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Related Categories: Brushes Acrylic Bright | Brushes, Oil Acrylic | Long Handle | #1 Round | Synthetic Bristle | Sable | Cobalt Green | 30 0 Brush
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Princeton Catalyst Polytip Bristle Short Handle Mottler #25Save Up to40%Off listStiffness Watercolors Acrylics Oils A First For Artist Brushes! -- The Perfect Short Handle Brush For Heavy Body Acrylics And Oil Colors! Princeton Catalyst 6450 Polytip Bristle Short Handle Synthetic Brushes are another Princeton breakthrough that advances the science of synthetic hair. Catalyst… Stiffness Watercolors Acrylics Oils A First For Artist Brushes! -- The Perfect Short Handle Brush For Heavy Body Acrylics And Oil Colors! Princeton Catalyst 6450 Polytip Bristle Short Handle Synthetic Brushes are another Princeton breakthrough that advances the science of synthetic hair. Catalyst Polytip Bristle Synthetic Short Handle Brushes are super stiff yet still extremely responsive. Unlike natural hog bristle, Catalyst has real integrity in water. Natural bristles can be rendered useless when they are water-soaked. The true advance in Catalyst is the Polytip feature. For the first time, the tip of each individual hair has been split to replicate the natural flags on the finest natural bristle. By giving each individual hair 2 to 3 distinct tips, Catalyst is able to hold a higher volume of paint while providing a smoother application. Designed for use with medium to heavy-bodied acrylics and oil paints, Catalyst pushes even heavy gel mediums with assurance. Catalyst Polytip Bristle brushes truly are tools that move paint. Key Features:* Stiff and responsive synthetic bristles* High paint load* Even application* Seamless ferrule Perfect For:* Medium to heavy bodied acrylics* Heavy gel mediums and oil color application* Unaltered results when soaked in water* Artists of any skill level See More
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Sennelier Mini Oil Stick Set of 6 Landscape ColorsSave Up to60%Off listEarth Tones Made from pure, concentrated pigments, the finest safflower oil and high-quality mineral wax Sennelier Extra-Fine Artist Oil Sticks can be used alone or in combination with tube oil paints. Like regular oils, they can be diluted with turpentine and dry to a hard film. These creamy, lightfast sticks may be used for sketching or for producing complete works of art on any traditional oil paint surface. Sennelier Artists’ Oil Sticks allow you to approach oil painting in an entirely new and expressive manner. They extend the degree of spontaneity, allowing for greater freedom in approach and without the need for a brush. Please note that packaging may vary - same great oil painting stick, with a new label! Key Features: * 82 colors available * Series 1: 41 colors (labeled S1) * Series 2: 21 colors (labeled S2) * Series 3: 20 colors (labeled S3) * Made of pure pigment, safflower oil, and mineral wax * Excellent lightfastness ratings * Can be diluted with turpentine * Intermixable with oil paints and mediums Perfect For: * Oil painters * Use for quick sketching * Canvas, panels, boards * Working with texture effects * Painting complete works of art * Traditional and contemporary techniques Sennelier Oil Sticks are a combination of oil paint, with a small amount of the oil substituted with natural mineral wax enabling them to be produced in stick form. These sticks are produced from pure pigments and have the highest possible lightfast and permanence ratings. Oil sticks can also be fully intermixed with conventional oil colors and mediums. A special mineral wax gives the sticks a creamy consistency, which ensures the adhesion of the color on all commercial oil painting surfaces. These Sennelier Extra-Fine Oil Sticks contain selected vegetable oils to guarantee permanent protection against yellowing. Varnish can be applied to your work after 6 months, as with conventional oil paints. Before using these Sennelier Extra-Fine Oil Sticks, remove the fine protective film on the stick. This film will re-form in a few days if the stick is not used. Colors dry in 2-4 days, depending on the thickness of the paint layer and the ambient temperature. See More
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Speedball India Ink Color Set of 12 with Palette, 12mlSave Up to33%Off listAssorted Colors Permanent, colorful, and waterproof India Ink! Speedball's Super Black India Ink has been a favorite among illustrators and calligraphers for many years due to its waterproof nature. Thanks to its popularity, Speedball has now released 12 new vibrant colors, providing even more creative potential. The new colored formula maintains the same celebrated properties of Super Black but with a modernized, vegan recipe. Speedball's India Ink works exceptionally well on absorbent surfaces, offering optimal lightfastness, color vibrancy, and open time. Key Features: * Highly opaque India ink * Free-flowing, non-clogging formula * Waterproof when dry * Colors have optimal lightfastness * Excellent reproduction quality * Super Black contains shellac Perfect For: * Brush, pen, steel brush, or airbrush application * Working on absorbent surfaces * Watercolor illustration techniques * Mixed media * Everyday studio use! See More
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Holbein Acrylic Gouache 12ml Set of 12 Assorted ColorsSave Up to35%Off listAssorted Colors Quality Pigments guarantee Brilliant Lasting Results! Holbein Acrylic Gouache is an opaque paint that blends and feels like gouache but dries to a permanent, water-resistant finish. You can use the opaque paint to create a bold background or layer different colors to build vibrant compositions. Wet colors on your palette have the same tone and vibrancy once dry because Holbein Acrylic Gouache has no color shift. The opaque paint dries to a velvety matte finish. It is compatible with all water-based paints and has excellent lightfastness. Key Features: * Acrylic water-based paint * Opaque colors dry to a velvet matte finish * No color shift from wet to dry * Compatible with water-based paints * Permanent once dry * Excellent lightfastness Perfect For: * Mixed media applications * Fine artists, illustrators, and designers * Great for creating precise details * Painting bold backgrounds * Painting with a brush, knife, or spatula * Students and professionals Many Different Sets To Choose From! Click on the item number to view the set specs See More
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Copic Various Ink 12ml Refill RV23 Pure PinkSave Up to10%Off listRed Refill your markers and create your own alcohol ink art! Renew and replenish your used Copic markers with Copic Ink Refills (12ml ink refills). Each compact pen-shaped refill bottle has a long nozzle that makes reviving markers easy. You can also create vibrant alcohol ink art directly with the nozzle or combine multiple inks to formulate custom colors. The clear ink barrels have lines marking off 1ml sections so that you can accurately fill markers while also knowing how much ink you have left. After use, you can easily fit the container in a marker wallet for travel or storage. Caps are color-coded for quick ink identification. The refill bottles measure approximately 5-1/2" long x 1/2" diameter and contain 0.4 oz (12 ml) of ink. Key Features: * Alcohol dye ink * 358 Vibrant ink colors * Long nozzle for easy refill * 12ml ink refill * Clear ink barrels * Lines mark each 1ml of ink * Compact pen-shaped bottle * Approximately 5-1/2" long x 1/2" diameter * Caps are color-coded Perfect For: * Alcohol ink art * Refilling Copic markers * Sketch, Ciao, Classic, Wide Copics * Formulating custom colors * Combining inks together * Storing in a travel case * Dropping the ink directly onto a surface * Non-porous surfaces * Yupo paper Amount needed for a one-time refill: * Copic Sketch:Approximately 1.8ml * Copic Ciao:Approximately 1.4ml * Copic Classic:Approximately 2.5ml * Copic Wide:Approximately 3.5ml Refill Precautions * Uncap both ends of the marker. * Remove the Broad nib from the marker. * Insert the nozzle into the marker body to fill with ink. * Please pour ink carefully and pay attention to the markings on the bottle. Do not overfill. It may cause the ink to leak. * Reinsert the broad nib and the cap. See More
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Awagami Papers 86gsm Masa (Bright White), 21" x 31" (Pack of 10)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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