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Gamblin Artists' Oil Painting MediumsSave Up to40%Off list
Starting At: 4.50
True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More -
Turner Palette CleanerSave Up to45%Off list
Starting At: 9.99
Restores stained acryl gouache and watercolor palettes to "like new" condition This palette cleaner from Turner Colour Works Ltd was created to remove Turner Acryl Gouache from plastic palettes. Acrylic gouaches give artists the ability to adhere gouache to anything, but learn quickly after the fact… Restores stained acryl gouache and watercolor palettes to "like new" condition This palette cleaner from Turner Colour Works Ltd was created to remove Turner Acryl Gouache from plastic palettes. Acrylic gouaches give artists the ability to adhere gouache to anything, but learn quickly after the fact that removing the dried gouache becomes a huge problem--even with scrubbing and soaking. Even the most durable plastic ABS palettes are subject to ugly stains left from staining pigments, after stringent cleaning with soap and water. Turner Palette Cleaner works quickly and easily--simply dip a clean soft cloth into the cleaner and gently rub the palette clean (do not dilute). The 40ml jar has enough for dozens of palette cleanings; a little goes a long way! Although this product was originally created for use with Acryl Gouache, in testing we found that Turner Palette Cleaner is just as effective at removing watercolor palette stains! Use Turner Palette Cleaner to remove watercolor stains, sticky watercolor mediums, residue and cement-like acrylic gouache like magic—leaving your palette looking brand new! Key Features: * Removes acrylic gouache completely from palettes * Restores stained watercolor palettes to "like new" condition * Available in 40ml jars Perfect For: * Use on on all types of plastics, as well as ceramic and metal * Artists seeking a solution to stubborn stained palettes Apply Turner Palette Cleaner and allow to penetrate. Rub paint stained areas with dry cloth.. repeat process if necessary See More -
Mixing Bowl And PestleSave Up to25%Off list
Starting At: 19.79
…4¾" and is perfect for grinding dry pigment! The ceramic surface of the pestle and bowl provides the necessary friction for grinding pigments to the finest particle size. Key Features: * Made of ceramic * Bowl diameter 4-3/4" * Pestle and mixing bowl Perfect For: * Grinding pigments to the finest… Indispensable for grinding pigment! Pestles and mixing bowls have been indispensable tools in the creation of paints for hundreds if not thousands of years. Pigments must be ground down to the finest possible powders and milled with binders for the smoothest consistency. This classically designed ceramic mortar and pestle measures 4¾" and is perfect for grinding dry pigment! The ceramic surface of the pestle and bowl provides the necessary friction for grinding pigments to the finest particle size. Key Features: * Made of ceramic * Bowl diameter 4-3/4" * Pestle and mixing bowl Perfect For: * Grinding pigments to the finest possible powders * Achieving the necessary friction for grinding pigments * Making paints by hand! See More
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