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Sennelier Rive Gauche Oil 200ml, Zinc WhiteSave Up to44%Off listWhite Artist Quality Fine Oil Colors Bound with Safflower Oil Made in France, from the famed Parisian riverside that once inspired artists such as Matisse and Picasso. Sennelier’s line of fine oil paint offers the City of Paris in both 40ml and 200ml tubes! Made from a rich, balanced blend of cadmium substitutes, Rive Gauche Fine Oils are highly pigmented, producing colors with an opaqueness and luminosity equivalent to that of real cadmium. Bound with safflower oil, Rive Gauche fine oils have a lower level of yellowing, and are designed to dry twice as fast as classic oils without losing workability. With its thick, creamy consistency, oil colors mix clearly, and each paint stroke is smooth and uniform; drying to an intense satin finish. Featuring 60 colors in 40ml tubes and 56 colors in 200ml tubes, Sennelier’s Rive Gauche Fine Oil Paint brings the City of Lights to artists all over the world with its wide range of bright, brilliant colors. Excellent for students and professionals alike. Key Features:* Oils dry twice as fast * Bound with Safflower Oil (vegan based)* Lower level of yellowing* Thick, uniform texture with a satin finish* Made of cadmium substitutes* Produce highly-pigmented, luminous colors* Colors mix clearly* Single series with 60 colors in 40ml tubes and 56 colors in 200ml tubes* Perfect For:* Working twice as fast as classic oils without losing workability* Artists who do not want to be restricted by their paint’s drying-time* Great for underpainting or large scale projects* Student to professional works* Artists who desire affordable, high quality oil paint * Made In France Dries twice as fast!Whilst retaining the key characteristics of oil painting, Rive Gauche fine oils dry twice as fast as classic oils. The outcome of this is a shortened drying time that does not restrict an artists possibilities of working with fresh paint. Oils that yellow two times less! Safflower oil is used to make the 60 colours. It is characterized by its low level of yellowing (50% less than linseed oil) and its excellent compatibility with pigments. See More
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Sennelier Extra Fine Artist Acrylics - Titanium White, 200mlSave Up to30%Off listWhite Satin Finish and Buttery Texture Sennelier Extra-Fine Artist Acrylic Paints were created to mimic the consistency and rendering capability of extra fine oils. The luxuriously creamy texture of these artist-grade acrylics simulates oil paint by marking each sensuous brush and knife mark. Sennelier uses only the finest quality pigments with a non-yellowing acrylic polymer to provide optimal stability over time. An expansive palette of 120 colors, most made from a single pigment, incorporates all the colors that made Sennelier famous, including classical Ultramarines, Earths, Ochres, Cadmiums, Cobalts, and colors based on Quinacridone, Pyrrole, Naphthol, and Phthalocyanine. The line also features four interference and six iridescent colors. Sennelier Extra-Fine Acrylics are excellent for working with layers or in combination with other mediums such as pastels, charcoal, or ink in a mixed media composition. Their unique spreading properties make them easy to mix, allowing for an endless number of shades without changing luminosity. The paints have a low-odor and dry rapidly to create a permanent, non-cracking, non-yellowing, water-resistant film. Your imagination will ignite when you paint with Sennelier's remarkably vivid and responsive Extra-Fine Artist Acrylics. Key Features: * Archival non-yellowing * High Pigment Content - primarily single pigments * 120 Shades - including interference and iridescent colors * Satin finish and buttery feel * Vivid rich colors * Adhere well to non-oily surfaces * Dry rapidly * Better Value - 60ml and 200ml size Perfect For: * Impasto painting * Mural painters * Studio or travel painting * Students, amateurs, professionals * Paper, canvas, and wood * Fabric, cement, and plaster, * Quality and longevity See More
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Bob Ross Landscape Oil 200ml Prussian BlueSave Up to30%Off listBlue Use paint created by Bob Ross, the Landscape Collection! The goal of Bob Ross, one of America's most beloved artists, was to open the world of art to people who otherwise would never be able to enjoy the fun and excitement of painting. Bob Ross has been on over 250 channels and lectured throughout the world on his Joy of Painting method. The Bob Ross line of oil paints was developed to meet the demand for his wet-on-wet technique, which is a process of painting over layers of wet paint to achieve relatively fast and effective results. Bob Ross Oil Colors are a unique firm oil paint which is a bit thicker than conventional artists' colors due to the needs of Bob's famous wet-on-wet technique. Highlight colors such as yellow are a bit thinner to facilitate easier mixing and application. Key Features: * 37ml, 200ml tubes, 473ml jars * Pure refined linseed oil * Firm oil paint * Superb handling properties * Great color for true mixes without surprises Perfect For: * The Bob Ross wet-on-wet technique * Use with brushes or palette knives * Artists on a budget * Alla Prima painting * Plein Air painting See More
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Sennelier Artists' Extra-Fine Oil - Indigo Hue, 200 ml TubeSave Up to45%Off listBlue A New Generation of Oils! Only the finest natural and inorganic pigments . Sennelier Artist's Oil Paints have been the standard of quality for over 100 years. Sennelier's passion for colour chemistry and focused pigment research led to the development of a distinctive oil colour manufacturing process that has been employed for generations. Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture, a consistency originally developed for the expressive style of the Impressionist painters who frequented the Sennelier store in the 19th century. Non-Yellowing Safflower Oil - highest possible tinting strength and a lustrous satin finish Sennelier's meticulous work, his vast knowledge of pigments, his talents as a colourist, and collaboration with Cezanne and other Masters gave rise to a palette of oil colours that quickly became the standard of quality. Favoured by some of the greatest artists (Monet, Gauguin, Matisse, Picasso, Bonnard, Modigliani, Chagall, Ernst, Hockney), Sennelier oils hang in the world's most prestigious museums. Today, Sennelier's classic palette is expanding with 50 new, original shades that encompass contemporary trends and tastes. These colours, still as smooth and luminous as ever, offer an updated texture with firmer body to accommodate the requirements of 21st century artists. Key Features: * 40ml & 200ml Tubes (500ml Titanium White) * 21ml and 40ml set sizes * Improved 'buttery' consistency * 145 luminous colors / Sets * Uses non-yellowing Safflower Oil Perfect For: * Better value at a lower cost * Canvas, panels, boards * Working with texture effects * Artists of all levels Today, Sennelier's classic palette is expanding with 50 new, original shades that encompass contemporary trends and tastes. These colours, still as smooth and luminous as ever, offer an updated texture with firmer body to accommodate the requirements of 21st century artists.Utilizing the time-honoured, exacting methods perfected for over one hundred years, the new paints are produced under the watchful eye of Dominique Sennelier. At Sennelier, tradition meets the needs of today's artists and the innovations of modern chemistry. Sennelier proudly introduces the next generation of oils, a collection of professional, extra-fine colours that reinvents your palette and redefines quality Landscape Plein Air Set - A color palette selected by award-winning Plein Air artists! Set includes eight 40 ml tubes of Sennelier Oil Color, Isabey # 6 Bristle Brush, a plein air field guide to color mixing, and 10 tips for better plein air painting! Wood Box 40ml Tube Set of 12- This set includes a luxury quality wood box with twelve 40 ml tubes of Sennelier Oil colors, 2 empty glass jars ideal for storing your favorite oil mediums, one painting knife, one artists quality brush, one double metal palette cup, one deluxe wooden palette and assorted charcoal. Artist Oil Set with Black Wooden Box- This black wooden box contains a beautiful set of 10, 21ml oil tubes. The box also includes an assortment of accessories used to aid your artist's adventures. Including a sennelier cloth, charcoals, a green for oil medium, along with Precision brushes 8504 size 4, and 8534 size 12, as well as honey soap. Oil Color Set of 10 - This Artist Oils set features 10 tubes of 21ml extra-fine artist quality oil paint. Made using pigments of the highest quality, this set provides maximum pigment load and color intensity. The pure safflower oil carrier creates resistance to yellowing and provides a unique satin sheen. Colors in the set include #116 Titanium White, #511 Bright Yellow, #675 Red Vermillion, #619 Permanent Intense Red, #315 Ultramarine Deep, #326 Phthalocyanine Blue, #805 Chromium Green Light, #252 Yellow Ochre, #211 Burnt Sienna, #755 Ivory Black. *Actual colors will vary due to Manufacturer availability See More
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Winsor & Newton Artists' Oil - Flake White Hue, 200ml TubeSave Up to50%Off listWhite Generations of Experience to Make Oils Like Winsor & Newton Winsor & Newton Artists' Oil Paints are made from only the finest pigments in 130 Colors, 80 single pigment colors for clean mixing and rich, buttery consistency. Each tone of Winsor and Newton oil paint is carefully formulated for stability, tinting strength and coverage. Use them thickly with palette knives or brushes, or thin them to a very fine glaze. When milling oil color, each pigment must be treated as an individual, with every surface on each particle fully enveloped by fine oil—which is why Winsor & Newton researches, formulates, and mills each color individually. It is that perfect dispersion that translates into the signature "feel" and the luminous reflection that make fine oils so irresistible. Even more importantly, the dispersion determines stability in the tube and is a key player in the ultimate stability of the color on the surface. 99% of colors have a lightfast rating of AA or A providing permanence without compromising the choice of hue. The result is something that comes only with generations of experience and expertise in working with artists' color. 80 single pigment colours for clean mixing. Rich, buttery consistency Key Features:* Each color is researched, formulated, and milled individually* Buttery, vibrant and consistent* 130 Colors / 80 are single pigment colors * Optimum tinting strength when reduced with White* Perfect For:* Techniques from impasto to glazing* Cleanest, brightest colors with the best color mixtures * The Permanence and longevity of paintings* The most responsive feel beneath the brush and great versatility Combined with strength of color, single pigments provide a wide color range in themselves and offer cleaner, brighter mixtures with an infinite range of hues. This is particularly important for greens, violets, and oranges. There are 80 single pigment colors in the Artists' Oil Color range. Winsor & Newton Artists' Oils Shades of Grey: Charcoal Grey, Davy's Grey, Payne's Grey, Silver, and Pewter Winsor & Newton Artists' Oil Introductory Set of 10, 21ml Tubes: Winsor Yellow, Crimson Alizarin, Ultramarine Green Shade, Winsor Blue Red Shade (Phthalo), Winsor Green (Phthalo), Yellow Ochre, Indian Red, Burnt Umber, Ivory Black, Titanium White Are Winsor and Newton oil paints good? Yes! Winsor and Newton oil paints are formulated with the finest pigments for beautiful colors with excellent tinting strength; They are a great choice for amazing painting results at using higher quality oil paints for better results. Made in London, Winsor & Newton (also abbreviated W&N) is an English manufacturing company. See More
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Grafix Mixed Media .004 Wet Media Dura-Lar 6x6 Disc-Bound JournalSave Up to12%Off listUnique Surfaces to create versatile journals The NEW Grafix Mixed Media journals allow you to create a mixed media book with almost any media. You can use stamps, inks, stencils, markers, die-cuts, acrylics, and more on the unique Grafix sheets! The journals are available with an assortment of 6… Unique Surfaces to create versatile journals The NEW Grafix Mixed Media journals allow you to create a mixed media book with almost any media. You can use stamps, inks, stencils, markers, die-cuts, acrylics, and more on the unique Grafix sheets! The journals are available with an assortment of 6 films or 12 sheets of a single material. Each journal is disc-bound by 6 discs. The unique disc-binding system allows you to remove, insert, and rearrange pages. You can even insert decorated pages into your current disc planner for daily inspiration. Our assorted Grafix Mixed Media packs have 12 pages in total with 2 sheets of .010 Clear Dura-lar, .004 Wet Media Dura-lar, .005 Matte Dura-lar, .010 Opaque White Craft Plastic, .010 Opaque Black Craft Plastic, and .057 Natural Chipboard. Key Features: * Journal and art sketchbook * Available in 2 sizes, 6x6” and 6x9” * 12 Sheets and 6 discs a package * The disc-binding allows you to add or remove pages * Journal pages can be inserted into a separate disc-bound planner * You can add pages from other disc-bound planners to your journal * Made in the USA Perfect For: * Mixed Media artwork * Stamps, inks, stencils, markers, and die-cuts * Painting and drawing * Combining a variety of mediums or styles in one journal * Use with plotter with blade or laser cutter (Craft Plastic) * Alcohol ink, watercolor, acrylics (Craft Plastic and Wet Media Dura-La) * Adding inspiration to your disc-bound planner Journal surface options include: .010” Clear Dura-Lar: Ultra-clear, glossy film perfect for permanent inks and markers. .005” Matte Dura-Lar: a matte translucent film with a drawing surface on both sides. This film will accept lead, ink, charcoal, paint, and colored pencil erases cleanly. .004” Wet Media Dura-Lar: specially coated on both sides to accept water-based mediums, markers, and inks without beading, chipping, or running. Great for planning painting compositions, as a painting surface or printmaking. Wipe with a damp cloth for repeated use. .010” Opaque White or Black Craft Plastic: film a is a strong, smooth, waterproof surface that is wipeable, heat resistant, and fun to use. Available in White and Black. These films can be used with a wide range of mediums and techniques. White works best with watercolor and alcohol inks. Our Black film works best with metallics and iridescent colors. .057” Natural Chipboard: is sturdy enough to be painted, stamped, and sanded, yet thin enough to be cut by many die-cut machines. Each sheet is acid-free and safe to use with all your photos and precious keepsakes. Decorate Grafix Chipboard with eyelets, stickers, brads, and glitter. Chipboard is perfect for creating memory albums. See More
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Awagami Ginwashi 39gsm Cream 25" x 38" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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