layers of color and blending Perfect For: * Alcohol-based markers, water-based markers, solvent-based markers, pen & ink and mechanical pencil * Use with markers for a vibrant and crisp look * Creating finished works of art with markers * Create Multiple Layers / Bleed Resistant See More -
Strathmore 400 Series Acrylic Pads 18" x 24" 246 lb (10 Sheets)Save Up to33%Off list
Starting At: 5.11
White Heavyweight, versatile Strathmore acid-free papers This paper painting pad features 246lb (400 g/m2) paper which is ideal for acrylic painting. The heavyweight linen finish is perfect for acrylic painting. Tape bound, 10 sheets per pad. Made with the acrylic artist in mind, but it is also well suited for a variety of other painting, drawing, pastel or charcoal applications where a heavy paper with a toothy surface is desirable. The paper has a cream-colored linen finish. 246lb (400 gsm). Key Features:* Weight is 246lb (24" x 36" x 500 sheets) or 400 g/m2 (gsm)* Cream Linen Surface* Tape bound pads with flip-over covers Perfect For:* Painting, drawing, pastel or charcoal applications* Heavyweight linen finish for acrylic painting* Painting in the studio or on the go! See More -
Strathmore 300 Series 140 lb Watercolor Paper Pad 18" x 24" Wire Bound (12 Sheets)Save Up to26%Off list
Starting At: 9.19
Economical, heavy weight student-grade paper! Strathmore 300 Series Watercolor 140lb. Paper Pads are an economical, heavy weight student-grade paper is best suited for beginning watercolorists or for experimentation and perfecting techniques. This paper has two distinct surfaces: the felt (top) side… Economical, heavy weight student-grade paper! Strathmore 300 Series Watercolor 140lb. Paper Pads are an economical, heavy weight student-grade paper is best suited for beginning watercolorists or for experimentation and perfecting techniques. This paper has two distinct surfaces: the felt (top) side is cold press the most popular surface for most watercolor work, while the other side is smoother and is ideal for detailed work. This 140 lb. acid-free, heavy weight watercolor paper is made to stand up to the various watercolor media. It has a cold pressed surface that adapts beautifully to a variety of techniques. Each pad contains 12 sheets and is attached with spiral wire binding. Weight: 140 lb. 300 g/m2 Surface: Cold Press Pad Features: Wire Bound Sheets are Actual Size when removed at the wire binding. Type: Heavy weight student-grade paper Note:Watercolor, gouache, tempera or even acrylic See More -
Awagami Japanese Handmade PapersSave Up to24%Off list
Starting At: 15.19
…of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and… Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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