Sep
29
2010

Another Street Artist Sells Out? by TMNK

Some would say to be a “real” street artist, you have to keep it real in the streets. In other words, constantly doing bigger, riskier more provocative works in public and private spaces. But the minute that artist experiences any sort of financial success for his or her art, he or she is labeled a “sell-out” ala Shepard Fairey. I strongly disagree. Like many of my contemporaries, the “streets” might be considered our birth place, in terms of notoriety and reputation. And it definitely has provided and continues to provide me with stimulation and inspiration. Still, I’m just an artist. And the stre... [More]
Sep
2
2010

Inspiration vs. Imitation by The Me Nobody Knows

I have been inspired by a host of artist's both living and dead, whose works made me stop and think about my creative process, or how I might create art a bit differently than I had before. My work at different stages/periods  have reflected the influences of artists such as Picasso, Romare Bearden, Francesco Scavullo, Keith Haring, Basquiat, and even my friend and at times collaborative partner AVONE. I have a voracious visual appetite, soaking up everything around me like a sponge, but then spitting it out in my own unique vernacular. For Instance, recently I have been doing works on brick panels, but the inspiration came from some new... [More]
Jun
16
2010

Painting in Your Own Backyard by Deb Bartos

This sounds like something you would do if you were three and your mother was hanging clothes on the line.  It is really excellent art education advice.  Ordinary and mundane objects can be the best subjects ever.  An added advantage is not wasting time or money on the commute to painting expeditions.Consider the impressionists and what they painted.  Their subjects were their families, each other, a table set for lunch, a vase of flowers.  OK, there was Renoir and the women and Degas and the ballet dancers, but they generally painted every day life.  Impressionism was just a phrase coined by an art critic who sa... [More]

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