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R&F Encaustic Handmade Paint 333 ml Block - Ivory BlackSave Up to20%Off listBlack Classic wax-based encaustic paint. R&F Encaustics are handmade wax-based paints that have unique properties you won't find anywhere else! In the simplest of terms, encaustics are a type of wax-based paint. If you've never tried this fascinating media, let us tempt you with a vast array of powerful colors and unique properties to extend your talents! R&F Encaustics are made here in the USA with traditional milling machines, a very controlled and slow process. There are no additives or dryers in these paints, so the color is intense and brilliant, allowing each pigment's characteristics to shine. Only the best pigments and materials go into R&F products, making these encaustics the very best you can get! Key Features: * Intense and brilliant colors * Composed of beeswax, resin, and pigment * Encaustic paint will not yellow or darken * Encaustic paintings do not have to be varnished * Wax can always be reworked * Best pigments and materials * Made in the USA Perfect For: * Use with heated tools or palette * Encaustic painting * Mixed media techniques * Experimenting with custom paint mixes * Artists of all skill levels * Classrooms and workshops * Creating layered collage Unique Colors 2023 Holiday Limited Edition Set of 6: contains Warm Pink, Nickel Yellow, Ancient Gold, Phthalo Green Pale, Turkey Umber Pale, and Provence Red. Opaque Colors Set of 6: Features 6-40ml bright primary colors excellent for mixing (Cadmium Yellow Medium, Cadmium Red Medium, Chromium Oxide Green, Cobalt Blue, Titanium White, and Ivory Black) and comes packaged in Ampersand's cradled 6" x 6" Encausticbord™. Translucent Colors Set of 6: Features 6-40ml jewel tone colors perfect for subtle glazes (Alizarin Orange, Quinacridone Red, Egyptian Violet, Indian Yellow, Viridian, and Ultramarine Blue) and comes packaged in Ampersand's cradled 6" x 6" Encausticbord™. Introductory Colors Set of 6: Get started with this set of 6-40 ml cakes in classic colors (Cadmium Green Pale, King's Blue, Naples Yellow, Neutral White, Turkey Red, and Turkey Umber Greenish). Encaustic Starter Kit: Contains 5-40 ml. cakes of Cadmium Yellow Light, Cadmium Green Pale, Quinacridone Red, Titanium White, and Ultramarine Blue encaustic paint, as well as (2) 5”x7” Flat Ampersand Encausticbord™ panels, (1) 8”x10” Cradled Ampersand Encausticbord™ panel, small packages of encaustic medium and soy wax; (2) palette cups, (2) brushes, and an R&F Color Chart and Basic Encaustic Manual. See More
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Tusc & Pine Instavar Gloss Picture Varnish 3.4oz (100ml)Save Up to67%Off list…and acrylics * Brush application * Enriching colors * Altering paint sheen * Boosting color saturation * Giving your work an even gloss sheen * Bringing up dull sunken areas in a painting * Use in the studio or school * Airplane travel InstaVar™ may be applied when the paint is… When painting is dry to the touch, you can InstaVar it! InstaVar™ Gloss Varnish by Tusc & Pine enriches the colors in your painting under a protective, even sheen. Archival quality varnish for oils, alkyds, and acrylics, the nearly odorless, crystal-clear varnish does not yellow with age. Once your painting is dry to the touch, preserve it by brushing on a thin layer of InstaVar™. You will instantly notice that your colors have a brilliance and depth of color they didn't have before. Key Features: * Archival quality gloss picture varnish * Crystal-clear, non-yellowing, and nearly odorless * Saturates color and adds new depth * Can be used as a retouch varnish * Acts as a protective coat * Dries in 24 hours * Removable with StudioSolv™ * Made in the USA Perfect For: * Varnishing oils, alkyds, and acrylics * Brush application * Enriching colors * Altering paint sheen * Boosting color saturation * Giving your work an even gloss sheen * Bringing up dull sunken areas in a painting * Use in the studio or school * Airplane travel InstaVar™ may be applied when the paint is dry to the touch and firm in its thickest sections. Some paintings might take 2 weeks to dry, while those in humid areas might take 2 months. If necessary, you can safely remove the varnish with StudioSolv™. Replacing the lid during a varnishing session can help reduce VOC levels in the air. Always work in a well-ventilated area. For your safety, always wash your hands immediately after use, especially before eating. Store the varnish in an airtight container out of reach of children. Safe For Travel By Air! InstaVar™ has a flashpoint of 144°F which classifies it as a combustible liquid by DOT regulations, however, it is considered safer than varnishes with lower flashpoints. InstaVar™ also conforms to FAA and TSA guidelines and can be safely transported by airplane, making it a convenient option for artists who travel. The 3.4 oz bottle is the perfect carry-on size, while larger sizes can be packed in your checked bag. Printable Travel Gudelines InstaVar™ SDS While InstaVar™ is currently allowed by FAA guidelines, we recommend always checking current regulations before traveling. To ensure a smooth and hassle-free experience, please bring a printed copy of the SDS and travel guidelines to show at baggage check. If the flight is international, please check the policy of your destination country. See More
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StudioSolv™ Artist Oil Thinning Medium, 3.4oz (100ml) BottleSave Up to69%Off list…turpentine. Deluxe Bundle Sets Available with Exclusive Extras! Click on the item number to view the contents of each bundle set. SoHo Artist Disposable Studio Wipes: SoHo Urban Artist Wipes are the ultimate cleaner for varnish, acrylic, and oil brushes. The wipes are also an… Purified Odor-Free Artist Solvent For Thinning Oils Tusc & Pine StudioSolv™ is a purified, odor-free oil-thinning medium. It's designed to thin oils and mediums while maintaining the integrity of your color. Experiment with different ratios of StudioSolv™ and linseed oil to create a custom lean medium. Although aromatic solvents have been extracted to remove odor, adequate ventilation should be practiced for safety. The Purist Odorless Thinner You Can Buy! No solvent odors, only the wonderful smell of oil paint! Key Features: * Professional grade oil thinner * Made to the highest standards * Purified and odor free * Aromatic solvents removed (No solvent odors, only the wonderful smell of oil colors) * Higher safer flashpoint rating (flashpoint of 144°F) * Made in the USA * Conforms to ASTM D 4236 * Available in 3.2 oz, 8.4 oz, 16.9 oz, and 33.8 oz bottles Perfect For: * Thinning stiff, heavy-bodied oils * Modifying painting mediums * Minimizing brush strokes * Oil painters of all skill levels * Creating lean mediums * Removing varnish from canvas * Studio and classroom use * Airplane travel Safe For Travel By Air! StudioSolv™ has a flashpoint of 144°F which classifies it as a combustible liquid by DOT regulations, however, it is considered safer than solvents with lower flashpoints and faster evaporation rates. StudioSolv™ also conforms to FAA and TSA guidelines and can be safely transported by airplane, making it a convenient option for artists who travel. The 3.4 oz bottle is the perfect carry-on size, while larger sizes can be packed in your checked bag. Printable Travel Guidelines StudioSolv™ SDS While StudioSolv™ is currently allowed by FAA guidelines, we recommend always checking current regulations before traveling. To ensure a smooth and hassle-free experience, please bring a printed copy of the SDS and travel guidelines to show at baggage check. If the flight is international, please check the policy of your destination country. Solvents should be stored in an airtight container out of reach of children. Replacing the lid during painting sessions can help reduce VOC levels in the air. Always work in a well-ventilated area. Wash your hands after painting and before eating. StudioSolv™ is not recommended for use with gum resin mediums like dammar, copal, and mastic. Gum resins pair well with traditional turpentine. Deluxe Bundle Sets Available with Exclusive Extras! Click on the item number to view the contents of each bundle set. SoHo Artist Disposable Studio Wipes: SoHo Urban Artist Wipes are the ultimate cleaner for varnish, acrylic, and oil brushes. The wipes are also an effective and gentle cleanser for hands, brushes, tools, and more. Silicoil Brush Cleaning Tank: The clear glass brush cleaning tank can hold up to 12 oz of water, solvent, or brush cleaning fluid. The spring-like coil provides flexibility to aid in the cleaning of your brushes. Air-Tight Deluxe Brush Washer: Perfect for travel and studio use, the stainless steel brush washer can hold over a pint of liquid! The lid has a built-in gasket that forms an air-tight, leak-proof seal, preventing harsh fumes from escaping. Da Vinci Air Tight Brush Washer: The brush washer is designed to hold over a pint of solvent. A specially outfitted gasket on the lid maintains an air-tight seal no matter what. Latches ensure the lid stays shut while traveling. Petite Air Tight Brush Washer: The Petite Air Tight Brush Washer measures a maximum diameter size of just 3" and a height of just 3-5/8". It holds about 10 oz of fluid. The washer has two locking clamps for an air-tight seal and a removable strainer. See More
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R&F Handmade Paints - Encaustic Medium, 333ml BlockSave Up to20%Off list…traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More
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R&F Handmade Paints - Encaustic Medium, 333ml BlockSave Up to20%Off list…and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets)… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets) - Eco-friendly cleaning wax. See More
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Yasutomo Professional Black Sumi Ink Stick SSB900 .9oz Pine SootSave Up to25%Off list…is designed for use in Sumi-e Painting. SSB900 Professional Ink Stick:* Produces deep black tones* Variations of grey when ground with water* Well-shaped solid block* Convenient liquid form* Soot from pine or certain vegetable oils* Designed for use in Sumi-e Painting* Dimensions: 5/8” W x 3/8”D x 2… Deep black tones and subtle variations of grey when ground with water The Yasutomo Artist Ink Stick is an artist quality ink stick that produces deep black tones and subtle variations of grey when ground with water. For more than a thousand years, the method of making Sumi sticks has remained the same. Soot from pine or certain vegetable oils mixed with animal or fish glue is molded and dried to form a well-shaped solid block. The Sumi Ink Sticks are made in the traditional method and is designed for use in Sumi-e Painting. SSB900 Professional Ink Stick:* Produces deep black tones* Variations of grey when ground with water* Well-shaped solid block* Convenient liquid form* Soot from pine or certain vegetable oils* Designed for use in Sumi-e Painting* Dimensions: 5/8” W x 3/8”D x 2 3/4” L* Packaged in a paper box SSB700 Artist Ink Stick:* Produces deep black tones* Variations of grey when ground with water* Well-shaped solid block* Convenient liquid form* Soot from pine or certain vegetable oils* Designed for use in Sumi-e Painting* Dimensions: 5/8” W x 3/8”D x 2 3/4” L* Packaged in a paper box The SSB900 is a professional quality ink stick. When ground in a suzuri stone with water it produces deep black tones and subtle variations of grey. Packaged in a sturdy and beautiful paper box. Made in Japan Dimensions: 5/8” W x 3/8”D x 3” L The SSB700 is an artist quality ink stick. This Sumi Ink Stick is made in the traditional method and is designed for use in Sumi-e Painting. When ground in a suzuri stone with water it produces deep black tones and subtle variations of grey. Made in Japan Dimensions: 5/8” W x 3/8”D x 3” L When ground on a Suzuri stone with water, an ink forms and produces the Five Colors or shades of black that forms the basis of monochromatic Sumi painting See More
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SoHo Urban Artist Linen #133 Unprimed Roll 15.17 oz, 82.67" x 30 ydSave Up to55%Off listNatural Quality canvas worthy of your finest masterpiece! Are you tired of painting on standard cotton duck canvas but find better fabrics too expensive? SoHo Urban Artist has the answer with their new line of professional quality, unprimed artists' canvas in a wide range of fibers and textures — all at an affordable price! Only the highest quality natural fibers are used to weave the canvas. Because the canvas is raw, you have the opportunity to select the special gesso or primer that you want to use as your base. If you want the canvas to be ultra-smooth, you can sand the gesso in between coats or apply more texture if that is the effect you want. Linen, jute, and hemp are superior fibers that, when properly cared for, will survive for centuries — and so will your art! These premium raw unprimed canvases are available in generous 30-yard rolls, 6-yard folded blankets, and convenient 1-yard samples to make it easy to find your favorite. Find the perfect painting surface with SoHo Urban Artist Professional Unprimed Canvas! Key Features: * Professional quality linen, jute, and hemp * Multiple surface textures offered * Raw canvas ready to prime * Prime to suit your painting needs! Perfect For: * Professional painters of all types * Custom priming and stretching your own canvas * Creating a textured or smooth canvas * Portrait artists and detail painters * Archival art that will last! #42 Linen – 66.9" wide; 12.7 oz. - Slightly heavier than 12 oz cotton but not as bulky. It has a beautiful, tight weave that is perfect for detailed realistic techniques and more abstract applications. For portrait artists, three coats of priming sanded between layers would yield a very pleasing surface. #38 Linen – 66.9" wide; 14.1 oz. - This linen is about 10% heavier than the #42. It has a medium weave and texture and falls into our all-purpose range. You can use this linen for portraiture, but we generally do not recommend it for this purpose. This linen is ideal for all other realistic, representative, and modern expressions. #133 Linen – 82.67" wide; 15.17 oz. - This hearty linen has a robust weave and uniform surface. Perfect for expressive works and abstract pieces. #31 Linen – 90.55" wide; 17.99 oz. - The heaviest linen with a medium texture and weave. It is intended for large-sized works, but you can use it for any size piece. It weighs in at 17.99 oz. or 510 gms, which is heavier than any commercially produced pre-stretched linen canvas product on the market. #24 Jute – 74.8" wide; 24.51 oz. - Jute is a delightful departure from the smoothness associated with hemp and linens as it is delectably coarse, soft, and shiny with a beautiful golden color. The fiber lengths are incredibly long, so the strength of the jute is unrivaled. It has a large, coarse weave and is wonderful for glue-sizing, leaving the natural color of the canvas, or for traditional priming with oil or acrylic-based primers. #25 Hemp – 86.6" wide; 25.4 oz. - Hemp is for any artist looking for a heavyweight, durable fabric that is strong and soft. A robust, tight weave characterizes this fabric. The archival nature of hemp rivals that of the finest linen, but it is economical enough to use on the largest of paintings. See More
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