Since 1853 Weber has been providing artists with excellent quality artist materials and good old fashioned value.
"Oil Mediums and Their Uses" DVD - This DVD features fine artist Johnnie Liliedahl. She demos each of Weber's Oil Mediums; discusses what The Masters used and why; how to mix your own mediums; what cannot be mixed; plus the uses and results of all and more!
Blue Label® Fixatif - A water clear fixatif prepared expressly for use on pastel and charcoal drawings. Gives maximum durability and protection with the least change in tonal values. Dries to a matte finish which may be reworked.
Copal Painting Medium - Prepared from synthetic and natural resins and refined turpentine. Excellent for glazing, thin or impasto painting, and wet-on-wet techniques. May be thinned with Turpenoid® or turpentine.
Cleaning Solution - Cleaning Solution on oil paintings is used for removing accumulated surface soil and aged varnish. Carefully follow directions for safe, proper, techniques for surface restoration and cleaning. Caution is advised to avoid disturbing the painting during cleaning. Follow with application of Salamander™ restorative.
Damar Varnish - This durable and flexible varnish is made from Singapore White Damar Gum. Damar Varnish gives a high gloss and strong protection, greatly increasing the brilliance of colors. Contains no artificial dryers and responds to ordinary solvents. Thin with Turpenoid® or turpentine.
Japan Drier - Speeds the drying of slow drying colors. Only a small amount of Japan Drier should be used, since overuse of the drier tends to cause darkening and cracking of the painting.
Light Drying Oil - An ideal painting medium for oil colors to thin their consistency. Prepared from purified linseed oil and Turpenoid®.
Linseed Oil (Refined) - Finest quality, purified and refined linseed oil is pressed from flaxseed. Contains no free mineral acids. For use in diluting oil or alkyd colors. For making painting mediums or to clean brushes.
LiquiGlaze - is a resin based glazing and mixing medium similar to Liquin.
Matvar 53® - A matte finish varnish for oil color, watercolor, and tempera painting. This colorless, acrylic resin varnish provides the artist with a non yellowing, flexible, transparent matte film when dry. When used for an overall matte finish on varnished and unvarnished work it will not dull tonal values and may be painted over. Quick drying and ready for use, it contains no wax and will not mar or smudge through handling. Resists cracking, peeling, blush and bloom. Thin and clean up with turpentine.
Rapidry Oil Paint Medium - Rapidry makes oil colors smoothly workable and speeds drying time. Remains wet under normal conditions for about four to five hours. Dries to the touch overnight. It will not yellow or darken and it plasticizes the paint film to prevent cracking.
Res-n-Gel® - This colorless mixing medium provides a buttery consistency. Res-n-Gel prevents colors from running, retains brush stroke and holds sharply defined lines. Adds luminosity and brilliance and accelerates drying.
Resin-Oil Medium - Synthetic medium for use with dry pigments or tubed colors. Yields a buttery, plastic response for impasto painting, or a free flowing consistency when thinned with turpentine. Can be used to obtain sharply defined detail, working wet-on-wet. Recommended as an oil painting medium in glazing techniques. Drying of the paint is accelerated.
Salamander™ Restorative - A restorative for oil paintings prepared from carefully selected essential oils and balsams. For application to oil paintings to restore color brilliance. After a painting has been treated with Salamander™, an application of Damar or Synvar Varnish® will help protect the restored surface.
Silicone Brush Cleaner - will not remove natural oils in sable or bristle brushes and preserves the integrity of your expensive brushes.
Sphinx® Retouch Varnish - A quick drying, light bodied, colorless retouching varnish, composed of crystal clear acrylic resin. Excellent to brighten "dead areas" that have dried dull. It can also be used on paint not entirely dry, to extend the life of the paint.
Stand Oil - A pale colored, heavy bodied, polymerized linseed oil used in the preparation of painting mediums with less tendency than linseed oil to after-yellowing. It is slower drying than sun thickened linseed oil and produces a durable film.
Synvar® Varnish - is an acrylic gloss varnish for use with oils or acrylics.
Thickened Linseed Oil - A linseed oil prepared to possess the properties of sun-thickened oil. A pale, heavy bodied oil. Employed as an addition to painting mediums. Faster drying than Stand Oil, superior to other heat treated Linseed Oils.
Some items in this category are considered Hazardous Materials: Cannot ship by Air/Next Day Services. Ground Only.