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Nujabi Individually Handmade Watercolor Paper SheetsSave Up to67%Off list…you are used to. Nujabi paper does not contain much sizing unlike other watercolor papers on the market, as a result, only small amounts of water can be used on Nujabi paper. The soft cold pressed handmade watercolor paper is more in line with the texture of a cold pressed mould made sheet but the… Individually Handmade Watercolor Papers Made of 100% cotton these acid-free sheets are handmade sheet by sheet in a paper making method with more than a thousand years of tradition behind it. Since this is a handmade sheet the surfaces may be a bit different than what you are used to. Nujabi paper does not contain much sizing unlike other watercolor papers on the market, as a result, only small amounts of water can be used on Nujabi paper. The soft cold pressed handmade watercolor paper is more in line with the texture of a cold pressed mould made sheet but the grain is softened so it may be easily drawn on. Key Features:* Handmade Indian Watercolor Paper (not cut sheets)* All sheets with natural deckle edges!* 100% cotton, Acid-free* 200lb Soft Cold Press Handmade Papers* Paper making method with more than a thousand years of tradition behind it* Absorbs the paint quickly so perfect for wet on wet* Can take multiple layers of paint* Also In: Circle Round: 16in Diameter Artist Testimonial & Review "I loved this paper the moment I touched it. Marie's Oil Paints seem to keep a lot of vibrancy on the paper. The texture is wonderful for dry brush experimentation. I'll always keep a few sheets on hand to see what I can do with it." See More
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Jacquard Transfer PaperSave Up to6%Off list…bags, jackets, and quilts with Jacquards newly formulated Transfer Paper! Jacquard's Iron-on Transfer Paper allows you to apply original drawings, photos, and text to light colored fabrics with ease. You can run the Transfer paper through an inkjet printer or draw directly on it with crayons,… The amazing product that magically transfers designs with an iron! You can easily customize T-shirts, jeans, bags, jackets, and quilts with Jacquards newly formulated Transfer Paper! Jacquard's Iron-on Transfer Paper allows you to apply original drawings, photos, and text to light colored fabrics with ease. You can run the Transfer paper through an inkjet printer or draw directly on it with crayons, markers, or inks. Once you have applied your design to the specially coated paper you can iron the design onto fabric. The iron-on transfer method has been improved by Jacquard to hold up to repeated washings and dryings with better adhesion and reduced peeling. You will love the feel of your soft newly designed textile! Jacquard’s Transfer Paper for Dark Fabrics makes customization easier than ever! The most durable and washable transfer paper available, this premium iron-on option was developed for all sorts of fabrics, including spandex and stretchy materials, with new technology that allows for natural movement, feel and drape on the garment. Key Features: * Easy Iron-on method * Fabric transfer feels soft and flexible * Holds up to repeated washing and drying * Transfers are soft, vibrant, and fully opaque * Dark fabric transfer pack includes parchment paper for ironing process Perfect For: * Quilters and surface design artists * Photographers * Promoting artwork * Light or dark colored fabrics * All sorts of fabrics including spandex and stretchy materials See More
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Jacquard Spirit Body Art Transfer PaperSave Up to25%Off list…transfer paper! Trusted by professional tattoo artists for decades, Jacquard Spirit Body Art Transfer Paper is a product born of a partnership between Spirit and Jacquard. Great for transposing designs from paper to skin, just draw or trace a design on the top surface of the transfer paper and the… Easily transfer your amazing tattoo designs onto skin with this body art transfer paper! Trusted by professional tattoo artists for decades, Jacquard Spirit Body Art Transfer Paper is a product born of a partnership between Spirit and Jacquard. Great for transposing designs from paper to skin, just draw or trace a design on the top surface of the transfer paper and the pressure of your pencil will create an impact impression on the backside that can be easily transferred to the skin. Once your design is transferred, trace the design with the henna or jagua. Save your design, you can transfer the designs several more times! Great for temporary tattoos or test driving a new design before getting a permanent ink tattoo. Key Features: * 10 sheets* Sheet size: 8.375" x 11.875" / 21.27 cm x 30.16 cm* Transfer temporary tattoo designs * Transpose designs from paper to skin * Works wonderful with henna & jagua tattoos * Same designs are transferable to skin several times * Trusted by professional tattoo artists Perfect For: * Tattoo artists * Use with Henna & Jagua * Temporary tattoo booths * Experimenting with tattoo designs Draw or trace a design on the top surface of the Transfer Paper and the pressure of the pencil will create an impact impression on the backside that can be easily transferred to the skin. Once transferred, trace that design with henna or jagua,/p> See More
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Jacquard Dye AdditivesSave Up to10%Off list…After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to… Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to protein-based fibers. Soda Ash promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. The humectant Urea attracts moisture from the air and slows the tie-dye process, providing more time for the dye to process and generate deeper shades. You can use Synthrapol® an industrial-strength, pH-neutral liquid detergent as a wetting agent, or wash your decorated fabrics with it. It is essential to practice studio safety when using dyes and chemicals. Please keep dyes, paints, and chemicals away from children and avoid unnecessary skin contact. Key Features: * Powdered chemicals * Complement Acid and Procion MX dyes * Sodium Alginate SH will thicken dyes * Citric Acid is used to fix acid dye * Soda Ash is used to fix Procion MX dye * Urea enhances Procion MX colors * pH-neutral detergent and wetting agent Perfect For: * Fabric dyeing * Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting, stamping, or screen printing. When working with thicker fabrics, use a thinner consistency of dye solution to guarantee dye penetration. Instructions: Mix 1 quart water with ¼ cup Urea. Then, add two teaspoons Sodium Alginate SH for hand painting or four teaspoons Sodium Alginate SH for screen printing. Slowly sprinkle Sodium Alginate SH over water/Urea mix. Stir constantly for 10 minutes, or mix in a blender until smooth. Let stand for 1 hour, then stir again. The solution may be stored in a refrigerator for a few months. Soda Ash: Soda Ash dye fixer is a mild alkali that promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. It is also known as sodium carbonate, washing soda, or salt soda. Soda Ash is necessary to activate and set Procion MX dye. For tie-dye (pre-soak method): Use one cup per gallon of warm water. Soak fabric in the mixture for 20 minutes. Squeeze/wring out the excess solution by hand. Do not rinse out. For immersion dyeing: Use 1/4 to 1/3 cup per three gallons of water. Add to dye bath per instructions. Dyeing cellulose fibers in a washing machine: Use 2-3 cups per load. Dissolve in one-quart hot water. Slowly add to dye bath in washer per instructions. Synthrapol®: Synthrapol® is an industrial-strength, pH-neutral liquid detergent used as a pre and after wash for dyed or painted fabrics. Synthrapol® can also be used as a wetting agent for fabric dyes and paints. The unique liquid detergent keeps loose dye pigment suspended during washing which prevents back staining and helps remove excess color. Pre wash: Prewashing fabric with Synthrapol® to remove oils, waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse thoroughly. After wash: After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to a dye bath or fabric paint can increase color penetration. When dyeing wool and other hard-to-wet fibers, add 2 to 3 drops of Synthrapol® per 5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb of fabric. Do not pour directly onto cloth. If further exhaustion of dye bath is necessary, add a little bit more. Avoid contact with eyes. In case of eye contact, flush immediately with water for at least 15 minutes. Keep out of reach of children. Urea: Urea is a humectant that attracts moisture from the air and slows the drying process; therefore, it allows more time for the dye to react with the fiber and helps develop deeper shades. Most artists use Urea when applying dye solutions directly to fabric or hand painting. Urea can be used with Sodium Alginate thickener for screen printing, direct painting, or tie-dye. Add one tablespoon Urea per 8 fl oz of dye solution (¼ cup per one quart of dye solution). See More
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