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RaphaĆ«l Kevrin Synthetic Blend Series 3675 Fan Brush #12/12Save Up to53%Off list…and nickel-plated ferrules of their original design. Key Features:* Natural and synthetic hairs * Ideal resiliency and spring* Bristle shape memory* Nickel-plated ferrules Perfect For:* Oil, alkyd, and acrylic painters* Glazing and general painting* Ease of cleaning* Mongoose brush enthusiasts Stiffness Watercolors Acrylics Oils Exceptional Performance Without Endangered Mongoose Hair! Established in 1793, RaphaĆ«l has been renowned for the impeccable quality of their artistās brushes as well as their more recent innovations. With the banning of Mongoose harvesting due to their endangered status, brush makers all over the globe have been scrambling to find an alternative to the beloved brush hair. It took years of research for RaphaĆ«l to create a brush that would replicate all the characteristics of their famed KEVRIN without using its original Mongoose composition. A blend of several natural hairs and a proprietary groundbreaking synthetic fiber enabled the creation of the perfect Mongoose substitute, called KEVRIN+. RaphaĆ«l was so satisfied it believes it to in fact be a better brush than its predecessor, while offering all the features a quality oil and acrylic brush requires. KEVRIN+ offers the same exceptional durability, precision, and elasticity of their original Mongoose brushes, with the same ideal consistency, spring, and bristle shape memory. Like the old Mongoose brushes, the new hair blend has the suppleness of a red sable with the strength of hog bristle, but with a texture and firmness somewhere in between. Brushes are easy to clean and offer excellent paint retention. KEVRIN+ still bears the elegant, long, double-dipped black lacquered handles and nickel-plated ferrules of their original design. Key Features:* Natural and synthetic hairs * Ideal resiliency and spring* Bristle shape memory* Nickel-plated ferrules Perfect For:* Oil, alkyd, and acrylic painters* Glazing and general painting* Ease of cleaning* Mongoose brush enthusiasts See More
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Awagami Papers 86gsm Masa (Bright White), 21" x 31" (Pack of 10)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Ecoline Liquid Watercolor Paper 140 lb 9.4 x 12.6 in Pad (12 sheets)Save Up to36%Off list…press texture * Glue binding for easy sheet removal * Brilliant colors look best on this paper * Made in Germany * Click on yellow circle icon for set information Perfect For: * Watercolor and pigmented inks * Ecoline inks and brush pens * Illustration * Fashion design * Calligraphy, drawing,… Vibrant colors look best on this paper! Ecoline Liquid Watercolor Paper has a soft, cold press texture that is especially well-suited for Ecoline liquid watercolor inks and brush pens. Each paper pad contains 12 sheets of 140 lb. (290gsm) paper that is ideal for artistic impressions, illustrations, calligraphy, or ink drawings. The paper surface is perfect for imaginative designs and sketches. Key Features: * 12 sheets of 140 lb. (290gsm) paper * Smooth cold press texture * Glue binding for easy sheet removal * Brilliant colors look best on this paper * Made in Germany * Click on yellow circle icon for set information Perfect For: * Watercolor and pigmented inks * Ecoline inks and brush pens * Illustration * Fashion design * Calligraphy, drawing, product design * Artistic impressions See More
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The Edge All Media Pro Cotton Canvas 8"x32" - 1-1/2" Deep (Box of 3)Save Up to86%Off listWhite Ignite your composition with an inspiring substrate! Extra Long Sizes Are you bored of painting on the same standard canvas size? Ready to shake things up and supercharge your creativity? The new Edge All Media Cotton Canvases come in 21 extra long sizes like 10x40" and 12x72"! We've designed these new hypnotic sizes to help you hook your viewer's attention. Our goal, as always, is to emphasize your artwork. The extra-long rectangular shape naturally focuses attention, whether it's a triptych, a non-traditional portrait, or an abstract piece. Each canvas is coated in a ground-breaking primer that maintains the richness and purity of your paint colors. Unlike other canvases with lesser quality primers, your paintings will keep their vibrant punch with excellent adhesion. Triple priming ensures superb barrier protection between paint and canvas, perfect for traditional and water-mixable oils. The Edge is known for its' tuck-n-roll style construction that keeps the back of the canvas neat and clean. A sturdy surface for all painting styles, even mixed media, The Edge features a beefy 14oz, triple primed medium texture. Finish your painting with solid-colored sides, or continue your design onto the sides for a distinctive modern look. Extra Longs/Longs/Multiples (triptych) - These used by themselves offer unique aspect ratios to achieve various single and multi-canvas compositions. They work well with squares, used as a square or diamond shape. The 6x18" and the largest being 18x64". Artists working in abstract impressionism have found these to be new heroes, to create unique multiple images that work together. Key Features: * Extra Longs/Longs/Multiples (triptych) * Create unique multiple images that work together * Available in: Singles or Boxes of 3 * 1-1/2" Deep, Extra long sizes * 100% cotton canvas * 14oz primed weight * 8oz. raw weight before priming * Triple acrylic primed * Medium texture canvas * Deluxe stretched canvas * Professional tuck-n-roll style construction * Hand stretched by skilled artisans * Perfect For: * Oils, alkyds, and acrylics * Painted edge presentation * Mixed media works * Painters of all levels * Frameless artwork presentation * Excellent barrier protection between paint and canvas * A non-traditional portrait * A landscape or an abstract piece * Painting a dazzling triptych See More
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