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Spectrum Universal Primed Cotton 8oz Roll 62" x 6 YardsSave Up to60%Off listWhite Exclusively milled and made for us with the highest quality universal acrylic priming! Available in 6 yard studio rolls and 30-yard commercial bulk rolls. Exclusively milled and made for us with the highest quality universal acrylic priming. Most are double-primed with two coats of rich, white, and acid-free priming. Super Smooth is triple primed and is for portrait work. All have only the finest imported pure cotton sheeting that has a uniform weave and even texture. If you know quality, then you will be amazed at the savings you enjoy with Spectrum. Comes in:* 8oz Super Smooth Portrait Cotton (11.8oz primed) - For portrait applications-Triple primed* 8oz Weight (9.6oz primed) - Classic weight for commercial stretched canvases-Double primed* 10oz Weight (12.1oz primed) - A good compromise between 8oz and 12oz primed-Double primed* 12oz Weight (14.5oz primed) - The finest filled cotton duck on the market-Double primed* 15oz Weight (17.4oz primed) - Super Heavy Weight. Great for walls, murals, super large canvases, and floor cloths - Double primed Details/Features:* Uniform weave, even texture* Finest Imported cotton sheeting* Milled with the highest quality universal acrylic priming* Rich white acid-free priming* Available in 6 or 30 yard rolls See More
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EconoSpace© Art and Glass Separator 1/4" 60 Ft Bundle 12, 5 Ft Pieces - ClearSave Up to11%Off list…that bonds to the edge of the glass in a picture frame. This is used to make the proper airspace between the art and glass in either wood or metal picture frames. This airspace helps prevent mold growth, paper buckling, image transfer, and adhesion to the glass. It is available in 4 sizes from… EconoSpace© is a clear, neutral pH plastic "peel & stick" type art-glass separator that bonds to the edge of the glass in a picture frame. This is used to make the proper airspace between the art and glass in either wood or metal picture frames. This airspace helps prevent mold growth, paper buckling, image transfer, and adhesion to the glass. It is available in 4 sizes from 1/16 inch airspace up to 3/8 inch and most come in clear, black, and white. EconoSpace can be used to frame photographs, watercolors, pastels, and any paper art or document. * Made from clear, neutral pH plastic* Quick and easy - Saves time* Works in both wood and metal frames* Professional looking - No painting* Neutral pH - No plasticizers - Won't harm fine art* Cuts easily & clean with razor or shears* .005 Inch neutral pH acrylic adhesive (Adhesive is 250% thicker than the others)* Hollow for stiffness and lightness - doesn't tend to sag in the frame* Both with glossy and matte finished sides See More
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Cylo 20oz Paint Squeeze Bottle 12 Pack,Creative MarkSave Up to63%Off list…store and apply paint CYLO® Bottles are an ingenious way to store your paint. You don't have to fiddle with a cap or turn the bottle over. Just pick up and squeeze. The paint exits the CYLO® bottle from a non-drip silicone valve on the bottom. This unique design keeps your paint fresher longer while… First In, First Out BOTTLES! an ingenious way to store and apply paint CYLO® Bottles are an ingenious way to store your paint. You don't have to fiddle with a cap or turn the bottle over. Just pick up and squeeze. The paint exits the CYLO® bottle from a non-drip silicone valve on the bottom. This unique design keeps your paint fresher longer while minimizing paint waste because the acrylic color at the bottom of the bottle is always used first. Our CYLO® bottles are patterned after the regular F.I.F.O. bottles, but our specially designed seal protects acrylic paint from air that can cause drying issues. F.I.F.O. bottles! The specially designed seal protects acrylic paint from air that can cause drying issues. Unique design keeps your paint fresher longer while minimizing paint waste because the acrylic color at the bottom of the bottle is always used first Key Features: * 20oz and 32oz sizes * Just pick up the bottle and squeeze to apply paint * Your acrylic paint is always ready to dispense * The bottle is filled from the top, squeezed out from other end * Non-drip silicone valve on the bottom * Unique design to keep paints fresher longer * No need to fiddle with caps * Perfect For: * Soft body viscosity water-based paint * Minimizing paint waste * Prolonged storage * Preventing paint from drying out * Storing custom color combinations * Classroom, home, and studio * Teachers and students * Restaurants and the food industry * No-hassle, everyday use See More
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Awagami Sekishu 35gsm White 24" x 39" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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