Your Cart
SLI Search Template
Related Categories: Super Black | 14x18 | 48x48 Stretched Canvas | Stretched Canvas 40x60" | 20x24 Glass | Supply Box | Millbrook | Black Mat
There were no results that contained all of the words in your query. These results contain some of the words.
-
Spectrum Universal Primed Cotton 12oz Roll 84" x 30 YardsSave Up to60%Off listWhite Exclusively milled and made for us with the highest quality universal acrylic priming! Available in 6 yard studio rolls and 30-yard commercial bulk rolls. Exclusively milled and made for us with the highest quality universal acrylic priming. Most are double-primed with two coats of rich, white, and acid-free priming. Super Smooth is triple primed and is for portrait work. All have only the finest imported pure cotton sheeting that has a uniform weave and even texture. If you know quality, then you will be amazed at the savings you enjoy with Spectrum. Comes in:* 8oz Super Smooth Portrait Cotton (11.8oz primed) - For portrait applications-Triple primed* 8oz Weight (9.6oz primed) - Classic weight for commercial stretched canvases-Double primed* 10oz Weight (12.1oz primed) - A good compromise between 8oz and 12oz primed-Double primed* 12oz Weight (14.5oz primed) - The finest filled cotton duck on the market-Double primed* 15oz Weight (17.4oz primed) - Super Heavy Weight. Great for walls, murals, super large canvases, and floor cloths - Double primed Details/Features:* Uniform weave, even texture* Finest Imported cotton sheeting* Milled with the highest quality universal acrylic priming* Rich white acid-free priming* Available in 6 or 30 yard rolls See More
-
Yasutomo Washi 6M Hosho Paper 8"x20' Roll - WhiteSave Up to25%Off listTraditional Japanese Paper, also known as Washi, is popular for practicing strokes and experimenting with inks, charcoal, pastel. Washi Kozo (also known as Kozogami) Paper - Is made from mulberry and is designed for use in Sumi-E, calligraphy and paper crafts. Washi Hosho Paper - Is made of sulphite… Traditional Japanese Paper, also known as Washi, is popular for practicing strokes and experimenting with inks, charcoal, pastel. Washi Kozo (also known as Kozogami) Paper - Is made from mulberry and is designed for use in Sumi-E, calligraphy and paper crafts. Washi Hosho Paper - Is made of sulphite and kozo pulp. It is acid-free with a smooth and textured surface. Excellent for printmaking, collage and wood cuts. See More
-
Jacquard Cyanotype Potassium Ferricyanide, 1lb JarSave Up to15%Off listHarness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for… Harness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were called photograms at the time. The Cyanotype process is incredibly simple and only employs two inexpensive chemicals and UV sunlight. Prints can be created on any natural fiber: paper, cotton, silk, wool, wood, etc. Jacquard has made Cyanotype printing easy as pie with pre-sensitized fabric that is ready for cyanotype printing. Simply pull the sheet out of the package, place objects or an inverted photographic negative on top, expose to light for three to fifteen minutes, submerge the fabric in water to reveal the blue cyanotype print, and finally hang the fabric to line dry. With Jacquard’s Cyanotype Pretreated Mural Fabric you can actually create a full-body print by laying on top of the mural fabric for the duration of exposure while not moving. The creative possibilities for Photographers, Mixed Media Artists, and Quilters are endless! If you would prefer to use your own papers or fabric Jacquard has made the chemistry of Cyanotype attainable with lightproof black bottles of Potassium Ferricyanide and Ferric Ammonium Citrate. The chemicals used for cyanotype are inexpensive and go a long way. Despite their perhaps alarming names, both are safe to handle and mix. That said, care should be taken to avoid ingestion, inhalation, and contact with skin. The instructions for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow Great for photographers, mixed media artists, printmakers, quilters, kids and more, the cyanotype process is easy, forgiving, quick, magical and fun. Capture the nuance of every shadow Key Features: * Harness the power of the sun to make detailed prints * Simply place the object on the sensitized surface and expose to sunlight (UV) * Sun exposure time is 3-15 minutes * Pre-sensitized Cyanotype fabric Perfect For: * Quilters and Surface Design Artists * Photographers * Mixed media artists, printmakers, quilters See More
-
Jacquard Dye Additive Urea 1 lb BagSave Up to10%Off list…Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting,… Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to protein-based fibers. Soda Ash promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. The humectant Urea attracts moisture from the air and slows the tie-dye process, providing more time for the dye to process and generate deeper shades. You can use Synthrapol® an industrial-strength, pH-neutral liquid detergent as a wetting agent, or wash your decorated fabrics with it. It is essential to practice studio safety when using dyes and chemicals. Please keep dyes, paints, and chemicals away from children and avoid unnecessary skin contact. Key Features: * Powdered chemicals * Complement Acid and Procion MX dyes * Sodium Alginate SH will thicken dyes * Citric Acid is used to fix acid dye * Soda Ash is used to fix Procion MX dye * Urea enhances Procion MX colors * pH-neutral detergent and wetting agent Perfect For: * Fabric dyeing * Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting, stamping, or screen printing. When working with thicker fabrics, use a thinner consistency of dye solution to guarantee dye penetration. Instructions: Mix 1 quart water with ¼ cup Urea. Then, add two teaspoons Sodium Alginate SH for hand painting or four teaspoons Sodium Alginate SH for screen printing. Slowly sprinkle Sodium Alginate SH over water/Urea mix. Stir constantly for 10 minutes, or mix in a blender until smooth. Let stand for 1 hour, then stir again. The solution may be stored in a refrigerator for a few months. Soda Ash: Soda Ash dye fixer is a mild alkali that promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. It is also known as sodium carbonate, washing soda, or salt soda. Soda Ash is necessary to activate and set Procion MX dye. For tie-dye (pre-soak method): Use one cup per gallon of warm water. Soak fabric in the mixture for 20 minutes. Squeeze/wring out the excess solution by hand. Do not rinse out. For immersion dyeing: Use 1/4 to 1/3 cup per three gallons of water. Add to dye bath per instructions. Dyeing cellulose fibers in a washing machine: Use 2-3 cups per load. Dissolve in one-quart hot water. Slowly add to dye bath in washer per instructions. Synthrapol®: Synthrapol® is an industrial-strength, pH-neutral liquid detergent used as a pre and after wash for dyed or painted fabrics. Synthrapol® can also be used as a wetting agent for fabric dyes and paints. The unique liquid detergent keeps loose dye pigment suspended during washing which prevents back staining and helps remove excess color. Pre wash: Prewashing fabric with Synthrapol® to remove oils, waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse thoroughly. After wash: After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to a dye bath or fabric paint can increase color penetration. When dyeing wool and other hard-to-wet fibers, add 2 to 3 drops of Synthrapol® per 5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb of fabric. Do not pour directly onto cloth. If further exhaustion of dye bath is necessary, add a little bit more. Avoid contact with eyes. In case of eye contact, flush immediately with water for at least 15 minutes. Keep out of reach of children. Urea: Urea is a humectant that attracts moisture from the air and slows the drying process; therefore, it allows more time for the dye to react with the fiber and helps develop deeper shades. Most artists use Urea when applying dye solutions directly to fabric or hand painting. Urea can be used with Sodium Alginate thickener for screen printing, direct painting, or tie-dye. Add one tablespoon Urea per 8 fl oz of dye solution (¼ cup per one quart of dye solution). See More
-
Centurion Oil Primed Linen Canvas 84" x 30 Yard RollSave Up to74%Off listWhite Remarkable oil primed linen at an affordable price. Oil paints look flat and uneven on absorbent acrylic primed surfaces. That's why it's essential for oil painters to work on oil-primed canvas. Centurion Deluxe Professional Oil Primed Linen Rolls are specifically designed for oil painters. Each yard of Centurion linen is coated in a non-absorbent oil primer that chemically bonds with the paint. The primer allows your paint to sit on top of the canvas and cure with the correct amount of refraction. Thinned oils and glazes do not fragment or separate on the highly receptive surface. Oils adhere better on Centurion OP canvas than any other oil-primed canvas on the market today! You can stretch the linen on stretcher bars or mount it to a wall. Centurion's new colossal 30-yard roll is sensational for painting large-scale murals. Use our new 30-yard roll size to create large-scale murals. Key Features: * Medium 11 oz. weight linen canvas * Non-absorbent, enhanced oil primer allows for brilliant results * Excellent color retention * Archival long-lasting quality * As the oils cure, they chemically bond to the canvas * Perfect For: * Oil painters * All general painting techniques * Commissioned work * Ensuring that your work will last hundreds of years * Stretching on bars or mounting to a wall as a mural See More
-
Centurion Acrylic Primed Linen Canvas Roll 84" x 30 YardsSave Up to74%Off listWhite All-Purpose Medium 11oz. Primed 100% Linen Canvas Rolls at an Affordable Price Centurion LX Acrylic Primed Linen has an even surface texture and a medium 11oz weight designed for acrylic painters. Each yard of Centurion Linen is primed with two coats of naturally absorbent acrylic gesso. Unlike cotton, linen has long fibers that resist deterioration for at least 5 centuries and as much as 2,000 years with proper care. Our woven linen has a lovely even texture that holds up better than machine-made cotton canvas. Perfect for all media, you can stretch the linen on stretcher bars or mount it to a wall. Centurion's large 30-yard roll is sensational for painting large-scale murals. The 11oz. double-primed acid-free linens are suitable for oils, acrylics, and alkyds. For Mural Paintings! Use our new 30-yard roll size to create large-scale murals. Key Features: * 11oz. double primed acid-free 100% linen canvas rolls * Medium, even surface texture * 1 coat of clear sealer, followed by 2 coats of acid-free acrylic primer * All-purpose surface, Archival and acid-free * Woven, non-mechanical surface with a smooth, even texture * Archival long-lasting quality * The long linen fibers resist deterioration Perfect For: * Ready to stretch * Oil, acrylic, and alkyd colors * All general painting techniques * Commissioned work * Ensuring that your work will last hundreds of years * Glazing and impasto techniques * Stretching on bars or mounting to a wall as a mural "I've been using Centurion linen canvas from Jerry's for several years now. I use both the acrylic and oil primed and get great results. The texture of the canvas also has a nice weave to it, and I can use glazing and impasto techniques on it. As an artist who makes his living painting, it's important to have the best tools I can. Centurion fits that bill." - Artman54. See More
-
Paramount Cotton Canvas Roll, 84" x 30 Yards - 11oz Double Primed RollSave Up to70%Off listWhite All-Media Primed Cotton Canvas Rolls with Medium Tooth & Uniform Appearance! Paramount Cotton Canvas Rolls provide yards of quality canvas at an excellent value. Paramount uses only 100% pure unbleached cotton with an even surface texture and a heavy 11 oz weight. The acid-free primer has the right amount of tooth for building layers of paint and vigorous brushwork. Perfect for all media, you can stretch the canvas on stretcher bars or mount it to a wall. Paramount's new colossal 30-yard roll is sensational for painting large-scale murals. When stretched, the robust 11 oz canvas can take on heavy impasto brushwork with less sagging than other canvases. Use our new 30-yard roll size to create large-scale murals. Key Features: * Unbleached 100% cotton canvas * 11 oz primed weight * 7 oz unprimed weight * Double-primed with acid-free acrylic primer * Medium-tooth surface * It holds up great for painting thick Perfect For: * Oil, acrylic, and alkyd paints * Artists seeking quality professional canvas * Building up texture and vigorous working * Applying layers and layers of paint * Heavy impasto buildups with less sagging * Stretching on bars or mounting to a wall as a mural "I use this canvas all the time, and it's perfect for my large-scale paintings. And it comes with really large height ranges. Best pricing on unstretched primed canvas. When I cut my canvas pieces, I even save the scales to glue together to paint." – Jage See More
-
Unprimed Cotton Duck #12 Canvas Roll (12 oz.) 84" x 30 YardsSave Up to72%Off listNatural Professional Cotton Duck 30-Yard Canvas Rolls At An Amazing Value! Are you tired of painting on small standard sized canvases and find it difficult or prohibitively expensive to work larger? Unprimed Cotton Duck has the answer with their line of professional quality Cotton Duck canvas rolls— all at an affordable price! These deluxe raw unprimed canvas rolls are crafted from only the highest quality cotton fibers and are available in a range of ounce weights. These premium raw unprimed canvas rolls are available in generous 30-yard rolls that you can stretch to your desired size! Key Features:* Professional Quality Cotton Duck Canvas Rolls* Unprimed canvas rolls* Crafted from only the highest quality cotton fibers* Available in generous 30-yard rolls that you can stretch to your desired size! Unprimed Cotton Duck Canvas Rolls Details: * Unprimed Cotton Duck (#'s)* #8 (18oz. Unprimed)* #10 (15oz. Unprimed)* #12 (12oz. Unprimed)* These cotton ducks are durable, double filled and have a very uniform canvas surface* Single Fill - 7oz. unprimed weight economy cotton sheeting with a uniform medium texture.* Army Duck - 10 oz. unprimed weight smooth canvas that is very much liked for portrait and realism. See details below See More
-
Jerry's Petite Pan Watercolor Set Assorted Colors PetiteSave Up to75%Off listAssorted Colors Fits right in your pocket! With 8 prime watercolor pans as well as a small brush, the Jerry's Petite Pan Watercolor Set can be taken anywhere for a quick plein air painting. The Petite Pan Watercolor Set includes White, Brilliant Yellow, Brilliant Red, Leaf Green, Sky Blue, Dark Blue, Burnt Umber, and Deep Black. Due to the great success of the Jerry's Petite Pan Watercolor Set, we have paired the paint set with a 3.5x5.5 Reflexions Watercolor Journal so that you can create watercolor sketches anywhere. The journals feature 24 sheets of 140 lb cold pressed white acid-free paper. Use to create all types of watercolor painting, fashion designs, and mixed media works. Books feature special deluxe Smyth sewing which not only secures all 24 sheets inside but allows the book to layout completely flat for working two-page spreads that are wonderful for depicting cityscapes, seascapes, and landscapes. Journal features heavy covered board cover and back with inside pocket and elastic strap to keep the book from opening between uses. Each sheet has a fine perforation allowing it to be removed without harming the artwork. Key Features: * 8 watercolor pans * Includes a small watercolor brush * 300 gram (140lb imperial) Weight * Special deluxe Premium Smyth Sewn spine secures 24 sheets * Elastic strap journal closure * Fine perforation for clean page removal Perfect For: * Taking anywhere * Plein air painting * Artists of all skill levels * Working two-page spreads that are wonderful for depicting cityscapes, seascapes, and landscapes See More
-
R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off list…encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More
-
R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off listFine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets) - Eco-friendly cleaning wax. See More
Powered by
Login and Registration Form
Customer Login
Already a customer ? Sign in now for the best experience!
* indicates a required field