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Crescent Watercolor Art BoardsSave Up to33%Off list
Starting At: 2.85
…board * 3-Pack Cold Press Watercolor Boards #114 * Perfect For: * Paint like watercolor, acrylics, and gouache * Light collages * Outdoor use Crescent's #5115 Watercolor Board with 100% Rag Surface and Rag Core: Crescent's best watercolor board features a 100% Rag hot press surface and… Pre-mounted extra-thick heavyweight watercolor boards! Crescent Watercolor Art Boards provide the convenience of a board while eliminating the need to stretch paper. The acid-free board is warp-resistant and the heavyweight paper is made with 100% cotton rag. Uniform surface sizing and internal sizing help the paper withstand wet-on-wet techniques, reworking, and erasing. Now conveniently available in 3-pack traditional pad sizes, they are ready to use straight out of the pack! Key Features: * Pre-mounted boards * Easy portability * 100% rag, 140lb heavy weight boards * pH neutral * Mounted onto 100% acid-free, archival core board * 3-Pack Cold Press Watercolor Boards #114 * Perfect For: * Paint like watercolor, acrylics, and gouache * Light collages * Outdoor use Crescent's #5115 Watercolor Board with 100% Rag Surface and Rag Core: Crescent's best watercolor board features a 100% Rag hot press surface and rag core that is acid-free. Crescent's #5114 Watercolor Board with 100% Rag Surface and Rag Core: Crescent's best watercolor board features a 100% Rag cold press surface and rag core that is acid-free. Crescent's #114 extra-heavy weight Watercolor Board: features a 100% cotton rag surface that is cold press and beautifully captures wash, wet-on-wet, and dry-brush techniques. Extra heavyweight resists warping. In addition to watercolor, this board is the best surface for color pencil, graphite, mixed media, and collage. Crescent's #115 Watercolor Board: For watercolor artists that prefer a slightly smoother surface, Crescent's #115 Watercolor Board features a 100% cotton surface that is hot press and beautifully captures wash, wet-on-wet, and dry-brush techniques. Extra heavyweight resists warping. In addition to watercolor, also best for pen, marker, mixed media, and collage. See More -
Chroma Atelier Interactive Ground PreparationsSave Up to40%Off list
Starting At: 8.31
Take your painting grounds to the next level! With Chroma Atelier Interactive Grounds, you can prepare your own custom substrate for painting! Chroma Atelier Interactive Grounds have good adhesion and provide a flexible sealed barrier between the substrate and subsequent paint layers. You can use… Take your painting grounds to the next level! With Chroma Atelier Interactive Grounds, you can prepare your own custom substrate for painting! Chroma Atelier Interactive Grounds have good adhesion and provide a flexible sealed barrier between the substrate and subsequent paint layers. You can use Binder Medium to seal and prepare porous surfaces before using gesso. Create thick textural effects with Gesso Primer, or if you prefer a smoother painting surface, Liquid Gesso Primer has a thinner consistency that is easy to spread. All of the Chroma Atelier Interactive Grounds offer limitless creative possibilities. Key Features: * Good adhesion * Suitable tooth for overpainting * Improves adhesion & durability of canvas * Easy to spread * Ground preparation Perfect For: * Acrylic painting * Collaging & mixed media * Artists of all skill levels * All acrylic-friendly surfaces * Experimenting with different textures and techniques Binder Medium: is an acrylic emulsion and acts as a sealer to prepare porous surfaces before using gesso. It also provides a somewhat "slippery" ground preparation in its own right. It can be used as a medium when needed to toughen paint for conventional acrylic techniques like scratching back, or you can use it as glue for collage. Liquid Gesso Primer: has a thinner consistency that is easy to spread. Liquid Gesso Primer is perfect for preparing a smoother painting surface. See More -
DANIEL SMITH Watercolor GroundsSave Up to40%Off list
Starting At: 8.86
…Ground which allows the surface of your substrate, for example, wood grain or decorative paper, to show through when you paint over with watercolors. DANIEL SMITH Watercolor Ground creates a soft, absorbent watercolor surface with a slightly cottony texture that’s similar to cold press paper.… Paint with watercolors on any surface! You can use watercolors on any surface with Daniel Smith's Watercolor Ground! After applying the Ground you can paint with watercolors on wood, plaster, metal, plastic, glass, and fabric! Simply brush the Watercolor Ground on and within 24 hours the surface will be transformed into an exciting absorbent ground for watercolor! If you make a mistake, rescue your painting with Titanium White Watercolor Ground the “white out” for artists that allows you to cover up and start over with a fresh white surface. You can use one of the colored Grounds to create surface texture or use the Transparent Watercolor Ground which allows the surface of your substrate, for example, wood grain or decorative paper, to show through when you paint over with watercolors. DANIEL SMITH Watercolor Ground creates a soft, absorbent watercolor surface with a slightly cottony texture that’s similar to cold press paper. With this breakthrough archival-quality ground, artists can create new work on any surface, rescue flawed paintings, lift and scrub without damaging the painting surface, and frame without glass. There’s really no end to what can be done! Key Features:* Absorbent watercolor ground* Works on multiple surfaces* Archival and acid-free.* Holds up to vigorous scrubbing Perfect For:* Watercolor Artists* Mixed media applications* Framing without Glass The beauty of watercolor is transparency and transparency is what gives watercolor paintings their distinctive clarity, luminosity, and realism. Now, with DANIEL SMITH Watercolor Ground, artists can get this unique visual quality on any surface they choose: * Wood & Plaster* Canvas & Masonite* All types of paper* Fabric* Glass & Plexiglass* Metal* Plastic* Stone & Masonry Preparation Absorbent or semi-absorbent surfaces require no special prep before brushing on DANIEL SMITH Watercolor Ground. These include paper, canvas and other fabrics, wood, plaster, shells, and hardboard. Non-absorbent surfaces such as metal, plastic or glass should be lightly abraded with sandpaper or steel wool before brushing on the Watercolor Ground. Application We recommend using Watercolor Ground straight from the container. It has a thick, brushable consistency. Use a soft-haired synthetic brush, foam brush or foam roller for a smoother finish, or a hog bristle brush for a more textured finish. The ground is highly pigmented so one coat will cover most surfaces; very absorbent surfaces such as unfinished softwood may require two coats, allowing the first coat to cure before adding the second. Wash brushes immediately after use. TIP – when using the Watercolor Ground to Rescue a Painting, thin some Watercolor Ground in a small dish with up to 10% of water and use a soft brush like a hake brush to blend the edges. Curing Let Watercolor Ground dry and cure for at least 24 hours. This allows it to attain the right degree of absorption. Painting DANIEL SMITH Watercolor Ground works beautifully with watercolors and thinned acrylics. Because it creates a surface more absorbent than paper, you will want to use less water with your paint. Experiment and see what works best for you. It also works beautifully with DANIEL SMITH Masking Fluid. Finishing As with all watercolors, your work on DANIEL SMITH Watercolor Ground will need to be fixed if it will not be framed behind glass. We suggest spraying with a high quality, Archival Aerosol MSA Varnish with UVLS to protect your painting. DANIEL SMITH Watercolor Grounds give artists more freedom to paint with their watercolors; on any surface, rescue a watercolor painting and add more creative opportunities for painting with watercolors! See More -
Williamsburg Lead Oil GroundSave Up to30%Off list
Starting At: 57.04
…surface before painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The… Prepare your surface before painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect amount of tooth and absorbency. It contains no zinc or alkyd. A combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting. Dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. Key Features:* Size: 16oz & 32oz* Made with Basic Lead Carbonate and marble dust* Titanium White is added to improve opacity and brightness* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Videos and How To Instructions:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRYING TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas See More -
Fabriano Artistico Watercolor PaperSave Up to50%Off list
Starting At: 62.13
…Soft Presses. Cold Press - (sometimes referred to as "Not Press") Italian translation is Grana Fina. It offers a lovely slight texture and tooth that grips pigment beautifully, created from pressing the finished paper between cold cylinders. Overall the most popular watercolor press. Hot Press -… Four-Deckled Edge Watercolor Papers, Vegan Sized Fabriano's paper mill has been making fine art papers since 1264. They have pioneered many paper-making processes over the centuries, including paper sizing. Today, Fabriano uses vegan sizing to internally and externally size its papers without animal-by products. This new sizing allows watercolorists to have more control when lifting color. Fabriano has also modernized and reduced the size of its watermark because your artwork should be the star. All of Fabriano Artistico's 100% cotton rag watercolor papers are mould-made. This paper technique creates a more consistent and even water absorption over the surface and makes the paper robust and durable enough to withstand scrubbing. Fabriano Artistico Watercolor Paper has incredible working qualities, a beautiful surface texture, and two distinct "whites." Key Features:* 100% cotton, no whiteners* Vegan sized paper* Chlorine and acid-free* Mould-made* Four deckled edges* External and internal sizing* No animal by-products used* Cold, Hot, Rough, Soft Presses* No optical bleaching* Smaller watermark Perfect For:* Artists that want the best* Professional Watercolorists* Printmakers* Charcoal & graphite drawing* Soft press ideal for beginners* All water media! This high-quality watercolor paper satisfies the requirements of all professional and amateur artists. It is ideal for watercolor, tempera, gouache, acrylic, ink, charcoal, graphite, drawing, and printmaking. Artistico is offered in Traditional and Extra White and comes in Cold, Hot, Rough, and Soft Presses. Cold Press - (sometimes referred to as "Not Press") Italian translation is Grana Fina. It offers a lovely slight texture and tooth that grips pigment beautifully, created from pressing the finished paper between cold cylinders. Overall the most popular watercolor press. Hot Press - Italian translation is Grana Satinata. Provides a smooth, flat, even surface; produced by being run through hot cylinders. Perfect for multimedia drawings and paintings with all water media. Rough Press - Italian translation is Grana Grossa. Features a pronounced tooth and texture heavier than Cold Press, created from placing wet paper sheets between textured blankets and air drying. The rough press produces a grainy effect as watercolor pigment particles collect in the low parts of the paper. Soft Press - Italian translation is Grana Dolce. A unique surface that only Fabriano makes. It is a press between Cold and Hot, providing just enough texture for grip, and is considered almost spongy in feel. As a result, it is a favorite among printmakers. It is the perfect surface for beginner watercolorists who have not quite mastered the effects of Cold Press (available in Extra White). See More -
Arches Watercolor BlocksSave Up to40%Off list
Starting At: 22.20
…buckling* 3 surface finishes: Cold Press, Hot Press & Rough* 2 paper weights: 140lb & 300lb * 20 sheets per block (140lb) / 10 sheets (300lb)* Natural White shade Perfect For:* Watercolor artists* Eliminating the need to wet and stretch the paper before painting* Watercolors, gouache, acrylics, and… Convenient blocks of the finest quality, pre-stretched, 100% cotton watercolor paper! Arches watercolor paper has been a favorite among artists for over 500 years, and it's easy to see why! Manufactured in the same French mill since 1492, For more than five centuries! Made from 100% cotton linters and both internally and externally gelatin sized. Durable acid-free, pH-neutral and air-dried paper, Arches Aquarelle watercolor paper is one of the finest art papers in the world. You too can bring this historical, artist quality paper to your own works with these convenient, pre-stretched blocks! Watercolor paper blocks are glued on all four sides, eliminating the need to wet and stretch the paper before painting, as the glue prevents the sheet from curling and buckling during painting. Arches Aquarelle Watercolor Paper Blocks are available in 3 surface finishes, 2 paper weights, and all in a Natural White shade. Excellent for all types of watercolor painting, ink drawing, washes — and the ideal portable painting surface, perfect for plein aire artists! Arches Aquarelle Watercolor Paper Blocks are available in 3 surface finishes, 2 paper weights, and all in a Natural White shade.* 140lb Blocks (300gsm, 20 sheets) - Available in Cold (medium texture), Hot (smooth texture) and Rough (high texture) Press surfaces. Each block contains 20 sheets glued on all four sides. * 300lb Blocks (640gsm, 10 sheets)Sizes: 9x12", 10x14" & 12x16" - These Cold Press (medium texture) blocks feature 10 sheets of heavyweight, 300lb Arches Natural White watercolor paper, glued on all four sides. Key Features:* 100% cotton watercolor paper* Both internally and externally gelatin sized* Durable acid-free, pH-neutral and air-dried paper* Glued on all four sides* Glue prevents the sheet from curling and buckling* 3 surface finishes: Cold Press, Hot Press & Rough* 2 paper weights: 140lb & 300lb * 20 sheets per block (140lb) / 10 sheets (300lb)* Natural White shade Perfect For:* Watercolor artists* Eliminating the need to wet and stretch the paper before painting* Watercolors, gouache, acrylics, and ink* Keeping paper perfectly flat* Not needing stretching, taping or clamping to stay flat* Painting right away without a lot of prep work* Drawing as it provides a sturdy support surface to work on* For traveling or spontaneous with watercolor creativity* Plein aire artists NOTE: Once a piece is finished, simply slip a craft knife or razor blade under the top sheet to lift it up and reveal a brand new sheet beneath. See More -
Rembrandt Hardbound Watercolor JournalsSave Up to20%Off list
Starting At: 27.19
Expertly Bound Journals With Premium Acid-Free Paper! Rembrandt Hardbound Watercolor Journals meet the requirements of professional artists. Each bound journal has a hardcover and contains high-quality paper made of 25% cotton and the best lignin-free cellulose. The 90lb (200 gsm) paper is… Expertly Bound Journals With Premium Acid-Free Paper! Rembrandt Hardbound Watercolor Journals meet the requirements of professional artists. Each bound journal has a hardcover and contains high-quality paper made of 25% cotton and the best lignin-free cellulose. The 90lb (200 gsm) paper is acid-free, PH-neutral, and buffered to guarantee durability. Internal sizing, along with unique surface sizing, ensures perfect water absorption and optimal color lifting. The paper’s medium grain texture is equal to a soft cold-press surface and is ideal for media such as watercolor, gouache, acrylic, ink, charcoal, and pencil. Key Features: * Medium grain, soft cold-press texture * Acid-free, PH-neutral, and buffered * 30 sheets * 25% cotton + lignin-free cellulose * 90lb, 200 gsm weight * Internal and surface sizing * Hardcover bound * Paper from responsible sources * Made in Italy Perfect For: * Journal sketchbook * Wet and dry media * Watercolor, gouache, acrylic, and ink * Charcoal and pencil * Optimal color lifting * Professional artists * Colored pencil * Lightweight and portable * Travel or Plein air sketching See More -
Creative Mark Basic Etching PressSave Up to64%Off list
Starting At: 249.99
Basic Etching Press Great For Block Printing, Etching, And Monotype Printing! Suitable use for etching, collagraphy, embossing, unmounted linoleum, and paper lithography printing. With a 10.5 x 16.5" metal bed plate and 10" wide roller, this unit can print up to a 9 x 15" size. The all-steel… Basic Etching Press Great For Block Printing, Etching, And Monotype Printing! Suitable use for etching, collagraphy, embossing, unmounted linoleum, and paper lithography printing. With a 10.5 x 16.5" metal bed plate and 10" wide roller, this unit can print up to a 9 x 15" size. The all-steel construction ensures extended use and service. The 3.5 cm upper and lower rollers are adjustable to accommodate various types of printing. Smooth 360° action is easy with the simple L-shaped handle. The press is easy to install on a bench and comes with a 10.5 x 16.5" felt blanket. Overall unit size 9.75" L × 12.375" W × 6.75" H. Weighs just 20 lbs. Key Features: * 10.5 x 16.5" metal bed plate * 10" wide roller * Capable of printing up to a 9 x 15" size * All-steel construction * 3.5 cm upper and lower roller * Roller widths: 1.5" - Max separation of rollers is 1," and there is no minimum * Smooth 360° action * L-shaped handle * Sold with 10.5 x 16.5" felt blanket * Overall unit size 9.75" L × 12.375" W × 6.75" H * Weighs just 20 lbs. * Blanket: 80% wool and 20% polyester * Perfect For: * Etching * Collagraphy and emboss printing * Unmounted linoleum blocks * Relief block printing (both wood and lino) * Paper lithography printing * Home, studio, or school * Teachers and students See More -
Stonehenge Aqua Cold Press Black Heavy PaperSave Up to38%Off list
Starting At: 1.99
…those who live and breathe watercolors to bring a new breed of creativity to light. Key Features: * 100% cotton, Cold press * 300lb (600gsm) * Acid-free and pH neutral * Block or pad * Professional 'crisp' feel * Buckle-Resistant dries flat Perfect For: * Watercolor artists * Many kinds of mediums… 100% Cotton Paper Sized For Watercolor! Black paper is not a new thing, but black 100% cotton paper sized for watercolor is. The paper company Legion worked directly with artists to create a new heavyweight black watercolor paper. Stonehenge Aqua Black Heavy watercolor paper stands up to the most demanding watercolor artists. Each pH neutral, acid-free, lignin-free sheet is made of 100% cotton fiber and dries flat. Available in 300 lb. (600gsm) cold-press 10-sheet pads or 10-sheet blocks. The dark black paper is perfect for metallic and pearlescent watercolors, pencils, pens, markers, and inks. Stonehenge Aqua Black Heavy watercolor paper is an excellent surface for vibrant color, whether you are working wet, dry, blending, or lifting. Black paper is an exciting, new world. Instead of building up shadows, one builds up light. It's a place where negative space is transformed into positive. And while it may be dark, it's a chance for those who live and breathe watercolors to bring a new breed of creativity to light. Key Features: * 100% cotton, Cold press * 300lb (600gsm) * Acid-free and pH neutral * Block or pad * Professional 'crisp' feel * Buckle-Resistant dries flat Perfect For: * Watercolor artists * Many kinds of mediums * Metallic and pearlescent watercolors, pencils, pens, markers, and inks * Blending of colors * Wet on wet, or wet on dry * Lifting techniques * Building up intense color See More -
Strathmore Watercolor PaperSave Up to33%Off list
Starting At: 69.46
…The 140 lb. cold press paper is available in packs of 10 sheets. 300 Series - This popular 140 lb. weight, acid-free Cold press watercolor paper is a favorite for adapting various techniques. Available in a pack of 25 sheets. Key Features: * 140 lb. acid-free paper * Cold press texture *… These watercolor papers adapt to a wide range of techniques! Strathmore Watercolor Papers are acid-free and buffered to neutralize acids absorbed from the atmosphere. Imperial Series - This professional 140 lb. Cold press watercolor paper is known for its hard surface sizing, which supports color lifting and blending. 100% cotton with two deckled edges. Available in a pack of 25 sheets. Gemini Series - Acid-free, neutral pH, 100% cotton sheets with 4 deckle edges. The 140 lb. cold press paper is available in packs of 10 sheets. 300 Series - This popular 140 lb. weight, acid-free Cold press watercolor paper is a favorite for adapting various techniques. Available in a pack of 25 sheets. Key Features: * 140 lb. acid-free paper * Cold press texture * Manufactured to exact specifications Perfect For: * Professionals and students * Any watercolor technique * Any level of expertise See More -
Chelsea Classical Studio Clarified Pale Cold Pressed Walnut OilSave Up to50%Off list
Starting At: 10.48
Thoroughly hand cleaned and purified walnut oil that improves the richness and brightness of white and light oil colors! The Chelsea Classical Medium, Clarified Pale Cold-Pressed Walnut Oil, is cleaned by hand and made with only natural ingredients. This walnut oil is washed by traditional, natural… Thoroughly hand cleaned and purified walnut oil that improves the richness and brightness of white and light oil colors! The Chelsea Classical Medium, Clarified Pale Cold-Pressed Walnut Oil, is cleaned by hand and made with only natural ingredients. This walnut oil is washed by traditional, natural processes that strive to make the palest, cleanest, and most pure walnut oil for artists’ to use. The mucilage and fat is removed, which greatly improves the acidity and drying of the oil. It is then further cleaned by multiple processes that filter out the remaining impurities and unnecessary coloration. This professional-quality walnut oil will not darken, and provides brighter and richer tones and hues in oil colors. Walnut oil is naturally less yellow and dries slower than Linseed oil. For best results, we recommend using it for whites and light colors! What: Hand cleaned and purified Walnut Oil; washed and cleaned by traditional methods. Why: Improves richness and brightness of whites and light colors; dries slower than linseed oil. Where: Made in the USA from Old World Master Techniques * Free of fats and impurities * Use with whites & light colors Key Features:* Handmade from the highest quality ingredients* Increases brightness and richness in tones and hues* For best results, use with whites and light colors* Created through reproducing the methods of the Old Masters* Free of impurities* No harsh chemicals used in production!* Made in the USA from Old World Master Techniques Perfect For:* Improving light colors to be richer* Increasing the brightness of whites* Use with fine oil colors* Material-conscious artists* Professional artists* Use in final works of art* Stretched canvases* Use in studios or professional classrooms Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. Painting fat over lean Artist’s guide to oil painting solvents See More -
Canson Montval Watercolor Blocks and RollsSave Up to33%Off list
Starting At: 9.77
Canson's Montval watercolor paper is naturally surfaced, acid-free with a grain and texture similar to cold pressed papers. Montval has an excellent strength and is recommended for wet techniques in watercolor, gouache and acrylics. Paper expertly bound in 15 sheet blocks, 140 lb. Canson's Montval watercolor paper is naturally surfaced, acid-free with a grain and texture similar to cold pressed papers. Montval has an excellent strength and is recommended for wet techniques in watercolor, gouache and acrylics. Paper expertly bound in 15 sheet blocks, 140 lb. See More -
Arches Watercolor Paper Natural WhiteSave Up to40%Off list
Starting At: 46.50
…acid-free Arches Aquarelle watercolor paper is one of the finest art papers in the world. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed surface is a particular… The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches 100% cotton rag watercolor paper is considered the most popular in the world! Each gelatin-sized sheet has four deckle edges and may be repeatedly erased and over-painted while still maintaining its beautiful surface quality and integrity. Arches watercolor paper is available in all three legendary watercolor paper finishes. Arches watercolor paper has been a favorite among artists for over 500 years, and it's easy to see why! Made from 100% cotton linters and both internally and externally gelatin sized, acid-free Arches Aquarelle watercolor paper is one of the finest art papers in the world. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. 260 lb. is approximately the same weight as 140 lb. paper but in double elephant (available in larger sizes than 22x30"). Key Features:* 100% long rag cotton* Mould-made in France* Available in hot press, cold press and rough grain!* Two natural deckle edges, two torn deckle edges* Acid-free, no optical brightening agents* Natural color* Sized to the core with natural gelatin Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache, and acrylic Arches Watercolor Paper, Natural White Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolour painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More -
Arches Natural White Watercolor RollsSave Up to40%Off list
Starting At: 157.37
…weights and textures. Two deckle edges run along the outside of each roll. Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Available Surfaces: * Hot Pressed * Cold Pressed * Rough Available Styles * D-Arches 51" - 156 lb (356 gsm) * D-Arches 44" - 140 lb… 100% Cotton Strong Character Paper, Rich in Texture Watercolor Rolls Arches Watercolor Paper Is An Acid-Free, 100% Cotton Paper ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing and airbrushing. The 10 yard rolls are offered in a variety of weights and textures. Two deckle edges run along the outside of each roll. Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Available Surfaces: * Hot Pressed * Cold Pressed * Rough Available Styles * D-Arches 51" - 156 lb (356 gsm) * D-Arches 44" - 140 lb (300 gsm) * En-Tout-Cas 52" - 134 lb (280 gsm) 51” Wide 156 lb wt. - Extra wide rolls of D’Arches 100% rag watercolor paper that is approximately 11% heavier than conventional 140 lb (300 gsm) weight paper. Available in all three popular surfaces. 2 deckle edges run along the outside of the roll. En-Tout-Cas 52”, 134 lb wt. - An impressive sheet with 2 deckle edges. This gelatin sized, 134 lb (280 gsm) weight, mould made sheet has a dual surface character. On one side it’s cold pressed for watercolor painting, on the other side, it is rough for ink and drawing. Plus it is 25% cotton. See More -
Fabriano Studio Watercolor Paper Sheets, Pads, & BlocksSave Up to53%Off list
Starting At: 4.88
Now Available In Easy-To-Frame Sizes! Fabriano Studio Watercolor Paper is made of 25% cotton and lignin free cellulose and is available in a lovely cold pressed or hot pressed surface. The paper is sized internally and externally, providing a paper surface that will hold up to vigorous painting… Now Available In Easy-To-Frame Sizes! Fabriano Studio Watercolor Paper is made of 25% cotton and lignin free cellulose and is available in a lovely cold pressed or hot pressed surface. The paper is sized internally and externally, providing a paper surface that will hold up to vigorous painting while guaranteeing optimal absorbance. The paper is made up of 100% of E.C.F. pulp (Elemental Chlorine Free), from responsibly managed forests that are respectful of environmental standards. It is a fantastic sheet for artists at all skill levels seeking high-quality paper at a modest price. Fabriano Studio Watercolor Paper is perfect for watercolor, gouache, tempera, acrylic, ink, charcoal, and drawing. Key Features:* 25% Cotton* Archival quality* Acid-free* Internal and external sizing* 100% elemental chlorine free pulp* Exceptional value and quality* Available in different sizes and bindings* Perfect For:* Watercolorists* Drawing and sketching* Fine artists and students* Artists at all skill levels* Watercolor and gouache* Tempera, acrylic, ink* Charcoal and graphite See More -
Arches Watercolor PadsSave Up to40%Off list
Starting At: 19.89
…of watercolors and gives the paper added strength to withstand erasing and scratching. You can rely on ARCHES® to always be consistent. Key Features: * 100% cotton paper * Made on a cylinder mold in France * Gelatin-sized to the core * 12 sheets, 140 lb / 300 gsm weight * Cold press, hot press and… Perfecting the art of papermaking since 1492! Each ARCHES® Watercolor Pad holds 12 sheets of natural white, 140 lb (300 gsm), 100% acid-free cotton paper. Perfect for Plein air painting and travel, ARCHES® Watercolor Paper is ideal for watercolor, gouache, ink, acrylics, and drawing. Made on a traditional cylinder mold in France, this paper has a balanced natural grain that softens evenly when wet. The long 100% cotton fibers give the paper its strength and a beautiful natural white color. Each sheet is externally and internally gelatin sized "to the core." Gelatin sizing preserves the luster and transparency of watercolors and gives the paper added strength to withstand erasing and scratching. You can rely on ARCHES® to always be consistent. Key Features: * 100% cotton paper * Made on a cylinder mold in France * Gelatin-sized to the core * 12 sheets, 140 lb / 300 gsm weight * Cold press, hot press and rough textures * Natural white color * PH-neutral, gelatin-sized, and air-dried * Acid-free, no optical brightening agents * Fungicidal treatment to prevent the appearance of mildew Perfect For: * Watercolor painting * All wet techniques * Gouache, ink, acrylics, drawing, and printmaking * Repeated erasing and painting * Finished artwork * For traveling or spontaneous with watercolor creativity * Plein aire artists See More -
Jack Richeson Printmaking Supplies & PressSave Up to42%Off list
Starting At: 3.08
Flexible and durable material that makes carving linoleum easy!Jack Richeson's Lino Grip and Clear Carve are the best tools for getting started in printmaking. These products are ideal for students and beginners, but artists of any skill level will enjoy the benefits that these products have. *… Flexible and durable material that makes carving linoleum easy!Jack Richeson's Lino Grip and Clear Carve are the best tools for getting started in printmaking. These products are ideal for students and beginners, but artists of any skill level will enjoy the benefits that these products have. * Clear Carve- Clear Carve from Jack Richeson is a perfect clear surface for carving an image over any image, photo or sketch. Made from flexible and durable material that is easy to carve, Clear Carve wont crack or dry out and eliminates the need for any sort of messy image transfer paper. * Lino Grip- This lightweight linoleum block stop flawlessly holds linoleum in place as you carve better than any piece of wood or metal rest. Compact for easy storage, this slim, flexible, and grippy lino grip is easy to wash and perfect for aiding in the safe use of carving tools. It's great for beginners. Key Features: Made from flexible and durable materials Easy to clean Clear Carve is available in several sizes Easy to carve Speeds up block printing Perfect For: Beginners and students Tracing works of art, photographs and more! Learning the basics of block printing Holding linoleum in place (Lino Grip) Use with carving and other printmaking tools See More -
Gel Press Impressables Embossed Gel Printing PlatesSave Up to10%Off list
Starting At: 17.99
Create fabulous prints for a multitude of creative projects with these gel mono-printing plates! Gel Press Impressables Embossed Gel Printing Plates are the original permanent gel mono-printing plates! Each 7” x 7” gel plate features an embossed pattern designed by Signature Artists Jenn Star and… Create fabulous prints for a multitude of creative projects with these gel mono-printing plates! Gel Press Impressables Embossed Gel Printing Plates are the original permanent gel mono-printing plates! Each 7” x 7” gel plate features an embossed pattern designed by Signature Artists Jenn Star and Sally Lynn MacDonald. The superior quality, non-toxic, and latex free gel surface is reusable and easy to clean with gel hand sanitizer or simple water and a lint free cloth. With proper care these durable, long-lasting mono-printing gel plates will last through many home decor and mixed media projects for years to come! Key Features: * 7” x 7” embossed gel mono-printing plate * Non-toxic & latex free * Reusable plates are easy to clean & store * Durable & long-lasting Perfect For: * Block printing & water-soluble inks * Mixed media applications * Fabric & most paper types * Crafters & DIYers See More -
Fabriano 1264 Watercolor PadsSave Up to33%Off list
Starting At: 4.52
Perfect for all lifting and scrubbing techniques! Fabriano 1264 Watercolor Pads feature 140lb. (300gsm) Cold Press, acid-free, Bright White paper. The paper's Cold Press finish is very forgiving, enabling all lifting and scrubbing techniques while enhancing color vibrancy. Each paper sheet is made… Perfect for all lifting and scrubbing techniques! Fabriano 1264 Watercolor Pads feature 140lb. (300gsm) Cold Press, acid-free, Bright White paper. The paper's Cold Press finish is very forgiving, enabling all lifting and scrubbing techniques while enhancing color vibrancy. Each paper sheet is made using Hydro-Power in Italy and is FSC Certified. Available in spiral-bound (with micro-perforations) and glue-bound (fold-over sheet) format. Fabriano 1264 Watercolor Pads satisfy the needs of student and professional watercolorists. The paper is ideal for watercolor, gouache, and acrylic ink. Key Features: * 140lb (300gsm) weight * Bright White * Cold Press texture * Super color retention and intensity * Spiral-bound or glue-bound pad * Spiral-bound pads have micro-perforated sheets * Glue-bound pads feature fold-over sheets * FSC certified paper * Made in Italy Perfect For: * Watercolor, gouache, and acrylic ink * Bold washes of color * Students and professionals alike * Beginner and classroom use * All watercolor techniques * Lifting and scrubbing techniques * Spontaneous sketching and Plein air work See More -
Bee Rag Paper Cold-Press Watercolor Papers & RollsSave Up to33%Off list
Starting At: 9.48
…acid free, cold pressed watercolor paper! Bee Rag Cold-Pressed Watercolor Paper is archival and made of 100% cotton. The 100% cotton, acid free, cold pressed watercolor sheets are an excellent value. Each Bee Rag Watercolor sheet and roll is milled in Europe. The versatile watercolor paper adapts… 100% cotton, acid free, cold pressed watercolor paper! Bee Rag Cold-Pressed Watercolor Paper is archival and made of 100% cotton. The 100% cotton, acid free, cold pressed watercolor sheets are an excellent value. Each Bee Rag Watercolor sheet and roll is milled in Europe. The versatile watercolor paper adapts to a variety of watercolor techniques. The rough surface is properly sized for maximum wet strength. An often overlooked aspect of Bee watercolor paper is its ability to accept an incredible range of mixed media, both wet and dry. Key Features:* 100% Cotton* Acid free* 140lb. (300 g/m2)* Natural white color* Cold press texture* Milled in Europe Perfect For:* Watercolor, gouache* Pencil, pen & marker* Crayon, charcoal, & pastel See More -
Bee Paper Watercolor Cold-Press Paper PadsSave Up to14%Off list
Starting At: 10.01
Made of archival quality paper, this cold press surface is receptive for watercolor and gouache. The versatile sheet adapts to a variety of watercolor techniques. Well sized rough surface with maximum wet strength. An often overlooked aspect of Bee watercolor paper is its ability to accept an… Made of archival quality paper, this cold press surface is receptive for watercolor and gouache. The versatile sheet adapts to a variety of watercolor techniques. Well sized rough surface with maximum wet strength. An often overlooked aspect of Bee watercolor paper is its ability to accept an incredible range of mixed media, both wet and dry. Key Features: * Acid free * 140lb. (300 g/m2) * Natural white color * Cold pressed, textured * Tape bound pads (16 sheets) Perfect For: * Watercolor, gouache * Pencil, pen & marker * Crayon, charcoal, & pastel See More -
Gel Press Economy BrayersSave Up to10%Off list
Starting At: 8.09
Entry-level hard rubber brayer The Gel Press® Economy Brayers are the perfect tool for rolling out color. You can use the hard synthetic roller with the Gel Press® Monoprinting or Impressables plates. Whether you're using the smooth roller as a burnisher or to roll out paint, it's… Entry-level hard rubber brayer The Gel Press® Economy Brayers are the perfect tool for rolling out color. You can use the hard synthetic roller with the Gel Press® Monoprinting or Impressables plates. Whether you're using the smooth roller as a burnisher or to roll out paint, it's going to help you achieve a successful print. When you're ready to clean up, you can snap the roller out of the handle and rinse it off in the sink. The affordable pricing makes this a great tool to have on hand for printmaking, and it's an excellent entry-level brayer. Key Features: * Durable hard roller * 4" and 6" roller size * Synthetic latex-free rubber * Roller snaps out for easy cleaning * Ergonomic ABS plastic handle reduces hand fatigue Perfect For: * Evenly rolling out paint and ink * Working with Gel Press® Plates * Monoprinting * Burnishing paper against a wet plate * Block printing * Gluing collage papers * Everyday studio use See More -
GOLDEN Pastel GroundSave Up to30%Off list
Starting At: 14.90
…colors Pastel Ground can be used as a toothy, gritty ground for many different media, including: Dry Media:* Soft Pastels* Graphite Pencils* Colored Chalks* Charcoal* Powdered Charcoal Water-based Media: * Water-Soluble Pastels* Colored Pencils* Pastel Pencils* Wax Crayons* Watercolor Pencils*… Acrylic preparation for pastels on canvas and other supports GOLDEN Pastel Ground is an acrylic preparation for pastels on canvas and other supports. It creates a toothy surface similar to papers used with pastel and chalk. For an even rougher texture, Fine or Coarse Pumice Gel can be added. GOLDEN Pastel Ground for Pastel can also be tinted with acrylic colors for colored grounds. (Golden acrylics). GOLDEN Pastel Ground is a 100% acrylic medium designed to prepare surfaces for the application of pastels, charcoal and other art media where a coarse tooth is desired. It contains finely ground sand (silica) in a pure acrylic emulsion. Pastel Ground can be applied to paper, canvas, wood or any primed support. This allows almost limitless applications for media typically confined to standard papers. Key Features:* Sizes: 8oz, 32oz & 1 Gallon* Creates toothy surface similar to papers* Acrylic preparation for pastels* Fine or Coarse Pumice Gel can be added* Can also be tinted with acrylic colors Pastel Ground can be used as a toothy, gritty ground for many different media, including: Dry Media:* Soft Pastels* Graphite Pencils* Colored Chalks* Charcoal* Powdered Charcoal Water-based Media: * Water-Soluble Pastels* Colored Pencils* Pastel Pencils* Wax Crayons* Watercolor Pencils* Acrylic Paints Oil-based Media: * Oil Pastels* Oil Sticks* Paint Sticks* Ink Sticks* Pigment Sticks* Oil Paints GOLDEN Pastel Ground Application Thinning Due to the weight of the solids in Ground for Pastels, it is produced very thick, and does not come ready to brush-apply. Thin 20-40% with water to desired consistency. Application Apply with brush, paint-roller, spray equipment, squeegee or palette knife. Mix up only as much as is needed for one day"s work, as the solids will settle rapidly and be extremely difficult to mix back into suspension. Surface Preparation Non-absorbent surfaces should be abraded for increased adhesion. Prime with GOLDEN Gesso or other suitable primers (depending on substrate). Apply one or more coats of GOLDEN Pastel Ground to achieve the desired tooth. On paper, use heavier weight stock to avoid buckling. Allow ground to fully dry before applying media. Color Additions Pastel Ground can be blended with GOLDEN Acrylic Paints to achieve colored grounds. However, add minimal amounts of color since all additions of paint to Ground will decrease the tooth. GOLDEN High Flow Acrylics and Fluid Acrylics blend easily into the ground without thickening the product. High Load Acrylics have the highest pigment load and therefore provide the most color in the least amount of paint. Unless transparency is desired, select paints that are inherently opaque, such as the Pyrroles or earth colors. This will allow lower additions as well. Airbrushing thin layers of color after the ground has dried will give the strongest saturation of color to the ground without affecting the gritty surface. See More -
GOLDEN Silverpoint / Drawing GroundSave Up to30%Off list
Starting At: 15.27
…coating. The most common substrate for metal point drawing is heavy weight hot pressed watercolor paper. Note: Because lower weight papers are susceptible to buckling from the moisture in the Silverpoint / Drawing Ground, some artists may find taping the edges down will help prevent extensive… Allows greater fineness of line with diverse drawing media Silverpoint, or metal point, drawing as an art form has changed little over the centuries of its distinguished history. Formulated to meet the unique needs of metal point artists, GOLDEN Silverpoint / Drawing Ground offers a metal receptive ground, applicable to a range of drawing supports. Developed for easy application, the ground has a very fluid consistency that will level as it dries. A Single coat of Silverpoint / Drawing Ground provides a smooth, durable surface, ideal for mark making with a silverpoint stylus or other metal, such as brass, gold, copper, or even a steel paperclip. It is a low viscosity fluid that contains high levels of titanium dioxide and prepares surfaces to readily accept marks from a metal stylus.Key Features:* Size: 8oz Bottle* Formulated with 100% acrylic polymer emulsion* Designed for the achievement of fine, detailed lines * Permanent, lightfast* More flexible over time than traditional preparations* Silverpoint / Drawing Ground offers a metal receptive ground* Developed for easy application* Very fluid consistency that will level as it dries* Provides a smooth, durable surface* Allows greater fineness of line with diverse drawing media such as graphite, colored pencil, ink, and some markers The artist working in silverpoint today has an intimate connection to the work of such revered artists as da Vinci and Rembrandt, as well as more recently, Picasso and Joseph Stella. As tiny particles of metal are left behind on a slightly abrasive ground, metal point drawing offers the ability to achieve lasting, exquisitely detailed lines that won't smudge. If different types of metal are used within a piece, over time oxidation of the different metals will impart subtle shifts in the tonality of the lines. As the time honored art form of metal point drawing experiences a resurgence, Golden Artist Colors responds to the requests of practicing artists by introducing Silverpoint/Drawing Ground. Designed for the achievement of fine, detailed lines, Silverpoint/Drawing Ground is permanent, lightfast and more flexible over time than traditional preparations. While many artists enjoy the fineness of line and delicate qualities achieved with a metal stylus on Silverpoint/Drawing Ground, the scope of this product should not be limited to a singular use. When used as a general drawing ground, other media may be intermixed with metal point drawing or used alone to create new effects. It is possible to adjust the absorbent qualities of substrates with Silverpoint/Drawing Ground. By putting a very thin layer of the ground over the entire surface, the substrate's absorbency is decreased. This allows greater fineness of line with Perse drawing media such as graphite, colored pencil, ink, and some markers. In addition, small amounts of other GOLDEN Fluid Acrylic colors can be added to this ground for tinting purposes without a significant drop in performance. GOLDEN SILVERPOINT/DRAWING GROUND APPLICATIONS GOLDEN Silverpoint / Drawing Ground is designed for thin applications only. When applied too thickly the film may crack upon curing. A single thin coat is typically sufficient. Silverpoint / Drawing Ground can generally be tinted with a maximum of 15% GOLDEN Fluid Acrylics without negatively affecting its performance It can be brush or spray applied to paper, primed canvas, wood or any surface that will accept a water-based coating. The most common substrate for metal point drawing is heavy weight hot pressed watercolor paper. Note: Because lower weight papers are susceptible to buckling from the moisture in the Silverpoint / Drawing Ground, some artists may find taping the edges down will help prevent extensive warping. Artist Testimonial and Review Great Medium--Just Apply It Quickly! "This medium sets up very quickly, and can be colored with acrylic paint if desired. Ensure that a less absorbent paper or surface is used, as you will have more time to apply it before it dries (you will also use less of it). Great product-I will definitely purchase this again." See More -
Fluid Watercolor Paper PadsSave Up to35%Off list
Starting At: 6.68
Quality Cold Press Watercolor Paper Fluid™ Watercolor Paper is an acid-free, 140lb paper perfect for watercolors, colored pencils, pastels, acrylic washes, and more! The paper is made by milling small batches of alpha-cellulose very slowly. Each Fluid sheet is crafted in a European mill… Quality Cold Press Watercolor Paper Fluid™ Watercolor Paper is an acid-free, 140lb paper perfect for watercolors, colored pencils, pastels, acrylic washes, and more! The paper is made by milling small batches of alpha-cellulose very slowly. Each Fluid sheet is crafted in a European mill that has been making fine art papers since 1618. The paper machine runs very slowly to create a more robust watercolor paper that is stronger. High-quality watercolor paper in easy-to-use pads! Key Features: * 140 lb (300 GSM) cold press paper * Archival and acid-free * 20 sheets per pad * Made with high-quality alpha cellulose * Crafted in a 400-year-old European mill Perfect For: * Watercolors and mixed media * Fine artists * Colored pencil, pastel, and light acrylic washes * Artists, students, studios, classrooms and teachers See More -
QoR Watercolor Mediums & GroundsSave Up to40%Off list
Starting At: 6.77
…is applied to the surface and improves the lifting of watercolors. May be applied to paper before painting or between washes. * Watercolor Ground (237 ml) - Watercolor Ground is an acrylic primer that creates a porous surface similar to hot press paper on many different materials, including canvas… QoR Watercolor Mediums & Grounds Expand the abilities of your watercolors! Designed to perform effortlessly with QoR Watercolors, these watercolor mediums exist to expand the abilities of any watercolor paint. Included in this line of watercolor mediums are an array transformation possibilities, such as the Light Dimensional Ground, which turns watercolors into a paste-like substance for added texture, or the Lift Aid, which awards artists the ability to lift watercolors, even after they have dried. Made with top quality materials, QoR Watercolor Mediums are sure to impress watercolorists of any skill level! * Synthetic Ox Gall (59 ml) - Synthetic Ox Gall is a wetting agent that improves the flow of watercolors. Adding 2-5 drops to your water makes paints easier to apply and blend when creating washes. Wetting paper with the water/Synthetic Ox Gal mixture will assist in creating clean, uniform washes and improves wetting on hard sized papers. * Watercolor Medium (59 ml) - Watercolor Medium is a general all-purpose medium used to increase the transparency and flow of watercolors. If used in larger amounts it will also increase the gloss and saturation of the colors. * Lift Aid™ (118 ml) - Lift Aid™ is a fluid medium that is applied to the surface and improves the lifting of watercolors. May be applied to paper before painting or between washes. * Watercolor Ground (237 ml) - Watercolor Ground is an acrylic primer that creates a porous surface similar to hot press paper on many different materials, including canvas and panels. It dries to an absorbent, lightfast and flexible surface that can endure repeated lifting and scrubbing. Allows for a full range of watercolor techniques, including wash and staining effects. It can also be brushed on to return stained areas to an absorbent white surface. * Light Dimensional Ground (237 ml) - Light Dimensional Ground is a white, lightweight paste that can be spread like frosting. It can be applied smooth and thinly, or built up to create ridges, peaks and other interesting textures. The extremely absorbent surface of Light Dimensional Ground allows color washes to spread quickly, yet allows the artist to create fine lines and detail as well. Dropping color into lightly wetted areas can create beautiful blooms. Creativity & Control The concept of QoR Watercolors does not end with colors. Like every product that comes from GOLDEN, the idea of equipping artists to realize their creative vision inspires our products. QoR Mediums help extend and enhance the creative range and control of watercolors, whether the objective is modulating colors through lifting with Lift Aid™, extending colors to their most distant point with Watercolor Medium, or unleashing the flow of colors with Synthetic Ox Gall. Where our mediums carry forward traditional painting techniques QoR Grounds brings a totally new wave of expression to watercolors. Watercolor Ground quickly transforms nearly any surface into an absorbent bright white painting surface similar to hot-press papers, while Light Dimensional Ground transforms the surface with texture to a lustrous modeled surfaces that you design. See More -
GOLDEN Absorbent GroundSave Up to30%Off list
Starting At: 14.90
…GOLDEN Absorbent Ground is an acrylic liquid surfacing medium that can be used to create a porous, paper-like surface on many different substrates. Applied over gessoed canvas, the Absorbent Ground allows for raw canvas-like staining on a protected substrate. It also allows watercolors to be used on… Create a porous, paper-like surface on many different substrates GOLDEN Absorbent Ground is an acrylic liquid surfacing medium that can be used to create a porous, paper-like surface on many different substrates. Applied over gessoed canvas, the Absorbent Ground allows for raw canvas-like staining on a protected substrate. It also allows watercolors to be used on canvas. It is uniquely formulated for unsurpassed absorbent action when dry. Key Features:* Sizes: 8oz, 16oz, 32oz & 1 Gallon* Create a porous, paper-like surface on many different substrates* Applied over gessoed canvas* Lightfast, permanent, and flexible* Allows watercolors to be used on canvas* Unsurpassed absorbent action when dry* Opaque acrylic primer for water media See More -
Rembrandt Black Watercolor BlocksSave Up to25%Off list
Starting At: 20.96
…ensure perfect water absorption and optimal color lifting. All four edges of the watercolor block are glued together to prevent the top sheet from curling and buckling as you paint. Key Features: * Black, cold press paper * 10 sheets per block * 140lb (360gsm) * All four sides glued * Acid-free and… Create Bold Paintings on Black Watercolor Paper! Rembrandt's Black Watercolor Paper Blocks are ideal for creating bold, vibrant paintings against a dark background. Gouache and highly opaque watercolors naturally stand out on the black paper. Each sheet is made of acid-free cellulose and is sized internally and externally to ensure perfect water absorption and optimal color lifting. All four edges of the watercolor block are glued together to prevent the top sheet from curling and buckling as you paint. Key Features: * Black, cold press paper * 10 sheets per block * 140lb (360gsm) * All four sides glued * Acid-free and lignin-free cellulose * Internally and externally sized Perfect For: * Wet and dry media * Watercolor, gouache, acrylic, and ink * Optimal color lifting * Professional artists * Travel paintings See More -
Crescent Cold Pressed Illustration BoardsSave Up to33%Off list
Starting At: 5.58
…Frame-ready sizes* Cold press illustration paper mounted to rigid board* pH neutral acid-free surface* Holds paint media well * Warp resistant* No.99 Board 14-Ply, White, University Grade, Cold Press (1.4 mm) thick* No.300 Board 16-Ply, White, Professional Grade, Cold Press (1.4 mm) thick* No.310… High-quality acid-free paper mounted to a rigid core Crescent Illustration Boards are made by mounting quality paper to a rigid board. The cold press boards are perfectly textured to hold art media without pigments flaking off. The surface is acid-free, helping you to preserve your best work for a lifetime. You can use Crescent Illustration Boards with all kinds of media, but the surface works best with graphite pencils, colored pencils, and ink. Key Features:* Frame-ready sizes* Cold press illustration paper mounted to rigid board* pH neutral acid-free surface* Holds paint media well * Warp resistant* No.99 Board 14-Ply, White, University Grade, Cold Press (1.4 mm) thick* No.300 Board 16-Ply, White, Professional Grade, Cold Press (1.4 mm) thick* No.310 Board 14-Ply, White, Professional Grade, Cold Press (1.3 mm) thick Perfect For:* Graphite pencils, colored pencils, and pastels* Alcohol and water-based markers* Acrylic and gouache paint* Pen and ink* Light collage 99 Illustration Board, Warm White: Crescent's most popular illustration board. The warm white drawing surface is student grade, best for pencils, colored pencils, pastels, ink, and light collage. Warp resistant, acid-free, white. 14-Ply and 0.055" (1.4 mm) thick 300 Professional All-Purpose Grade Illustration Board: This all-purpose professional-grade illustration board features a warm white premium surface and medium-weight construction. Best for pencils, colored pencils, pastels, pen and ink, airbrush, washes, and wet media. Also good for light collage. Warp resistant. Each board is 16-ply and 0.055" (1.4 mm) thick 310 Professional Grade Illustration Board with 100% Rag Surface: Featuring a 100% rag surface and medium weight construction, this professional grade illustration board is best for airbrush, acrylic washes, pastels, and mixed media. Crescent No. 310 Illustration Board is a medium-weight, professional grade board with a medium textured, 100% rag, acid-free surface. Each board is 14-ply and 0.050" (1.3 mm) thick. Also good for colored pencils, graphite, and watercolor. Warp resistant. Thickness Medium (0.05-0.06) See More -
Chelsea Classical Studio Clarified Extra Pale Cold Pressed Linseed OilSave Up to50%Off list
Starting At: 10.48
…coloration caused by impurities is removed. Cold-Pressed Linseed Oil is traditionally known as the best extracted linseed oil, as opposed to pressing extractions by heat or chemicals. This professional-quality linseed oil will not darken like traditional linseed oils and provides brighter and… Meticulously handcrafted Extra Pale Linseed Oil that will darken and yellow less unlike traditional linseed oils! Brighten Up Your Paintings - The Chelsea Classical Medium, Clarified, Pale, Cold-Pressed Linseed Oil undergoes a multitude of steps and processes to achieve its professional level of purity. This linseed oil is washed and de-yellowed by traditional, natural processes that strive to make the palest, cleanest pure linseed oil for artists’ use. Washing the oil and filtering it with natural minerals, the mucilage and fat is removed which greatly improves the acidity and drying of the oil, and the unnecessary coloration caused by impurities is removed. Cold-Pressed Linseed Oil is traditionally known as the best extracted linseed oil, as opposed to pressing extractions by heat or chemicals. This professional-quality linseed oil will not darken like traditional linseed oils and provides brighter and richer tones and hues when used with oil colors. Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. What: The palest, cleanest pure linseed oil available to artists; washed and de-yellowed by natural processes. Why: Won't darken like other linseed oils; washed and filtered to remove impurities- improves acidity and drying of oil. * Handmade using finest quality ingredients * Created with Old Masters methods * Made in the USA from Old World Master Techniques Key Features: * Handmade from the highest quality ingredients * Dries quickly * Will darken and yellow less unlike traditional linseed oils * Created through reproducing the methods of the Old Masters * Free from impurities * No harsh chemicals used in production! Perfect For: * Decreasing average drying time * Use with fine oil colors * Material-conscious artists * Professional artists * Use in final works of art * Creating a strong, flexible surface! * Stretched canvases * Use in studios or professional classrooms Read Blog Article A Truly Revolutionary Bright Idea for Oil Colorists - Brighten Up Your Paintings The Chelsea Classical Medium Clarified Pale, Cold-Pressed Linseed Oil undergoes a multitude of steps and processes to achieve its professional level of purity. This linseed oil is washed and de-yellowed by traditional, natural processes that strive to make the palest, cleanest pure linseed oil for artists’ use. Revolutionary Bright Idea for Oil Colorists Painting fat over lean See More -
Gamblin Cold Wax MediumsSave Up to40%Off list
Starting At: 8.40
…variety of textures within a painting What is Cold Wax Painting? Cold Wax Painting is any type of painting that heavily utilizes Cold Wax Medium into oil colors. In its own way, Cold Wax Painting blurs the line between oil painting and encaustic painting. Cold Wax Painting It’s a rare occurrence for… Makes oil colors thicker and more matte Gamblin Cold Wax Medium a mixture of natural beeswax (wax pastilles), Gamsol and a small amount of alkyd resin. The term “cold” in Cold Wax Medium and Cold Wax Painting refers to the fact that heat is not required for working with this wax medium – as it dries by solvent evaporation (Gamsol), rather than the cooling of the wax, as in encaustic painting. As the Gamsol evaporates out of the medium, the soft wax hardens to the density of a beeswax candle. Unlike other Gamblin painting mediums, which increase the flow and gloss of oil colors to varying degrees, Cold Wax Medium makes oil colors thicker and more matte. It has a “short” characteristic and gives a clean break off of the brush or knife, retaining the sharp peaks of impasto. These working properties allow for expressive brushmarks and the ability to carve into paint layers with palette knives. Cold Wax also gives oil colors a beautiful translucent quality, similar to the seductive surfaces of encaustic paintings. * Cold Wax - Made from natural white unbleached beeswax.* Mix directly into colors* Cold Wax creates an ultra-thick, matte impasto* For greater shine and flexibility mix with Galkyd medium* Excellent in creating a variety of textures within a painting What is Cold Wax Painting? Cold Wax Painting is any type of painting that heavily utilizes Cold Wax Medium into oil colors. In its own way, Cold Wax Painting blurs the line between oil painting and encaustic painting. Cold Wax Painting It’s a rare occurrence for one specific painting medium to have a whole genre of painting associated with it, but Cold Wax Medium is one such medium. Cold Wax Painting is not defined by subject matter nor the degree of realism or abstraction, Cold Wax Painting is unified by artists’ shared interest in experimentation, texture and the physicality of paint layers. See More -
Gamblin Oil Painting GroundSave Up to40%Off list
Starting At: 15.00
…coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than… Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More -
Williamsburg Titanium Oil GroundSave Up to30%Off list
Starting At: 33.66
Prepare your surface before painting Williamsburg Titanium Oil Ground is an oil ground made with Titanium Dioxide and marble dust for the desired amount of tooth and absorbency. Ground in 100% alkali-refined linseed oil. Contains no zinc or alkyd. Just the right amount of tooth and absorbency.… Prepare your surface before painting Williamsburg Titanium Oil Ground is an oil ground made with Titanium Dioxide and marble dust for the desired amount of tooth and absorbency. Ground in 100% alkali-refined linseed oil. Contains no zinc or alkyd. Just the right amount of tooth and absorbency. Combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting and dry to a semi-absorbent, satin finish. Key Features:* Size: 16oz & 32oz cans* Made with Titanium dioxide and marble dust * Spreads well, lays nicely, and dries quickly* Non toxic* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Instructions & Videos:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRY TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? See More -
Gamblin Ground and Gesso BladesSave Up to40%Off list
Starting At: 7.80
Makes Gesso Application & Clean-up A Breeze Gamblin Ground and Gesso Blades get the job done right in a fraction of the time with less mess and no waste. You can use the blade to easily prime panels and canvases with acrylic gesso. The clean blade-edge promotes even application from… Makes Gesso Application & Clean-up A Breeze Gamblin Ground and Gesso Blades get the job done right in a fraction of the time with less mess and no waste. You can use the blade to easily prime panels and canvases with acrylic gesso. The clean blade-edge promotes even application from edge-to-edge, even on the sides of your canvas or panel. The blades are an absolute joy to use. They save you time, help create a better surface, and dramatically reduce the environmental impact of preparing surfaces. On the back of the packaging, you will find a QR code that links to a video on how to use the blade and additional helpful tips on preparing substrates. Key Features: * Made of 100% recycled material * 4" and 5" blade available * Ergonomic design * Easy to clean * Made in USA Perfect For: * Ground and gesso application * Shaping gesso texture * Smooth edge-to-edge application * Making clean-up a breeze * A more sustainable option See More -
El Greco Professional Absorbent Ground Canvas RollsSave Up to65%Off list
Starting At: 45.99
…into the priming for dramatic images with all thinned and water-based media. Use it to create watercolor effects with acrylics, paint "fresco" style with egg tempera or traditional opaque watercolors, and apply a wide variety of mixed media applications with chalks, charcoal, pastels, decorative… Three hand-applied coats of an extraordinary family recipe of gesso priming! The use of Cotton instead of Linen provides a more genuine character for this unique canvas-making process. El Greco from Belle Arti is an exquisite Italian made professional canvas roll that has a more generous surface allowing colors to move into the priming for dramatic images with all thinned and water-based media. Use it to create watercolor effects with acrylics, paint "fresco" style with egg tempera or traditional opaque watercolors, and apply a wide variety of mixed media applications with chalks, charcoal, pastels, decorative papers, and whatever else you can imagine. El Greco has three hand-applied coats of an extraordinary family recipe of gesso priming to provide a softer feel, more absorbent surface, and incredible, beautiful natural surface on beefy, firm, tight weave Cotton. It is like no other canvas we have ever seen. Key Features:* 17.3 oz. Heavyweight Primed Cotton* 490 gram, tight, medium grain cotton duck* More absorbent surface* 3 hand-applied coats, gesso priming* Beautiful non-mechanical hand primed surface* Beefy, firm, tight weave cotton Perfect For:* For quicker drying oil color paintings* Superb for watercolors and thinned acrylics* A wide variety of mixed media applications* Create watercolor effects with acrylics* Painting "fresco" style See More -
Gel Press Reuseable Gel Printing PlatesSave Up to10%Off list
Starting At: 8.09
…creative possibilities are endless with these reusable gel mono-printing plates! Polygel Gel Press Printmaking Plates allow artists to create beautifully detailed mixed media artwork and craft projects, no press needed! A super sensitive, nontoxic gel surface picks up the finest details making it… The creative possibilities are endless with these reusable gel mono-printing plates! Polygel Gel Press Printmaking Plates allow artists to create beautifully detailed mixed media artwork and craft projects, no press needed! A super sensitive, nontoxic gel surface picks up the finest details making it easy to play with textures and layers. These nontoxic, latex-free gel printing plates are easy to clean, reusable and can be stored at room temperature. A minimal mess, low maintenance alternative to traditional monoprinting, these Gel Press Printmaking Plates are great for all artists, from budding artists to professionals! Key Features: * Vegan gel plates require no press * Reusable and nontoxic * Ultra-sensitive surface prints the finest details * Easily cleaned and can be stored at room temperature Perfect For: * Acrylic paint and ink * Printmaking and water-soluble inks * Mixed media artists * Family art projects * Professional or budding printmakers * Printing on thick art papers See More
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