May
23
2011

Local Raleigh Artists Unite to Help Fellow Artist and Friend!

Raleigh, NC (May 18, 2011)//For nine  months in 2009 Raleigh documentary film director Robert King and his wife, Lisa created a film that followed the unique art-collaboration between three local artists: Georges Le Chevallier, Sean Kernick and Paul Friedrich. The result of this process is the film “3 the Hard Way”. Now, two years later Robert King has been diagnosed with an anaplastic astrocytoma brain tumor. These artists are uniting once again, this time to support their friend by raising money from a one-time special screening of the film “3 the Hard Way”. All proceeds from this screening will help with medical costs and finding a cure for King.

King was diagnosed with a glioma brain tumor on January 10, 2004.  The spot on his brain had been growing since 2001. He received brain surgery in 2004, and 100% of the tumor was removed.   Recently, between May 2010 and January 2011 the tumor returned and is now a grade 3 anaplastic astrocytoma brain tumor. King went through chemotherapy and radiation and it has not shrunk the tumor. Money is being raised to search for Roberts cure.
 
3 The Hard Way is Kings’ documentary of the artistic collaboration of Kernick, a graffiti artist from the streets of Philly, Friedrick, a cartoonist born and bred in the South, and Le Chevallier, French Puerto Rican mixed media/collage painter. King followed the three artists as they worked in partnership to create 14 canvases and 15 drawings. Each artist started with three to six pieces and the medium and materials were of the artists choosing. Once all the works had  been prepared and painted, there was an exchange and each artist traded out his works for a set of the two other artists.

Film Screening
WHEN: 7:00 pm, Thursday June 2nd, 2011
WHERE: Mission Valley Cinema
2109-124 Avent Ferry Road
Raleigh, NC 27606
HOW: Ticket price is $7.00
To purchase advance tickets go to www.AmbassadorCinemas.com <http://www.AmbassadorCinemas.com>  and click "buy tickets"
 
Screening starts at 7pm followed by a Question and Answer session with Director Robert King and the cast of the documentary.
 
www.UnitedforRobert.com <http://www.UnitedforRobert.com>
 
3 The Hard Way Movie Trailer
http://bit.ly/5gHkKl
 
As a master in the hair field, Spinelli has worked on movie sets in Los Angeles, and has performed in Italy, Brazil, Switzerland, Germany, and the United States. Come out for Triangle Fashion Week and see his wonderful designs, paired with clothing from Runway Couture, Tacori jewelry presented by Diamonds Direct, and SoHo Shoes

Media Contact:
Carrie Le Chevallier
Bounce Media-Marketing
919-412-2645  
Carrie.LeChevallier@yahoo.com <mailto:Carrie.Lechevallier@yahoo.com>
 
Attachment:  Robert King photograph
 
About Robert King:
Robert was born August 5, 1973. He grew up in Broward County, Florida. He is married to Lisa King, his partner in the film company Octave Blue.  King has a daughter named Kayla King who was born in 1995. He now lives in Raleigh.

 

XXXXX

 

 

May
18
2011

If I Sell out at this show, I won't have enough art for the next one... by M Theresa Brown

I chatted with a potter recently about entering an upcoming show that I thought would be good for her.  She surprised me when she laughingly confessed that the previous year she had skipped that opportunity because she was afraid that she would have no time to re-stock her pottery when she sold out at the show held two weeks earlier.

In my  twenty one years of selling my art for a living, I have stumbled near or into many pitfalls known to beginning businesses......and I have a seasoned amount of "Things Not To Do" stories. It doesn't stop at one thing of course. Rather it's more like a Folder on my computer with numerous categories  inside.

One of these Folders in my brain refers to the artist beginning to participate in art shows. I won't go into the little mistakes that I initially made with seemingly small things that became huge as the event wore on such as forgetting the sunscreen, weights for the tents, business cards or bottled water.  Those fall under the heading of "That won't happen again."
But I will focus on that Folder that I discovered every artist has when contemplating a series of shows regardless of what he creates. And that is the concern of "If I enter this show and sell out, I won't have enough for the show in 3 weeks" syndrome.

Looking back it's actually funny only in the context of how much angst and brain power it caused in looking at all the possibilities such an event would cause. But when an artist first comes across the need to make a plan of the upcoming show season, it wreaks havoc with one's logistical skills. And, as it always turns out, unnecessarily.  It is a rare artist or craftsman who is left with nothing to sell at the next show after hitting a bonanza at the current one. The typical range of emotions runs the whole gamut during the course of the show from mentally calculating the bank deposit  to the stark realization (or conclusion) that you may not make expenses. And somewhere in the back of this artist's mind are the words from a seasoned show artist to "Not worry about selling everything in your booth." Ouch.

 My potter friend was rueful about her beginning  naivety and now enters the shows that she can accommodate based strictly on business factors.  She learned that the old adage "Never count your chickens before they hatch" has nothing to do with lack of optimism, it has everything to do with  reality and missed opportunities while waiting for just one batch to hatch. The beginning artist often quits after just one or two shows because the expectations fell  short of the reality.  But there is NO golden rule for success at every art show or festival you enter. There are definite rules that will enhance your chances of success, but every show is a learning experience. And each time you participate and file away the experience, and learn positively from it, you enhance the chance that you might, indeed, sell all your art in your booth and not have enough for the next show!


To learn more about selling your art, visit us at www.ArtCareereExperts.com . Next marketing class June 18 at Jerry's in Raleigh!
http://www.jerrysartevents.com/keyoartcainm.html
To learn more about what we do, visit us at www.OnRoadArtists.com

 

May
16
2011

PSoA Conference 2011

When I was in school, I got in ruts just like anyone else.  Sometimes you are just frustrated or uninspired.  But one of the great things about school is that you have teachers and classmates to inspire you.  I have written before about how different it is to paint after college.  You do

 not have deadlines to meet unless they are your own and you do not have teachers to impress or class critiques.  It is easy to become stagnant.  And that is where I was in my art.

After a few years of painting my "Creeper" series, I moved onto a series inspired by Bettie Page.  After a couple of paintings, I just was not into it and it was evident in my work.  I felt like my technique was slipping and I was no longer challenging myself in either execution or concept.

About two weeks ago I got to go to the Portrait Society of America's annual Art of the Portrait Conference in Atlanta.  One of the best ways to learn is by watching; and there was plenty of talent to watch and learn from throughout the weekend.  The face-off competition on the first night had 15 of the top portrait artists painting from live models for only 2 hours.  There were fantastic demos from artists such as Rose Frantzen and Jeremy Lipking.

One of the best experiences I had was at a place called Fat Matt's Rib Shack.  We went there for drinks the first night and a blues singer named Eddie

was performing and he was amazing.  He is 82 and has been performing since he was 14.  Alexey Steele asked if he would be willing to meet him there in the morning and model.  He agreed.  We saw him the next day when Jeremy and Alexey painted this genuinely sweet and talented man.  It is great to watch Alexey paint because he is equally concerned with catching the likeness of the person as well as their essence.  After meeting Eddie, I can say that he definitely achieved both.

So after three intense days of demos and fun, what did I bring back to the studio?

Well, for about five days…nothing.  I was on a high about what a great time I had, really disappointed about not still being there, and getting back in the groove of work.  But then I was ready.  The motivation and inspiration that I had been longing for was back.  Every night when I get off work I have been in my studio for 4-5 hours working on my newest painting, a 6'x6' oil on canvas.

Even though I have continued to paint the figure since school, I found myself attacking this painting in a completely different way.  I am by no means painting the same as the artists I watched, but I see differently.  My process has changed.  I have kept some of my own methods and I have added new ones.  There's more than one way to skin a cat and there's more than one way to paint a figure.  Changing the formula keeps it interesting and puts you in the mindset of innovation which is where failure and huge successes occur.  And that is definitely the place that I want to be.

 

 

Newest Piece in Progress... 72" x 72"

 

 

 

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