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Da Vinci Pure Badger Series 96 70mm (3in) Softener BrightSave Up to30%Off listExcellent brushes for ultra-fine finishing results! Da Vinci's silver-tipped pure badger hair brushes are perfect for blending, softening, and applying a glaze. Pure badger's hair has a bushy appearance because the hair is cone-shaped, thick at the tip and thin near the root, unlike other natural… Excellent brushes for ultra-fine finishing results! Da Vinci's silver-tipped pure badger hair brushes are perfect for blending, softening, and applying a glaze. Pure badger's hair has a bushy appearance because the hair is cone-shaped, thick at the tip and thin near the root, unlike other natural hairs. The slightly wavy nature of badger hair creates a gentle resistance, which is essential for many faux techniques. Faux and decorative painters seek out the mottler and bright shapes in badger for roll and tip applications and to create unique surface finishes. You can use Da Vinci Pure Badger Brushes for varnishing, graining, glazing, priming, and a variety of painting techniques. Key Features: * Pure badger hair * Cone-shaped bushy hair * Durable handle * Rust-proof steel ferrules * Fan, Mottler, or Softner Bright Perfect For: * Faux and decorative painting * Roll and tip applications * Varnishing, graining, and glazing, * Priming and underpainting * Oil paint * Creating interesting patterns See More
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Jacquard Dye Additive Urea 1 lb BagSave Up to10%Off list…waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse… Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to protein-based fibers. Soda Ash promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. The humectant Urea attracts moisture from the air and slows the tie-dye process, providing more time for the dye to process and generate deeper shades. You can use Synthrapol® an industrial-strength, pH-neutral liquid detergent as a wetting agent, or wash your decorated fabrics with it. It is essential to practice studio safety when using dyes and chemicals. Please keep dyes, paints, and chemicals away from children and avoid unnecessary skin contact. Key Features: * Powdered chemicals * Complement Acid and Procion MX dyes * Sodium Alginate SH will thicken dyes * Citric Acid is used to fix acid dye * Soda Ash is used to fix Procion MX dye * Urea enhances Procion MX colors * pH-neutral detergent and wetting agent Perfect For: * Fabric dyeing * Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting, stamping, or screen printing. When working with thicker fabrics, use a thinner consistency of dye solution to guarantee dye penetration. Instructions: Mix 1 quart water with ¼ cup Urea. Then, add two teaspoons Sodium Alginate SH for hand painting or four teaspoons Sodium Alginate SH for screen printing. Slowly sprinkle Sodium Alginate SH over water/Urea mix. Stir constantly for 10 minutes, or mix in a blender until smooth. Let stand for 1 hour, then stir again. The solution may be stored in a refrigerator for a few months. Soda Ash: Soda Ash dye fixer is a mild alkali that promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. It is also known as sodium carbonate, washing soda, or salt soda. Soda Ash is necessary to activate and set Procion MX dye. For tie-dye (pre-soak method): Use one cup per gallon of warm water. Soak fabric in the mixture for 20 minutes. Squeeze/wring out the excess solution by hand. Do not rinse out. For immersion dyeing: Use 1/4 to 1/3 cup per three gallons of water. Add to dye bath per instructions. Dyeing cellulose fibers in a washing machine: Use 2-3 cups per load. Dissolve in one-quart hot water. Slowly add to dye bath in washer per instructions. Synthrapol®: Synthrapol® is an industrial-strength, pH-neutral liquid detergent used as a pre and after wash for dyed or painted fabrics. Synthrapol® can also be used as a wetting agent for fabric dyes and paints. The unique liquid detergent keeps loose dye pigment suspended during washing which prevents back staining and helps remove excess color. Pre wash: Prewashing fabric with Synthrapol® to remove oils, waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse thoroughly. After wash: After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to a dye bath or fabric paint can increase color penetration. When dyeing wool and other hard-to-wet fibers, add 2 to 3 drops of Synthrapol® per 5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb of fabric. Do not pour directly onto cloth. If further exhaustion of dye bath is necessary, add a little bit more. Avoid contact with eyes. In case of eye contact, flush immediately with water for at least 15 minutes. Keep out of reach of children. Urea: Urea is a humectant that attracts moisture from the air and slows the drying process; therefore, it allows more time for the dye to react with the fiber and helps develop deeper shades. Most artists use Urea when applying dye solutions directly to fabric or hand painting. Urea can be used with Sodium Alginate thickener for screen printing, direct painting, or tie-dye. Add one tablespoon Urea per 8 fl oz of dye solution (¼ cup per one quart of dye solution). See More
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Strathmore 400 Soft Cover Toned Mixed Media Journal Gray 8X5.5" 48 PagesSave Up to33%Off listPremium mixed media art journals are perfect for creating in class, in studio and on the go! Strathmore 400 Series Toned Mixed Media Journals feature 48 pages of acid-free, 100% recycled paper with a medium drawing surface and the wet media characteristics of watercolor paper. The mixed media paper… Premium mixed media art journals are perfect for creating in class, in studio and on the go! Strathmore 400 Series Toned Mixed Media Journals feature 48 pages of acid-free, 100% recycled paper with a medium drawing surface and the wet media characteristics of watercolor paper. The mixed media paper included in the art journals is available in Warm Tan and Cool Gray and is ideal for light and dark media. These high quality mixed media journals are available with a rich dark brown, velvety softcover or dark chocolate brown, matte hardcover. The durable Smyth-sewn binding allows the books to open wide and lie flatter, giving artists the maximum surface area to sketch, paint and create! Key Features: * 48 pages of acid-free, 100% recycled paper * Available in Warm Tan and Cool Gray mixed media paper * Available with a rich dark brown, velvety softcover or matte hardcover * Durable Smyth-sewn binding allows the books to open wide and lie flat Perfect For: * Mixed media artists * Graphite, colored pencils, & markers * Studio use and on the go * Acrylics, watercolors, & gouache See More
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Jacquard Cyanotype Potassium Ferricyanide, 1lb JarSave Up to10%Off listHarness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for… Harness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were called photograms at the time. The Cyanotype process is incredibly simple and only employs two inexpensive chemicals and UV sunlight. Prints can be created on any natural fiber: paper, cotton, silk, wool, wood, etc. Jacquard has made Cyanotype printing easy as pie with pre-sensitized fabric that is ready for cyanotype printing. Simply pull the sheet out of the package, place objects or an inverted photographic negative on top, expose to light for three to fifteen minutes, submerge the fabric in water to reveal the blue cyanotype print, and finally hang the fabric to line dry. With Jacquard’s Cyanotype Pretreated Mural Fabric you can actually create a full-body print by laying on top of the mural fabric for the duration of exposure while not moving. The creative possibilities for Photographers, Mixed Media Artists, and Quilters are endless! If you would prefer to use your own papers or fabric Jacquard has made the chemistry of Cyanotype attainable with lightproof black bottles of Potassium Ferricyanide and Ferric Ammonium Citrate. The chemicals used for cyanotype are inexpensive and go a long way. Despite their perhaps alarming names, both are safe to handle and mix. That said, care should be taken to avoid ingestion, inhalation, and contact with skin. The instructions for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow Great for photographers, mixed media artists, printmakers, quilters, kids and more, the cyanotype process is easy, forgiving, quick, magical and fun. Capture the nuance of every shadow Key Features: * Harness the power of the sun to make detailed prints * Simply place the object on the sensitized surface and expose to sunlight (UV) * Sun exposure time is 3-15 minutes * Pre-sensitized Cyanotype fabric Perfect For: * Quilters and Surface Design Artists * Photographers * Mixed media artists, printmakers, quilters See More
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Strathmore 400 Series Softcover Watercolor Art Journal 5-1/2x8" (48 pg) - WhiteSave Up to33%Off listWhite Fine art paper in finely crafted journals! Strathmore 400 & 500 Series Softcover Art Journals give artists the choice of high quality sketch, toned sketch, drawing, watercolor and mixed media papers. The velvety soft, flexible cover is a rich, dark brown color, and the durable Smyth-sewn binding allows pages to lay flatter. These beautiful lightweight journals are available in convenient, portable sizes -- making them perfect for artists on-the-go! * 400 Series Watercolor Softcover Art Journal- 140lb. 300 gsm, / 48 pages - This intermediate grade watercolor paper has a strong surface that is ideal for watercolor, gouache and acrylic. The natural white color and traditional cold press surface allows for fine and even washes, as well as lifting and scraping applications. Acid free. * 500 Series Mixed Media Softcover Art Journal- 90 lb. 190 g/m / 64 pages - This professional quality paper is internally sized for wet media with durable vellum finish for drawing techniques. It is comprised of 100% cotton fiber, and is acid free, 90lb., lignin free, and archival. Ideal for watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage. * Eco-Friendly 400 Series Toned Sketch Softcover Art Journal- Toned Gray & Tan Journals - 80 lb. 118 gsm / 112 pages - This medium surface, 80lb. sketch paper is ideal for use with graphite, chalk, charcoal, sketching sticks, markers, china markers, colored pencils, pens and white gel pens. A unique quality of this sketch paper is that it is 100% recycled and contains 30% post-consumer fiber -- making it an eco-friendly product! Available in Warm Tan and Cool Gray. Acid free. * 400 Series Toned Sketch Softcover Art Journal - 60 lb. 89 gsm / 160 pages - This general purpose, white, medium surface, 60lb., heavy weight sketch paper is intended for practice of techniques or quick studies with any dry media. It is ideally used with graphite pencil, colored pencil, charcoal, sketching stick, soft pastel and oil pastel. Acid Free. * 400 Series Drawing Softcover Art Journal - 80 lb. 130 gsm / 96 pages - This cream colored, medium surface, 80lb., drawing paper is ideal for sketching and finished work. This paper was engineered to work best with mediums such as graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel and oil pastel. Acid free. * Jerry's Strathmore Sketching Gift Set - This Gift Set from Strathmore, out right in time for the holidays includes everything you need to start sketching better today! This set includes a Softcover 400 Toned Gray Journal, a 12 pack of SoHo Compressed Charcoal (Midnight Black), a Creative Mark 12x16" Mesh bag and two 3-packs of SoHo Sketch Squares. See More
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