Your Cart
SLI Search Template
Related Categories: Soft Pastel Sets | Davinci Brush Sale And Free Brush Offer | Watercolor Art Brushes | 2" Brush | Pearl Acrylic Paint | Watercolor Brushes On Sale | Watercolor Box Set | Sticks
There were no results that contained all of the words in your query. These results contain some of the words.
-
Amsterdam Expert Acrylic, Cadmium Yellow Deep 400ml JarSave Up to42%Off listYellow Heavy body professional series acrylics made with exclusive high-quality pigments Amsterdam Expert Series Acrylics from Royal Talens is a heavy-body acrylic that is next level in quality offering unrivaled color intensity and lightfastness. Talens incorporates into the Expert Series maximum pigmentation and lightfastness in a heavy-bodied professional acrylic that is has a soft satin finish, provides optimal brush stroke, great texture and is easily applied with a palette knife. These heavy-bodied, professional series acrylics are the result of pure craftsmanship and is made of the best ingredients. Talens uses real cadmium and cobalt for true color mixing and incredible lightfastness. Most colors are single pigment colors, providing the cleanest and truest acrylic color possible. Talens was the first to perfect a clear, strong plastic tube, giving you the ability to see the pigment-packed colors inside. Besides the ability to quickly choose colors by the tube, they offer a great value for the money lowering production costs. Tubes are sturdier for travel and lighter weight for toting. Adheres to virtually any slightly porous surface, including canvas, paper, cardboard, wood, stone, and cement. Key Features: * 70 intense, vibrant colors * High viscosity professional paint * Recyclable tubes and jars * Heavy body, professional series acrylic * Real cobalt and cadmium colors! * 100% acrylic resin binder * Highest degree of lightfastness * Made with high concentrations of artist-quality pigments * Odorless, water-based formula that becomes waterproof and permanent when dry * Proudly crafted in the Netherlands on triple roll mills Perfect For: * Professional Acrylic Artists * Acrylic and mixed media painting * Serious students and instructors * Excellent for palette knives * Vibrant, easy color mixing * Adheres to virtually any slightly porous surface, including canvas, paper, cardboard, wood, stone and cement * Heavy-bodied professional color that provides optimal brush stroke and is easily applied with a palette knife Expert Acrylics Set of 6 - 20ml: This set contains 6, 20 ml tubes, including one each of Burnt Umber, Pyrrole Red, Permanent Green Deep, Permanent Lemon Yellow, Titanium White, and Ultramarine. A color chart is also included with the set. Expert Acrylics Set of 12 - 20ml: This set contains 12, 20 ml tubes, including one each of Burnt Sienna, Burnt Umber, Permanent Blue Violet, Permanent Green Deep, Permanent Lemon, Permanent Yellow Medium, Phthalo Blue, Pyrrole Red, Titanium White, Ultramarine Blue, Vermilion, and Yellow Ochre. A color chart is also included with the set. See More
-
Sennelier Trendy Colors, Watercolor Ink Brush Set of 6Save Up to45%Off listAssorted Colors Water-dilutable ink brushes ideal for urban sketching! Innovative Sennelier Ink Brush Pens feature vivid, environmentally friendly, water-soluble, pigmented inks. Each brush tip is made of synthetic fibers that mimic a traditional watercolor brush, allowing for more constant and fluid stokes. With the brush tip, you can create various line thicknesses essential for different hand lettering and calligraphy techniques. The slender pen barrel allows you to hold the pen during long painting sessions comfortably. All of the water-based, pigmented inks are vivid and environmentally safe. Each ink pen is color-matched to one of Sennelier's famous watercolors, which allows you to seamlessly use the brush pens with your traditional watercolor pans or tubes. It's easy to travel with Sennelier Ink Brush Pens, making them perfect for the Plein air watercolorist or urban sketcher! Key Features: * Pigment-based ink exclusive to Sennelier * Environmentally friendly * Water-dilutable ink brushes * Synthetic fiber brush tips * Precise tip, smooth flow * Work harmoniously with watercolors * Designed by Yves-Marie Salanson Perfect For: * Fluid color application * Creating extremely fine or wide lines (up to 10mm) * Continuous ink flow * Hand lettering and calligraphy techniques * Plein air painting * Urban sketching * Travel The Trendy color set includes the colors Lemon Yellow, Primary Red, Cobalt Blue, Yellow Green, Burnt Umber, and Ivory Black. The Iridescent color set includes the colors Lemon Yellow, Pink Orange, Ultramarine, Magenta, Black, and Silver. See More
-
Lefranc & Bourgeois Flashe Vinyl Paint - Vermilion Red, 400 ml JarSave Up to30%Off listRed Highly Pigmented Opaque Vinyl Paint On All Supports Lefranc & Bourgeois's FLASHE is a vinyl-based opaque paint that dries to a uniform, velvety matte finish. Vinyl paint is like acrylic in that you can use it on different surfaces, but FLASHE has a velvety matt finish and can be painted on glass and plastic without a primer, unlike acrylic. Special properties in the paint allow you to apply the same color to different surfaces without any big color shift, and you can dilute the paint with water to create wash effects. The paint adheres well and is resistant to weather, which makes it perfect for painting theatre decorations, faux finishes, frescos, and more. All FLASHE colours have a distinctive matt finish, except the iridescent colours, which have a luminous, satin finish due to their pearlescent pigmentation. Key Features: * Highly pigmented opaque vinyl paint * Radiant colour, matt finish, and exceptional durability * High-quality pigments specially selected for fine art * Identical color finish on all surfaces * It can be heavily diluted without breaking the film * Guaranteed to be 100% stable over time * Most surfaces do not need to be primed Perfect For: * Artists and illustrators * Non-oily painting surfaces, canvas, wood, fabric, leather, metal, paper, plastic, glass, and polystyrene * Creating transparent wash effects and patinas * Use as an undercoat for oil or acrylic murals * Transferring artwork from analog to digital * Spontaneous painting in the studio or outdoors * Fresco and wall painting, faux finishes, theater decorations, and more * Brush, sponge, spray gun, or an airbrush application FLASHE Colours have a uniform 30-minute drying time, and once dry, they are water-resistant. You can only remove the paint with alcohol-based solvents. Apply opaque colours with a single application, semi-opaque colours with two applications, and transparent colours with three to four applications. Watercolour: To create washes and patinas, dilute with between 1/3 and 2/3 water as desired. Varnish: Matt varnish can be applied on top to maintain the vibrancy of the colour without altering the shade. Gloss varnish will make shades a tone deeper and more vivid. Varnish is recommended for all outside applications. See More
-
Liquitex Basics Acrylic Paint Cadmium Orange Hue 400mlSave Up to47%Off listOrange BASICS is for all - from those new to painting, to experienced artists! Liquitex BASICS Acrylic Paints, developed for students and artists that need dependable quality at an economical price. Liquitex BASICS paints have a medium-viscosity that allows for easy use, mixing and easy blending. Paint provides great coverage, drying to a satin finish, with colors uniquely formulated to bring out maximum pigment. Basics paints are more economical due to lower pigment content, striking a balance between affordability and quality and maintain a consistent medium viscosity across all colors for versatility! Colors are uniquely formulated to bring out the maximum pigment and are intermixable with all Liquitex BASICS colors and mediums. With a full color range of 72 colors, BASICS are great for learning color mixing and color theory. Perfect for beginners, large scale works or backgrounds, murals, and learning color mixing! Liquitex BASICS medium-viscosity paint is made with lightfast, artist-quality pigments. All colors hold the AP seal from ACMI for being non-toxic, so they are safe for even young beginners. Key Features:* 4oz., 32oz., 250ml and 400ml* Dependable paint, affordable cost* Value/Student Series Acrylic* 48 color spectrum* Excellent working qualities* Great coverage, drying to a satin finish* Medium viscosity paint is made with lightfast, artist-quality pigments Perfect For:* Underpainting or sketching if you’re a serious artist* Students learning Acrylics* Artists painting large scale* Budget-minded Artists* Color studies and practice* Characteristics: Medium viscosity, Fine art pigments, Satin finish & Easy blending Techniques: Sketching & underpainting, Color theory/mixing, Collage & mixed media USES AND TECHNIQUES:* Traditional Acrylic Painting on canvas or panel, easy blending* Experimental Acrylic Painting* Collage and Mixed Media * Printmaking: Screen Printing, Mono Prints, Block Prints* Color Theory & Mixing See More
-
Awagami Sekishu 35gsm White 24" x 39" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. See More
Powered by
Login and Registration Form
Customer Login
Already a customer ? Sign in now for the best experience!
* indicates a required field