Some would say to be a “real” street artist, you have to keep it real in the streets. In other words, constantly doing bigger, riskier more provocative works in public and private spaces. But the minute that artist experiences any sort of financial success for his or her art, he or she is labeled a “sell-out” ala Shepard Fairey.
I strongly disagree. Like many of my contemporaries, the “streets” might be considered our birth place, in terms of notoriety and reputation. And it definitely has provided and continues to provide me with stimulation and inspiration. Still, I’m just an artist. And the stre... [More]