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|
Colour Index |
PY 31 |
|
Drying Speed |
Average |
|
Lightfastness |
Excellent |
|
Tint Power |
Opaque, Slightly Transparent / Low |
|
Oil Content |
Linseed Oil, Low |
|
Toxic |
Yes, Contains Barium & Chrome |
|
Conforms To |
ASTM D-4236 |
Sometimes known as Barium Yellow, as this is Barium Chromate. It was introduced into painting after the Lead Chromates, circa 1820. Unlike Lead Chromates, Barium has proved to be permanent and non-reactive. Often considered to be obsolete, I am probably the only colourman to make it. By itself an acidic looking yellow with weirdly green overtones, its low tint and covering power facilitates mixes with Magenta and the cooler reds, producing beautifully modulated greys sought in certain passages of flesh painting. The only yellow chrome colour which does not discolour.
|
Colour Index |
PY 31 |
|
Drying Speed |
Average |
|
Lightfastness |
Excellent |
|
Tint Power |
Opaque, Slightly Transparent / Low |
|
Oil Content |
Linseed Oil, Low |
|
Toxic |
Yes, Contains Barium & Chrome |
|
Conforms To |
ASTM D-4236 |
Sometimes known as Barium Yellow, as this is Barium Chromate. It was introduced into painting after the Lead Chromates, circa 1820. Unlike Lead Chromates, Barium has proved to be permanent and non-reactive. Often considered to be obsolete, I am probably the only colourman to make it. By itself an acidic looking yellow with weirdly green overtones, its low tint and covering power facilitates mixes with Magenta and the cooler reds, producing beautifully modulated greys sought in certain passages of flesh painting. The only yellow chrome colour which does not discolour.
|
Colour Index |
PY 31 |
|
Drying Speed |
Average |
|
Lightfastness |
Excellent |
|
Tint Power |
Opaque, Slightly Transparent / Low |
|
Oil Content |
Linseed Oil, Low |
|
Toxic |
Yes, Contains Barium & Chrome |
|
Conforms To |
ASTM D-4236 |
Sometimes known as Barium Yellow, as this is Barium Chromate. It was introduced into painting after the Lead Chromates, circa 1820. Unlike Lead Chromates, Barium has proved to be permanent and non-reactive. Often considered to be obsolete, I am probably the only colourman to make it. By itself an acidic looking yellow with weirdly green overtones, its low tint and covering power facilitates mixes with Magenta and the cooler reds, producing beautifully modulated greys sought in certain passages of flesh painting. The only yellow chrome colour which does not discolour.
Harding’s dedication to using only the highest pigment loads and pure ingredients (without the use of artificial driers, extenders, or fillers) gives artists working qualities unlike any other oils, making their work stand out in a room full of paintings. The consistency is creamy, buttery, and easy to handle.
| UPC | 5060154040340 |
|---|---|
| Color | Lemon Yellow |
| Series | Artist, Professional |
| Format | Tube |
| Pigment | PY31 |
| Size | 40 ml |
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