Who Says You Need to Know What You're Doing?

My friend Heather and I, collectively known as Heather Squared, took some time to play!  We got out some Montana Gold spray paint and Montana Hardcore Markers, layed down a tarp and got to work.  We had absolutely no plan and no idea what we wanted to make.  This was purely about having fun with a friend and some new art supplies. 

In my paintings, I am always very conscious about design elements, subject matter, and concept.  Sometimes you get so wrapped up in your art and your concept that you forget to play!  Although I continue to spend most of my time on my personal work, I always love to have Heather over so we can try new things and I can just enjoy the tactile nature of painting.  So here is a video of our last session.  I recommend you do the same! 




The Refreshing Art of Entrepreneurship by M Theresa Brown

They started early in the morning, long before most of the tourists were up and about. From the balcony of my sixth floor room I saw the sellers park in the distant empty lot by the ocean and trudge through the sand with their goods. A few had  umbrellas. They needed the umbrellas on this beautiful but hot sandy strip of shoreline where the  Sea of Cortez mingled with the distant Pacific Ocean.

Cabo San Lucas resorts in Mexico are justly proud of their pristine beaches and go to unusual means to keep them beautiful, clean and safe for the huge tourist industry. There was a low rope stretched across the entire length of the beachfront property with guards posted at either end to keep the sellers from harassing the tourists. But of course if the tourists stepped over the ropes and went to the sellers, well, what could one do?

Virtually anything they thought that tourists would want from Mexico was being offered for sale. Wood carvings, scarves, woven textiles, straw hats, jewelry...some was souvenir junk.  But some of the sellers were the artists  and they had some beautiful silver jewelry and painted carvings. They would sit patiently all day behind the rope barrier and wait for curious tourists to come to them. Some would walk the beach holding up their goods and waving them to catch the attention of diners on the terraces.

When I stepped over the ropes, I was in their territory and they all saw, with certainty that I was indeed a buyer.  Their initial prices were high but they had learned that what was "too much" for one buyer, was nothing to another. They had nothing to lose so why not start high? Everything was negotiable. What I found myself admiring was not so much what they were selling, it was the persistence and perseverance that I admired.  I knew that this scene was being played out virtually everywhere, someplace, in the world. People and artists who needed the money and would tackle the public every day in the hopes of bringing in a steady income.  No embarrassment, no excuses. They all gathered around me because it was just possible that after I bought from one, I would buy from another. They did not sit quietly hoping to be noticed. They made sure that I knew they were there! The transactions were energizing, flat out fun and an inspiration to reticent artists everywhere.

There is a direct correlation between need and motivation. None of these artists had motivational issues.   Excuses did not enter into this picture. They had families to feed,  bills to pay and they were delighted to have buyers.  None of them pondered the academic world of artist angst. None of them wondered if they were "one with their art" or if they were feeding their souls or growing in their art.  They created their art. They sold their art. The sales paid their bills.....and for them, that meant life was good.

So why do we, as "educated" or trained artists, make the whole process so introspective and complicated?


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AOC Update June 17, 2010

For the past couple of weeks, I have been trying to put together the major puzzle for AOC, which is the schedule for the show: when the artist teaches, which room, based on how many students I think will sign up and all based on their own personal wishes, and various tasks they may be required to perform at the show, such as set up, demo, sign books, etc. Well, when you take all the information x 30 or so artists x 13 rooms x 4 days, throw in some oil, acrylics, a little watercolor, a dash of pastel and a bit of pencil, a girl like me has to take a deep breath and procrastinate just a tad longer...
I actually had made three previous attempts at the puzzle, but just could not get it right. Plus with the background office "noise" - phones ringing, questions answered, orders for workshops taken, supplies described, laughter (or groans), directions given - my concentration just kept getting interrupted. Another day had passed and I still did not have this crucial part of the planning for AOC 2010!
Meanwhile, I made it through all the other piles of "stuff I need to get to later" and was down to just the schedule. Once the schedule is complete, that begins a whole new "stuff I need to get to later" pile.
About 2pm, I came up with the solution. Leave! I grabbed my laptop and put all the important papers in a folder and left for home. I set up at the kitchen table at the Queen's chair and proceeded to work on the puzzle. Okay, where's my folder? Geez, I'm so used to having my info right where I need it. Thank you Christina for scanning and e-mailing "the IMPORTANT paper" to me!
After four hours and fifteen minutes straight, I have it! YEH! The puzzle is complete.
I'm pretty sure this year's schedule will work for everyone! I will be posting everything on line within my usual time frame, so please check back to the Web site!


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