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Old Holland Classic Pigment Titanium White 110gSave Up to40%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Sennelier Artist Dry Pigments Gold Ochre 110 gramsSave Up to37%Off listGold An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Rembrandt Watercolor Block 140lb Cold Press - Black, 7.9"x11.7"Save Up to40%Off listWhite Create Bold Paintings on Black Watercolor Paper! Rembrandt's Black Watercolor Paper Blocks are ideal for creating bold, vibrant paintings against a dark background. Gouache and highly opaque watercolors naturally stand out on the black paper. Each sheet is made of acid-free cellulose and is sized internally and externally to ensure perfect water absorption and optimal color lifting. All four edges of the watercolor block are glued together to prevent the top sheet from curling and buckling as you paint. Key Features: * Black, cold press paper * 10 sheets per block * 140lb (360gsm) * All four sides glued * Acid-free and lignin-free cellulose * Internally and externally sized Perfect For: * Wet and dry media * Watercolor, gouache, acrylic, and ink * Optimal color lifting * Professional artists * Travel paintings See More
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Reflexions Watercolor Journal 5.91X9.45In 140lb. Cold Press 48 PagesSave Up to63%Off listBlue Let Your Imagination Flow Brilliantly! Acid free paper with a clean white appearance for beautiful results. Lays Completely flat Great paper is always important to achieve better results no matter what your skill level is! That's why we recommend you use Reflexions Watercolor Journals. These journals feature an acid free paper with a clean white appearance, a beautiful cold pressed fine texture and heavy tub and external sizing to allow ink and paint to sit up nicely on its surface. The results are beautiful and vibrant! Beefy enough to handle watercolors, thinned acrylics, acrylic inks, spray colors, markers. Lays Completely flat for working two-page spreads! Key Features:* 300 gram (140lb imperial) Weight* Acid-Free Paper* Cold Pressed Fine Texture Soft White Color* Special Deluxe Premium Smyth Sewn Books secures 24 sheets* Lays Completely flat for working two-page spreads* Clean white appearance* Heavy covered board cover and back with inside pocket* Elastic strap to keep books from opening between uses* Fine perforation allowing it to be removed without harming the artwork Perfect For:* Keeping books from accidentally opening when traveling with an elastic cover band.* Accepts all well media well because of vat and external size.* Creating all types of mixed media works. * Working two-page spreads that are wonderful for depicting cityscapes, seascapes and landscapes* Beefy enough to handle watercolors, thinned acrylics, acrylic inks, spray colors, markers* All types of watercolor painting, graphic and fashion designs and mixed media works* The 300 gram weight (140lb Imperial) is beefy enough to handle watercolors, thinned acrylics, acrylic inks, spray colors, markers and other wet media and works wonderfully with fine line pens, graphite, crayon, oil pastel, standard colored pencil and watercolor pencil. Use to create all types of watercolor painting, graphic and fashion designs and mixed media works. Books feature special deluxe Smyth sewing which not only secures all 24 sheets inside but allows the book to layout completely flat for working two-page spreads that are wonderful for depicting cityscapes, seascapes and landscapes. Books feature heavy covered board cover and back with inside pocket and elastic strap to keep books from opening between uses. Each sheet has a fine perforation allowing it to be removed without harming the artwork. See More
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Strathmore Paper Roll 300 Series Charcoal 36"x10yd RollSave Up to33%Off list…paper. Ideal for use with pencil, colored pencil, charcoal and sketching stick. Paper weight is 70 lb.* 400 Series Watercolor-Â Heavy weight, cold-press, natural-white watercolor paper that will allow lifting and scraping applications. Features deckled edges with a weight of 140 lb.* 400 Series… Create artwork on any size and any shaped paper with these Strathmore rolls! Strathmore's specialty grade paper rolls provide artists with the convenience and flexibility of creating without size or scale limitations. Perfect for either practice of techniques or finished artwork, depending on roll.* 400 Series Drawing-Â Smooth, medium weight, cream colored drawing paper. Ideal for use with pen and ink, pencil, charcoal, crayon, and markers. Paper weight is 80 lb.* 300 Series Bristol-Â Smooth, stiff, illustration paper. This high quality bristol is ideal for mechanical drawing, marker, airbrush, pencil or pen. Bristol weight is 100 lb.* 300 Series Drawing- Medium weight, student-grade drawing paper. Ideal for use with pencil, colored pencil, charcoal and sketching stick. Paper weight is 70 lb.* 400 Series Watercolor-Â Heavy weight, cold-press, natural-white watercolor paper that will allow lifting and scraping applications. Features deckled edges with a weight of 140 lb.* 400 Series Toned Sketch Paper-Â Medium weight, 100% recycled, acid-free sketch paper in shades of cool gray or warm tan. Toned paper weight is 80 lb.* 300 Series Newsprint Rough-Â A heavier weight, natural-toned newsprint for practicing sketching and drawing. Rough surface readily accepts graphite, colored pencil, charcoal, and sketching sticks. Newsprint weight is 32 lb.* 300 Series Bristol Vellum-Â Good for graphite, colored pencil, charcoal, sketching sticks, mixed media, airbrush, and oil pastel. Bristol weight is 100 lb.* 300 Series Charcoal- This laid finish, traditional white, strong surface is ideal for charcoal or pastel. Also suitable for graphite, colored pencil, sketching sticks, crayon, and oil pastel. Paper weight is 64 lb.* 400 Series Drawing Smooth-Â Cream-colored drawing paper ideal for graphite, colored pencil, pen and ink, and marker. Designed to be ideal for sketching, it is heavy enough for most finished drawings. Paper weight is 80 lb.* 400 Series Layout Bond-Â Crisp, smooth surface is ideal for rough drawings or finished layout renderings in pencil, pen, or marker. Paper weight is 16 lb.* 400 Mixed Media- This Mixed Media roll features a vellum surface, combining characteristics of watercolor paper with a drawing sheet finish. Used for studies or finished art in watercolor, gouache, acrylics, graphite, pen and ink, colored pencil, marker, pastel, or collage. Paper weight is 140 lb.* 400 Series Recycled Drawing-Â Medium surfaced, bright white paper is good for graphite, colored pencil, charcoal, sketching sticks, marker, pen and ink, and soft or oil pastels. 30% post consumer fiber. Paper weight is 80 lb.* 400 Series Recycled Sketch-Â Fine-toothed sketch paper is ideal for experimentation, perfecting techniques, and preliminary drawings with all dry media. 30% post consumer fiber. Paper weight is 60 lb. See More
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