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Jack Richeson Printmaking Supplies - Clear Carve, 12"x24"Save Up to42%Off list…flexible and durable material that is easy to carve, Clear Carve wont crack or dry out and eliminates the need for any sort of messy image transfer paper. * Lino Grip- This lightweight linoleum block stop flawlessly holds linoleum in place as you carve better than any piece of wood or metal rest.… Flexible and durable material that makes carving linoleum easy!Jack Richeson's Lino Grip and Clear Carve are the best tools for getting started in printmaking. These products are ideal for students and beginners, but artists of any skill level will enjoy the benefits that these products have. * Clear Carve- Clear Carve from Jack Richeson is a perfect clear surface for carving an image over any image, photo or sketch. Made from flexible and durable material that is easy to carve, Clear Carve wont crack or dry out and eliminates the need for any sort of messy image transfer paper. * Lino Grip- This lightweight linoleum block stop flawlessly holds linoleum in place as you carve better than any piece of wood or metal rest. Compact for easy storage, this slim, flexible, and grippy lino grip is easy to wash and perfect for aiding in the safe use of carving tools. It's great for beginners. Key Features: Made from flexible and durable materials Easy to clean Clear Carve is available in several sizes Easy to carve Speeds up block printing Perfect For: Beginners and students Tracing works of art, photographs and more! Learning the basics of block printing Holding linoleum in place (Lino Grip) Use with carving and other printmaking tools See More
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Awagami Papers Okawara (51GSM) Pack of 25Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Grafix .010 Craft Plastic Film Opaque White 12X24 25-PackSave Up to13%Off listWhite A Slick, Smooth, Non-Absorbent Media Substrate! Use Grafix Craft Plastic to create stencils, or as a mixed media surface for your next artistic project. Create artwork on the Opaque White sheets with a wide range of mediums and techniques, including alcohol inks, watercolor, and acrylics.  You can cleanly lift water-based paints and alcohol inks off the Opaque White craft film with a wipe. Craft Plastic is .010" thick and can be used with a Laser Cutter or Plotter for the quick creation of stencils or models. The plastic is also easy to cut with an Exacto knife. The durable, smooth, waterproof sheets are wipeable, heat resistant, and fun to use! Key Features: * Durable .010" thickness * Smooth, wipeable sheet * Heat resistant * Opaque white color * Tolerates heat up to 150°F without curling Perfect For: * Plotter with blade or laser cutter * Creating stencils or templates * Alcohol ink, watercolor, acrylics * Adding dimension to cards and journals * Stamping and multiple mediums See More
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