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Gamblin Dry Pigment - Indian Red, 90 GramsSave Up to40%Off listRed 100% Pure Pigments With No Impurities With Gamblin's collection of 100% pure ground pigments, you can make your own unique paints. Gamblin uses these same pigments to make their famous Artist's Oil Colors. Each batch is finely ground so that you can bring out the pigment's full potential. Free of adulterants and impurities, Gamblin Pigments offer excellent value. Use them to create oil, acrylic, watercolor, and encaustic paints. Simply hand mix the dry pigment with the medium of your choice and start painting. Each color mixture retains the undertone and tinting strength of the included pigments. Dry pigments can also be used for a variety of DIY tasks. Mix with epoxy resin to fill resin molds or add a colored coating to a tabletop. You can also combine dry pigment with grout for mosaic and tile projects. Key Features: * Professional artist quality pigments * 100% pure with no additives or impurities * Finely-ground to make mixing easier * Mixture retains the tinting strength, undertone, and texture of the pigment Perfect For: * Making your own paints with the appropriate binder * Oils, acrylics, watercolors, egg tempera, cold wax, and encaustic * A wide variety of DIY projects * Coloring epoxy resin and grout Please protect yourself when handling powdered pigments. Pigments can be harmful in their powder form, especially to the lungs, if you breathe them in. It's important to wear a quality mask or respirator, gloves, and protective eyewear when working with pigments. See More
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Sennelier Extra Soft Pastel Cardboard Box Set of 30 - Assorted Colors, Half-SticksSave Up to60%Off listAssorted Colors Sennelier Extra Soft Pastel Sets utilize a deep and rich history of color! In 1887, a huge supporter of the arts named Gustave Sennelier opened his artist’s supply store “Maison Sennelier” directly across from the Louvre in Paris, France. Sennelier was a talented chemist by trade, but through his love of art had a sharply honed eye for value and color. His extensive background researching and studying pigment origins led him to create his own personal pigment mixtures to sell directly to his customers (initially he sold his paints through existing manufacturers). His friendships with prominent artists of the day (whether already famous or yet undiscovered) and his fierce loyalty to them and their craft resulted in creating multiple mediums designed specifically for them. At the turn of the 20th century, Gustave dedicated three years of development to create an extra soft pastel for his friend and patron, artist Edgar Degas. His goal was to create a stick with the highest amount of pigment possible, adding only the transparent binder of gum arabic (a watercolor binder) and mineral fines to change the gradients of the colors (increasing amounts as the pastel stick lightens towards white). The use of the gum arabic creates a soft pastel that can also be wetted once on the substrate, and spread like a watercolor. With a total of 525 colors and the largest chromatic range offered in soft pastels, their vibrancy and brightness can attributed to not containing clays, like other brands. Pastel artists everywhere revere Sennelier especially for their mellow and deep dark tones compared to other makers, likely due to their higher pigment concentration with little filler. The cylindrical pastel mold used by Sennelier in the manufacturing process does not compress the pastel paste, instead merely forming the uniform shape (which now features a larger diameter stick than before for added strength, while maintaining the soft nature of the pastel). Sticks are dried naturally in the open air for 4 weeks for a uniform softness throughout the pastel. Using Sennelier Soft Pastels utilizes a deep and rich history of color, backed up by one of the most dedicated craftsman to color in history. Artists who relied on his and his son Gustave’s expertise and experience achieved fame through their artworks, like Paul Gaugin, Modigliani, Monet, Cezanne, Degas, Picasso, Chagall, Salvador Dali, and so many more. Give yourself the treat designed for the pastel master Degas himself, and choose Sennelier for the finest quality soft pastels available! Key Features: * Available in multiple sets for all budgets * Specially selected sets for landscape, portrait, or still life * Originally created by Sennelier for master pastellist Edgar Degas * Renowned for deep and dark colors due to high pigment load * Available in cardboard and wood box sets for travel Perfect For: * Serious Pastel Artists * Application over watercolor or acrylic * Use with textured and sanded pastel papers and boards * Traveling, does not fall under airline restrictions * As gifts for the artist who has everything * Half Sticks Measure 1 1/14” long x 5/8” diameter (unwrapped in a slightly larger, squared shape to prevent breakage) * Standard Sticks measure 2 ½” long x ½” diameter * Half Stick Black Wood Box Sets of 60 & 120 - these Sennelier best selling half stick soft pastels are now available in chic black wood boxes, perfect for gift giving. Opening the ebony box of these luminous colors inspires creation! * Plein Air Landscape Half Stick Set of 80 - Sennelier has a rich history of providing Plein Air painters like Cezanne with their pastels, giving him the ability to produce the vibrant, rich landscape works he is known for. This 80 color half stick Plein Air collection has been carefully selected for its’ simplicity and ability to mix a full spectrum of landscape color, without carrying the extra weight of too many pastels in the field. Half sticks are great for making broad strokes, to cover larger areas more quickly. * Voyage Set of 10 - This Voyage pastel set features 10 professional quality half-stick soft pastels by Sennelier. Handmade since 1900 these extra-fine pastels have unparalleled softness and pigment intensity providing each stroke with brilliant color. Enclosed in a sturdy metal tin for protection, each set also includes 3 sheets of pastel card, a graphite pencil and a pastel brush. * Value Sets of 80 - Available in sets of 80 Assorted Colors and 80 Landscape Colors, these value sets also include a 10-Pack of UArt Pastel Paper and a Creative Mark 12x16" Mesh Zipper Bag! * Vintage Set of 12 - This unique limited edition set is the perfect way to celebrate Sennelier's 125th anniversary! Includes 12 soft pastels in the same original range as chosen by the company's founder, Gustave Sennelier, packaged in a vintage style cardboard box. A great gift for any artist! * Luxury Wood Box Set of 525 - This new Limited Edition Set celebrates Sennelier's 125th Anniversary of making the highest quality art mediums! Includes the entire range of standard stick Soft Pastels (one of each color), beautifully housed in a gorgeous convenient tiered box, featuring individual pastel drawers. An amazing gift set for serious artists! See More
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Sennelier Soft Pastel Half Stick Set Portrait DarkSave Up to40%Off listPortrait Colors Color-themed sets of Bold, lightfast, water-soluble pastels! Sennelier uses only the purest pigments and natural binders to create lightfast, water-soluble Half-Stick pastels. Formed painstakingly by hand, the pastels are placed in special molds and left to air dry. No fillers or clays are used. Sennelier soft pastels are so soft that a gentle stroke will deliver a bold, rich line of color. Each pastel half stick measures 1-1/4" long x 1/2" in diameter. Pastel sets are packaged with a snug-fitting foam insert that protects each half-stick. Sennelier offers a variety of color-themed sets. With a curated half-stick set, you get twice as many pastels for the money and get to sample a wide range of vivid colors. The Sennelier Half-Stick sets are available in nine color themes. Each pastel set provides plenty of color inspiration. Key Features: * Super soft, velvety, vibrant colors * Nine color theme sets * Half stick measures 1-1/4" long x 1/2" in diameter * High-quality pure pigments * Natural transparent binder * Lightfast * No fillers or clays are used * Nested in a foam-lined box to avoid breakage Perfect For: * Serious pastel artists * Drawing bold rich lines * Application over water media * Layering and blending * Studio or Plein air work * Textured or sanded pastel papers * Mixed media application * Uncomplicated, spontaneous creativity Emerald Sea: The perfect combination of blue and green hues allows for the various nuances of an emerald sea. You can use the blues for light enhancement while the greens bring the appropriate depth. Colors include #256, #722, #730, #259, #468, and #957. Seaside: This set is great for taking on a family beach vacation. The Seaside group has blues and earth tones to portray the beach feeling. You can use the white to bring out the light of a Summer day. Colors include #259, #502, #479, #453, #115, and #484. Dark Skin Tones: Sketching a Portrait is not an easy task. However, the carefully selected hues allow for a genuine rendering of the facial expression of a model. The juxtaposition of colors combined with careful blending will achieve stunning results. Colors include #412, #442, #406, #61, #131, and #439. Pale Skin Tones: Sketching a Portrait is not an easy task. However, the carefully selected hues allow for a genuine rendering of the facial expression of a model. The juxtaposition of colors combined with careful blending will achieve stunning results. Colors include #904, #366, #686, #264, #406, and #52. Winter Landscape: Perfect for creating a simple winter landscape. The six-color assortment enables you to give depth to the artwork while creating an ethereal look to the snow. Colors include #714, #525, #428, #210, #137, and #394. Autumn Landscape: Imagine an autumnal forest filled with luminous reddish tones. You can use this selection of pastels to produce a complete Fall landscape. Colors include #37, #297, #754, #191, #46, and #239. Summer Sky: The six blue and white hues are perfect for creating a Summer sky filled with light and contrast. Colors include #395, #714, #257, #423, #525, and #392. Stormy Sky: The perfect assortment of colors to render the intensity of a stormy sky. The mix of opaque and transparent colors creates a stunning finish. Colors include #133, #500, #479, #756, #285, and #504. See More
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SoHo Urban Artist Soft Pastel Half Stick Set of 120 - Assorted ColorsSave Up to69%Off listAssorted Colors Super soft, super pigmented pastels in convenient half stick sets! Artist Soft Pastel Half Stick Sets are vibrant, luxurious sets of half stick soft pastels at an unbelievable value! These soft, buttery smooth pastels are highly pigmented and lightfast, and are the ideal introduction to soft pastels for artists who don't want to sacrifice quality for a reasonable price. The fact that these pastels are half stick size means a wider color palette can be obtained, and each set has a beautifully balanced rainbow selection of 48, 90, or 120 vibrant colors. With a soft and smooth consistency, SoHo Soft Pastel Half Sticks are perfect for layering and blending, whether in the studio or en plein air. Also, they are the perfect sets for students and teachers, supplying a vast array of colors at a modest investment. Whether you are a beginner or an experienced pastel artist, try SoHo Urban Artist Soft Pastel Half Stick Sets today — we're sure you'll be impressed! Key Features:* Super soft, velvety, vibrant colors* High degree of lightfastness* Fully pigmented* Measures 1.3" long* Goes on easily, blends easily Perfect For:* Layering & blending* Artists of all levels* Classrooms & workshops* Studio or Plein Air work* Mixed media pieces See More
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Jacquard Cyanotype Potassium Ferricyanide, 1lb JarSave Up to15%Off listHarness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for… Harness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were called photograms at the time. The Cyanotype process is incredibly simple and only employs two inexpensive chemicals and UV sunlight. Prints can be created on any natural fiber: paper, cotton, silk, wool, wood, etc. Jacquard has made Cyanotype printing easy as pie with pre-sensitized fabric that is ready for cyanotype printing. Simply pull the sheet out of the package, place objects or an inverted photographic negative on top, expose to light for three to fifteen minutes, submerge the fabric in water to reveal the blue cyanotype print, and finally hang the fabric to line dry. With Jacquard’s Cyanotype Pretreated Mural Fabric you can actually create a full-body print by laying on top of the mural fabric for the duration of exposure while not moving. The creative possibilities for Photographers, Mixed Media Artists, and Quilters are endless! If you would prefer to use your own papers or fabric Jacquard has made the chemistry of Cyanotype attainable with lightproof black bottles of Potassium Ferricyanide and Ferric Ammonium Citrate. The chemicals used for cyanotype are inexpensive and go a long way. Despite their perhaps alarming names, both are safe to handle and mix. That said, care should be taken to avoid ingestion, inhalation, and contact with skin. The instructions for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow Great for photographers, mixed media artists, printmakers, quilters, kids and more, the cyanotype process is easy, forgiving, quick, magical and fun. Capture the nuance of every shadow Key Features: * Harness the power of the sun to make detailed prints * Simply place the object on the sensitized surface and expose to sunlight (UV) * Sun exposure time is 3-15 minutes * Pre-sensitized Cyanotype fabric Perfect For: * Quilters and Surface Design Artists * Photographers * Mixed media artists, printmakers, quilters See More
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Claytoon Non-Hardening Modeling Clay - Neon Colors, 1lbSave Up to13%Off listAssorted Colors Non-toxic, non-hardening modeling compound perfect for any project! This vibrant and versatile modeling clay is a perfect medium for kids of all ages! Claytoon Modeling Clay is non-toxic and safe for kids' use, and since it never hardens and remains pliable, it is infinitely reusable for hours of sculpting fun! Claytoon clay is available in seven fun color combinations, each with a quarter pound of four brilliant colors. Each color is individually wrapped in cellophane for freshness and brilliance. Perfect for making figurines, finger puppets, school projects, sculpted characters and more, Claytoon Modeling Clay is sure to be a big hit for any budding sculptor! Key Features: * Non-toxic modeling clay * Never hardens, remains pliable * Sets of 4 colors (1 lb. clay total) * Each set includes basic project instructions Perfect For: * Making figurines & finger puppets * Animation & character modeling * School projects & crafts * Creative fun for kids of all ages! See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off list…traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off list…and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets)… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets) - Eco-friendly cleaning wax. See More
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Jacquard Dye Additive Urea 1 lb BagSave Up to10%Off list…Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting,… Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to protein-based fibers. Soda Ash promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. The humectant Urea attracts moisture from the air and slows the tie-dye process, providing more time for the dye to process and generate deeper shades. You can use Synthrapol® an industrial-strength, pH-neutral liquid detergent as a wetting agent, or wash your decorated fabrics with it. It is essential to practice studio safety when using dyes and chemicals. Please keep dyes, paints, and chemicals away from children and avoid unnecessary skin contact. Key Features: * Powdered chemicals * Complement Acid and Procion MX dyes * Sodium Alginate SH will thicken dyes * Citric Acid is used to fix acid dye * Soda Ash is used to fix Procion MX dye * Urea enhances Procion MX colors * pH-neutral detergent and wetting agent Perfect For: * Fabric dyeing * Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting, stamping, or screen printing. When working with thicker fabrics, use a thinner consistency of dye solution to guarantee dye penetration. Instructions: Mix 1 quart water with ¼ cup Urea. Then, add two teaspoons Sodium Alginate SH for hand painting or four teaspoons Sodium Alginate SH for screen printing. Slowly sprinkle Sodium Alginate SH over water/Urea mix. Stir constantly for 10 minutes, or mix in a blender until smooth. Let stand for 1 hour, then stir again. The solution may be stored in a refrigerator for a few months. Soda Ash: Soda Ash dye fixer is a mild alkali that promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. It is also known as sodium carbonate, washing soda, or salt soda. Soda Ash is necessary to activate and set Procion MX dye. For tie-dye (pre-soak method): Use one cup per gallon of warm water. Soak fabric in the mixture for 20 minutes. Squeeze/wring out the excess solution by hand. Do not rinse out. For immersion dyeing: Use 1/4 to 1/3 cup per three gallons of water. Add to dye bath per instructions. Dyeing cellulose fibers in a washing machine: Use 2-3 cups per load. Dissolve in one-quart hot water. Slowly add to dye bath in washer per instructions. Synthrapol®: Synthrapol® is an industrial-strength, pH-neutral liquid detergent used as a pre and after wash for dyed or painted fabrics. Synthrapol® can also be used as a wetting agent for fabric dyes and paints. The unique liquid detergent keeps loose dye pigment suspended during washing which prevents back staining and helps remove excess color. Pre wash: Prewashing fabric with Synthrapol® to remove oils, waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse thoroughly. After wash: After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to a dye bath or fabric paint can increase color penetration. When dyeing wool and other hard-to-wet fibers, add 2 to 3 drops of Synthrapol® per 5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb of fabric. Do not pour directly onto cloth. If further exhaustion of dye bath is necessary, add a little bit more. Avoid contact with eyes. In case of eye contact, flush immediately with water for at least 15 minutes. Keep out of reach of children. Urea: Urea is a humectant that attracts moisture from the air and slows the drying process; therefore, it allows more time for the dye to react with the fiber and helps develop deeper shades. Most artists use Urea when applying dye solutions directly to fabric or hand painting. Urea can be used with Sodium Alginate thickener for screen printing, direct painting, or tie-dye. Add one tablespoon Urea per 8 fl oz of dye solution (¼ cup per one quart of dye solution). See More
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Fredrix Roll Canvas Watercolor Canvas 58" x 6 YardsSave Up to10%Off listWhite Revolutionary new watercolor surface! Fredrix Archival Watercolor Cotton Canvas is an innovative watercolor surface made of 100% cotton. It produces a unique look that can only be delivered by a canvas with superb lifting abilities for corrections and natural washes. This innovative cotton canvas combines the texture of woven fabric with a specially formulated acid-free gesso designed for all waterbased paints. You can scratch or scrape the versatile and robust canvas to create unique effects and rewet areas of dried watercolor without damaging the surface. Key Features: * 100% cotton canvas * Special acid-free gesso * Designed for all waterbased paints * Superb lifting abilities * Versatile and robust surface * Perfect For: * Watercolor & waterbased paints * Creating unique effects * Watercolor on stretched canvas * Artists of every level See More
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Sennelier Artist Dry Pigments Cadmium Red Light Hue 90 gramsSave Up to37%Off listRed An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Old Holland Classic Pigment Vine Black 90gSave Up to40%Off listBlack Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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