18 X 24 Pad at Jerry's Artarama

Strathmore 300 Series 140 lb Watercolor Paper Pad 18" x 24" Wire Bound (12 Sheets)

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…media. It has a cold pressed surface that adapts beautifully to a variety of techniques. Each pad contains 12 sheets and is attached with spiral wire binding. Weight: 140 lb. 300 g/m2 Surface: Cold Press Pad Features: Wire Bound Sheets are Actual Size when removed at the wire binding. Type: Heavy… Economical, heavy weight student-grade paper! Strathmore 300 Series Watercolor 140lb. Paper Pads are an economical, heavy weight student-grade paper is best suited for beginning watercolorists or for experimentation and perfecting techniques. This paper has two distinct surfaces: the felt (top) side is cold press the most popular surface for most watercolor work, while the other side is smoother and is ideal for detailed work. This 140 lb. acid-free, heavy weight watercolor paper is made to stand up to the various watercolor media. It has a cold pressed surface that adapts beautifully to a variety of techniques. Each pad contains 12 sheets and is attached with spiral wire binding. Weight: 140 lb. 300 g/m2 Surface: Cold Press Pad Features: Wire Bound Sheets are Actual Size when removed at the wire binding. Type: Heavy weight student-grade paper Note:Watercolor, gouache, tempera or even acrylic See More

Speedball Printmaking Paper Pad 18" x 24" (15 Sheets)

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White An artist favorite, this premium printmaking paper is now available in a convenient pad! Speedball Printmaking Paper Pads were developed through a collaboration between Speedball and Schut Papier of Holland. This fine art paper is made with strong, absorbent fibers, which accept multiple layers of ink beautifully. Suitable for all printmaking media, from water-based inks to traditional oil-based inks, this high-quality printmaking paper works very well damp or dry for a variety of techniques, including relief printing and intaglio. Each pad of printmaking paper contains 20 sheets of white, 90 lb/245 gsm, acid-free paper. These premium printmaking paper pads are an extremely versatile addition to your printmaking arsenal! Speedball Mulberry Paper is an artist-quality printmaking paper made with a mix of Kozo (mulberry) and bamboo fiber. The thin paper is very strong, which makes it ideal for lino block, wood block, and screen printing. Key Features: * White, 90 lb/245 gsm, acid-free paper * Mulberry paper unbleached, neutral pH. 45gsm. * Extremely versatile, suitable for all printmaking media * Made with strong, absorbent fibers Perfect For: * Water-based or oil-based inks * Student printmaking projects * Relief printing and intaglio * Printmaking artists See More

Pastelmat Premium Paper Pads

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…acrylics, watercolors and gouache. Pastelmat® Premium Paper Pads offers artists new opportunities with a unique surface that grabs pastels more effectively than Ingres papers but is less abrasive then sanded papers. Pastelmat® pads have glassine sheet protectors between each page. Its unique… A unique surface for pastels, colored pencils & rich painterly effect Clairefontaine's Pastelmat Paper Pads texture grabs onto the pastel, breaking up the pigment and pulls it deep into the surface for exceptionally vibrant color and can used as painting with pastel as Pastelmat is so versatile that, in addition to pastel and pastel pencils, it will support most dry and wet media including: oil pastels, charcoal, colored pencils, acrylics, watercolors and gouache. Pastelmat® Premium Paper Pads offers artists new opportunities with a unique surface that grabs pastels more effectively than Ingres papers but is less abrasive then sanded papers. Pastelmat® pads have glassine sheet protectors between each page. Its unique velvety texture, made from a fine coating of cellulose fibers, can grab and hold multiple layers. Pastelmat is acid-free and pH neutral. Pads have glassine sheet protectors between each page. A legendary reputation among the world's foremost pastelists. Pastelmat® Premium Paper Pads offers artists new opportunities with a unique surface that grabs pastels more effectively than Ingres papers but is less abrasive then sanded papers.   Pastelmat Colors * Palette No. 1: 3 sheets each of Maize, Buttercup, Dark Grey, and Light Grey. * Palette No. 2: 4 sheets each of Sienna, White, and Charcoal Grey. * Palette No. 3: 12 sheets of White. * Palette No. 4: 3 sheets each of Dark Blue, Light Blue, Wine, and Sand. * Palette No. 5: 3 sheets each of Dark Green, Light Green, White, and Dark Blue. * Palette No. 6: 12 sheets of Charcoal Grey formerly called Anthracite. * Palette No. 7: 3 sheets each of Sanguine Red, Sand, Beige, and Dark Grey.   Key Features: * Pads contain 12 sheets of (360gsm / 170lb) paper * Acid-free and pH-neutral * Cellulose surface holds pigment deeply * No need for fixative spray * Softer hand than gritty course sanded papers * No fingertip scraping * Holds up to water and solvent-based washes * Lower Consumption Rate of Costly Pastels * Supports All Pastel Types * Erasability and No Pastel Dust Perfect For: * Mixed Media: Soft pastel, oil pastel, pastel pencil, charcoal, colored pencils, acrylics, watercolors, and gouache * Washes & Blending techniques * Building multiple layers of color without fixative * Creating painterly effects with soft buttery marks * Painting with Pastel, Blending & Layering &nbsp Glassine Sheets: Pastlemat® pads are bound with glassine barrier sheets between each page to prevent smudging. Fine- line Artwork: Unlike grittier sanded papers, Pastelmat®'s velvety surface is suitable for fine line artwork See More

Canson Artist Series 10W Translucent Trace 18" x 50 yd Roll

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…Pads are exceptionally transparent tracing paper ideal for all drafting and design techniques. The smooth, scrape-resistant surface holds detail extremely well, and erases cleanly without smudging. Well suited for graphite, ink, and even marker applications. Available in fold over, tape-bound pads… Professional quality tracing paper perfect for drafting and overlays! The Canson Artist Series Tracing Paper Pads are exceptionally transparent tracing paper ideal for all drafting and design techniques. The smooth, scrape-resistant surface holds detail extremely well, and erases cleanly without smudging. Well suited for graphite, ink, and even marker applications. Available in fold over, tape-bound pads of 50 sheets of 25lb (40gsm) translucent paper. * Acid and lignin-free * Smooth and translucent* Erasable and smudge resistant* Available in pads of 50 sheets* Excellent for drafts and designs in pencil, ink, marker and more!   See More

Strathmore 400 Series Acrylic Pads 18" x 24" 246 lb (10 Sheets)

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White Heavyweight, versatile Strathmore acid-free papers This paper painting pad features 246lb (400 g/m2) paper which is ideal for acrylic painting. The heavyweight linen finish is perfect for acrylic painting. Tape bound, 10 sheets per pad. Made with the acrylic artist in mind, but it is also well suited for a variety of other painting, drawing, pastel or charcoal applications where a heavy paper with a toothy surface is desirable. The paper has a cream-colored linen finish. 246lb (400 gsm). Key Features:* Weight is 246lb (24" x 36" x 500 sheets) or 400 g/m2 (gsm)* Cream Linen Surface* Tape bound pads with flip-over covers Perfect For:* Painting, drawing, pastel or charcoal applications* Heavyweight linen finish for acrylic painting* Painting in the studio or on the go!   See More

Strathmore 400 Series Recycled Sketch Pad, 30 Sheets 18x24"

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…sketch sticks, and more! Heavyweight Drawing Pads feature slightly more texture than the regular 400 Drawing Pads. Acid-free perforated sheets are actual size when removed.  24 sheets per pad. Weight: 100 lb. (24” x 36” x 500 sheets) 163 g/m2 Surface: Medium.br… Premium drawing & sketch Pads for exceptional quality, durability, and artistic performance. Strathmore 400 Series Drawing & Sketch Pads, premium-quality art pads trusted by professional artists, art students, and illustrators alike. Featuring acid-free, heavyweight drawing paper, these pads provide the perfect surface for pencil sketches, charcoal drawings, pastel artwork, ink illustrations, and detailed marker renderings. One of the most versatile sheets Strathmore offers, this cream colored drawing paper is ideal for sketching and most finished work. Perfectly suited for fine artists, students, illustrators, and anyone looking to enhance their artistic skills and creativity. Artists choose the Strathmore 400 Series Drawing & Sketch Pads because of their superior quality, consistency, and performance. Professional-Grade Paper Quality: The 400 Series features heavier weight paper (typically 80 lb / 130 gsm or more), which handles more layering, blending, and erasing than lighter sketch papers. This makes it suitable for more refined, polished artwork—not just practice. * Acid-free and archival-quality paper to preserve your artwork (resists yellowing and deterioration over tim) * Suitable for pencil, charcoal, pastels, markers, ink, and mixed media * Premium heavyweight drawing paper (Drawing Pad) for professional-quality results * Versatile medium-weight sketch paper (Sketch Pad) for practice and creative experimentation * Spiral-bound design provides easy, comfortable sketching and drawing   Strathmore 400 Series Drawing Pads offer exceptional durability and a smooth-to-medium textured surface, perfect for intricate detailing, blending, shading, and layering without smudging or feathering. Ideal for finished artwork, portfolio projects, or detailed studies. 400 Series Drawing Pads - Now acid-free and perforated for easy removal! On this non-rag paper, you can use crayon, pencil, pen and ink, charcoal, washes, paints, markers and more!  80 lb., spiral bound paper has 24 sheets per pad. 400 Series Sketch Pads - A general purpose sketch paper for classroom, experimentation, or perfecting technique with pen, pencil and a variety of other media. Rugged spiral wire binding makes it ideal for field use, and pages are perforated for easy removal. 60 lb paper. Media Applications: Smooth 80 lb - graphite pencil, colored pencil, pen & ink, marker Medium 80 lb - graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, oil pastel Weight: Smooth: 80 lb. 130 g/m2 Medium: 80 lb. 130 g/m2 Pad Features: Wire Bound sheets are micro-perforated and are Actual Size when removed at the micro-perforation.   400 Series Heavyweight Drawing Pads - 100 lb., cream-colored paper is ideal for finished artworks and heavier sketch media, allowing for repeated erasing and reworking. Use with charcoal, pencil, colored pencil, sketch sticks, and more! Heavyweight Drawing Pads feature slightly more texture than the regular 400 Drawing Pads. Acid-free perforated sheets are actual size when removed.  24 sheets per pad. Weight: 100 lb. (24” x 36” x 500 sheets) 163 g/m2 Surface: Medium.br />Heavyweight Drawing products feature a medium surface with slightly more texture than our 80 lb. 400 Series Drawing pads. Surface is durable enough to stand up to repeated erasing and reworking.   400 Series Recycled Drawing Paper - This 80 lb., bright white paper is suitable for all dry media, pen and ink, and light washes. Contains over 50% recycled materials, and perforated for easy removal. Acid-free, heavy weight, durable, medium surface. Weight: 80 lb. 130 g/m2 Surface: Medium Media Applications: Graphite pencil, colored pencil, charcoal, sketching stick, pen & ink, marker, soft pastel, mixed media, and oil pastel. Pad Features: Wire Bound sheets are micro-perforated and are Actual Size when removed at the micro-perforation.   400 Series Recycled Sketch Paper - Our most popular sketch pad! This 60 lb., general purpose sketch paper is great for experimentation and perfecting techniques. Contains 30% Post-Consumer Waste Fiber. Acid-free, medium weight, lightly textured. Weight: 60 lb. (25" x 38" x 500 sheets) 89 g/m2 Surface: Fine Tooth Media Applications: Graphite pencil, colored pencil, charcoal, sketching stick, soft pastel, oil pastel   See More

Stonehenge Fine Drawing & Printmaking Paper Pads By Legion 90 lb Vellum Finish 18" x 24" (15 Sheets)

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…White Paper Pads – Containing 15 sheets of White Stonehenge paper ideal for artwork in a wide variety of media! Tape-bound pads feature a strong chipboard backing for support while working, and are available in 5 sizes. * Stonehenge Colors - Multi Color Pads – The Stonehenge Multi Pads contain three… Stonehenge fine drawing and printmaking paper: now available in convenient pads! Available in: White & Warm White & Colors Drawing & Printmaking Pad! For over 30 years, Stonehenge paper has been beloved by artists of all techniques. The 100% cotton, acid free, calcium carbonate-buffered paper is strong and durable, and the flawless vellum finish is the perfect surface for any variety of media. Now this popular art paper is available in pads convenient for traveling or for small works! Perfect for all your graphite, charcoal, colored pencil, silverpoint, pastel, printmaking, pen and ink, and even watercolor works: take Stonehenge drawing paper pads with you into the field and experience the lush surface and incredible responsiveness of some of America's finest art paper! Key Features: * Available in: White & Warm, White & Colors Drawing & Printmaking Pad!* 15 sheet pad* 100% Cotton* Vellum finish* Acid Free * Neutral PH * Made in USA Specs: * 250 gsm* 90 lb* Pencil* Charcoal* Watercolor* Pen and Ink Perfect For: * Colored Pencil* Graphite Pencil* Pencil* Charcoal* Watercolor* Pen and Ink Stonehenge paper is ideal for etching, screen printing, embossing, drawing, and painting with a variety of media, including colored pencils, pastels, pen-and-ink, pencils, charcoal, acrylics, and watercolors. * Stonehenge White Paper Pads – Containing 15 sheets of White Stonehenge paper ideal for artwork in a wide variety of media! Tape-bound pads feature a strong chipboard backing for support while working, and are available in 5 sizes. * Stonehenge Colors - Multi Color Pads – The Stonehenge Multi Pads contain three sheets each of five Stonehenge colors, including Warm White, Natural, Cream, Fawn, and Pearl Gray, so artists can flip to the desired color as needed. Tape-bound pads feature a strong chipboard backing for support while working, and are available in 3 sizes. See More

Clearprint 1000H Fade-Out Vellum 18" x 24" Pad, 8 x 8 Grid, 50 Sheets

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…art. Lines will not reproduce when used with traditional graphic arts cameras or copiers. Key Features:* 16lb/60GSM cotton vellum* 50 sheets per pad* 1000H, 100% cotton paper* Grid sizes vary in 4x4, 8x8, 10x10* Lines do not reproduce when photographed or scanned Perfect For:* Paper drafting,… The world's most popular paper for drafting, tracing and drawing! Today 1000H Grid is enjoyed by the entire artist community as one of the best surfaces to work on with a transparent quality. All Fade-Out grids are printed in non-repro blue, which will not reproduce when used with traditional graphic arts cameras. Fade-Out has all the same qualities of the traditional 1000H cotton vellum while featuring non-repro blue grids in a wide range of gradations. Grid sizes are measured by number of boxes per inch. Available in 4x4, 8x8, and 10x10 grid lines, making it versatile for all different types of art. Lines will not reproduce when used with traditional graphic arts cameras or copiers. Key Features:* 16lb/60GSM cotton vellum* 50 sheets per pad* 1000H, 100% cotton paper* Grid sizes vary in 4x4, 8x8, 10x10* Lines do not reproduce when photographed or scanned Perfect For:* Paper drafting, tracing, and drawing* Artists on the go* Removing images from the blue channel in RGB mode See More

Clearprint 1000H Design Vellum Pads Transparent Plain 18 x 24"

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…become yellow, brittle, or opaque with age. Compatible with a wide range of fine art media. Key Features: * Design Vellum Art Pads are 16lb/60GSM 50 Sheets * Isometric pads have fade-out grids * Retaining structure under exposure to elements * Does not yellow, brittle, or become opaque with age *… 1000H Design Vellum, the Industry's Standard! Clearprint's most popular 1000H vellum paper, Design Vellum is a 100% cotton sheet that is made transparent without the use of solvents. The paper features a smooth, transparent, and uniform surface. Pencil and pen lines are clean and crisp with no feathery edges and no ghosting. With the ability to retain it's strength, stability, transparency, and printing qualities under exposure to heat, light, and atmosphere; This design vellum will not become yellow, brittle, or opaque with age. Compatible with a wide range of fine art media. Key Features: * Design Vellum Art Pads are 16lb/60GSM 50 Sheets * Isometric pads have fade-out grids * Retaining structure under exposure to elements * Does not yellow, brittle, or become opaque with age * 100% cotton sheet Perfect For: * A wide range of fine art media * Drafting and tracing artwork * Architectures and engineers * Retaining it's structure * 1000H Transparent Vellum can be used with most inkjet printers See More

Strathmore 400 Series Marker Pad 18 x 24" 15 Sheets

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Create vibrant finished works with marker! Bleed Resistant! Proudly made in the USA, Strathmore 400 Series Marker Paper offers a quality surface for artists to create finished works of art with markers. This 50.5 lb / 190 g/m2 paper accepts alcohol-based, water-based and solvent-based markers, as… Create vibrant finished works with marker! Bleed Resistant! Proudly made in the USA, Strathmore 400 Series Marker Paper offers a quality surface for artists to create finished works of art with markers. This 50.5 lb / 190 g/m2 paper accepts alcohol-based, water-based and solvent-based markers, as well as pen and ink and mechanical pencil. The paper’s smooth surface allows markers to glide easily for even, consistent layering of color and blending. No drag to insure even strokes as well as not chewing up the nibs on your markers. These heavyweight sheets are bleed and tear resistant and acid-free—for vibrant, lasting works of art. 400 Series Marker Papers are extremely smooth. Slightly smoother than the Bristol paper. No drag when laying down, ensures even strokes, nice clean lines, a nice even marker wash without showing individual marker strokes. Key Features: * 50.5 lb. 190 g/m2 * Surface: Smooth / Heavyweight * Acid free, heavyweight papers * No optical brighteners, No Chemicals * Bleed and tear resistant * Accepts multiple layers of color and blending Perfect For: * Alcohol-based markers, water-based markers, solvent-based markers, pen & ink and mechanical pencil * Use with markers for a vibrant and crisp look * Creating finished works of art with markers * Create Multiple Layers / Bleed Resistant See More

Strathmore 300 Series Newsprint Pad Rough 18" x 24" (50 Sheets)

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…sheet pads are great for classrooms and large scale drawings! Key Features:* Rough Surface* 32lb.* Heavier weight* Natural-toned newsprint* Tape Bound Perfect For:* Graphite pencil* Colored pencil* Charcoal* Sketching stick* Practicing sketching and drawing Weight: Rough - 32 lb. (24" x 36" x 500… Heavier weight natural-toned newsprint paper Strathmore 300 Series Newsprint pads are filled with an economical, neutral colored, 32 lb. rough newsprint paper that is perfect for practicing sketching or for preliminary drawings. These 50 or 100 sheet pads are great for classrooms and large scale drawings! Key Features:* Rough Surface* 32lb.* Heavier weight* Natural-toned newsprint* Tape Bound Perfect For:* Graphite pencil* Colored pencil* Charcoal* Sketching stick* Practicing sketching and drawing Weight: Rough - 32 lb. (24" x 36" x 500 sheets) 52 g/m2 Surface: Smooth / Rough Rough: graphite pencil, colored pencil, charcoal, sketching stick Paper Type: A heavier weight natural-toned newsprint for practicing sketching and drawing See More

Awagami Papers Okawara (51GSM) Pack of 25

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White Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals   Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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SoHo Urban Artist Oil Pastel Pad - 18" x 24", 20 Sheets + Glassine

SoHo Urban Artist Oil Pastel Pad - 18" x 24", 20 Sheets + Glassine

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…Pastel Paper If you love working with oil pastels, you know that the right paper makes all the difference. That's why SoHo Urban Artist's Oil Pastel Pads are imprinted with a fine uniform canvas texture that grips color beautifully, allowing your pastels to perform at their best. Each heavyweight… Fine Textured Professional Pastel Paper If you love working with oil pastels, you know that the right paper makes all the difference. That's why SoHo Urban Artist's Oil Pastel Pads are imprinted with a fine uniform canvas texture that grips color beautifully, allowing your pastels to perform at their best. Each heavyweight 140 lb. (300 gsm) sheet provides a durable sturdy surface that resists warping, buckling, and tearing - even with wet blending techniques or heavy scrubbing. The soft, woven texture mimics the feel of sanded pastel paper, helping pastels adhere smoothly while maintaining their vibrancy. To protect your work, each page is interleaved with glassine sheets, preventing unwanted smudges. Beyond oil pastels, this paper is versatile enough for watercolor, colored pencils, pen and ink, graphite, and charcoal, making it the perfect companion for mixed-media artists. Key Features: * 140 lb. (300 gsm) fine canvas paper * 20 perforated sheets with glassine interleaving * Soft, woven texture grabs and holds oil pastel well * Performs like sanded pastel paper * Pages are smooth on the back side * Durable thickness similar to Bristol * Resistant to warping and buckling * Acid-free paper and glassine * Sturdy enough to withstand travel Perfect For: * Oil pastel and all water-soluble media * Watercolor, colored pencils, or pen & ink * Working with graphite and charcoal * Protecting oil pastel paintings * Painting en plein air * Traveling artists See More

Pastelgrain by Clairefontaine - Sheets and Pads

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…that, in addition to pastel and pastel pencils, Pastelgrain will support most dry and wet media, including gouache. Key Features: * Available in pads and paper sheets * Acid-free and pH-neutral * The cellulose surface holds pigment well * Retains the unique characteristics of Pastelmat * No need… A Pastel Surface Artists Can Trust The best-selling Pastelmat, known for it's velvety surface, is now available in a grain version. There's no need to spray layers of fixative when working on Pastelgrain papers. Pastels adhere so well to the surface that you can apply several layers without the colors becoming too saturated or muddy. Intense cellulose fibers grab broken pastel pigments and pull them deep into the surface for an almost dust-free experience. It's so versatile that, in addition to pastel and pastel pencils, Pastelgrain will support most dry and wet media, including gouache. Key Features: * Available in pads and paper sheets * Acid-free and pH-neutral * The cellulose surface holds pigment well * Retains the unique characteristics of Pastelmat * No need for fixative spray * Similar to sandpaper texture * Holds up to water and solvent-based washes Perfect For: * Soft pastel, oil pastel, pastel pencil, charcoal, colored pencils, acrylics, watercolors, and gouache * Blending techniques * Building multiple layers of color without fixative * Creating painterly effects with soft buttery marks * Artists seeking professional-grade surfaces See More